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ANGELA FERREIRA, Zip Zap Circus School
96 pp., b/w & colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.
A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art.
Essays by Jürgen Bock & Ian Louw.
CONRAD BOTES, The Temptation to Exist
34 pp., colour illus., paperback, Cape Town, 2011. R100
Catalogue of the exhibition of paintings, scultures, and a mixed-media installation, Stevenson gallery, Cape Town, 2011.

Includes the essay, "Martyrs and Other Monsters", by Chad Roussouw.

Conrad Botes was born in Ladismith, Western Cape, in 1969. He lives and works in Cape Town.
DESIGN INITIATIVES, Taxi Art Films 4
36 minutes, DVD, , 2009. R120
David Krut interviews two young Cape Town-based designers at the 2009 Design Indaba Expo.
Elizabeth Janse van Vuuren is the Creative Director of CHEW Magazine, a freely-downloadable digital publication dedicated to showcasing cutting-edge material from South Africa.
Wyers Marais is a student at the Cape Peninsula University of Technology. He launched his own business, Weyers Marais Design, with two lamp designs that featured at the 2009 Design Indaba Expo.
RICKY BURNETT, Resurrection Cycles & On Skin
28 pp., colour illus., paperback, Stellenbosch, 2009. R90
Catalogue of the exhibition of mixed media works on paper, SMAC Art Gallery, Stellenbosch, 2009.

Includes an essay by Richard Beynon.

Artist, writer, curator and teacher Ricky Burnett was born in England in 1949. He has spent most of his life in South Africa and currently lives and works in Johannesburg.
GAVIN YOUNGE, Deep Skin
51 pp., colour illus., paperback, Paris, 2009. R195
Catalogue of the exhibition of phorographs, sculptures and installations, Espace Cosmopolis, Nantes, 2009.

Preface by Nathalie Codjia-Miltat. Essays by Maud de la Forterie and Gavin Younge.

Text in French and English.
ROGER PALMER, Shanty
111 pp., 4to., illus., paperback, Portsmouth, 2008. R295
Catalogue of the exhibition of photographs, Aspex Visual Arts Trust, Portsmouth, 2008.

"'Shanty' includes fourteen black and white photographs made in Cuba, Egypt, Jamaica, Namibia, Panama, South Africa and the United States. These are selected from four solo exhibitions [in Cape Town, Johannesburg, Leeds and Portsmouth] (2006-2008). The photographs are presented here alongside documentation from the exhibitions, 'Shanty', 'Botany Bay' and 'Plume'." Roger Palmer

Foreword by Joanne Bushnell..
Also includes a conversation between Joanne Bushnell and Roger Palmer and the essay, "Nom de Plume" by Colin Richards.

Roger Palmer lives in Glasgow. He is Professor of Fine Arts in the School of Fine Art, History of Art & Cultural Studies at the University of Leeds.
STRUCTURE, avenues and barriers of power in the work of Jeremy Wafer
47 pp., b/w & colour illus., paperback, Durban, 2009. R160
Catalogue of the exhibition, KZNA Gallery, Durban, 2009.

Includes an essay by curator Brenton Maart.

This exhibition traces Jeremy Wafer's work over a period of 25 years and includes sculptures, drawings, photographic, diazo and digital prints, a DVD projection and photographs documenting installations.

Jeremy Wafer was born in Durban in 1953.
LADY ANNE BARNARD'S WATERCOLOURS AND SKETCHES, glimpses of the Cape of Good Hope
115 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2009. R420
Introduction by Nicolas Barker.

Lady Anne Barnard (1750-1825) was the daughter of James Lindsay, 5th Earl of Balcarres. She married Andrew Barnard in 1793 and in 1797 accompanied him to the Cape, where he had been appointed Colonial Secretary. The Barnards returned to England in 1802. Her watercolours and sketches record life at the Cape: the local inhabitants, architecture, landscape and natural history.
LIEN BOTHA, Parrot Jungle
32 pp., colour illus., paperback, Cape Town, 2009. R65
Catalogue of the exhibition of photographs, The Photographers Gallery za, Cape Town, 2009.

Includes the essay, "The Unhistorical History of Lien Botha's 'Parrot Jungle'" by Bronwyn Law-Viljoen.
LIONEL SMIT, Residue
22 pp., colour illus., paperback, Franschhoek, 2009. R45
Catalogue of the exhibition of oil paintings, The Gallery at Grande Provence Heritage Wine Estate, Franschhoek, 2009.

Includes an essay by Jacqueline Nurse.

Lionel Smit was born in Pretoria in 1982. He lives and works in Cape Town.
PAUL EDMUNDS, Subtropicalia
24 + 12 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2009.

"This body of work began with my short story of the same title (published as an accompaniment to this catalogue) describing my coming of age in Johannesburg during the 1970s and 1980s. While skateboarding and surfing were certainly not my only interests or preoccupations, I have consistently returned to them throughout my life. For this reason it seemed an appropriate motif and a means to explore aspects of my artistic practice." Paul Edmunds

Includes text by the artist.

Sculptor Paul Edmunds was born in Johannesburg in 1970. In 2007 he won the Tollman Award for Visual Arts.
JONATHAN MUNNIK, Debut Solo Show
10 pp., colour illus., paperback, Cape Town, 2009. R70
Catalogue of the exhibition, UCA Gallery, Cape Town, 2009.

"Munnik has developed his own original trademark style of pop graphic-novelesque works onto vinyl or Prespex where the main character is the bright colour in his dull world. Munnik digitally illustrates his prints onto digital tablet" from the catalogue
MESCHAC GABA, The Street
55 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of the installations, "Colours of Contonou" and "Car Tresses", Michael Stevenson, Cape Town, 2009.

Includes the essay, "Two for the Price of One" by Ivor Powell.

Meschac Gaba was born in Benin in 1961. He now lives and works in Rotterdam, Netherlands.
SIMON GUSH, Sidestep, and other recent work
36 pp., colour illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/Stevenson, Johannesburg, 2009.

Includes the essay, "Refracting Surfaces" by Joost Bosland and notes by Simon Gush.

Simon Gush was born in Pietermaritzburg in 1981. His work includes video, paint on walls, photography, performance art and sculpture.
WARRICK KEMP, The Pigs are Coming
28 pp., colour illus., paperback, Cape Town, 2009. R55
Catalogue of the exhibition of sculptures, Johans Borman Fine Art Gallery, Cape Town, November 2009 - Janurary 2010.

Includes a short essay and comments on the various sculptures by the artist.

Warrick Kemp was born in Cape Town in 1968.
SABELO MLANGENI, Men Only
36 pp., illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition of photographs, Michael Stevenson, Cape Town, 2009. The "Men Only" series focuses on the George Goch hostel on the East Rand of Johannesburg, originally built to house migrant workers and now home to taxi drivers and security gaurds.

Includes an essay by Federica Angelucci.

Sabelo Mlangeni was born in Driefontein near Wakkerstroom in Mpumalanga in 1980. He won the Tollman Award for the Visual Arts in 2009, and the Edward Ruiz Mentorship Award in 2006.
SUMMER 2009/10 PROJECTS,
84 pp., colour illus., paperback, Cape Town, 2009. R120
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2009 - January 2010.

Includes new work by Jane Alexander, Retha Erasmus, Sabelo Mlangeni, Tom Cullberg, Guy Tillim, Berni Searle, Willem Boshoff, Dineo Seshee Bopape, Tracy Payne, Andrew Putter and Zanele Muholi.
ASHA ZERO, Macro Soda Text Hits
40 pp., colour illus., paperback, Cape Town, 2009. R88
Catalogue of the exhibition of paintings, 34 Long Fine Art, Cape Town, 2009.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis,
"Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and
"Sublime Confusion" by Delphi Carstens.

Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
FIONA POLE, Heartland/ Handlines
47 pp., colour illus., paperback, Johannesburg, 2009. R80
Catalogue of the exhibition of etchings, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay by Wilhelm van Rensburg.

Fiona Pole was born in Benoni in 1974. She lives and works in Paris.
ROBERT HODGINS, Watercolours
48 pp., colour illus., paperback, Johannesburg, 2009. R186
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay, loosely inserted, by Wilhelm van Rensburg.
SILENT NOUNS AND BREATHING VERBS, an exhibition of drawings by Walter Battiss
53 pp., illus., paperback, Johannesburg, 2009. R235
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay by Wilhelm van Rensburg.
SANNELL AGGENBACH, Graceland
35 pp., colour illus., paperback, Cape Town, 2009. R140
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2009.

Includes an essay, "Nightmares and Nostalgia" by Max du Preez.

Sannell Aggenbach was born in 1975 in Cape Town, where she lives and works.
JILL TRAPPLER, Notions of Being/ Moments of Being
31 pp., colour illus., paperback, Cape Town, 2009. R79
Catalogue of the exhibition of mixed media images, paintings and paper sculptures, Irma Stern Gallery, Cape Town, December 2009 - January 2010 and SMAC Art Gallery, Stellenbosch, January - February 2010.

Includes essays by Marilyn Martin and Jill Trappler.
SMAC ART GALLERY, catalogue 2009
127 pp., colour illus., paperback, Stellenbosch, 2009. OUT OF PRINT
A catalogue listing the artists whose work was shown at Stellenbosch Modern and Contemporary Art Gallery (SMAC) in 2009. Artists include Bill Ainslie, Wayne Barker, Peter Clarke, Kay Hassan, Erik Laubscher, Johann Louw, Fred Schimmel, Edoardo Villa and Max Wolpe.
ARDMORE CERAMIC ART,
20 pp., colour illus., paperback, (Durban), 2010. OUT OF PRINT
A brochure outlining the history of Ardmore ceramic studio and introducing some of the artists.
XI, Eleven Solo Exhibitions
47 pp., colour illus., paperback, Cape Town, 2009. R95
Catalogue of the exhibitions, iArt Gallery, Cape Town, 2009.

The eleven artists who participated in this exhibition are Audrey Anderson, Michele Davidson, Jan du Toit, Sandra Hanekom, Matthew Hindley, Louis Jansen van Vuuren, Theo Kleynhans, Colbert Mashile, Clare Menck, Eris Silke and Gerald Tabata.
LYNETTE YIADOM-BOAKYE, Essays and Letters
28 pp., colour illus., paperback, Cape Town, 2010. R60
Catalogue of the exhibition of imaginary portraits, Michael Stevenson, Cape Town, 2010.

Includes an essay by Barry Schwabsky.

Lynette Yiadom-Boakye was born in 1977 in London to Ghanaian parents.



JOBURG ART FAIR, catalogue 2010
236 pp., colour illus., paperback, Johannesburg, 2010. R200
Catalogue of the 2010 Joburg Art Fair, Sandton Convention Center, 2010.

Features 23 art galleries from South Africa, Nigeria, Germany, France and England and proflies 67 artists who exhibited at the Fair, including Minnette Vári, Hasan & Husain Essop, David Goldblatt, Kay Hassan, Marcus Neustetter, Zwelethu Mthethwa, Jessica Webster, Stephen Hobbs, Karel Nel, Willem Boshoff, Cameron Platter, Michael MacGarry, Sabelo Mlangeni, Penny Siopis and Sanell Aggenbach. Also features the Special Projects, which include Featured Artist Siemon Allen, Chosen Artist Willem Boshoff and the Glosch Commissioned Artwork by Martli Jansen van Rensburg.
NATASJA KENSMIL, Frozen Queen
20 pp., colour illus., paperback, Cape Town, 2010. R60
Catalogue of the exhibition of paintings, Michael Stevenson, Cape Town, 2010.

Includes a conversation between Michael Stevenson and the artist.

Natasja Kensmil was born in 1973 in Amsterdam and continues to live and work there. She won the Philip Morris art prize in 2003.
ANGELA FERREIRA, Werdmuller Centre
27 pp., colour illus., paperback, Cape Town, 2010. R60
Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010.

Includes notes by Angela Ferreira.

Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.
ANDRIES BOTHA, US Wordfest Artist, 2010/ US Woordfeeskunsternaar, 2010.
24 pp., colour illus., paperback, Stellenbosch, 2010. R95
Catalogue of the exhibition of sculptures, installations and sketches, Sasol Art Gallery, Stellenbosch, 2010.

Includes the essays, "A Taste of the Mythical Moment, art as confirmation of our humanity" by Amanda Botha, and
"Filaments of Narrative, sculpture and the unravelling of identity" by Ernst van der Wal, and notes by Andries Botha.

Andries Botha is Senior Lecturer in Sculpture at the Durban University of Technology.
ROXANDRA DARDAGAN BRITZ,
20 pp., b/w & colour illus., paperback, (Grahamstown), 2008. R190
Catalogue for "Exodus", an exhibition of prints, National Arts Festival, Grahamstown, 2008, and Irma Stern, Cape Town, 2009.
Also includes work from the artist's first solo exhibition, "Debris".

Foreword by Dan Wylie.

Roxandra Dardagan Britz was born in Harare, Zimbabwe, in 1962. She has been involved in art education in the Eastern Cape since 1980 and lives in Grahamstown.

GINA HEYER, Threshold
16 pp., colour illus., paperback, Cape Town, 2010. R20
Catalogue of the exhibition of paintings, iArt Gallery, Cape Town, 2010.

Includes an essay by Vivien van der Merwe.

Gina Heyer was born in 1983 in Empangeni. She is currently completing her Masters degree in Fine Art at Stellenbosch University. This was her first solo exhibition and comprises work completed for her Masters degree.
SUSAN WOOLFF, Taxi Hand Signs
31 pp., colour illus., paperback, Johannesburg, 2010. OUT OF PRINT
A catalogue of hand signals and the taxi routes they indicate. Includes maps of the taxi routes in Soweto, central Johannesburg and Gauteng.

Artist Susan Woolff undertakes social interventionist art projects. Her conceptual artworks include the 'Healing' installation exhibited in Museum Africa. She also worked on the 'Mobile City' for Absa Bank. She is currently researching taxi destinations and their corresponding hand signs for her PhD in Anthropology and Art at the University of the Witwatersrand. Her rendition of taxi hand signs feature on the 2010 South African National commemorative stamps and envelopes.This booklet was launched with the stamps at the Standard Bank Art Gallery in January 2010.
THE SPACES BETWEEN,
10 pp., colour illus., paperback, (Johannesburg), 2010. R30
Catalogue of the exhibition of paintings, Tokara Winery, Stellenbosch, 2010.

The exhibition focuses on the landscape paintings of Estelle Marais, and includes works by other selected artists as contrasts to her paintings. These artists include JEA Volschenk, Diamond Boza and Erich Mayer.

Includes an essay by Julia Meintjes.

Estelle Marais was born in 1943 in Cradock.
STEVEN COHEN, Life is Shot, Art is Long
120 pp., oblong 4to., colour illus., paperback, Cape Town, 2010. R350
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

The exhibition takes a retrospective view of Steven Cohen's work over the past twenty-two years and includes hand-coloured silkscreens, videos and photographs of performances, and found objects.

Introduction by Sophie Perryer.
Includes a conversation between Steven Cohen and Ivor Powell and the essay, "D'une Mort Tutoyant la Vie" by Gérard Mayen.

Performance artist Steven Cohen was born in 1962 in Johannesburg. He now lives in Lille, France.

CHRISTO COETZEE (1929-2000) COLLECTION,
84 pp., b/w & colour illus., paperback, Pretoria, 2011. R95
Catalogue of the exhibition, University of Pretoria Museum, 2011.

There are 193 artworks by Christo Coetzee in the University of Pretoria Art Collection. After his death in 2000 an additional 2600 objects from Coetzee's home in Tulbach were bequeathed to the University.
DINEO SESHEE BOPAPE, the eclipse will not be visible to the naked eye
35 pp., colour illus., paperback, Cape Town, 2010. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Dineo Seshee Bopape's installation includes digital videos, digital drawings, sculptures, a wall collage and paintings.

Dineo Seshee Bopape was born in 1980 in Polokwane. She is a graduate of the Durban Institute of Technology and De Ateliers in Amsterdam, and completed an MFA with Columbia University in 2010. She was the winner of the 2008 MTN New Contemporaries Award.
WILLIAM KENTRIDGE, Streets of the city (and other tapestries)/ Strade della città (e altri arazzi)
144 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2009. R880
Catalogue of the exhibition, Museo di Capodimonte, Naples, 2010.

Includes the essays:
"William Kentridge: between utopia and dystopia" by Achille Bonito-Oliva,
"The Nose: learning from the absurd' by William Kentridge,
"The Projections of the Geographer and Those of the Artist: the background cartography to a new cycle of works by William Kentridge" by Fabrizio Tramontano.

Text in English and Italian.
AYHE TOO!,
32 pp., illus., paperback, Cape Town, 2009. OUT OF PRINT
A collection of original African stories, written and illustrated by Capetonians. AYHE! Too is produced by the Capecodes AYHE! Project. Capecodes is a project focused on skills training in live modern audio drama. It also runs comic arts workshops.

Contributions include:
"Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu
"Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela.

Text in English.
3AYHE!,
36 pp., illus., paperback, Cape Town, 2010. OUT OF PRINT
3AYHE! is the result of a collaboration between AYHE!, a project working with aspiring artists from the Dunoon community, and the Comic Art Unit of the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University.

Contributions include:
"The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan
"Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki
"Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw. The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.
DEBORAH POYNTON, Arcadia
40 pp., colour illus., paperback, Cape Town, 2011. R100
Catalogue of the exhibition of paintings, Michael Stevenson, Cape Town, 2011.

Includes the transcript of a talk Deborah Poynton gave at the gallery on 4 March 2011.

Deborah Poynton was born in 1970 in Durban, and lives and works in Cape Town.
NICHOLAS HLOBO, skulptur, installasjon, performance, tegning/ sculpture, installation, performance, drawing
203 pp., colour illus., paperback, Oslo, 2011. R362
Catalogue of the exhibition, Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo, 2011.

Includes the essays:
"Edge, Seam & Space" by Gavin Jantjies
"Animating Sculpture" by Kerryn Greenberg
"Benevolent Excess: transgressive form in the art of Nicholas Hlobo" by Jan-Erik Lundström.

Nicholas Hlobo was born in Cape Town in 1975, and lives in Johannesburg. He won the Tollman Award for Visual Art in 2006, the Standard Bank Young Artist Award in 2009 and is the Rolex Visual Arts Protegé for 2010/11, with Anish Kapoor as his Mentor.

Text in Norwegian and English.
ZANDER BLOM, paintings, drawings, photos
48 pp., colour illus., paperback, Cape Town, 2010. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Includes the essay, "Anticipating a Future in the Making" by Sean O'Toole.

Zander Blom was born in 1982 in Pretoria and lives and works in Johannesburg. He was awarded a Red Bull House of Art residency in São Paulo in 2009 and will take up a Fountainhead residency in Miami in 2011.
CLAUDETTE SCHREUDERS,
239 pp., 4to., colour illus., hardback, d.w., Johannesburg & Munich, 2011. R600
A monograph on sculptor and printmaker Claudette Schreuders.

Includes the essays:
"Claudette Schreuders and the Autobiography of Complexity" by Rory Bester
"At Home with the Sacred: Claudette Schreuders' sculptures and prints" by Faye Hirsch
"A Letter to Claudette" by Antjie Krog.

Claudette Schreuders was born in 1973 in Pretoria, and lives and works in Cape Town.
PERMANENT ERROR, Pieter Hugo
110 pp., 4to., colour illus., hardback, Munich, 2011. R465
A collection of photographs taken by Pieter Hugo during 2009 and 2010 at the Agbogbloshie Market in Accra, Ghana.

Inclues the essays,"Harvest" by Federica Angelucci and "A Place Called Away" by Jim Puckett, and a list of abbreviations taken from "Recycling: from E-Waste to Resources", United Nations Environment Programme, 2009.
WALTER MEYER, US Woordfeeskunsternaar 2011/ US Wordfest Artist 2011
27 pp., colour illus., paperback, (Cape Town), 2011. R135
Catalogue of the exhibition of paintings, Sasol Art Gallery, Stellenbosch, 2011.

Includes the essay, "Landskappe as Draer Van Ons Psige: 'n herkenning van 'n verdwene moment" by Amanda Botha.

Text in English and Afrikaans.

Walter Meyer was born in 1965 in Aliwal North and lives and works in Upington.
GEOGRAPHY OF SOMEWHERE,
43 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2011.

"At the heart of 'Geography of Somewhere' is a paradox: the works on exhibition are from the city but they are not of the city. They draw aspects of their vocabularies from conditions of the urban, yet they are not simply descriptive...: David Brodie, from his intrduction

Includes work by Zander Blom, Dineo Seshee Bopape, Angela Ferreira, Meschac Gaba, Gerald Machona, Nare Mokgotho, Serge Alain Nitegeka, and Odili Donald Odita.
PENNY SIOPIS, Who's Afraid of the Crowd?
52 pp., colour illus., paperback, Cape Town, 2011. R100
Catalogue of the exhibition, Stevenson gallery, Cape Town, 2011.

Includes a conversation between Kim Miller and Penny Siopis.

Penny Siopis was born in 1953 in Vryburg and lives in Cape Town. She is an Honorary Professor at Michaelis School of Fine Art.
MICHAELIS SCHOOL OF FINE ART EXHIBITION & AUCTION,
53 pp., 4to., colour illus., paperback, Cape Town, 2011. R125
An exhibition showcasing prestigious alumni, staff and friends together with an auction to raise funds for bursaries and scholarships.
The auction took place on the 20 July 2011.

Preface by Stephen Inggs.

Artists who donated work include Marlene Dumas, Ian Grose, Gavin Younge, Pippa Skotnes, Frith Langerman, Hassan & Husain Essop, Gerhard Marx, David Brown, Lien Botha, Lise Brice, Brett Murray, Jane Alexander, Mikhael Subotzky, Gavin Jantjes, Penny Siopis, and Claudette Schreuders.
SECRET OBSESSIONS OF THE MIND, an exhibition of artworks by Eris Silke (1947-)
80 pp., colour illus., paperback, Johannesburg, 2007. R395
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2007.

Foreword by curator Graham Britz. Text on each of the paintings by Vicki Cruywagen.

Eris Silke was born in Hungary in 1947 and grew up in Israel. She moved to South Africa when her then husband was positioned as a rabbi in Germiston and began her career as a self-taught artist in 1975. She lives in Cape Town.
ZWELETHU MTHETHWA, New Works
65 pp., oblong 4to., colour illus., paperback, Cape Town, (2011). R70
Catalogue of the exhibition of photographs, iArt Gallery, Cape Town, 2011.

Includes portraits of young male members of the Shembe Nazareth church from the series, "The Brave Ones", and interiors taken in hostel rooms of male migrant workers from "The End of an Era" series.

Also includes the essays:
"Short Notes: Zwelethu Mthethwa's photography of interiors and exteriors" by Thembinkosi Goniwe
"The Interiors: hostel series" by Lloyd Pollack
"Documentary Portraiture: Zwelethu Mthethwa's invention of a new photographic genre" by Michael Godby
"Reading Dress, Worship, Ritual and Diviners in Zwelethu Mthethwa's 'Shembe' Series" by Nomboniso Gasa.

JACO SIEBERHAGEN, Step Up or Step Down
23 pp., colour illus., paperback, Johannesburg, 2011. R65
Catalogue of the exhibition of laser cut mild steel and paint sculptures, Artspace Gallery, Johannesburg, 2011.

Jaco Sieberhagen was born in 1961 in Victoria West. He lives in Hermanus.
NANDIPHA MNTAMBO, Standard Bank Young Artist Award 2011
120 pp., 4to., colour illus., hardback, Cape Town, 2011. R350
Published to accompany Nandipha Mntambo's Standard Bank Young Artist touring exhibition which opened at the National Arts Festival, Grahamstown, 2011.

The book documents the artist's works to date, from 2004 to 2011, including the body of work produced for the Standard Bank show titled, "Faena".

Includes the essays:
"A Sense of Pause", in which Ruth Simbao interviews Nandipha Mntambo
"The Silence That No One Talks About" by David Elliot.

Nandipha Mntambo was born in 1982 in Swaziland. She lives and works in Johannesburg.
RICHARD JOHN FORBES , A.R.C. @ JAG
48 pp., colour illus., hardback, Johannesburg, 2011. R320
Catalogue of sculptor Richard John Forbes' mid-career retrospective exhibition of large objects, Johannesburg Art Gallery, 2010.

Includes the essays
"Olfactory Alchemist" by Antoinette Taljaard
"Richard John Forbes' A.R.C." by Rhett Martyn
FNB JOBURG ART FAIR, 2011
173 pp., colour illus., paperback, Johannesburg, 2011. R195
Catalogue of the 2011 FNB Joburg Art Fair.

Includes profiles of the galleries and artists that participated as well as a section on the finalists for the 2011 FNB Art Prize and the ten finalists for the Business Day Wanted magazine's list of emerging Young African Artists.
ANTON VAN WOUW (1862-1945),
80 pp., b/w & colour illus., paperback, Pretoria, 2010. R50
Catalogue of the retrospective exhibition of sculptures, University of Pretoria Museum, 2010.

Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland. He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic. His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria. Thereafter he created architectural sculpture for numerous prominent buildings in Pretoria and Johannesburg, as well as many Afrikaner monuments and free-standing public sculptures.
BEYOND THE LINE - JOHANNESBURG,
95 pp., colour illus., paperback, Johannesburg, 2008. R140
Published on the occasion of the art project, "Beyond the Line", at the Johannesburg Art Gallery, the Goethe-Institut Sudafrika and the Wits School of Arts, 2008.

"Beyond the Line", a project conceived by German artist Katrin von Maltzhan, focuses on contemporary art practice in relation to drawing. The first version of the project was undertaken in Brunswick. In 2008, Katrin, Karel Nel and Natasha Christopher realised the second version with students from the Wits School of Art. Johannesburg Art Gallery and Goethe-Institut Sudafrika were project partners. Curators from Johannesburg Art Gallery and the gallery registrar, in conversation with Natasha and Karel, made a selection of works from the gallery's permanent collection and put together an exhibition containing more than forty works, which included historical drawings and prints, traditional African objects and contemporary works in different media.
South African artists include Penny Siopis, Lisa Brice, Robin Rhode, Sandile Zulu, and William Kentridge.

Includes the essays:
"Lines from Berlin" by Katrin von Maltzahn
"Beyond the Line - Johannesburg" by Natasha Christopher and Karel Nel
"The Handling and Storage of Works of Art on Paper" by Jeannine Howse
"Thinking About Drawing" by Khwezi Gule
"Selection from the Traditional Collection" by Nessa Leibhammer.
MIKE EDWARDS, 50 Years of Portraiture, 1958-2008
127 pp., b/w & colour illus., paperback, Pretoria, 2008. R195
A complete catalogue of the portaits produced by Mike Edwards over a period of 50 years, published simultaneously with an exhibition of selected works from this period at the Old Merensky Library Building, University of Pretoria, as part of its centenary year celebrations.

Mike Edwards was born in Port Elizabeth in 1938. He was Head of the Art Department and Vice Principal of the (then) Technical College in Bloemfontein and Associate Professor of Fine Art at the University of Pretoria, before leaving teaching to concentrate on his sculpture. Public commissions include the Delville Wood panel in Longueval and many portraits of public figures, academics and artists.
VLERKE BINNE TYDLOSE RUIMTE/ WINGS WITHIN TIMELESS SPACE, Bettie Cilliers-Barnard (1914-)
32 pp., colour illus., paperback, Pretoria, 2010. R50
Catalogue of the exhibition of Bettie Cilliers-Barnard paintings in the University of Pretoria collection, University of Pretoria, 2010.

Text in Afrikaans.
SABELO MLANGENI, At Home/ Ghost Towns
76 pp., illus., paperback, Cape Town, 2011. R150
Catalogue of the exhibition of photographs, Stevenson gallery, Cape Town, 2011.

Includes the essay, "Impressions of the Residual World" by Sean O'Toole.

Sabelo Mlangeni wa born in 1980 in Driefontein. He lives and works in Johannesburg. In 2009 he won the Tollman Award for Visual Arts.
JUDITH MASON, Rictus Sardonicus; Mouthpieces and other things
20 pp., 4to., colour illus., paperback, Johannesburg, 2011. R177
Catalogue of the exhibition of drawings, Gallery AOP, Johannesburg, 2011.

Includes an essay by Wilhelm van Rensburg.
LIONEL SMIT, Surface
27 pp., colour illus., paperback, Johannesburg, 2011. R60
Catalogue of the exhibition of paintings and sculptures, Artspace gallery, Johannesburg, 2011.

Includes an introductory essay by Jacqueline Nurse.

Lionel Smit was born in Pretoria in 1982. He lives and works in Cape Town.
FROHAWK TWO FEATHERS, The Edge of the Earth isn't Far from Here
36 pp., colour illus., paperback, Cape Town, 2011. R100
Through imaginary and detailed drawings Frohawk Two Feathers reimagines colonial history using the fictional Empire of Frengland as the driving force in his global narrative. In this exhibition he has unearthed events in a Cape Colony in 1792, where a lone French garrison is threatened by a Bavarian invasion.

Frohawk Two Feathers was born in Chicago in 1976. He lives and works in Los Angeles.
WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE ,
79 pp., colour illus., paperback, Cape Town, 2011. R200
Catalogue of the exhibition, December 2011 - January 2012, Michael Stevenson, Cape Town.

Includes the essay, "The Impossible Reality of Love" by curator Federica Angelucci, and work and text by Simon Gush, Dineo Seshee Bopape, Anton Kannemeyer, Zanele Muholi, Nicholas Hlobo, Wim Botha, Claudette Schreuders, Penny Siopis, Deborah Poynton, Igshaan Adams, and Pieter Hugo.
BILLY MONK,
83 pp., 4to., illus., hardback, Stockport, 2011. R500
A monograph on legendary photographer Billy Monk.

Contributions include:
"The Spirit of Billy Monk", by David Goldblatt
"The Seedy Eye of the Sixties" by Jac de Villiers
"'Now you've gone 'n killed me...'" by Lin Sampson.

Billy Monk was born in 1937. He worked as a bouncer at Les Catacombs, a nightclub in Long Street, Cape Town, in the late 1960s, where most of his photographs were taken. Later he moved to the West Coast. He died in 1982.
IMPLEMENTED ENVIRONMENTS, Jessie Hammond, Mohau Modisakeng, Daniella Mooney, Zwelethu Mthethwa and Willie Bester, Sean Slemon, Jan van der Merwe, Barbara Windenboer
28 pp., colour illus., paperback, Cape Town, 2011. R50
Catalogue of the group exhibition, Brundyn + Gonsalves, Cape Town, December 2011 - January 2012.

Includes the essay, "Implemented Environments: solastalgia, enlightenment, red tape and the void" by curator Tim Leibbrandt.
WHAT EVERYONE KNOWS, a retrospective exhibition of prints by Nhlanhla Xaba
16 pp., colour illus., paperback, Johannesburg, 2012. R88
Catalogue of the retrospective exhibition, Gallery Art on Paper, Johannesburg, 2012.

Nhlanhla Xaba was born in Springs in 1960. He taught art at various institutions and compiled a textbook for teaching children's art, called "Khula Udweba". He worked with Matsemela Manaka as an assistant curator in founding the Soweto Neighbourhood Museum between 1991 and 1992 and was co-founder of the Artist Proof Studio in 1991. He was awarded the Standard Bank Young Artist Award in 1998. He died in the fire that destroyed the Artist Proof Studio premises in 2003.
TOM CULLBERG, Periphery
36 pp., colour illus., paperback, Cape Town, 2012. R20
Catalogue of the exhibition of paintings, Brundyn + Gonsalves, Cape Town, 2012.

Includes the essay, "Painting on the Edge: tangibility, abstraction and association in Tom Cullberg's 'Periphery'" by Tim Leibbrandt.

Tom Cullberg was born in 1972 in Sweden. He lives and works in Cape Town.
MARLENE DUMAS, Man Kind
34 pp., 4to., b/w & colour illus., paperback, Amsterdam, 2006. R195
Catalogue of the exhibition, Galerie Paul Andriesse, Amsterdam, 2006.

Includes the essay, "Post Morten", by Paul Andriesse and two poems by Marlene Dumas.

Text in Dutch and English.
KNOTT FROM THIS WORLD, sculpture exhibition, recent sculptures by Mark Swart (1966-)
76 pp., colour illus., paperback, Johannesburg, 2008. R395
Catalogue of the outdoor exhibition of large scale sculptures, Graham's Contemporary Fine Art Gallery, Johannesburg, 2008.

Foreword by Graham Britz. Introduction by Amy Thorne.
ANDRIES BOTHA, (dis)Appearance(s)
32 pp., colour illus., paperback, Durban, 2007. R70
Catalogue of the exhibition of sculptures and drawings, Bank Gallery, Durban, 2007.

Includes the essays:
"Andries Botha, (dis)Appearance(s)" by Valerie Leigh
"Lest We Forget" by Professor Pitika Ntuli
"History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann
"An Art of Imagining" by Professor Mike Chapman
PAUL, Some Strange Alphabet
47 pp., b/w & colour illus., paperback, (Johannesburg), 2008. R250
Catalogue of the exhibition of drawings, paintings and sculptures, Graham's Contemporary Fine Art Gallery, Johannesburg, 2008.

Includes the essay, "Some Strange Alphabet", by Antoinette du Plessis.

Painter and sculptor Paul du Toit was born in Johannesburg in 1965.
WALTER OLTMANN, Standard Bank Young Artist 2001
32 pp., colour illus., paperback, (Johannesburg), (2001). R150
Catalogue of the travelling exhibition of wire sculptures and drawings that opened at the Standard Bank National Arts Festival, Grahamstown, 2001.

Foreword by Andrew Verster.
Includes the essay, "Traversing Borderlines, Walter Oltmann's recent works" by Brenda Schmahmann.

Walter Oltmann was born in Rustenburg in 1960. He lectures in the Department of Fine Arts at the University of Johannesburg.
SCATS ESTERHUYSE, The Transient Landscape, through small spaces and in-between places, a collection of works
55 pp., colour illus., paperback, Johannesburg, 2010. R398
Catalogue of the exhibition of landscape paintings, Graham's Contemporary Fine Art Gallery, Johannesburg, 2010.

Foreword by Graham Britz.


WALTER MEYER, An Outsider's View
67 pp., colour illus., paperback, Johannesburg, 2012. R415
Catalogue of the exhibition of landscape paintings, Graham's Contemporary Fine Art Gallery, Johannesburg, 2012.

"An Outsider's View" is an exhibition of selected examples of Walter Meyer's landscapes, painted over a period of 21 years, from 1990 to 2011.
SABELO MLANGENI, Country Girls
44 pp., illus., paperback, Cape Town, 2010. R96
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2010.

Photographer Sabelo Mlangeni's "Country Girls" series is a portrait of gay life in small towns and rural areas in South Africa's Mpumalanga province.

Includes an essay by Graeme Reid, a lecturer in LGBT studies at Yale University.
FRANCES GOODMAN, Save Me From What I Want
72 pp., colour illus., paperback, Johannesburg, 2010. R220
Catalogue of the exhibition of sound sculpture installations and other mixed media work, Goodman Gallery, Johannesburg, 2010.

Includes the essays:
"Morbid Appetites, consumption and other dead-again experiments" by Ashraf Jamal
"Selected Works, anxious proximities" by Alexandra Dodd.

Frances Goodman was born in 1975 in Johannesburg, where she lives and works.

THE IMPORTANT 2010 IMPRESSIONIST/ MODERN, POST-WAR & CONTEMPORARY AUCTION, autumn 2010
3 vols., 229 + 173 + 205 pp., 4to., colour illus., paperbacks, slipcase, Johannesburg, 2010. R500
Catalogues for the autumn 2010 art auction, Graham's Fine Art Auctioneers, Johannesburg.

Session 1: Highly Collectable South African Art Books Sale
Session 2: International, Impressionist/Modern, Post-War and COntemporary Sale
Session 3:Impressionist/Modern Evening Sale
Session 4: Post-War and Contemporary Evening Sale

ANDRE VAN VUUREN, Essential Marks
47 pp., colour illus., paperback, Johannesburg, 2012. R385
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2012.

André van Vuuren was born in Benoni near Johannesburg in 1945 and lives in Riebeek Kasteel in the Western Cape.
HERMANN NIEBUHR, City Chromatic
46 pp., colour illus., paperback, Johannesburg, 2012. R140
Catalogue of the exhibition of paintings of Johannesburg, Everard Read, Johannesburg, 2012.

Hermann Niebuhr was born in Johannesburg in 1972 and moves between his studios in Johannesburg and the Klein Karoo.
CANDICE BREITZ, Extra!
112 pp., oblong 4to., colour illus., paperback, (Johannesburg), 2012. R95
Published in conjunction with the exhibition of photographs and multi-channel video installations, Standard Bank Gallery, Johannesburg, and Iziko South African National Gallery, Cape Town, 2012.

In "Extra" Candice Breitz insinuates herself into scenes from "Generations", a weekly drama broadcast on SABCTV. The publication also includes the installation "Mother + Father" and the series of double portraits, "Factum".

Includes the essays:
"An Unmistakably White Question Mark" by Sean O'Toole
"Extra: Mfundi Vundla in Conversation with Candice Breitz".

Candice Breitz was born in Johannesburg in 1972. Since 2002 she has lived and worked in Berlin. She is Professor of Fine Art at the Braunschweig University of Art.


PAUL EMSLEY, US Woordfees/ Wordfest Artist 2012, Retrospective exhibition
69 pp., b/w & colour illus., paperback, Cape Town, 2012. R80
Catalogue of the exhibition of drawings and paintings, Sasol Art Gallery, Stellenbosch, 2012.


Includes the essays:
"Beauty and Truth: an aesthetic appreciation of Paul Emsley's art" by Amanda Botha
"Vital Illustrations" by Melvyn Minnaar
"Portrait of Paul Emsley" by Clare Menck
"My Father, the Artist" by Alex Emsley
"Paul Emsley on His Career".

Paul Emsley was born in Glasgow in 1947. He grew up in South Africa and taught painting and drawing at Stellenbosch University from 1983 to 1995. He moved back to the U.K. in 1996. He won first prize in the BP Portrait Award in 2007.
Adam (J.) et. al. SECOND AID, doorstops, drip-catchers and other symbiotic gadgets
136 pp., 4to., b/w & colour illus., paperback, Ludwigsburg, (2000) 2003. R425
Published to accompany the exhibition, "Türbremse, Tropfenfänger und andere obligate Symbionten", curated by Jörg Adam & Dominik Harborth, Berlin, Germany, 2000.

"The gadgets referred to in this book as "second aids" were called 'Helfershelfer' in the original German edition. A "helper's helper", to use a literal translation, is a secondary assistant; the term is often used somewhat derogatorily to denote a lackey or accomplice...the unpretentious, accomplice 'add-on' object becomes a perfect tool to explain industrial design, mainstream aesthetics, marketing philosophies, the historical and sociological heritage of products and the ambitions and trials of modern inventors".

Essays include "The Habits of the Gorilla" by Ivan Vladislavíc. A "gorilla" is a gadget one can attach to the stearing wheel to secure a car against theft.

Includes a 32 pp. supplement, "Second Aid for Design Icons, Salif Aid, Sit-Kit, Left Link, Millenium Clip, Soft-Grip-Set, Cap".

Originally published in German.
Adams (L.), Fleetwood (J.) & Kalisa (S.) curators & eds. IN TRANSIT,
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. R180
Catalogue of the photography exhibition, The Photo Workshop Gallery, Market Photo Workshop, Johannesburg, 2008.

Presents work by students and past students of the Market Photo Workshop which focuses on the role women play in South African society. Includes an essay, "In Transit", by Claire Rousell.
Addleson (J.) & Khoza (P.) curators MR TITO ZUNGU, a retrospective exhibition
21 pp., map, colour illus., paperback, Durban, 1997. OUT OF PRINT
Catalogue of the exhibition, Durban Art Gallery, 1997.

Tito Zungu was born in 1939 in the Mapumulo district, KwaZulu-Natal. In 1957 he began to produce simple line drawings, first in pencil, then using red, blue, green and black ball point pen, He moved on to decorating envelopes with his now famous drawings of aeroplanes, ships, buildings and flowers.
Addleson (J.) curator UNTOLD TALES OF MAGIC, Abelumbi
158 pp., map, b/w & colour illus., paperback, Durban, 2002. R90
Catalogue of the exhibition, Durban Art Gallery, 2002.

Works created by artists of KwaZulu-Natal in repsonse to the chosen theme of the exhibition: magic.

Essays include "Familiars" by Jill Addleson, "The Shades" by Ashraf Jamal, "Abelumbi - new tales of magic" by Juliette Leeb-du Toit, "'Today Isangoma of Heaven Has Come': miracle, necromancy and the prophet of indigenous African Christianity" by Robert Papini, "SIYAZAMA - striving to make a postive difference" by Kate Wells, "Some Understandings on the Magical and the Mythical" by Yvonne Winters & "The Spiritual Connotations of Witchcraft/ Magic: a biblical perspective" by Mduduzi Xakaza.
Addleson (J.) curator CYPRIAN MPHO SHILAKOE REVISITED, an exhibition of paintings, prints and sculpture
96 pp., map, b/w & colour illus., paperback, Durban, 2006. R150
Catalogue of the travelling exhibition which opened at the Durban Art Gallery in 2006.

Includes the essays "Cyprian Mpho Shilakoe's Brief Life (1946-1972)" by Jill Addleson,
"Remembering Cyprian Shilakoe" by Linda Givon,
"Prints, Prophecy and the Limits of Popular Testimony in Shilakoe's Work" by Philippa Hobbs,
"Some Odd Memories of Cyprian Shilakoe from His Days as a Visiting Student at the Art and Craft Centre, Rorke's Drift, at the Beginning of 1970" by Otto Lundbohm,
"Four Prints by Cyprian Shilakoe" by Andries Oliphant,
"Speaking with Silent Sculptures, investigating the sculptural works of Cyprian Mpho Shilakoe" by Elizabeth Rankin
and "The Graphic Work of Cyprian Shilakoe: reflections on a cosmology informed by a unique combination of temperament and culture" by Yvonne Winters.

Printmaker and sculptor Cyprian Shilakoe was born in 1946 in Barberton, Mpumalanga. He was killed in a car accident in 1972, at the age of 26.
Addleson (J.) curator & ed. TREVOR MAKHOBA, memorial exhibition
113 pp., 4to., spiral-bound, Durban, 2005. OUT OF PRINT
Painter Trevor Makhoba was born in Umkhumbane in KwaZulu-Natal in 1956. He died in Durban in 2003.

The Trevor Makhoba Memorial Exhibition was cancelled because of copyright problems.None of the one hundred paintings selected have been printed in the cataogue.

Contents include "Hamba Kahle Umfowethu, memories, insights and anecdotes: a tribute to Phila Trevor Makhoba" by Bruce Campbell Smith, "Trevor Makhoba: the naked truth - light and dark" by Brian Sandberg, "Casting Light: the linocuts of Trevor Makhoba" by Philippa Hobbs, "Phila Trevor Makhoba's Narratives and Mores: dialectics of artistic and intellectual leadership" by Juliette Leeb-du Toit, "Uneasy Discourses of Power: crises of black masculinity in the work of Trevor Makhoba" by Vulindlela P.E.Nyoni, "Great Temptation in the Garden: Trevor Makhoba as taboo-breaker" by Yvonne Winters & Mxolosi Russel Mchunu, a transciption by Valerie Leigh of an interview held with Trevor Makhoba and Jo Thorpe in 1992, and more.
Aggenbach (S.) curator SWEET NOTHINGS, photographic work by Sanell Aggenbach, Jean Brundrit, Svea Josephy, Dorothee Kreutzfeldt, Jillian Lochner
31 pp., colour illus., paperback, , 2005. R62
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2005.
Alberts (P.) photo. & text & Aucamp (H.) text BUITE DIE HEKKE VAN EDEN,
304 pp., 4to., illus., hardback, d.w., Pretoria, 2009. R595
A collection of photographs that Paul Alberts has taken over many years in different parts of South Africa. Includes short poems by Hennie Aucamp.
Alberts (P.) photo. & text; Tutu (D.) & Sachs (A.) text SOME EVIDENCE OF THINGS SEEN, children of South Africa
252 pp., 4to., illus., paperback, d.w., Johannesburg, 1997. OUT OF PRINT
Introduction by Nelson Mandela. Text by Desmond Tutu & Albie Sachs. Interviews conducted by Paul Alberts with Johnny Mmeiwa Dhlabu, Kobus Smal, Lizelle Smit, Jane Msimanga, Asnath Manyelo & Pauline Kuzwayo.
Includes a chapter on the situation of children and women in South Africa complied from material by United Nations Childrens Fund and National Childrens Rights Committee.
Alemani (C.) WILLIAM KENTRIDGE,
107 pp., b/w & colour illus., paperbck, Milan, 2006. R300
A monograph on William Kentridge, in the Supercontemporanea series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but in the clear words of life: each contemporary artist tells us about life and the world we share."

Cecilia Alemani is an independent curator and art critic.
Alexander (L.) FREDERICK I'ONS RETROSPECTIVE EXHIBITION, King George VI Art Gallery, Port Elizabeth, 1990.
37 pp., 4to., b/w & colour illus., paperback, Port Elizabeth, 1990. OUT OF PRINT
Catalogue of the exhibition.

Frederick I'Ons (1802-1887) arrived in Grahamstown in 1834. There he produced landscape paintings, a few paintings of historical scenes, commissioned portraits of military types and governors, family portraits, "souvenir" portraits of Xhosa chiefs and other studies of African people, as well as some caricatures.
Alexander (L.) & Cohen (E.) 150 SOUTH AFRICAN PAINTINGS, past and present
180 pp., 4to., colour illus., hardback, d.w., Cape Town, 1990. OUT OF PRINT
Includes work by Frans Oerder, Pieter Naudé, Pieter Wenning, Dorothy Kay, Maggie Laubser, Pierneef, Irma Stern, Maud Sumner, George Pemba, Gerard Sekoto, Robert Hodgins, Gladys Magudlandlu, Christo Coetzee, Esther Mahlangu, Helen Sebidi, Lucky Sibiya, Norman Catherine, Deborah Bell, Penny Siopis, and many others.
Allara (P.) et. al. COEXISTENCE, contemporary cultural production in South Africa
92 pp., 4to., b/w & colour illus., paperback, Brandeis & Cape Town, 2003. R225
Catalogue of the exhibition held at The Rose Art Museum, Brandeis University, January 22 - June 29, 2003 & South African National Gallery, Cape Town, September 24, 2003 - March 2004.
Essays by Marilyn Martin, Kim Berman, Thembinkosi Goniwe, Pamela Allara, Steven Sack, Julia Charlton, Zola Mtshiza, Simon Njami, Brenda Schmahmann.
Work by Willie Bester, Jane Alexander, Jo Radcliffe, Tracey Rose, William Kentridge, Sue Williamson, Noria Mabasa, Johannes Mashego Segogela, and others.
Allen (S.) NEWSPAPERS, a project by Siemon Allen
59 pp., colour illus., paperback, Des Moines, 2004. R350
Catalogue of the exhibition, Anderson Gallery, Drake University, Des Moines, Iowa, 2004.

Includes an introduction, "Newspapers in Progress" by curator Cira Pascual Marquina and the essays "The Image of South Africa" by Siemon Allen and "Archiving the Contemporary" by Lauri Firstenberg. Also included is an edited transcript from a panel discussion, "Post/Times - U.S.media coverage of South Africa and the world", which took place in conjunction with the exhibition. The panelists included Rodger Streitmatter, Adam Clayton Powell and John Peffer.
Altschuler (J.) curator & ed. THE 4TH CAPE TOWN MONTH OF PHOTOGRAPHY, emergence & emergency
173 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibitions of photographs held around Cape Town, 2008.

Includes the essays "South African Photography Now" by Jenny Altschuler, and "Power, Secrecy, Proximity: a history of South African photography" by Patricia Hayes.

Exhibitions included "Construct", with work by Roger Ballen, Lien Botha, Abrie Fourie, Nomusa Makhubu, Bernie Searle and Dale Yudelman,
"The League of Ahistoric Anachronistic Photographers Specialising in Obsolete and Archaic Processes", with work by Jean Brundit, Nicky Cooper, Vanessa Cowling, Svea Josephy and Adrienne Van Eeden,
"Eye Inside" by Tracey Derrick,
"A Tribute to Neville Dubow, 1933-2008",
"Hasan and Husain Essop",
"Made In France" by George Hallett,
"Then and Now", with work by David Goldblatt, George Hallett, Cedric Nunn, Eric Miller, Guy Tillim, Paul Weinberg, Graeme Williams and Gisele Wulfsohn,
"Child Headed Households" by Santu Mofokeng, and
"Berni Searle".
Alvim (F.) curator OBSERVATORIO/ SD/ OBSERVATORY, 26 de Julio / 10 de Septembre
208 pp., oblong 4to., colour illus., hardback, Valencia, 2006. R450
Catalogue of the exhibition, Institut Valencià d'Art Modern, Valencia, 2006.

Artists include Ndilo Mutima, Yonamine, Kiluanji Kia Henda, Nástio Mosquito, Paulo Kapela & /Hosvanny from Angola & Kendell Geers, William Kentridge, Minnette Vari, Tracey Rose & Berni Searle from South Africa.

Includes the essays, "Africa: between uneasiness and optimism" by Consuelo Císar Casabán & "Against the Universalist Illusion" by Simon Njami.

Text in English & Spanish.
Alvim (F.) et. al. (eds.) NEXT FLAG, the African sniper reader
183 pp., colour & b/w illus., hardback, Zurich, 2005. OUT OF PRINT
"In the context of 'Next Flag - An African Sniper Project', TACCA (Territórios de Arte e Cultura Contemporânea Africana), with its headquarters in Angola's capital, Luanda, and the Camouflage network (Fernando Alwim, Kendell Geers, Simon Njami, Olu Oguibe and Iris Buchholz), an African satellite or bridgehead in 'first' Europe, have entered into close colloborative relations with European art institutions that have links of solidarity with them...After a number of exhibitions in Europe between 2003 and 2005...the present catalogue came into being...This publication served as research for the Trienale de Luanda 2006".

Includes work by Lisa Brice, Kendell Geers, Tracey Rose, Berni Searle, Willen Boshoff, Kay Hassan, William Kentridge, Moshekwa Langa & Zwelethu Mthethwa from South Africa & Fernando Alwim & N'Dilo Mutima from Angola.

Essays include "The Next Flag" by Simon Njami, "Representations of Africa", a conversation between Heike Munder & Fernando Alvim, "Universalism is the Sum of Particularities", a conversation between Heike Munder & Simon Njami, "Exile and the Creative Imagination" by Olu Oguibe, "With the Effectivness of a Tank", a conversation between Nicolas Bourriaud, Kendell Geers & Daniel Buren, and more.
Anders (P.) & Krouse (M.) eds. POSITIONS, contemporary artists in South Africa
291 pp., b/w & colour illus., paperback, First S.A. Edition, Johannesburg, 2010. R280
First published in Germany (in German) in 2010.

A collection of interviews and essays on some of South Africa's most prominent artists, writers, choreographers, photographers and musicians.

Contributions include:
"The Bounds of the Inexpressible: Zapiro and political cartooning in South Africa" by Jane Duncan,
"The Political, Marginal and Sexualised Nature of Black Masculinity", choreographer Boyzie Cekwana talks to Rodney Place,
"Uprooting & Re-Routing the Afrikaner Male: Peter van Heerden's abject performance art" by Megan Lewis,
"'I dreamt I saw a herd of cattle'", sculptor and photographer Nandipha Mntambo talks to Anthea Buys,
"Twin Brothers, Twin Towers and Digital Dichotomies", photographers Hasan and Husain Essop talk to Yunus Vally,
"A Staccato Movement of Expansive and Neurotic Individuals: Robyn Orlin's search for the expression of contemporary dance" by Matthew Krouse,
"Forms of Power and Powerlessness: photographer Guy Tillim researches perceptions of reality" by Sean O'Toole,
"Reversing the Hierarchy of Reality and its Representation: Michael MacGarry unhinges Africa's political myths" by Anthea Buys,
"Shock of Recognition: Sue Williamson and South Africa's identity" by Chris Roper.

Peter Anders is currently Country Director of the Goethe-Institut in China.
Matthew Krouse is the arts editor of the Mail & Guardian newspaper.
Anderson (B.) et. al. curators THE BLACK AND WHITE POSTER PROJECT,
95 pp., illus., paperback, Cape Town, 2005. R180
Catalogue of the exhibition, DIRT Contemporary Art Space, Cape Town, 2005.

Artists were invited to design an A2 poster in black and white.
Anderson (I.) dir. PAUL DU TOIT, fighting with my weak hand
29 + 6 + 6 minutes running time, DVD, Cape Town, 2006. R150
The DVD comprises 3 films: "Paul du Toit, fighting with my weak hand", offering insight into the artist's mind and creative process, "Dieu Donné Papermill" (2005), which looks at the time Paul du Poit spent at this New York papermill "painting with paper" and "Forum Homini" (2005), which captures the artist working on his "The Purple Hominid" mural in the Cradle for Humankind.
Andrag (B.) ed. CAPE TOWN STADIUM, between the lines
191 pp., b/w & colour illus., paperback, Cape Town, 2010. R228
A collection of ten articles, twenty six interviews and a panel discussion on the building of the Cape Town Stadium.

Articles include "Beyond the Village: Cape Town rises to the occasion" by Laurine Platzky, which explores the political and social history of Cape Town and addresses some of the topical issues relating to the location of the building,
"Urban Design - Beyond Object" by Henri Comrie and Khalied Jacobs, which explains how the urban form of the stadium relates to the spatial composition of the city,
"The Cape Town Diva: drama, dignity & delight" by Catherine Slessor, which examines the stadium from an architectural point of view,
"Putting a Lid on it" by Henning Rasmuss and Carolyn Helfenstein, which outlines what went into constructing the roof of the stadium, and
"Calla and Calabash: spectacular stadium structures surprise the world" by Roman Hollenstein, which discusses all the new stadia in the country.
Annuss (E.) curator & ed. STAGINGS MADE IN NAMIBIA, postkoloniale fotografie
300 pp., b/w & colour illus., paperback, Berlin, 2009. R295
Published on the occasion of the exhibition in the former chapel of the Bethanien in Kreuzberg, Berlin, and National Art Gallery of Namibia, Windhoek, 2009.

This exhibition grew out of a Namibian-German project which examined post-colonial photography. Between March 2007 and May 2008 Barbara Loreck and Evelyn Annuss distributed forty reusable and one hundred and twenty disposable cameras to people from different population and language groups in various regions of Namibia. Twenty authors who work in different contexts on Namibian-German history, questions of visual politics and post-colonial reflection, were then invited to present their readings of the photographs.
These essays include "Rootedness and Visuality" by Dag Henrichsen,
"On the Concurrent of the Non-Concurrent" by Henning Melber,
"Unreadable?" by James Etherington,
"Black and White in Colour" by Martin Baer,
"Oblique Poses" by Gertrud Boden,
"Reading Body Language" by Patrick Lapitaominda Hashingola,
"The COncept of the Disposable Camera" by David Baltzer, and
"Visual Politics of the Post-Colonial" by André du Pisani.

Text in English and German.
Appleson (T.) photo. FREE GROUND,
240 pp., 4to., colour illus., hardback, d.w., London, 2006. R635
Self-taught photographer Trevor Appleson was born in South Africa and now lives and works in London. He made these portraits in his portable studio between 2000 and 2004 in and around Cape Town.

Includes the essays "Live Long" by Alison Green & "Pulling Images Out of the Dark" by Ossian Ward.
Araeen (R.) et. al. AFRICUS, Johannesburg Biennale, 28 February-30 April 1995
, Johannesburg, 1995. OUT OF PRINT
Foreword by Christopher Till. Essays by Lorna Ferguson, Rasheed Araeen, Ery Camara, Arthur C.Danto, Bongi Dhlomo, Rashid Diab, Amareswar Galla, Sander Fusco, Sandra Klopper, Jean-Hubert Martin, Thomas McEvilley, Charles Merewether, Adriano Mixinge, Anitra Nettleton & Apinan Poshyananda.

South African artists include Helen Sebidi, Durant Sihlali, Phillipa Hobbs, Sue Williamson, Lien Botha, Willem Boshoff, Steven Cohen, Josephine Ghesa, Bonnie Mtshalintshali, Jodie Bieber, Willie Bester, Johannes Segogela, Sandile Zulu, and many more.
Includes exhibitions featuring artists from Angola, Botswana, Namibia, Mozambique and Zimbabwe, as well as from many other countries.
Argent (S.) THE FLOWER FIELDS,
32 pp., colour illus., paperback, Cape Town, 2008. R60
The story of Golden Sonwabo Nongawuza, who lives in Khayelitsha, a township outside Cape Town, and makes his living crafting flowers from old tin cans.
Arment (D.) & Fick-Jordaan (M.) text & Cerino (A.) photo. WIRED, contemporary Zulu telephone-wire baskets
212 pp., 4to., colour illus., hardback, d.w., Sante Fe, 2005. R350
Includes a preface, "Why the Wire Plates?" by David Arment, a foreword, "Re-wired" by Karel Nel, "Song of Praise" by Paul Mikula and "Transitions" by Marisa Fick-Jordaan as well as a chapter introducing the master weavers.
Arnold (M.) WOMEN AND ART IN SOUTH AFRICA,
186 pp., b/w & colour illus., paperback, Cape Town & New York, 1996. R350
Artists examined include Maggie Laubser, Irma Stern, Helen Sebidi and Jane Alexander as well as many lesser-known artists.
Arnold (M.) IRMA STERN, a feast for the eye
156 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1995. OUT OF PRINT
Includes paintings from private collections which have never been seen publicly.
Arnold (M.) & Schmahmann (B.) eds. BETWEEN UNION AND LIBERATION, women artists in South Africa 1910-1994
230 pp., map, colour & b/w illus., hardback, d.w., Aldershot & Burlington, 2005. OUT OF PRINT
Essays include "Visual Culture in Context: the implications of union and liberation" & "Eurpoean Modernism and African Domicile: women painters and the search for identity" by Marion Arnold, "Constance Stuart Larabee's Photographs of the Ndundza Ndebele: performance and history beyond the modernist frame" by Brenda Danilowitz, "Art, Gender Ideology and Afrikaner Nationalism - a case study" by Liese van der Watt, "Technologies and Transformations: baskets, women and change in twentieth-century KwaZulu-Natal" by Nessa Leibhammer, "Breaking the Mould: women ceramists in Kwa-Zulu-Natal" by Wilma Cruise, "On Pins and Needles: gender politics and embroidery projects before the first democratic election" & Representing Regulation - Rendering Resistance: female bodies in the art of Penny Siopis" by Brenda Schmahmann, "Narratives of Migration in the Works of Noria Mabasa and Mmakgabo Sebidi" by Jacqueline Nolte & "Florence Phillips, Patronage and the Arts at the Time of Union" by Jillian Carman.
Arnold (M.) ed. SOUTH AFRICAN BOTANICAL ART, peeling back the petals
216 pp., 4to., colour illus., hardback, d.w., Cape Town, 2001. OUT OF PRINT
Essays by John Rourke, John Manning, Peter Goldblatt, Dee Snijman & Marion Arnold. Includes a "Concise Dictionary of South African Botanical Artists" with over 200 entries.
Arnold (M.) ed. ART IN EASTERN AFRICA,
202 pp., 4to., maps, b/w & colour illus., hardback, d.w., Dar es Salaam, 2008. R675
Introduction by Marion Arnold.

Contributions include "Swahili Culture and Art between Africa and the Indian Ocean" by Abdul Sheriff,
"Mimi Kama Kanga, Nafa Na Uzuri Wangu (I am lika a 'Kanga' cloth, I die in all my beauty)" by Farouque Abdela,
"Costume Design in Tanzania: a historical perspective and its implications for contemporary design practice" by Ndesumbuka Lamtane Merinyo,
"Gourd Vessels: women's personal objects" by Rose Mwanja, and
"The Challenges and Successes of Women Artists in Uganda" by Margaret Nagawa.

Marion Arnold taught art history in South African universities. She is the author of "Irma Stern, a feast for the eye" (1995), "Women and Art in South Africa" (1996), editor of "South African Botanical Art, peeling back the petals" (2001) and editor with Branda Schmamann of "Between Union and Liberation, women artists in South Africa 1910-1994" (2005). She now lives and teaches in Britain.
Arnott (B.) & Dubow (N.) eds. ARTWORKS IN PROGRESS, the yearbook of the staff of the Michaelis School of Fine Art, volume 2: 1990/91
42 pp., 4to., illus., paperback, Cape Town, 1991. OUT OF PRINT
Includes "Ars in Academia" and "'Swansong of the Sausage Dog'" by Bruce Arnott,
"Irma Stern, Africa, and the Other, an extract from current research on the formative period (1917-1933) in the art of Irma Stern" and "'Harpist, Boy on Skateboard and Dog'" by Neville Dubow,
"The Poetry of Places and Offset Prints" by Stephen Inggs,
"'Coming Home'" and "Fetching Europe, reflections on the work of Helen Mmakgoba Mmapula Sebidi exhibited at the UCT Irma Stern Museum - May 1990" by Gavin Younge,
"'Black South Easter II'" by Helmut Starcke,
"[]" (sic) by Malcolm Payne,
"Dream of Bitterpits and the Genesis of a Book" by Pippa Skotnes,
and recent works by Geoffrey Grundlingh, Patricia Pierce-Atkinson, John Nowers and Kevin Atkinson.
Arnott (B.) & Dubow (N.) eds. ARTWORKS IN PROGRESS, the yearbook of the staff of the Michaelis School of Fine Arts, volume 3: 1992/3
69 pp., 4to., illus., paperback, Cape Town, 1993. OUT OF PRINT
Includes "The Oscar Triad" by Bruce Arnott,
""Three Photographs" by Jean Brundrit,
"The March of the Generals: the genesis of an image" by Neville Dubow,
"Junctures" by Geoffrey Grundlingh,
"Whistler's Nose" by Terry Kurgan,
"New Dimensions" & "Printmaking: cookery or collaboration?" by Stephen Inggs,
"Tunnel Vision" by Malcolm Payne,
"Homage to the Unswept Floor" by Helmut Starcke,
"White wagons" by Pippa Skotnes
and "The Man Who Fell Out of His Hat", "Krotoa" & "'Ethnic Tourism' and the Sculptural Arts of Northern South Africa" by Gavin Younge.
Arnott (B.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, volume 6:2001
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R195
Contains "African Adventure: sculpture and photomontage, 1999-2001" by Jane Alexander,
"Mother and Child: MaMiya and Vuyokazi" by Zwelethu Mthethwa,
"The Twelve Apparitions of Genevieve Lloyd" by Pippa Skotnes,
"Convergence" by Helmut Starcke,
"Objects In a Mirror Are Closer Than They Appear" by Gavin Younge,
"Architecture as Icon: Bilbao Diary" by Neville Dubow,
"The Painter as Curator: interchanges between the pictorial and the interpretative space" by Peggy Delport,
"Heritage: symbolic inheritance as the mediator of identity, healing and reconciliation" by Roderick Sauls,
"The Green Man: footnotes in the shrubbery" by Bruce Arnott,
"Continuum" by Stephen Inggs,
"Canons of Stupidity" by Malcolm Payne,
"On Landscape: 'Canned Africa' revisited" by Geoffrey Grundlingh,
"The Palace of Women's Work" by Andrew Lamprecht,
"Containing Excess: creating a lexicon for the management of objects and images" by Fritha Langerman,
and "The Practice of Recontextualisation: the journal through an outsider's eye" by Tony Morphet.
Arnott (B.) ed. ARTWORKS IN PROGRESS, the yearbook of the staff of the Michaelis School, of Fine Art, volume 5: 1998
68 pp., 4to., b/w & colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Contents include "Alma Mater, a monumental caryatid figure in bronze for the Education Faculty building, University of Cape Town" by Bruce Arnott, "Lamb of God: four books in progress" by Pippa Skotnes,
"Scarification in a Contemporary Urban Setting" by Thembinkosi Alfred Goniwe,
"Meditations on a Navel, from notes in my Egyptian diary: Temple of Horus at Edfu, September 1997" by Neville Dubow,
"Making Light in a Dark Passage, some thoughts on portraiture" by Peggy Delport,
"Memory" by Roderick Sauls,
"Shedding Light on Unearthed Images" by Stephen Inggs,
"Staring into Time" by Louis Jansen van Vuuren, "Speculations" by Helmut Starcke,
"Sutures and Wounds in a Paper Armoury" by Fritha Langerman,
"'Bom Boys' and Other Works" by Jane Alexander,
"Environmental Portraits" by Zwelethu Mthethwa,
"Making Text of Meaning" by Malcolm Payne,
"When God Came for Madiba" by Geoffrey Grundlingh
and "Gavin Younge's Distant Catastrophes" by David Bunn.
Arnott (B.) et. al. (eds.) ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, volume 7:2003
69 pp., 4to., b/w & colour illus., paperback, 2003, Cape Town. R195
Preface by Tony Morphet.
Contains "African Adventure", "Trouble", "Capital" and "Post Conversion Syndrome" by Jane Alexander,
"Curating the Waves" and "Reservoir" by Gavin Younge,
"Fifteen Mysteries of the Rosary" by Pippa Skotnes,
"Prophetic Heads: notes on visual forming and the future" by Bruce Arnott,
"Sensum" by Stephen Inggs,
"Missiel/ Missile" by Johann van der Schijff,
"Utopia" by Geoff Grundlingh,
"Framing Documentary" by Svea Josephy,
"I know what you did last summer: pages from The Green Notebook" by Andrew Lamprecht,
"Come to Pass: a work of inscription and erasure or Empathy with Alice: a work in six movements" by Fritha Langerman,
"Illuminated Manuscripts" by Malcolm Payne,
"Unearth" by Roderick Sauls
and "Seeing the Scene(s)" by Carine Zaayman.
Artlogic JOBURG ART FAIR, 3 - 5 April 2009
338 pp., 4to., colour illus., paperback, Johannesburg, 2009. R395
Catalogue of the Joburg Art Fair held at the Sandton Convention Centre, Johannesburg, in April 2009.

The Fair involved 25 galleries representing 400 artists, as well as 11 Special Projects. Galleries include Michael Stevenson, Goodman Gallery and Warren Siebrits Modern and Contemporary Art.

Artists profiled include Johannes Phokela, Mikhael Subotsky, Joachim Schönfeldt, Sanell Aggenbach, Santu Mofokeng, Michael MacGarry, Lawrence Lemaoana, Johann Louw, Kay Hassan, Peter Clarke and Zander Blom.

Special Projects include a local showing of Jane Alexander's installation "Security", a selection of African photography, a selection of moving images curated by Tumelo Mosaka, and a show of contemporary South African interior design curated by Trevyn McGowan.
Asensio (P.) ed. AFRICAN INTERIOR DESIGN,
399 pp., colour illus., paperback, New York etc, 2003. R200
Introduction in English, German, French & Spanish.

Photographs taken inside an array of dwellings in South Africa, Morocco, Egypt, Tanzania, and other African countries.
Associação Moçambicana de Fotografia PEKIWA, sombre de árvore
38 pp., colour illus., paperback, Maputo, 2002. R195
Catalogue of the exhibition, Associação Moçambicana de Fotografia, Maputo, 2002.

Pekiwa, or Nelson Augusto Carlos Ferreira, was born in 1977 in Maputo. He was taught to sculpt by his father, the sculptor Govane.
Atkinson (B.) JO RACTLIFFE, artist's book
95 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Text in English, Dutch and French.
Comes with a 13 pp., educational supplement written by Brenda Atkinson and Philippa Hobbs.

Number 1 in the TAXI Art Book Series.
Atkinson (B.) & Breitz (C.) eds. GREY AREAS, representation, identity and politics in contemporary South African art
321 pp., b/w & colour illus., paperback, Johannesburg, 1999. OUT OF PRINT
Foreword by Mandla Langa. Includes essays by Marion Arnold, Emma Bedford, Jeremy Cronin, Patricia Davison, Neville Dubow, Marlene Dumas, Sue Williamson and Andries Walter Oliphant.
Atkinson (B.) et al ROBERT HODGINS,
143 pp., 4to., colour illus., paperback, d.w., Cape Town, 2002. OUT OF PRINT
Contributors include Brenda Atkinson, Rayda Becker, Ivor Powell, Kendell Geers & Michael Godby. Brenda Atkinson also interviews Robert Hodgins as well as two of his colleagues, William Kentridge & Deborah Bell.
Azavedo (L.) dir. HANDS OF CLAY,
50 minutes running time, VHS, PAL, Maputo, 2003. OUT OF PRINT
Film about the renowned Mozambican ceramic artist, Reinata Sadimba, born in 1945.
Badenhorst (Pieter) PLAAS,
61 pp., colour illus., hardback, Cape Town, 2004. R186
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2004.

Pieter Badenhorst was born in Port Elizabeth in 1969. He currrently lectures part-time at the Michaelis School of Fine Art, University of Cape Town.
Badsha (O.) IMPERIAL GHETTO, ways of seeing in a South African city
122 pp., 4to., illus., hardback, d.w., Pretoria, 2001. OUT OF PRINT
"The 96 duo-tone prints in this collection are about the racial spaces and people of the 1980s, in Badsha's birthplace, the Grey Street area of Durban."

Includes the essay, "Travelling Cultures" by Abebe Zegeye & Pal Ahluwalia.
Badsha (O.) & Tillim (G.) photo. & Maxted (J.) text AMULETS & DREAMS, war, youth & change in South Africa
162 pp., 4to., illus., hardback, d.w., Pretoria, 2002. OUT OF PRINT
Photographs of war, child soldiers & destruction taken in 2000-2002 in Sierra Leone, Angola, Mozambique, Eritrea, Ethiopia & Burundi.
Badsha (O.) ed. SOUTH AFRICA, the cordoned heart, essays by twenty South African photographers
186 pp., 4to., maps, illus., paperback, Cape Town, 1986. OUT OF PRINT
Prepared for the Second Carnegie Inquiry into Povery and Development in Southern Africa and published in conjunction with travelling exhibition in Southern Africa, USA, Great Britain and Germany.

Foreword by Desmond Tutu. Preface by Omar Badsha. Introduction by Francis Wilson, who also wrote the text which accompanies the photographs. Photo essays by Chris Ledechowski, Paul Alberts, David Goldblatt, Omar Badsha, Paul Weinburg, Cedric Nunn, Gideon Mendel and others.

Badsha (O.), Nørgaard (M.) & Rajgopaul (J.) eds. BONANI AFRICA, 2010
186 pp., 4to., b/w & colour illus., paperback, (Cape Town), 2010. R355
Catalogue of the work submitted by fifty-eight photographers to the Bonani Africa 2010 Festival of Photography. The exhibition was held at the Cape Town Castle of Good Hope.

Includes sixty-four photographic essays on life in South Africa. Photographers include Araminta de Clermont, Cedric Nunn, Chris Ledochowski, David Lurie, Ellen Elmendorp, Lerato Maduna, Sabelo Mlangeni, Santu Mofokeng, and Tracey Derrick.

The Bonani Africa 2010 Awards were won by Chris Ledochowski, Santu Mofokeng and Oupa Nkosi.
Baker (J.) PRESERVING A HOUSE,
112 pp., b/w & colour illus., hardback, d.w., Cape Town, 2009. R250
The account of David and Jos Baker's restoration of the 300 year-old national monument Klein Zoar, reputedly the home of folk hero, Wolraad Woltemade, which they bought in 1984. The house is located now in the middle of Cape Town's dock container depot.

Jos Baker, a former fashion editor, food critic and freelance journalist, is a winner of Eat Out magazine's 2007 Lifetime Achievement Award. The book includes recipes for traditional Cape dishes, such as potbrood, snoek sambal, qunice jelly, atchar, pen and pootjies and bush pig.
Ballen (R.) photo. OUTLAND,
120 pp., 4to., illus., hardback, d.w., London, 2001. R295
Introduction by Peter Weiemair, Director of the Rupertinum Museum, Salzburg, Austria.
The book was published to accompany a major new exhibition of Ballen's work.
Ballen (R.) photo. FACT OR FICTION,
100 pp., 4to., illus., hardback, Paris, 2003. OUT OF PRINT
Catalogue of the exhibition, Galerie Kamel Mennour, Paris, 17 March-6 April 2003.
Ballen (R.) photo. SHADOW CHAMBER,
128 pp., 4to., illus., hardback, d.w., London & New York, 2005. R500
Introduction by Robert A.Sobieszek.

Roger Ballen's previous book, "Outland", was named Best Photographic Book of the Year at the PhotoEspana festival in Madrid in 2001.
"After the publication of 'Outland', Ballen continued to photograph the people, animals and objects that inhabit his unique image space, further exploring the grey area between fact and fiction in his work. By 2003, his focus had shifted to the creation of still lifes and more abstract images that incorporate elements of painting, theatre and sculpture in a way not usually associated with photography. Both phases of his most recent work are represented in 'Shadow Chamber."
Ballen (R.) photo. DORPS, the small towns of South Africa
137 pp., 4to., illus., hardback, d.w., Cape Town, 1986. OUT OF PRINT
Photographer Roger Ballen was born in New York City in 1950. He has lived and worked in South Africa in 1982.
Ballen (R.) photo. BOARDING HOUSE,
127 pp., 4to., illus., hardback, d.w., London, 2009. R595
"For five years, the focus of Roger Ballen's photographic work has been a strange and allluring place near Johannesburg he calls the Boarding House. It is crowded with poor workers, transients, criminals hiding from the law, witchdoctors, children, pet animals and insects. There are stains and marks, curious objects and mysterious drawings, smells and noises everywhere." from the flyleaf.

Includes an introduction, "A Dwelling Within the Imagination and Vice Versa", by photography curator David Travis.
Ballot (M.) CHRISTO COETZEE,
174 pp., b/w & colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Christo Coetzee was born in 1929 in Johannesburg. Since the 1950s his name and work have been linked to avante-garde movements such as "Art Informel", "Assemblage" and "Neo-Baroque" in Paris and elsewhere.

Includes the articles "Grepe uit Christo se Herinneringe soos aan My Oorvertel is" by Ferrie Binge-Coetzee, "On the Cutting Edge of Art" by Herlo van Rensburg, "Die 'Bonbon-Boks', woordebediening by 'n skildery deur Christo Coetzee" by Marcus de Jong , "Tying the Knot" by Elza Miles and "Wêreldbeskouing en Kunsbesef/ World View and Concept of Art" by the artist.

Text in English & Afrikaans.
Ballot (M.) BETTIE CILLIERS BARNARD, towards infinity
176 pp., 4to., b/w & colour illus., hardback, Pretoria, 2006. OUT OF PRINT
Bettie Cilliers Barnard, painter, was born on a farm in the Western Transvaal in 1914. She lives and works in Pretoria.
Ballot (M.) et. al. NEL ERASMUS, oorsiguitstalling/ retrospective exhibition, 1951-2000
39 pp., 4to., b/w & colour illus., paperback, Stellenbosch, 2000. R125
Catalogue of the retrospective exhibition, Universiteitsmuseum, Stellenbosch, 2000.

Abstract painter Nel Erasmus was born in 1928 in the Bethal district.
Ballott (M.) ABSTRACT SOUTH AFRICAN ART FROM THE ISOLATION YEARS, volume 2, winter 2008
154 pp., colour illus., paperback, Stellenbosch, 2008. OUT OF PRINT
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery (SMAC), 2008.

Introduction by Muller Ballot.

Includes work by Lionel Abrams, Bill Ainslie, Walter Battiss, Bettie Cilliers-Barnard, Christo Coetzee, Kay Hassan, Cecil Higgs, Sydney Kumalo, Erik Laubscher, Ernest Mancoba, Pat Mautloa, Douglas Portway, Fred Schimmel, Larry Scully, Cecily Nash, Cecil Skotnes, Lucky Sibiya, Henry Symonds, Jill Trappler, Edoardo Villa and Joe Wolpe.

Text in English and Afrikaans.


Ballott (M.) & Sandri (B.) ABSTRACT SOUTH AFRICAN ART FROM THE ISOLATION YEARS, volume 1, winter 2007
72 pp., colour illus., paperback, Stellenbosch, 2007. OUT OF PRINT
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery (SMAC), Stellenbosch, 2007.

Introduction by Muller Ballott. Foreword by Baylon Sandri.

Includes work by Bill Ainslie, Bettie Cilliers-Barnard, Christo Coetzee, Sydney Kumalo, David Koloane, Erik Laubscher, Judith Mason, Pat Mautloa, Larry Scully, Cecil Skotnes and Edoardo Villa.

Text in English & Afrikaans.
Balseiro (I.) & Masilela (N.) eds. TO CHANGE REELS, film and culture in South Africa
272 pp., paperback, Detroit, 2003. R240
Essays include ""The New African Movement and the Beginnings of Film Culture in South Africa" by Ntongela Masilela, "The Politics of Leisure during the Early Days of South African Cinema" by Bhekizizwe Peterson, "'What Sort of Memorial?' 'Cry the Beloved Country' on film" by Mark Beittel, "'Jump the Gun': departing from a racist/feminist nexus in postapartheid cinema" by Laura Twiggs, "Sexuality, Power, and the Black Body in 'Mapantsula' and 'Fools'" by Kgafela oa Magogodi, and more.
Bank (A.) & (L.) eds. KRONOS 30, journal of Cape History/ tydskrif vir Kaaplandse geskiedenis, special issue: Eastern Cape
256 pp., maps, illus., paperback, Cape Town, 2004. R190
Includes "Framing African Women: visionaries in southern African and their photographic afterlife, 1850-2004" by Helen Bradford and "'Oh Hurry to the River': the meaning of 'uMamlambo' models in the Tyumie Valley, Eastern Cape" by Seán Morrow and Nwabisa Vokwana.
Bank (A.) ed. KRONOS 31, journal of Cape history, November 2005
288 pp., illus., paperback, Cape Town, 2005. R190
Articles include "History and Film: a roundtable discussion of 'Proteus'" edited by Susan Newton-King. "Proteus" is a feature film directed by Jack Lewis (South Africa) & John Greyson (Canada). Also includes "The Private Performance of Events" colonial period rock art from the Swartruggens" by Simon Hall & Aron Mazel & "Photography with a Difference: Leon Levson's camera studies and photographic exhibitions of native life in South Africa, 1947-1950" by Gary Minkley & Ciraj Rassool.
Bank (A.) ed. KRONOS 32, journal of Cape history, November 2006
287 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R190
Kronos is a journal published annually by the Department of History and the Centre for Humanities Research of the University of the Western Cape.

This edition includes "Inside and Outisde", a conversation between photographer Mikhael Subotzky and Michael Godby as well as a selection of Suboktzky's photographs of prisoners and ex-prisoners from his series "Die Vier Hoeke", "Umjiegwana" & "Beaufort West" and "'The Africa I Know': film and the making of 'Bushmen' in Laurens van der Post's Lost World of the Kalahari (1956)" by Lauren van Vuuren.
Bank (A.) ed. KRONOS 33, journal of Cape history, November 2007
287 pp., map, illus., paperback, Cape Town, 2007. R250
Kronos is a journal published annually by the Department of History and the Centre for Humanities at the University of the Western Cape.

Contributions include "Power, Secrecy, Proximity: a short history of South African photography" by Patricia Hayes,
"Gopal Naransamy: a photographer without photographs" by Stefanie Lotter, and
"'Something Raw and Real': Tracey Derrick discusses her photography with Michael Godby.
Bank (A.) ed. KRONOS 36, southern African histories, November 2010
344 pp., illus., paperback, Cape Town, 2010. R295
Kronos is a journal published annually by the Department of History and the Department of Humanties Research at the University of the Western Cape.

Contributions include:
"Alfred Martin Duggan-Cronin's Photographs for The Bantu Tribes of South Africa (1928-1954): the construction of an ambiguous idyll" by Michael Godby
"'Re la Tsoantso' ('Father of the Pictures'): Joseph Denfield's photography, 1944-1965" by Phindezwa Mnyaka.
Baraitser (M.) & Obholzer (A.) CAPE ANTIQUE FURNITURE, a comprehensive pictorial guide to Cape furniture
432 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Covers all aspects of both town and country Cape furniture of the 18th and 19th centuries. Companion volume to previous books by the same authors: "Town Furniture of the Cape", "Cape Country Furniture" and "The Cape House and its Interior".
Baraitser (M.) & Obholzer (A.) CAPE COUNTRY FURNITURE, a pictorial survey of regional styles, materials and techniques in the Cape Province of South Africa
286 pp., 4to., illus., hardback, d.w., Cape Town, 1971. OUT OF PRINT
Historical introduction by Mary Alexander Cook.

Michael Baraitser and Anton Obholzer searched the Cape countryside for many years, found and studied examples of locally-made furniture and took the 90 photographs reproduced in this book, enabling them to classify the regional styles, the rural craftmen and the timbers used.

Baraitser (M.) & Obholzer (A.) TOWN FURNITURE OF THE CAPE,
224 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1987. OUT OF PRINT
A companion volume to "Cape Country Furniture", in this richly illustrated book Michael Baraitse and Anton Obholzer examine the background of individual pieces of 18th and 19th century Cape furniture such as armoires, rusbanke, bureaux, bible desks, linen presses, tables and chairs, and discuss the influences that various European styles had on Cape designs.
Barbier (L.) ed. PARTAGE D'EXOTISMES, volume 1 & 2, 5e biennale d'art contemporain de Lyon
228 + 231 pp., 4to., b/w & colour illus., paperback, Paris, 2000. OUT OF PRINT
Catalogue of the exhibition, Paris, 2000.
Feautres work by Jane Alexander and Esther Mahlangu.

Essays include "Resistances, Ambivalences and Ambiguities" by Marc Augé, "The End of Other Worlds, or the Cultural Cenotaph" by Alban Bensa, "To an Egalitarian Appreciation of Cultures" by Jean-Hubert Martin, "From the World-Economy to the World-Culture" by Jacques Leenhardt, "The Flight of Sense" by Philippe Peltier and "Notes on Aesthetics and Anthropology" by Carl Severi.

Text in English & French.
Barbusse (M.) curator GEOGRAPHY AND MEMORY, William Kentridge, Doris Bloom
47 pp., b/w & colour illus., paperback, (Denmark), (1995). OUT OF PRINT
Catalogue of the exhibition held at Africus, Johannesburg Biennale 95, 28 February - 30 April 1995. Text in English and Danish. Essay by Poul Erik Tøjner.
Barstow (O.) & Law-Viljoen (B.) eds. FIRE WALKER, William Kentridge, Gerhard Marx
128 pp., 4to., colour illus., paperback, slipcase, Johannesburg, 2011. R395
This book documents the construction of the William Kentridge/ Gerhard Marx public sculpture installed in downtown Johannesburg before the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor carrying a burning brazier on her head. It includes three photo essays, four essays that reflect on the meaning of public art and conversations by Oliver Barstow with the various professionals who participated in the making of "Firewalker", including the artists William Kentridge and Gerhard Marx and Marcus Neustetter of The Trinity Session.

The essays are:
"Now You See Her, Now You Don't" by Alexandra Dodd
"Urban Mythologies" by Mpho Matsipa
"Walking With/ Walking Alongside/ Walking Against?" by Zen Marie and Jonathan Cane
"Ma Firewalker and Mr Typewriter-Head: maps, Marx and Kentridge" by Mark Gevisser

The photo-essays are:
"Constructing 'Fire Walker'" by John Hodgkiss
"Three Fire Walkers" by Ben Law-Viljoen
"Six Monuments" by Alastair McLahlan
Bassani (E.) curator ARTS OF AFRICA, 7000 years of African art
409 pp., 4to., map, colour illus., hardback, & Monaco, 2005. R655
Catalogue of the exhibition, Grimaldi Forum, Monaco, 2005.

Includes ancient and "traditional" art from central and west Africa, especially ancient Nubia, Nigeria, Benin, Liberia, Sierra Leone, Mali, Burkino Faso, & Gabon.

All the owrks come from the Contemporary African Art Collection, Geneva.
Bassett (S.T.) ROCK PAINTINGS OF SOUTH AFRICA, revealing a legacy
144 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2001. OUT OF PRINT
"Each colour plate represents a meticulously painted recording by [Stephen Townley Bassett] of a rock painting from South Africa...painstakingly rendered with natural pigments and materials collected in the field and are the results of months of on-site labour accurately recording what appears on the rock face."
Foreword by Pippa Skotnes. Essays by Royden Yates, Frans Prins, David Lewis-Williams, Sven Ouzman, Anne Solomon and Edward B.Eastwood.
Bassett (S.T.), Lewis-Williams (D.) & Smith (B.) RESERVOIRS OF POTENCY, the documentary paintings of Stephen Townley Bassett
100 pp., maps, colour illus., paperback, Johannesburg, 2008. R250
This book contains thirty copies of original rock paintings made by Stephen Townley Bassett using traditional implements and paints, and a chapter, "Creating the Documentary Paintings", written by the artist. Stephen Townley Bassett is a full-time artist specializing in the documentation of rock art in South Africa. He is also the author of "Rock Paintings of South Africa, revealing a legacy", published in 2001.

Also included are commentaries by Professor David Lewis-Williams and Benjamin Smith from the Rock Art Research Institute, University of the Witwatersrand.
Bastin (M-L.) SCULPTURE ANGOLAISE, mémorial de cultures
192 pp., 4to., map, b/w & colour illus., paperback, Lisbon, 1994. OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Etnologia, Lisbon, 1994.

Includes sticks, masks, dolls, collars, chairs, stools, pots, pipes, effigies, combs, figures, statuettes etc. from the different regions of Angola.

Text in French.
Basto (Luis) photo. & Bickle (B.) & Basto (L.) text LUIS BASTO, fotógrafo/ photographer
22 pp., colour illus., paperback, Montreuil, 2004. R50
Text in Portuguese and English.
Batchen (G.) text IAN VAN COLLER, you travel far
19 pp., colour illus., paperback, Beaumont, 2003. R125
Catalogue of the exhibition, Art Museum of Southeast Texas, Beaumont, Texas, 2003.

Includes the essay, "Monuments to Memory" by Geoffrey Batchen.

Ian van Coller grew up in South Africa and now lives in the U.S.A. "The central image in most of van Coller's pieces is a unique, modern ambrotype photograph developed on black glass...The designs of van Coller's frames is derived partly from the mats one finds surrounding old daguerreotypes and partly from the morphology of African memory boards...Van Coller's versions are fetishistically built up with layers of oil paint, ink, mud, ash and powdered pigment...[and] further animated by elements taken from local folk art traditions (buttons, bottle caps, safetly pins and so on) and by the addition of supplementary photographic images...".
Beard (P.) text and photo. THE END OF THE GAME, the last word from paradise, a pictorial documentation of the origins, history & prospects of the big game in Africa
281 pp., 4to., illus., hardback, Revised Edition, Cologne, (1963) 2008. R655
Foreword by Paul Theroux.

In the early 1960s Peter Beard worked at Kenya's Tsavo National Park. During this time he documented the demise of over 35 000 elephants and 5000 Black Rhinos and published "The End of the Game" (1963).

"'The End of the Game', with its unforgettable images, gives a meaning to the word prescience; and it remains one of the classics of unambiguous warning about humans and animals occupying the same dramatic space...'The End of the Game' is less a wildlife book than a book about human delusion, as important now as when it first appeared. Rare among visitors to Africa, Beard went simply to learn and grow. Because he was essentially an observer, patient and keen sighted, not a ranter, with no agenda, he was able to see a process at work that many had missed, in the convergence of people and animals. One of his book's great virtues, and its lasting value, is that it takes no notice of politics. It is single-mindedly concerned with the living and the dead, predators and prey. Beard was true to what he saw - and the truth of it has made it prophetic." Paul Theroux, from his foreword





Beavon (K.) JOHANNESBURG, the making and shaping of a city
373 pp., maps, illus., paperback, Pretoria, 2004. R185
Keith Beavon, an urban geographer, attempts "to reveal the unfolding geography of the city from its days as a mining camp through to its pressent position as premier metropolis of the African continent".
Beccaria (M.) curator & ed. CANDICE BREITZ,
95 pp., 4to., b/w & colour illus., paperback, Milan, 2005. R314
Catalogue of the exhibition, Castello di Rivoli Museo d'Arte Contemporanea, Milan, 2005.

Includes the essay "Process and Meaning in the Art of Candice Breitz" by Marcella Beccaria.

Candice Breitz was born in Johannesburg in 1972. She currently lives and works in Berlin. She works with video, "using found footage derived from music video, television, and mainstream cinema."

Text in Italian & English.
Becker (R.) & Keene (R.) eds. ART ROUTES, a guide to South African art collections
248 pp., colour illus., paperback, Johannesburg, 2000. R157
The book features 25 of the most important permanent art collections in South Africa.
Beckwith (C.) & Fischer (A.) AFRICAN CEREMONIES, the concise edition
400 pp., 4to., map, colour illus., hardback, d.w., New York, 2002. R760
Includes chapters on the Swazi reed dance, Ndebele nuptials, Himba marriage and Himba healing.

Includes a CD of traditional and ceremonial African music recorded by David Bradnum
Bedford (E.) & McClelland (L.) comp. MAGGIE LAUBSER, early works from the Silberberg Collection
20 pp., 4to., illus., paperback, Cape Town, 1987. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1987.

Includes an essay by Elizabeth Delmont.

Text in English & Afrikaans.

Bedford (E.) curator STAKING CLAIMS, confronting Cape Town
29 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, The Granary, Cape Town, 1999.

Foreword by Colin Jones. Introduction by Emma Bedford.

Includes work by Zwelethu Mthethwa, Jane Alexander, Berni Searle, Dorothea Kreutzfeldt, Willie Bester, Mustafa Maluka and Randolph Hartzenberg, and the essay, "Into the Past in the Direction of the Future..." by Edgar Pieterse.
Bedford (E.) curator & ed. TRACEY ROSE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas.Tracey Rose's residency ran from 19 February - 17 March 2001.
Essay by Kellie Jones.
Bedford (E.) curator & ed. DOROTHEA KREUTZFELDT, fresh
31 pp., colour illus., paperback, Cape Town, 2002. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Dorothea Kreutzfeldt's residency ran from 17-28 April 2001.
Essay by Rory Bester.
Bedford (E.) curator & ed. MOSHEKWA LANGA, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Moshekwa Langa was artist-in-residence 21 January - 5 February 2002.
Essay by Tracy Murinik.
Bedford (E.) curator & ed. BERNI SEARLE, fresh
31 pp., colour illus., paperback, Cape Town, 2003. OUT OF PRINT
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Berni Searle was artist-in-residence in July 2000.
Essay by Annie Coombes.
Bedford (E.) curator & ed. ROBIN RHODE, fresh
31 pp., b/w & colour illus., paperback, Cape Town, 2001. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Robin Rhode was artist-in-residence from 12 October - 12 November 2000.
Essay by Stephen Hobbs.
Bedford (E.) curator & ed. USHA SEEJARIM, fresh
31 pp., colour illus., paperback, Cape Town, 2003. R75
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possible by Marlene Dumas. Usha Seejarim was artist-in-residence 22 March - 11 April 2001. Essay by Kathryn Smith.
Bedford (E.) curator & ed. SENZENI MARASELA, fresh
31 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
The "Fresh" Artist-in-Residence programme at the South African National Gallery in Cape Town, provided seven young South African artists with a studio, an exhibition space, a stipend and funding for an essay contribution to the monograph on each artist by the author of their choice. The project was made possbible by Marlene Dumas. Senzeni Marasela was artist-in-residence 1-30 June 2000.
Essay by Rory Bester.
Bedford (E.) curator & ed. CONTEMPORARY SOUTH AFRICAN ART 1985-1995, from the South African National Gallery Permanent Collection
174 pp., 4to., b/w & colour illus., paperback, Cape Town, 1995. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, 14 December 1996-31 March 1997.
Features works acquired by the gallery between 1985 and 1995. Preface by Emma Bedford. Introduction by Marilyn Martin. Interview with Neville Dubow, chairperson of the Acquistions Committee of the South African National Gallery 1982-1995, conducted by Emma Bedford.
Bedford (E.) curator & ed. EZAKWANTU, beadwork from the Eastern Cape
115 pp., 4to., map, b/w & colour illus., paperback, Cape Town, 1993. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1993.

Foreword by Marilyn Martin.
Includes the following essays: "Exploring Meanings and Identities: beadwork from the Eastern Cape in the South African National Gallery" by Emma Bedford, "Ezakwantu eGalari yeSizwe" by Sipho Ndabambi, "Beadwork: the heart of tradition and culture" by Thami Ngwevela, "The Magic of Beadwork" by Abner Nyamende, "Tracing Cultural Roots" by Christina Jikelo, "Adornment as Art: an ethnographic perspective" by Patricia Davison, "Women's Work: or engendering the art of beadwork in Southern Africa" by Sandra Klopper, "Towards a History of Glass Beads" by Sharma Saitowitz, "The Bead Rush: development of the nineteenth-century bead trade from Cape Town to King William's Town" by Carol Kaufmann, "Through the Barrel of a Bead: the personal and the political in the beadwork of the Eastern Cape" by André Proctor & Sandra Klopper, "Drawing the Bead on Blacks: Eastern Cape people painted by Baines, shot by Pocock" by Gary van Wyk & "The Social Life of Beads: expressive uses of beadwork in the Eatern Cape" by Lindsay Hooper.
Bedford (E.) ed. A DECADE OF DEMOCRACY, South African Art 1994-2004, from the Permanent Collection of Iziko: South African National Gallery
149 pp., 4to., b/w & colour illus., paperback, Cape Town, 2004. R450
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, April-August 2004.
Includes work by Jane Alexander, Willie Bester, Willem Boshoff, Lien Botha, Marlene Dumas, Kendell Geers, Josephine Ghesa, David Goldblatt, Jackson Hlungwani, Robert Hodgins, William Kentridge, Moshekwa Langa, Noria Mbasa, Kagiso Pat Mautloa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Sue Williamson, Sandile Zulu, and many more.

Essays by Marilyn Martin, Emma Bedford, Andries Walter Oliphant, Andrew Lampbrecht, Rory Bester, Joe Dolby, Ashraf Jamal, Zayd Minty, Pam Warne, Liese van der Watt & Moleleki Frank Ledimo.
Bedford (E.) ed. TREMOR, contemporary South African art
192 pp., colour illus., paperback, Brussels & Cape Town, 2004. R210
Catalogue of the exhibition, Palais des Beaux-Arts de Charleroi, Belgium, 2004.
Features the work of Jane Alexander, Willie Bester, William Kentridge, Dorothee Kreutzfeldt, Thando Mama, Senzeni Marasela, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Clive van den Berg and Sandile Zulu.
Foreword by Marilyn Martin. Preface by Fabienne Dumont. Introduction by Emma Bedford. Includes the essay, "Too dark altogether? The history of a disclosure" by Nic Dawes.
Text in English and French.
Bell (B.) STORM IN THE WHEATFIELD, the Tatham Art Gallery collection, 1903 to 1974
290 pp., b/w & colour illus., paperback, Pietermaritzburg, 2009. R670
A history of the Tatham Art Gallery in Pietermaritzburg, from its founding by Mrs Ada Tatham in 1903 to the end of Miss Valerie Leigh's tenure as curator in 1974. Includes a full catalogue listing of works acquired during this period.

Brendan Bell has been Director of the Tatham Art Gallery since 1992.
Bell (B.) & Calder (I.) comps. UBUMBA, aspects of indigenous ceramics in KwaZulu-Natal
147 pp., 4to., illus., paperback, Pietermaritzburg, 1998. OUT OF PRINT
Catalogue of the exhibition held at the Tatham Art Gallery, Pietermaritzburg, 24 March - 26 April 1998 and the Durban Art Gallery, 6 May - 26 June 1998.
Bell (B.) & Clark (B.) comps. & eds. DEREK MILTON LEIGH, (1940 - 1993), a memorial exhibition
120 pp., illus., paperback, Pietermaritzburg, 1994. OUT OF PRINT
Catalogue of the exhibition of paintings and drawings, Tatham Art Gallery, Pietermaritzburg, and Durban Art Gallry, 1994-1995.

Includes an essay by the artist's sister, Valerie Leigh, and the transcript of a 1991 interview between Derek Leigh and Lorna Ferguson.

Painter Derek Milton Leigh was born in Pietermaritzburg in 1940. He was Senior Lecturer in Painting at the University of Natal.
Bell (K.) et. al. (eds.) MARLENE DUMAS, selected works
91 pp., colour illus., hardback, New York, 2005. R350
Catalogue of the exhibition, Zwirner & Wirth, New York, 2005.

Includes the essay, "Seven M-blems for Marlene Dumas" by Marlene Dumas.
Bell-Roberts (B.) ed. SNAPPED, 01, a quarterly on African photography
96 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Contents include "Migration", a themed portfolio with photographs by Guy Tillim, David Goldblatt, Amaize Ojeikere, Jodi Bieber, David Southwood, Pieter Hugo and Andrew Tshabangu and a conversation between Sanford S.Shaman and Lolo Veleko.
Bell-Roberts (B.) ed. SNAPPED, 02, a quarterly magazine on photography from Africa, the affluence issue
96 pp., b/w & colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Includes work by Dale Yudelman, Guy Tillim, Jodie Bieber, Zanele Muholi, Trevor Appleson, Riason Naidoo, Paul Shiakallis, Mark Lanning and Caroline Suzman.
Bell-Roberts (B.) ed. SNAPPED, 03, photography quarterly
96 pp., b/w & colour illus., paperback, Cape Town, 2009. OUT OF PRINT
Includes photographic essays by Araminta de Clermont, Roger Jardine and Michael Wyeth, and Pieter Hugo in conversation with Federica Angelucci.
Bell-Roberts Contemporary Art Gallery ABOUT FACE,
12 colour postcards, bound, Cape Town, 2006. R50
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Artists Cameron Platter, Nigel Mullins, Norman O'Flynn, Paul du Toit, Sanell Aggenbach & Tanya Poole were invited to explore the genre of portrait painting.
Below (I.) HIDDEN TREASURES, Irma Stern, her books, painted book covers and bookplates
56 pp., b/w & colour illus., hardback, d.w., Cape Town, 2000. OUT OF PRINT
Reproduces in full colour many of the bookplates and covers Irma Stern designed for the books in her personal library.
Text translated from German by Walter Middleman & Geoffrey Wittenberg.
Benezra (N.) et. al. curators WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2001. R495
Catalogue of the exhibition co-organized by the Museum of Contemporary Art, Chicago, and the New Museum of Contemporary Art, New York.
Essays by Neal Benezra, Staci Boris, Lynne Cooke and Ari Sitas. Interview by Dan Cameron.
Berman (A.) ALEXIS PRELLER, Africa, the sun and shadows
361 pp., b/w & colour illus., paperback, Johannesburg, 2010. R330
A reworking of the two volume biography of painter Alexis Preller by art critic and historian Esmé Berman, published in 2010 and now out of print.

Foreword by Clive Kellner.
Berman (E.) & Nel (K.) ALEXIS PRELLER, Africa, the Sun and Shadows / Collected Images
397 + 283 pp., b/w & colour illus., paperback, slipcase, Johannesburg, 2009. OUT OF PRINT
A two volume monograph on Alexis Preller (1911-1975) published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2009.

"Africa, the Sun and Shadows" focuses on the artist's life and the context in which his paintings were produced. The companion volume, "Collected Images", focuses more directly on the paintings themselves, dealing individually and chronologically with more than seventy works.

Art historian Esmé Berman is the author of "Art & Artists of South Africa" and "Painting in South Africa".
Artist Karel Nel is Associate Professor in the Division of Visual Arts at the Wits School of Arts, University of the Witwatersrand.
Berman (M.) REMEMBERING IRMA, Irma Stern: a memoir with letters
184 pp., b/w & colour illus., paperback, Cape Town, 2003. R170
"Mona Berman's account of the thirty-year correspondence between her parents, Richard and Freda Feldman, and...Irma Stern..."
Bernadac (M-L.) curator AFRICA REMIX, the exhibition/ l'exposition, contemporary art of a continent/ l'art contemporain d'un continent
60 pp., 4to., colour & b/w illus., paperback, Paris, 2005. R150
Catalogue of the exhibition held at Centre Pompidou, Paris, 2005.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Marlene Dumas, Guy Tillim, Moshekwa Langa, Zwelethu Mthethwa, David Goldblatt, Tracey Derrick, El Anatsui, Antonio Ole, Titos & Gonçalo Mabunda.

Text in French & English
Bernadac (M-L.) et. al. curators AFRICA REMIX, l'art contemporain d'un continent
338 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Catalogue of the exhibition, Centre Pompidou, Paris, 2005.

Artists exhibited include Jane Alexander, Wilie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa, Fernando Alvim, Paulo Capela, Franck K.Lundangi, N'Dilo Mutima & Anotnio Ole from Angola, Rui Carlos de Noronha Assubuji, Luís Pedro Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Pickle from Zimbabwe.

Introductions by Marie-Laure Bernadac & Simon Njami. Includes essays by Jean-Hubert Martin, David Elliott, Abdelwahab Meddeb, John Picton, Jean-Loup Amselle, Clémentine Deliss, Manthia Diawara, Hudita Nura Mustafa & Bernard Müller.

Text in French.
Bernadó (J.) photo. & Bauret (G.) text VERY VERY BAD NEWS,
282 pp., oblong 4to., colour illus., hardback, Barcelona, 2002. R450
Barcelona-based photographer Jordi Bernadó took photographs in cities around the world, including Cape Town.

Includes the essay, "The Urban Inquiry" by Gabriel Bauret.

Text in English, French & Spanish.
Bernard (H.) & Faure (C.A.) eds. ARTS AFRICAINS CONTEMPORAINS, 4
98 pp., 4to., colour & b/w illus., paperback, Paris, 2005. OUT OF PRINT
Includes articles on Willie Bester and Jane Alexander.

Text in French.
Berndt (J.) FROM WEAPON TO ORNAMENT, the CAP Media Project posters (1982 to 1994)
64 pp., b/w & colour illus., paperback, Cape Town, 2007. R180
An account of poster-making at the Community Arts Project Media Project. During the last years of Nationalist Party rule CAP Media Project activists helped ordinary working class people produce graphics that expressed their needs and concerns.
Berry (I.) photo LIVING APART, South Africa under apartheid
256 pp., map, 4to., illus., hardback, d.w., London, 1996. OUT OF PRINT
Foreword by Desmond Tutu. Chris Boot compiled the text from interviews.

Ian Berry was born in Lancashire in 1934. He moved to South Africa in 1952 and worked as a photojournalist for several newspapers and journals, including Drum magazine. Although he moved to Paris in 1962 he has returned to South Africa many times to take photographs.
Bertram (D.) CECIL HIGGS, close up
157 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1994. OUT OF PRINT
Cecil Higgs was born in 1898 on a farm in the Orange Free State. This book is based on her until now unpublished diaries, notebooks and letters.
Berzock (K.B.) & Clarke (C.) eds. REPRESENTING AFRICA IN AMERICAN ART MUSEUMS, a century of collecting and display
312 pp., 4to., illus., paperback, Seattle, 2011. R495
A collection of essays that focus on the history of African art in American art museums and examine how changing perceptions of African art are manifested in how museums collect and display objects.

Kathleen Bickford Berzock is curator of African art at the Art Institute of Chicago.
Christa Clarke is curator of arts of Africa and senior curator of arts of Africa and the Americas at the Newark Museum.
Bester (R.) BERNI SEARLE,
71 pp., oblong 4to., colour illus., paperback, Cape Town, 2003. R165
Berni Searle was born in Cape Town in 1964. She was the winner of the Standard Bank Young Artist Award in 2003.
Bester (R.) SUE WILLIAMSON, plasticienne/ visual artist
23 pp., colour illus., paperback, Paris, 2005. OUT OF PRINT
An introductory booklet.

Text in English & French.
Bester (R.) ed. EPHRAIM NGATANE, a setting apart
80 pp., colour illus., hardback, d.w., Johannesburg, 2009. R370
Published to accompany the exhibition of paintings, Standard Bank Gallery, Johannesburg, 2009.

Includes the essay, "A Setting Apart" by Rory Bester, Natalie Knight and David Koloane.

Ephraim Ngatane was born in Maseru, Lesotho, in 1938. He studied at the Polly Street Art Centre in Johannesburg, taught at the Jubilee Art Centre and became a well-known artist and mentor, earning himself the accolade as the "Hogarth of the townships". He died of tuberculosis-related complications in 1971, at the age of 32.
Beumers (E.) ed. AFRICA MEETS AFRICA, The African Collection of the Museum of Ethnology Rotterdam
127 pp., 4to., map, colour illus., hardback, Rotterdam, 1996. OUT OF PRINT
Includes the essay, "A String to Heaven, from South African Soil" by Elza Miles.

Includes Swazi, Zulu and Shona neckrests, a Nguni beaded apron, a Zulu beaded cape, stick, war shield and cereminal axe, Swazi clubs, a Tsonga-Shangana dance staff, ceremonial staffs and a power figure from Angola, pipes from St. Helena, as well a sculpture,"The Angel Gabriel" by Owen Ndou, and much more.
Bialobrzaski (P.) photo. INFORMAL ARRANGEMENTS,
96 pp., oblong 4to., colour illus., hardback, Ostfildern, 2010. R425
A collection of photographs of the interiors of shacks in Kliptown, the oldest area of Soweto.

Includes an introductory essay by Indra Wussow

Peter Bialobrzeski in a professor of documentary photography at the University of the Arts in Bremen.

Text in German and English.
Bickford-Smith (V.) & Mendelsohn (R.) eds. BLACK AND WHITE IN COLOUR, African history on screen
374 pp., paperback, Cape Town etc., 2006. R175
Essays include "The Public Lives of Historical Films: the case of 'Zulu' and 'Zulu Dawn'" by Carolyn Hamilton & Litheko Modisane, "'Breaker Morant': an African war through an Australian lense" by Richard Mendelsohn, "'Flame' and the Historiography of Armed Struggle in Zimbabwe" by Teresa Barnes, "Picturing Apartheid: with a particular focus on 'Hollywood' histories of the 1970s" by Vivian Bickford-Smith & "Looking the Beast in the (Fictional) Eye: The Truth and Reconciliation Commission on film" by David Philips.
Bieber (J.) photo. BETWEEN DOGS AND WOLVES, growing up with South Africa
126 pp., illus., hardback, Cape Town, 2006. R160
Photographer Jodi Bieber was born in South Africa and is now based in London.

The photographs in the book span a period of ten years, beginning in 1994 after South Africa's first democratic elections, and document the lives of young people growing up on the fringes of South African society: gang members, prostitutes, abused and abandoned children and children living with HIV/Aids.
Bieber (J.) photo. & text SOWETO,
159 pp., colour illlus., paperback, Johannesburg, 2010. R225
A book of photographs of everyday life in Soweto by South African photographer Jodi Bieber.

Introduction by Niq Mhlongo.

Jodi Bieber was the winner of the 2009 Prix de le l'Union Européene at Recontres de Bamako Biennale Africaine de la Photographie.She is also the winner of eight World Press Awards and her portrait series "Real Beauty" won the 2009 First Prize Portrait Series at Picture of the Year Awards.
Biggs (C.) photo. STELLENBOSCH, op die drumpel, photographs
154 pp., oblong 4to., illus., paperback, (Stellenbosch), 2006. R232
Includes the essays, "Stellenbosch - op die drumpel/ gedagtes" & "Stellenbosch - op die drumpel/ notes on photography" by Charles Biggs, "Stellenbosch and its photographers - meer as net minnaars..." by Dawid Botha & "Photographs and Art" by Victor Honey.

Text in English & Afrikaans.
Bilbija (K.) et. al. (eds.) THE ART OF TRUTH-TELLING ABOUT AUTHORITARIAN RULE,
138 pp., 4to., b/w & colour illus., paperback, Madison, 2005. R160
This book "examines the art of truth-telling and the creation of stories, accounts, images, songs, street theater, paintings, urban designs, and ideas that pay witness to authoritarian pasts". South Africa is one of the 12 countries explored. Contributions include "Youth Struggle" by Monica Eileen Patterson, "Artworlds" by Jo Ellen Fair, "Reckoning with State Violence" by Nyameka Goniwe, "The Power of Song" by Michael Cullinane & Teresita Gimenez Maceda, "Traces" by Janet Cherry, "Moving Images" by Ksenija Bilbija & Tomislav Longinoviç, "Humour That Makes Trouble" by Leigh A.Payne, "Teasing Out the Truth, the work of Zapiro" by Jonathan Shapiro, "Performing Truth" by Laurie Beth Clark, "Memoryscapes" by Louis Bickford & "Naming" by Cynthia Milton. Also includes work by South African artists Billy Mandini, Sue Williamson, Jane Alexander, Willie Bester, Senzeni Marasela, Wayne Barker, Marc Edwards, Minnette Vári & William Kentridge.
Bird (A.) ARABELLA ROUPELL, pioneer artist of Cape flowers
74 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1975. OUT OF PRINT
Arabella Roupell was born in 1817 in Shropshire, England. In 1842 she visited the Cape with her husband and collected flower specimens which she drew and published in 1846 as the now famous "Specimens of the Flora of South Africa by a Lady" or "Cape Flowers by a Lady". In 1964 another book, "More Cape Flowers by a Lady", published three of the plates of the original volume together with nine hitherto unpublished flower studies.
In this book the plates of "More Cape Flowers" are reissued, together with two new flower studies and other drawings and paintings. The text contains new biographical information on Arabella Roupell.
Blier (S.) ed. ART OF THE SENSES, African masterpieces from the Teel Collection
207 pp., 4to., map, colour illus., hardback, d.w., Boston, 2004. R415
Includes the essays "Ways of Experiencing African Art: the role of patina" by Suzanne Preston Blier, "On Collectors, Exhibitions, and Photographs of African Art: the Teel Collection in historical perspective" by Christaud M.Geary and "African and African American Art: an African American legacy" by Edmund Barry Gaither.

Also includes two Makonde masks and a Zulu staff figure.
Blignaut (J.) et. al WASTE AT WORK, catalogue 2006
38 pp., b/w & colour illus., paperback, (Cape Town), (2006). R60
"Waste at Work" is an ongoing project that uses visual art to highlight the need for waste reduction. "Waste at Work 2006" is the first in a series of bi-annual exhibitions. Four companies were paired with four artists who created, out of their particular company's waste paper, an artwork that was installed at company Headquarters to serve as a constant reminder of it's commitment to waste reduction. The four companies involved were Coeo, Hollard Insurance, Spier and Telesure Investment Holdings. The four artists were Johan Thom, Momthunzi Mashalaba, Nandipha Mntambo and Lien Botha.
Blom (Z.) THE TRAVELS OF BAD,
48 pp., 4to., colour illus., paperback, CD, limited to 200 numbered copies, signed by the artist, Johannesburg, 2009. R675
Published to accompany the exhibition of photographs, Rooke Gallery, Johannesburg, 2009.

"The Travels of Bad is essentially a satire that looks critically at the influence that exotic cultures and their artefacts have had on the avant-guarde system of European visual art from the end of the 19th century onwards. The critique comes in the shape of a mini-novella that is illustrated by a series of photographic works and accompanied by a pseudo rock-opera type symphonic drone thrash metal rock album." Zander Blom in What's On!

Includes an exhibition catalogue.

Artist Zander Blom was born in Pretoria in 1982 and lives and works in Johannesburg. He is also a member of the visual art collective, Avant Car Guard.



Blom (Z.), MacGarry (M.) & Booysens (J-H.) AVANT CAR GUARD, volume 1
20 pp., 4to., b/w & colour illus., paperback in slipcover, Johannesburg, 2006. R95
Avant Car Guard is a three member visual art collective from Johannesburg. Zander Blom, Jan-Henri Booysens and Michael MacGarry are also visual artists in their own right, choosing to work collectively to produce "conceptual art manifest through photography and performance."
Bloom (D.) curator STED//PLACE, Denmark/ South Africa 2003/ 2004
112 pp., colour illus., paperback, Denmark, 2003. R95
Catalogue of the exhibition, Galerie Asbæk, Copenhagen and Kastrupgårdsamlingen, Kastrup, Denmark, 2003 and Pretoria Art Museum, Pretoria and Oliewenhuis Art Museum, Bloemfontien, 2004.
Features work and text by three artists from South Africa: Willem Boshoff, Kendell Geers and Karel Nel, and four artists from Denmark, including Doris Bloom.

Foreword by Ditlev Tamm. Essays, "Pro aris et focis: fighting for the spirit of the place" by Martin Zerlang, "Breath Alphabet: Karel Nel and the history of division, a personal encounter with the artist and his work" by David Bunn and "Instead of Place" by Roberto Ranieri.
Bloom (S.) photo. & text LIVING AFRICA,
336 pp., 4to., b/w & colour illus., hardback, d.w., London, 2008. R856
Photographer Steve Bloom's record of his travels through Africa photographing the people, the landscape and the wildlife.
Blundell (G.) NQABAYO'S NOMANSLAND, San rock art and the somatic past
204 pp., 4to., maps, b/w & colour illus., paperback, Uppsala, 2004. R210
Geoffrey Blundell applies the concepts of body and embodiment to rock painting sites from an area previously known as Nomansland, in south eastern South Africa, in an attempt to incorporate rock paintings into the construction of San history.
Blundell (G.), Chippendale (C.) & Smith (B.) eds. SEEING AND KNOWING, understanding rock art with and without ethnography.
314 pp., maps, illus., paperback, Johannesburg, 2010. R490
A collection of essays that focus on the extent of David Lewis Williams' contribution to the field of rock art research internationally, with particular emphasis on the use of theory and methodology drawn from ethnography.

"This collection of essays makes a relevant and significant contribution to the field of rock art research. Many of the chapters are based on solid fieldwork and ethnography that offer a new body of evidence for differentiation between knowing and simply seeing." Janette Deacon

Contributions include:
"Flashes of Brilliance: San rock paintings of heaven's things" by Sven Ouzman
"Snake and Veil: the rock paintings of Driekopseiland, Northern Cape, South Africa" by David Morris
"Cups and Sauces: a preliminary investigation of the rock paintings of Tsolido Hills, northern Botswana" by Nick Walker
"Art and Authorship in Southern African Rock Art: examining the Limpopo-Shashe Confluence Area" by Edward Eastwood, Geoffrey Blundell and Benjamin Smith
"'Meaning Cannot Rest or Stay the Same'" by Patricia Vinnicombe
"Beyond Rock Art: archaeological interpretation and the shamanic frame" by Neil Price.

Geoffrey Blundell is Curator of the Origins Centre museum at the University of the Witwatersrand.
Christopher Chippendale is Reader in Archaeology and Curator for British Collections at the Museum of Archaeology and Anthropology, Cambridge University.
Benjamin Smith is Director of the Rock Art Research Unit (RARI) at the University of the Witwatersrand.
Bokhorst (M.) & Alexander (F.L.) HULDE AAN IRMA STERN - HOMAGE TO IRMA STERN, 1894-1966
51 pp., illus., paperback, Cape Town, 1968. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1968.

Introduction by Matthys Bokhorst. Essay, "Some Notes on the Palette of Irma Stern" by F.L.Alexander.

Text in English & Afrikaans.
Bokhorst (M.) & Martienssen (H.) TWENTIETH CENTURY SOUTH AFRICAN ART/ SUID-AFRIKAANSE KUNS VAN DIE TWINTIGSTE EEU,
138 pp., large 4to., b/w & colour illus., hardback, d.w., Cape Town, 1966. OUT OF PRINT
Foreword by Matthys Bokhorst. Introduction by Heather Martienssen.

Includes work by Hugo Naudé, Pieter Wenning, Frans Oerder, Hendrik Pierneef, Dorothy Kay, Jean Welz, Wolf Kibel, Cecil Higgs, Walter Battiss, Alexis Preller, Cecil Skotnes, Anton van Wouw, Moses Kottler, Lippy Lipshitz, Sydney Khumalo, Lucas Sithole, and many others.

Text in English and Afrikaans.
Bolofo (K.) & Mbhele (S.) text & art SIBUSISO MBHELE, and his fish helicopter
122 pp., large 4to., colour illus., hardback, d.w., New York, 2002. R625
Sibusiso Mbhele was born in 1969 in KwaZulu, Natal. He is a self-taught artist-engineer who builds huge hand-made waste-metal aeroplanes.

South African filmmaker Koto Bolofo made a documentary about the artist, "Sibusiso Mbhele and his Fish Helicopter", which was shown at The Museum of Modern Art in New York in 2000.

Introduction by William Sloan.
The book includes extracts from an interview with the artist.
Bolsmann (E.) PRETORIA, artists' impressions 1857-2001
355 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2001. R395
Includes work by Thomas Baines, Herbert Baker, Walter Battiss, Nicolaas Maritz, Hugo Naudé, Frans Oerder, J.H.Pierneef, Pieter Wenning, and others.
Bolsmann (E.) THE PRETORIA ART MUSEUM, the German contribution
199 pp., b/w & colour illus., hardback, Pretoria, 2005. R245
Eric Bolsmann focuses on the German and Austrian artists represented in the permanent collection of the Pretoria Art Museum, some of whom made South Africa or South West Africa/Namibia their home. Artists discussed include Irma Stern, Hans Aschenborn, Alice Goldin, Adolph Jentsch, Fritz Krampe, Erich Mayer, Nita Spilhaus, Helmut Starke, Gunther van der Reis and Jean Welz.
Bonacossa (I.) MARLENE DUMAS,
107 pp., colour illus., paperback, Milan, 2006. R300
Published in the Supercontemporanea Series edited by critic and curator Francesco Bonami. "Each artist who is the subject of a monograph is presented in the simplest way possible, not in the coded language of art criticism but the clear words of life: because each contemporary artist tells us about life and the world we share." Bonami.

Marlene Dumas was born in Cape Town and studied at Michaelis School of Fine Art, University of Cape Town. She has lived in Amsterdam since the late 1970s.
Bonhams THE SOUTH AFRICAN SALE,
212 pp., 4to., colour illus., paperback, London, 2007. R795
Catalogue of the Bonhams sale of South African art, London, 30 January 2008.

Includes work by Frederick I'Ons, Thomas Bowler, Robert Gwelo Goodman, Jacob Hendrik Pierneef, Maggie Laubser, Irma Stern, Gregoire Boonzaier, Francois Krige, Gerard Sekoto, Walter Battiss, Alexis Preller, Cecil Skotnes, Helen Sebidi, William Kentridge, Dylan Lewis, and many others.
Borman (H.) GREGOIRE, selfportretstudies/ selfportrait studies
39 pp., colour illus., hardback, d.w., Stellenbosch, 1997. OUT OF PRINT
Catalogue of the exhibition, Stellenbosch Art Gallery, 1997.

Includes a preface by Gregoire Boonzaier.

Text in Englih and Afrikaans.
Borman (J.) WALTER MEYER, platteland
24 pp., colour illus., paperback, Cape Town, 2001. R70
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2001.

Walter Meyer, the well-known contemporary painter of South African landscapes, was born in 1965 in Aliwal North. He now lives and works in Cape Town.
Borman (J.) HENNIE NIEMANN JNR,
23 pp., colour illus., paperback, Cape Town, 2006. R85
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2006.

Hennie Nieman Jnr, painter, was born in Bloemfontein in 1972.
Borman (J.) JACO SIEBERHAGEN, trapped in history
31 pp., colour illus., paperback, Cape Town, 2008. R60
Catalogue of the exhibition of laser cut mild steel sculptures, Johans Borman Fine Art Gallery, Cape Town, 2008.

Jaco Sieberhagen was born in 1961 in Victoria West.
Borman (J.) HENNIE NIEMANN JNR, 2008
31 pp., colour illus., paperback, Cape Town, 2008. R60
Catalogue of the exhibition of paintings, Johans Borman, Cape Town, 2008.

Hennie Niemann was born in Bloemfontein in 1972. He lives and works in Cermont, outside Cape Town.
Borman (J.) ART THAT INSPIRES, our 10-20 anniversary exhibition
144 pp., colour illus., hardback, Cape Town, 2009. R235
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2009.

Includes work by Gerard Bhengu, Gerard Sekoto, Irma Stern, JH Pierneef, Maggie Laubser, Majorie Wallace, Maurice van Essche, Walter Battiss, Cecil Skotnes, Sydney Kumalo, Ephraim Ngatane, Ezrom Legae, George Pemba, Jackson Hlungwani, Dumile Feni, Lucky Sibiya, Erik Laubscher, Walter Meyer, and Jaco Sieberhagen.
Borman (J.) curator JACOBUS KLOPPERS, tussenruimte
23 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 1999. Foreword by Johans Borman. Essay, "Intimations of the Road", by Kevin Kelly. Also includes commentary by Jacobus Kloppers.
Borman (J.) text WALTER MEYER, 2007
23 pp., colour illus., paperback, Cape Town, 2007. R60
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town, 2007.

Painter Walter Meyer was born in Aliwal North in 1965. He now lives and works in
Bos (S.) text & Paschke (V.) illus. STILLEWE,
111 pp., illus., hardback, First S.A. Edition, Cape Town, 2009. R353
A book of poetry by Dutch writer Stefan Bos, translated from the Dutch by Towertannie and illustrated by South African artist Varenka Paschke. Originally published in Belgium in Dutch.

Stefan Bos and Varenka Paschke travelled to Mexico to experience the Day of the Dead and worked together on this book based on their experiences.

Text in Afrikaans and Dutch.
Boshoff (W.) LICKED, Willem Boshoff
32 pp., colour illus., paperback, Cape Town, (2003). R60
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.

Text by the artist.
Boshoff (W.) et. al. WILLEM BOSHOFF, nonplussed
38 pp., colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 22 May-19 June 2004.
Boshoff (Willem) PAT,
60 pp., colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Texts by the artist.
Boshoff (Willem) KYKAFRIKAANS, recital of selected optophonetic poems
57 minutes running time, looping DVD, signed by the artist, Johannesburg, 2007. R570
In collaboration with media production company, Wounded Buffalo, and Uncorp People (Andy Sherman, STOKI and James Macdonald) conceptual artist Willem Boshoff transformed his 1970s concrete poetry anthology, Kykafrikaans, into a sonic art production.
Boshoff (Willem) KYKAFRIKAANS, a portfolio of twelve silkscreen prints commissioned by Sanlam
14 pp., illus., paperback, (Cape Town), (2003). R20

A brochure with information on a portfolio of twelve silkscreen prints commissioned by Sanlam and printed by Jonathan Comerford at Hardground Printmakers. "Kykafrikaans" by Willem Boshoff is an anthology of concrete poetry published in 1980. In 1980 six poems were selected from KYKAFRIKAANS, enlarged and silk-screened in a limited edition. A new edition, printed in 2003, contained twelve poems, different from the six previously published."

Text in English and Afrikaans.
Bosland (J.) curator SIDE GALLERY, 2007
24 pp., colour illus., paperback, Cape Town, 2007. R50
Catalogue of the 4 exhibitions by young South African artists held in the Side Gallery, Michael Stevenson, June-November, 2007.

The exhibitions are: Athi-Patra Ruga's installation, "She is Dancing for the Rain with her Hand in the Toaster", Fabian Saptouw's installation, "Unravelled and Rewoven Canvas", Lerato Shadi's video installation, "Aboleleng & Hema" and Simon Gush's installation, "Salute"
.
Athi-Patra Ruga was born in 1984 and trained as a fashion-designer. Fabian Saptouw was also born in 1984 and is currently a Master's student at the Michaelis School of Fine Art, University of Cape Town. Lerato Shadi graduated from Johannesburg University in 2006 with a B-Tech honours degree. Simon Gush graduated with a BA(FA) from the University of Witwatersrand in 2003 and is currently a Candidate-Laureate at the Hoger Instituut can Schone Kunsten in Ghent, Belgium.
Bosland (J.) curator DISGUISE, the art of attracting and deflecting attention
144 pp., b/w & colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2008.

Includes work by David Goldblatt, Claudette Schreuders, Dumile Feni, Nandipha Mntambo, Dineo Bopape, Penny Siopis, Zander Blom, Simon Gush, Wim Botha, Lunga Kama, Berni Searle, Zanele Muholi, Steven Cohen, Candice Breitz, Pieter Hugo and Athi-Patra Ruga.
Bosland (J.) curator THIS IS OUR TIME...,
139 pp., b/w & colour illus., paperback, Cape Town, 2010. R200
Catalogue of the exhibition, Michael Stevenson, Cape Town, and Brodie/ Stevenson, Johannesburg, 2010.

Includes the essays, "Notes on the Exhibition", by Joost Bosland,
"Doing Art Politically: what does this mean?" by Thomas Hirschhorn,
"On Looking and Not Looking" by Gabeba Baderoon,
and comments on their work by the artists.

"The artists of 'This is Our Time' hail from many different parts of the world, and share an approach to art-making that is deeply political." Joost Bosland

South African artists include Jane Alexander, Zanele Muholi, Simon Gush, Pieter Hugo, Anton Kannemeyer, Michael MacGarry,Sabelo Mlangeni, Mohau Modisakeng, Jo Ractliffe, Berni Searle and Penny Siopis.
Botes (C.) & Jannemeyer (A.) text & illus. THE BEST OF BITTERKOMIX, volume one
80 pp., illus., paperback, Stellenbosch., (1998) 2001. OUT OF PRINT
Comics by Anton Kannemeyer (Joe Dog) and Conrad Botes (Konradski).
Translated from the Afrikaans.
Botes (Conrad) CONRAD BOTES, Satan's Choir at the Gates of Heaven
48 pp., colour illus., paperback,, Cape Town, 2007. R70
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes the essay, "The Trophy of Vultures" by Ivor Powell.
Botes (Conrad) CONRAD BOTES, Cain and Abel
36 pp., colour illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition of paintings and sculptures, Michael Stevenson, Cape Town, 2009.

Conrad Botes was born in Ladismith in 1969. He lives and works in Cape Town. He was the winner of the ABSA l'Atelier competition in 2004. Together with Anton Kannemeyer, he foundered and publishes Bitterkomix
Botha (A.) MAJORIE WALLACE, drif en vreugde
160 pp., 4to., b/w & colour illus., paperback, Cape Town, 2006. R172
Painter Majorie Wallace was born in Scotland and lived most of her life in Paris, Onrus and Cape Town with her husband Jan Rabie.

Art journalist and documentary film director Amanda Botha curated Majorie Wallace's 2003 Retrospective Exhibition.

Foreword by André Brink.

Text in Afrikaans.
Botha (A.) & Godby (M.) CLARE MENCK, paintings of objects
48 pp., colour illus., paperback, Cape Town, 2008. R135
Catalogue of the exhibition of paintings, i-Art Gallery, Cape Town, 2008.

Includes the essays, "Celebration and Meaning of the Ordinary in Clare Menck's work" by Amanda Botha, and "Recent Still Life Paintings by Clare Menck: the fine art of paradox" by Michael Godby.
Botha (A.) curator WILLIE BESTER,
40 pp., colour illus., paperback, (Stellenbosch), 2009. R125
Willie Bester was the Festival Artist at the 2009 Us Wordfest. An exhibition of his work was shown at the Sasol Art Gallery in Stellenbosch.

Includes the essays, "Dignity and Justice - the mantra of an artist" by Amanda Botha, and
"Sculpting Dissent and Art as Armed Protest" by Ernst van der Waal.
Botha (A.) curator & text HARDY BOTHA, oorsigtentoonstelling/ retrospective exhibition, (1975-2008)
12 pp., 4to., b/w & colour illus., paperback, Stellenbosch, 2008. R45
Catalogue of the exhibition of paintings and prints, Sasol Art Museum, Stellenbosch, and Oliewenhuis Art Museum, Bloemfontein, 2008.

Includes the essay, "Hardy Botha, artist as magician and prophet" by Amanda Botha, in both English and Afrikaans.
Botha (A.) et. al. ERIK LAUBSCHER, JACOBUS KLOPPERS, WALTER MEYER,
39 pp., colour illus., paperback, Cape Town, 2004. R55
Catalogue of the exhibition, Johans Borman Fine Art Gallery, Cape Town 2004.

Includes "Work that Celebrates his Artistry" an essay on Erik Laubscher by Amanda Botha as well as comments by Cobus van Bosch on Jacobus Kloppers and Walter Meyer.
Botha (L.) & Cronje (F.) curators INVINCIBLES,
22 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, State Theatre Art Gallery, Pretoria, 1999.
A collective event between the photographic Departments of the Technikon Pretoria and the University of Cape Town: students reconsider the milieu of Leonardo da Vinci and the way his work connects to aspects of the contemporary world.
Botha (L.) curator BLOEDLYN, Klein Karoo Kunstefees, Oudtshoorn, 25-31 Maart 1999, Association for Visual Arts, Cape Town, 5-17 July 1999
47 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition.
This collaboration between 20 contemporary S.A. artists and writers includes work by Mark Coetzee & Karen Cronjé, Berni Searle & Anoeschka von Meck, Dorothee Kreutzfeldt & Herman Lategan, Frith Langerman & Lettie Viljoen, and others.
Text in Afrikaans and English.
Botha (Lien) AMENDMENT, Lien Botha
16 pp., colour illus., folded, Cape Town, 2006. R40
Catalogue of the exhibition, the Photographers Gallery ZA, Erdmann Contemporary, Cape Town, 2006.

"The works in Lien Botha's 'Amendment' present as a formal, stately progression: 14 uniform photographic triptychs on the wall of Erdmann Contemporary, leading from one to the other to make up a visual poem". Andrew Lampbrecht
Botha (Lien) GROOT INKLEURBOEK, safari
16 pp., illus., paperback, Cape Town, 2003. R45
Catalogue of the exhibition of line drawings superimposed on photographs, KKNK, Oudtshoorn, 2004.
Botha (M.) HERKOMS VAN DIE KAAPSE STOEL,
88 pp., 4to., illus., hardback, d.w., Cape Town, 1977. OUT OF PRINT
Marielise Botha discusses the different influences on and styles of the Cape stool, from the late 17th to the 19th century.

Text in Afrikaans.
Botha (M.) comp. MARGINAL LIVES & PAINFUL PASTS, South African cinema after apartheid
386 pp., illus., paperback, Cape Town, 2007. R349
Contributions include:
"Post-Apartheid Cinema: policy, structures, themes and new aesthetics" by Martin Botha,
"'Skeef' Cinema 'Entja': a brief history of South African queer cinematic cultures" by Ricardo Peach,
"Redefining the Political: a short overview and some thoughts on personal documentary films from the new South Africa" by Francois Verster,
"Communication for Development in the New South African Documentary" by Kenyan Tomaselli,
"'An Act of Preservation and a Requiem': 'The Great Dance': a hunter's story and technological testimony in post-apartheid South Africa" by Lauren van Vuuren,
"Amnesty and Amnesia: the Truth and Reconciliation Commission in narrative film" by Martha Evans,
"'Cinema, Glamour, Atrocity': narratives of trauma" by Lesley Marx, and much more.

Botha (N.), Zerbst (F.) & Salie (F.) eds. DESIGN INDABA, all stars
327 pp., 4to., colour illus., hardback, Cape Town, 2008. R350
Chronicles the first 10 years of Design Indaba, an annual conference held in Cape Town that focuses on how design - from graphic design, advertising and fashion to industrial design, architecture, craft and new media - can help solve the problems of South Africa. The book celebrates 35 international guests that have been hosted at the event and featured in the Design Indaba magazine.
Botha (W.) et. al. SOUTH AFRICAN ART NOW, 29 November 2006 - 6 January 2007
72 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the end of year exhibiton, Michael Stevenson, Cape Town, 2006.

Artists exhibited are Wim Botha, Conrad Botes, Tracy Payne, Berni Searle, Deborah Poynton, Zanele Muholi, Samson Mudzunga, David Goldblatt, Anton Kannemeyer, Guy Tillim, Pieter Hugo, Mustafa Maluka, Nicholas Hlobo & Hylton Nel.
Botha (Wim) WIM BOTHA, speculum
22 pp., colour illus., paperback, Cape Town, 2003. R45
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.
Wim Botha was born in Pretoria, in 1974. He currently lives and works in Johannesburg.
Botha (Wim) COLD FUSION, gods, heroes and martyrs
36 pp., colour illus., paperback, Cape Town, 2005. R45
Catalogue of Wim Botha's exhibition, Michael Stevenson Gallery, Cape Town, 2005.
Botha (Wim) APOLAGNOSIA,
26 pp., colour illus., paperback, Cape Town, 2007. R50
Catalofgue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007.
Bouwer (V.) et. al. co-ordinators A DAY IN THE LIFE OF THE NEW SOUTH AFRICA,
308 pp., 4to., map, colour illus., hardback, d.w., Pretoria, 1994. OUT OF PRINT
Over 300 images selected from thousands of photographs taken by ordinary South Africans on 3 August 2004. A sequel to the book, "A Day in the Life of South Africa", published in 1982.
Boyley (J.) ERROL BOYLEY, a biography, celebration of a life
182 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2005. OUT OF PRINT
Errol Boyley, painter, was born in 1918 in Pietermaritzburg, where he lives and works.
Bradlow (E.) & Westby-Nunn (T.) eds. FREDERICK I'ONS, artist
130 pp., 4to., b/w & colour illus., hardback, Cape Town, 2011. R709
An account of artist Frederick I'Ons' life in South Africa.

Frederick I'Ons (1802-1887) arrived in Grahamstown from England in 1834. There he produced landscape paintings, commissioned portraits, "souvenir" portraits of Xhosa chiefs and other studies of African people, as well as some caricatures.
Bramley (H.) et. al. WHITE, Helen Bramley, Liza Christofides, Anne Marie Tully
20 p., illus., paperback, Johannesburg, 2003. R45
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Three MA students at the University of the Witwatersrand explore connotations of the colour white.
Brand (Kevin) ELEVEN A SIDE,
12 pp., colour illus., paperback, Cape Town, 2004. R30
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2004.

Sculptor Kevin Brand was born in 1953 in Cape Town.

Braun (A.) & Dhlomo-Mautloa (B.) eds. SOWETO, ein Südafrikanischer mythos/ a South African legend
128 pp., oblong 4to., b/w & colour illus., hardback, d.w., Stuttgart, 2001. R450
Interview with Nelson Mandela. Text by Stephen Laufer. Photos by Ernest Cole, Peter Magubane, Alf Kumalo, Jürgen Schadeberg, Santu Mofokeng, Ruth Motau & Jodi Bieber, Graeme Williams, Paul Wienberg, Sam Nzima, Bongani Mnguni, Victor Matom, Stephen Laufer, Gerogr Hallet, Themba Hadebe, Bob Gosani & Henner Frankenfeld.
Text in German & English.
Bregin (E.) & Kruiper (B.) KALAHARI RAIN SONG,
110 pp., b/w & colour illus., paperback, Pietermaritzburg, 2004. R145
Belinda Kruiper is a Cape Coloured married to Vetkat Regopstaan Longlife Kruiper, the acclaimed Bushman artist. Included in this memoir are photographic portraits of life in the #Khomani Bushman community where she lives with Vetkat as well are many reproductions of Vetkat's art.
Bremner (L.) JOHANNESBURG, one city colliding worlds
157 pp., map, colour illus., hardback, Johannesburg, 2004. R250
Preface by Achille Mbembe.

Lindsay Bremner holds the position of Chair of Architecture at the University of the Witwatersrand. These five essays on the city of Johannesburg were first published in the "Sunday Times" newspaper in February and March 2001, as the first Bessie Head Fellowship articles.

Text in English, French & German.
Bremner (L.) WRITING THE CITY INTO BEING, essays on Johannesburg 1998-2008
347 pp., colour illus., paperback, Johannesburg, 2010. R295
Architect Lindsay Bremner's collection of essays, both written and photographic, on Johannesburg.

Lindsay Bremner has published, lectured and exhibited widely on the transformation of Johannesburg after the end of apartheid. She is also the author of "Johannesburg, one city, colliding worlds". She was formerly Chair of Architecture at the University of the Witwatersrand and is currently Professor of Architecture in the Tyler School of Architecture at Temple University, USA.
Brenner (J.), Burroughs (E.) & Nel (K.) eds. LIFE OF BONE, art meets science
166 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2011. R350
Catalogue of the exhibition, Origins Centre, University of the Witwatersrand, Johannesburg, 2011.

"The generative catalyst for the exhibition is the presence of three skulls, that of the Tuang child, the fragments from Border cave and a modern chimpanzee skull, while the work of the three artists - Joni Brenner, Gerhard Marx and Karel Nel - engages in a variety of ways with the thoughts which bones engender about death and life, about the past, the present and the future. In this collection their work is considered by a medical doctor (Debbie Glencross), two palaeoanthropologists (Donald Johanson and Bernhard Zipfel), a geneticist (Himla Soodyall), a social and cultural psychologist (Kopano Ratele), as well as by a writer (Elizabeth Burroughs) and a poet (Lynne Slonimsky)" from the inside front cover

Contributions include:
"Being Craft: Gerhard Marx", "Of Words and Skulls: Joni Brenner" and "Cartographer of Consciousness: Karel Nel" by Elizabeth Burroughs
"Obsessions and Impulses: art meets science" by Joni Brenner, Elizabeth Burroughs and Debbie Glencross, and
"Matter Out of Place; four new pieces" by Karel Nel.
Breytenbach (B.) PLAKBOEK,
36 pp., 4to., colour illus., paperback, Pretoria, 1994. OUT OF PRINT
A collection of Breyten Breytenbach's poems reproduced in his handwriting with his illustrations.
Breytenbach (C.) photo. & Barrow (B.) text THE SPIRIT OF DISTRICT SIX,
64 pp., 4to., illus., hardback, Reprint, Cape Town, (1997) 2003. OUT OF PRINT
Black and white photographs taken before the destruction of District Six.
Breytenbach (J.) I DON'T LIKE CHOCOLATE,
92 pp., illus., hardback, d.w., Cape Town, 2007. R160
A collection of comics by illustrator Jesse Breytenbach, all about our relationship with food.
Brice (L.) et. al. LISA BRICE,
228 pp., 4to., colour illus., paperback, Frankfurt/Main & Cape Town, 1998. OUT OF PRINT
Includes the essays "Under Attack" by Sue Williamson, and "Lisa Brice" by Malcolm Payne. Lisa Brice tells the stories behind her work in her own words.

Text in English, German & Chinese.
Bright (S.) ART PHOTOGRAPHY NOW,
224 pp., 4to., b/w & colour illus., paperback, London, 2006. R422
Includes work by Zwelethu Mthethwa from South Africa and Koto Bolofo from Lesotho.
Brink (A.) JAN VERMEIREN, a Flemish artist in South Africa
133 pp., 4to., b/w 6 colour illus., hardback, d.w., Tielt & Cape Town, 2000. OUT OF PRINT
Jan Vermeiren was born in Bornem, Belgium, in 1949. He settled permanently in Cape Town in 1977.
Text in English and Dutch.
Brink (Y.) THEY CAME TO STAY, discovering meaning in the 18th century Cape country dwelling
220 pp., illus., paperback, Stellenbosch, 2008. R211
Archaeologist Yvonne Brink seeks to understand more about the Dutch peasants who built the colonial farmsteads in the Cape winelands in the later eighteenth and early nineteenth centuries, and why this style of architecture emerged only at the Cape and not in Dutch colonies in other parts of the world.
Bristowe (A.) et.al. text KIM LIEBERMAN, blood relatives
29 pp., colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Catalogue of the exhibition, Camouflage Art Gallery, Johannesburg, 2000. Essays by Anthea Bristowe, Colin Richards & Clive Kellner. Also includes a statement by the artist.
Britz (G.) curator THE MODERN PALIMPSEST, envisioning South African modernity
191 pp., colour illus., hardback, d.w., Johannesburg, 2008. R735
Catalogue of the exhibition, Graham's Fine Art Gallery, Johannesburg, 2008.

Includes work by Pauline Spilhaus, Ruth Prowse, Jacob Hendrik Pierneef, Maggie Laubser, Irma Stern, Maud Sumner, Walter Battiss, Gregoire Boonzaier, Gerard Sekoto, Robert Hodgins, Edoardo Villa, Douglas Portway, Stanley Pinker, Helmut Starke, and many others.
Britz (G.) curator & O'Toole (S.) et. al. text BETWEEN FOOTHOLD AND LIGHT,
116 pp., colour illus., paperback, Johannesburg, 2006. R365
Catalogue of the selling exhibition, Graham's Fine Art Gallery, Johannesburg, 2006.

Foreword by Elza Miles.

Includes work by Pieter Naudé, Pieter Wenning, Jacob Pierneef, Maggie Laubser, Adolph Jentsch, Irma Stern, Jean Welz, Maud Sumner, Walter Battiss, Gregoire Boonzaier, Alexis Preller, George Pemba, Gerard Sekoto, Stanley Pinker, Cecil Skotnes, Robert Hodgins, and others.
Brodie (D.) SELF/ NOT SELF,
8 pp., large 4to., b/w & colour illus., stapled, Cape Town, 2009. R20
Catalogue of the exhibition, Brodie/ Stevenson, Johannesburg, 2009.

"Brodie/ Stevenson presents "SELF/ NOT SELF, a two-part curated exhibition that explores modes of self-representation across a range of contemporary art-practices. Bearing in mind critical debates about the symbolic violence that frequently accompanies attempts to speak on behalf on others, the exhibition asks questions about what it means to 'speak for others' in our times."

Includes work by Nandipha Mntambo, Lerato Shadi, Berni Searle, Tracy Payne, Zanele Muholi, Pieter Hugo, Anton Kannemeyer, Avant Car Guard, Wim Botha, Nicholas Hlobo, Penny Siopis and Michael MacGarry.
Brodie (D.) curator NEW STRATEGIES,
50 pp., colour illus., paperback, Johannesburg, 2002. R150
Catalogue of the exhibition, Johannesburg Art Gallery, 2002.
Essays include "New Strategies: advancing the contemporary collection" by David Brodie, "Public:art:space: making the Johannesburg Art Gallery more accessible" by Brenton Maart, "Education in Context" by Tshidiso Makhetha and "Safefood Repeats on You" by Stephen Hobbs.

Features works acquired by the gallery over the last decade and includes the work of Jane Alexander, Jodi Bieber, Lisa Brice, Norman Catherine, David Goldblatt, Robert Hodgins, William Kentridge, Santu Mofokeng, Tracey Rose, Sue Williamson, Clive van den Berg, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Brodie (D.) et. al. curators PERSONAL AFFECTS, power and poetics in contemporary South African art, volumes I & II
176 + 96 pp., 4to., colour illus., paperback, New York, 2004. R325
Catalogue of the exhibition, Museum for African Art and the Cathedral of St John the Divine, New York, September 2004 - January 2005.
The exhibition was curated by David Brodie, Laurie Ann Farrell, Churchill Madikida, Sophie Perryer & Liese van der Watt. 17 artists - Jane Alexander, Wim Botha, Steven Cohen, Churchill Madikida, Mustafa Maluka, Thando Mama, Samson Mudzunga, Jay Pather, Johannes Phokela, Robin Rhode, Claudette Schreuders, Berni Searle, Doreen Southwood, Clive van den Berg, Minette Vári, Diane Victor & Sandile Zulu - were taken to New York to visit the two venues and asked to propose work for the show.

Volume I documents the works in progress and includes an introduction by the 5 curators, the essays "The Enigma of the Rainbow Nation: contemporary South African art at the crossroads of history" by Okwui Enwezor, "Towards an 'Adversarial Aesthetics': a personal response to personal affects" by Liese van der Watt, and interviews with each of the artists conducted by Tracy Murinik.

Volume II consists of photographs of the final installed works and includes an essay, "Post-South Africa?" by Steven Nelson.
Broomberg (A.) & Chanarin (O.) photo. & text MR MKHIZE'S PORTRAIT & OTHER STORIES FROM THE NEW SOUTH AFRICA,
152 pp., colour illus., paperback, London, 2004. R175
"The photographs and stories in this book were commissioned for an exhibition to launch South Africa's new Constitutional Court and its new home on Constitution Hill."

Photographs taken by Adam Bloomberg and Oliver Chanarin are accompanied by extracts from interviews conducted with the people photographed.
Brown (C. ) ed. PAST/ PRESENT, works by Andrew Verster from 1994-2008
80 pp., colour illus., paperback, (Durban), 2008. R140
Catalogue of the travelling exhibition first shown at the Albany Museum, National Arts Festival, Grahamstown, 2008.

Introduction by Carol Brown.
Texts include "An Artist of the City" by Nick Paul,
"My Teacher" by Bronwen Findlay,
"Finding My Place" by Clive van den Berg,
"And Everything Turned Itself Inside Out, 23 very short stories about Andrew Verster" by Peter Machen,
"Verster's Symbolic Expression of Freedom" by Brenton Maart, amd
"Rejecting the Ghetto" by Andrew Verster.
Brown (C.) & Paul (N.) eds. ISHUMI/10, Durban Art Gallery
116 pp., 4to., colour illus., hardback, Durban, 2004. R200
Ishumi is the Zulu word for the number 10.

A collection of essays assembled by the Durban Art Gallery to commemorate the Decade of Democracy 1994-2004. It emerged out of an exhibition held at the gallery, called "Ten out of Ten for Democracy". 100 works were exhibited, ten pieces from each of the ten years from 1994-2004. Artists included Willem Boshoff, Tito Zungu, Jeremy Wafer, Penny Siopis, Brett Murray, Josephine Ghesa, and many others. In this publication these works are placed "within the wider context of the decade's changes".

Essays include "Changing Space: keeping pace" & "Making the Invisible Visible" by Carol Brown, "Monuments & Memory" & "Disregarding Difference" by Annie Coombes, "The Power of Culture" by Jay Pather, "Artistic Licence" by Albie Sachs, "Ten out of Ten" by Andrew Verster, "On Art, Power, Other and Identity" by Vulindlela Nyoni, "The Edge of Culture" by Peter Machen & Zwelethu Mthethwa, and more.
Brown (C.) curator MALE ORDER CATALOGUE,
48 pp., 4to., b/w & colour illus., paperback, Durban, 2002. R95
Catalogue of the exhibition, Durban Art Gallery, June 2002.

Essays include "If the Cap Fits" by Andrew Verster, "Re-membering the Black Male: an examination of colonial and post colonial concepts of black masculinity in the visual arts" by Vulindlela Nyoni and "Absent Voices: Gay identity, masculinity, and the male gay other in contemporary art in South Africa" by Christiaan Diedericks.
Artists include Wilma Cruise, Robert Hodgins, Clive van den Berg, Zwlethu Mthethwa, David Koloane, Langa Magwa, Santu Mofokeng.
Brown (C.) curator TIES THAT BIND,
71 pp., b/w & colour illus., paperback, Durban, 2004. R95
Catalogue of the exhibition, Durban Art Gallery, 2004.

Artists include Cedric Nunn, Terry Kurgan, Jean Brundrit, Roger Ballen, Clive van den Berg, Johannes Segogela, Omar Badsha and Zwelethu Mthethwa, amongst others.

Essays include "Visual Representations of Relationships in the New South Africa" by Carol Brown, "Manifestation of Ties that Bind through Zulu Customs & Attire" by Hlenge Dube, "Ties that Bind" by Frida Rundell, and more.
Brown (C.) curator HOME AND AWAY, a return to the south, an exhibition of the Ifa Lethu and Art Against Apartheid Collections
120 pp., colour illus., paperback, Pretoria, 2010. R250
Catalogue of the exhibition, Constitution Hill, Johannesburg, 2010.

The exhibition shows a body of work created during the apartheid years of 1948 to 1990. The Ifa Lethu Foundation, formed in 2005 with the aim of repatriating artworks made during this ti
Brown (C.) ed. "UMBUKISO",
27 pp., colour & b/w illus., hardback, Durban, (2001). R110
"Umbukiso" is a Zulu word meaning "exhibition, show, something to look at".

A publication on the Durban Art Gallery, with chapters on its history, highlights of its current collections, its contribution to the fight against HIV/AIDS, etc. Also includes a chapter on Dan Rakgoathe and Alan Alborough and one on Andrew Verster's impressions of Durban and the gallery.

Brundit (J.) A LESBIAN STORY, an exhibition project
48 pp., b/w & colour illus., paperback, Cape Town, 2008. R55
Catalogue of the exhibition, Association for Visual Arts, Cape Town, 2008.

Inclues the essay, "Visibly Absent: Jean Brundit's production of lesbian history as an act of radical archiving", by Lize van Robbroeck.

Zanele Muholi and Jean Brundit presented a Making Herstory Workshop in Johannesburg in 2007, with the aim of gathering diverse lesbian experiences in South Africa. The eight women participants were invited to represent aspects of their identity in photographs. This exhibition formed part of the Making Herstory research project and presented some of material produced during the 2007 workshop. Also includes photographs by Jean Brundit.
Brundyn (E.) & Gonsalves (A.) curators MUSE, 08
62 pp., colour illus., paperback, Cape Town, 2008. R100
Catalogue of the exhibition of portraits of South African artists, writers, musicians and actors, Klein Karoo National Arts Festival, Oudtshhoorn, and iart Gallery, Cape Town, 2008.

Includes the essay, "Portretkuns: 'n oomblik van kennis wat die asem in ekstase ophou" by Amanda Botha.

Includes portraits of William Kentridge by Paul Emsley, Amanda Botha by Walter Meyer, Brett Bailey by John Murray, Clive van den Berg by Colbert Mashile, Marlene Dumas by Gregory Kerr, J.M.Coetzee by Mary-Rose Hendrikse, Breyten Breytenbach by Hardy Botha, Robert Hodgins by Arlene Amaler-Raviv, Rian Malan by Reshada Crouse, Zwelethu Mthethwa by Sam Nhlengetwa and a self-portrait by William Kentridge.
Brundyn (E.) & Gonsalves (A.) IART GALLERY,
30 pp., colour illus., paperback, Cape Town, No Date. R50
A catalogue introducing iArt gallery and some of the artists they represent, including Matthew Hindley, Zwelethu Mthethwa, Colbert Mashile and Sanell Aggenbach.
Brzyski (A.) ed. PARTISAN CANONS,
170 pp., illus., paperback, Durham & London, 2007. R250
Includes the essay, "Canons Apart and Apartheid Canons: interpellations beyond the colonial in South African art" by Julie McGee.
Buckland (A.) photo. & McDougall (K.) et. al. text ZIP ZIP MY BRAIN HARTS,
91 pp., illus., paperback, Pretoria, 2006. R160
This book focuses on disability and records the experiences of seven families with disabled children, including Angela Buckland's own.

Foreword by Albie Sachs and essays by Kathleen McDougall, Leslie Swartz and Amelia van der Merwe.
Bunn (D.) & Taylor (J.) eds. FROM SOUTH AFRICA, new writing, photographs, and art
501 pp., map, illus., paperback, Chicago, 1988. OUT OF PRINT
Includes: "Five Drawings" by William Kentridge
"To Whom It May Concern: linocuts on a poem by Sipho Sepamla" by Billy Mandini
"On the Front Line: a portrait of civil war (photo-essay)" by Paul Weinberg Guy Tillim, Dave Hartman & Steve Hilton-Barber
"Rhodes: some women photographed (photo-essay)" by Paul Alberts
"Eight Photographs" by Omar Badsha
"The Structure of Things Here (photo-essay)" by David Goldblatt
"An Artist Is Struggling with Chains (text and linocuts)" by John Muafangejo
"Train Churches (photo-essay)" by Santu Mofokeng
"Boys from the Border; Sweets and Bullets (drawings)" by Manfred Zylla
"Six Drawings and a Sculpture" by Dumile Feni
"A South African Photographer in Zimbabwe (photo-essay)" by Paul Weinberg.
Bunn (D.) et. al. JONI BRENNER, infra-red
42 pp., colour illus., paperback, Johannesburg, 2002. R80
Catalogue of the exhibition, Gertrude Posel Gallery, University of the Witwatersrand, 17 October-15 November 2002.
Text by David Bunn, Jessica Dubow, Karel Nel & Elizabeth Burrows.
Picture annotations written by Joni Brenner & her friends.
Burnett (R.) curator JACKSON XIDONKANI HLUNGWANI, an exhibition
64 pp., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition curated by Ricky Burnett, Johannesburg, 1989.

Includes the essays "Sparks of Recognition" and "An Introduction to the Sculpture" by Ricky Burnett, "The Star on the Colt" by Théo R.Schneider, "Mbhokota is Everywhere" by Lionel Abrahams, "Visions and the Viewer" by Rayda Becker, "An Intriguing Encounter" by Aggrey Klaaste and "The New Jerusalem" by Peter Rich as well as an edited transcription of an exchange between Jackson Hlungwani and the Reverend Théo Schneider at Mbhokoto, January 1989.
Burnett (R.) curator HORSE, Multiple Views of Singlular Beast, an exhibition of 60 South African artists
100 pp., large 4to., colour illus., paperback, CD-Rom, Johannesburg, 2011. R280
Catalogue of the exhibition, Everard Read CIRCA, Johannesburg, 2011.

Includes work by Noria Mabasa, Zwelethu Mthethwa, Pippa Skotnes, David Brown, Colbert Mashile, Deborah Bell, Stephen Hobbs, David Koloane, Gavin Younge, Wilma Cruise and Philemon Hlungwani.

Also includes the essays:
"A Visit to the Exhibition" by Matthew Partridge
"Don't Fence Me In" by Stephen Hobbs,
"Oh the Horse" by Mongane Wally Serote
"Love and Horses" by Gcina Mhlope
"Pony School Mnemonic" by Shelagh Foster.

On the CD-Rom are biographies of all the artists, the opening speeches by John Kani, Mark Read and Ricky Burnett and a film of the exhibition.
Burnett (R.), Goniwe (T.) & Powell (I.) KAY HASSAN, fixing time
112 pp., 4to., colour illus., paperback, Stellenbosch, 2007. R250
Catalogue of the exhibition of paper constructions, watercolours, installations and inkjet prints, Stellenbosch Modern and Contemporary Gallery (SMAC), Stellenbosch, December 2007 - January 2008.

Includes the essays "Paper What? Paper Who?" by Ricky Burnett,
"Working Notes of Kay Hassan's 'Morning Ritual'" by Thembinkosi Goniwe, and
"Time Fixed and Time Unravelling In Time and Out of Time" by Ivor Powell.

Kay Hassan was born in 1956 in Johannesburg. where he still lives and works. In 2000 he was awarded the first DaimlerChrysler Award for South African Contemporary Art.
Busca (J.) et. al. TRAVESA,
165 pp., 4to., b/w & colour illus., paperback, Canary Islands, 2008. R750
Catalogue of the exhibition of work by contemporary African artists, Centro Atlántico de Arte Moderno (CAAM), Canary Islands, 2008 - 2009.

Contributions include "To Dream the Potential, South African art in the context of a continent" by Storm Janse van Rensburg,
"The Social Imaginary of Inmigration, the construct of the migrant as 'other'" by Noemi Hernández Rodriguez,
"In the Name of Vicinity" by Ahmed Ghazali,
"Walter Benjamin's Cousins" by Abdourahmen A.Waberi,
"Grandpa's Last Trip" by Moussa Konaté,
"Traversía with 20" by Christian Perazzone, and
"A Criticism About the Present" by Joëlle Busca.

Artists include Andries Botha, Hobbs/Neustetter and Berni Searle from South Africa and António Ole and Yonamine from Angola

Text in English and Portuguese.
Butler (C.) curator MARLENE DUMAS, measuring your own grave
284 pp., 4to., colour illus., hardback, Los Angeles & New York, 2008. R525
Catalogue of the travelling exhibition which opened at The Museum of Contemporary Art, Los Angeles, in June 2008.

Includes the essays "Painter as Witness" by Cornelia Butler,
"Less Dead" by Richard Shiff,
"The Binding Factor: the maternal gaze of Marlene Dumas" by Lisa Gabrielle Mark, and
"Victoria Falls (for M.D.)" by Matthew Monahan.
Butler (G.) THE PROPHETIC NUN, Sister Margaret CR, Sister Pauline CR, Sister Dorothy Raphael CSMV
127 pp., 4to., b/w & colour illus., paperback, 2000, Johannesburg. R180
Sister Margaret (Margaret Watson) was born in London in 1879. She entered the Community of the Resurrection of our Lord in Grahamstown in 1911. From 1924 onwards she completed many frescoes and paintings, including the fresco above the apse of St Mary and the All Angels.

Sister Pauline (Florence Edith Grace Terry) was born in London in 1883. She joined the Community in 1915 and was in charge of the Carving School at Grace Dieu near Pietersburg until 1938, and then at St Faith's in Zimbabwe, until her death. She taught Ernest Mancoba, David Chituka & Job Kekana.
Buurman (E.) et al (eds.) POMP, 12, 'n biblioteek van gedagtes, ek is, jy is
473 pp., colour illus., paperback, Cape Town, 2011. R230
Pomp is an annual Afrikaans arts and culture journal.

Contributions include:
"Impasto Op Planet Paul" by Dalena Theron
"Aanslag Op die Sinne; die kuns van Michéle Nigrini" by Deborah Steinmair
"Tomboy van die Platteland", a conversation between artist Pauline Gutter and Mercia Schoeman
"Tussen Skapies-Einde en Aleph: 'n museum sonder mure", Elza Miles on Villa Kruger in Prince Albert
"Getransformeer: die beelde, Jan van der Merwe" and "Mimi van der Merwe in gesprek oor Parys" by Hardus Koekemoer
Buurman (E.) et al. (eds.) POMP 11, 'n biblioteek van gedagtes, 'n voel van annerse vere
475 pp., b/w & colour illus., paperback, Cape Town, 2010. R230
Pomp is an annual Afrikaans culture and art publication.

This issue includes articles on ackson Hlungwani, Angus Taylor, Ndikhumbule Ngqinambi, Adriaan van Zyl, Elvis Moodley and Steven Bandoma, and photographs by Verena Martin, M.C.Botha and Karin Brynard.

Text in Afrikaans.
Caban (G.) WORLD GRAPHIC DESIGN, contemporary graphics from Africa, the Far East, Latin America and the Middle East
160 pp., 4to., colour illus., hardback, d.w., London & New York, 2004. R545
Includes sections on the South Africans Roy Clucas, Michael Stallenberg and Garth Walker and the Zimbabweans Michael Danes, Saki Mafundikwa and Chaz Maviyane-Davies.
Cabral (A.) et. al. VICTOR SOUSA, por ocasiao do 18de Maio dia Internacional des Museus
12 pp., colour illus., paperback, Maputo, 2006. R125
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2006.

Painter Victor Sousa was born in 1952 in Maputo.

Text in Portuguese.
Cabral (Z.) illus., & Somayya (A.E.) text GOLD IN GRAPHITE, jozi sketchbook
118 pp., oblong 4to., maps, illus., paperback, (Johannesburg), 2010. R226
Foreword by Don Mattera.

A collection of graphite sketches of Johannesburg, especially buildings in the city centre, executed over a period of five years by Zafrica Cabral. somayya a.e's commentary and poetry offers some additional information on the buildings.
Cameron (D.) comp. WILLIAM KENTRIDGE,
159 pp., 4to., b/w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2001. R495
Text includes an essay, "History of the Main Complaint" by J.M.Coetzee, an interview conducted by Carolyn Christove-Bakargiev, a survey of Kentridges work by Dan Cameron and a selection from Kentridge's writings.
Cameron (E.) ISN'T S/HE A DOLL?, play and ritual in African sculpture
124 pp., 4to., map, b/w & colour illus., paperback, Los Angeles, 1996. OUT OF PRINT
Catalogue of the exhibition held at the UCLA Fowler Museum of Cultural History. Includes sections on Sotho, Xhosa, Zulu & Ndebele dolls.
Campbell (J.) I ADORE RED, Jean Campbell
72 pp., b/w & colour illus., paperback, (Cape Town), (2008). R275
Painter Jean Campbell was born in 1933 in Cape Town. In "I Adore Red" she discusses her life and work.

Includes a chapter on Trechikoff, the New Group and the critics.
Campbell (K.) FEVER SLEEP, the colonial pillow series
16 pp., 4to., colour illus., paperback, Cape Town, 2007. R125
Catalogue of the exhibition, Worldart, Cape Town, 2007.

Includes the essays, "Hitting One's Head on the Nail" by Andrew Lampbrecht, "Pretty Disturbing" by Charl Bezuidenhout & "Nightmares and Beauty Rest: sleeping though art history (and representations of sleep in art history" by Svea Josephy, as well as a conversation between Nasan Pather and the artist.

Kurt Campbell lectures at the Michaelis School of Fine Art, University of Cape Town.

The work reproduced below is entitled "Bullet Cushion".
Campion (D.) photo. & Shields (S.) text WHERE FIRE SPEAKS, a visit to the Himba
164 pp., map, illus., paperback, Vancouver, 2002. R175
Photograhper David Campion and wqriter Sandra Shields spent two months living with the Himba documenting their traditional way of life and the threats and changes that development brings.
Carman (J.) UPLIFTING THE COLONIAL PHILISTINE, Florence Phillips and the making of the Johannesburg Art Gallery
425 pp., b/w & colour illus., paperback, Johannesburg, 2006. R180
An account of the complex circumstances in which the Johannesburg Art Gallery and its art collection were founded in 1910. Jillian Carman describes the two main personalities who initiated the project: Florence Phillips and Hugh Lane, and examines the sociopolitical context within which the founding took place.
Carman (J.) et. al. A DECADE OF COLLECTING, The Anglo American Johannesburg Centenary Trust, 1986-1996
74 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1997. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1997.
Includes beadwork, earplugs, baskets, woven mats, vessels, headrests & wooden figures and work by Azaria Mbatha, Gavin Younge & Ernest Mancoba.

Essays include "Mining Patronage at the Johannesburg Art Gallery" & "The Anglo Trust and the Development of the Historic Collections" by Jillian Carman, "The Anglo Trust and Traditional Southern African Art" by Nessa Leibhammer & "The Anglo Trust and the Contemporary South African and International Collections" by Julia Charlton.
Carman (J.) et. al. eds. VISUAL CENTURY, South African art in context, 1907-2007 volumes 1-4
220 + 217 + 232 + 222 pp., 4to., b/w & colour illus., paperback, boxed, Johannesburg, 2011. R1500
A four-volume publication that reappraises one hundred years of South African visual art from a post-apartheid perspective, and incorporates multiple writers and perspectives. The project was initiated by Gavin Jantjes.

Volume one: 1907-1948, edited by Jillian Carman
Volume two: 1945-1976, edited by Lize van Robbroeck
Volume three: 1973-1992, edited by Mario Pissarra
Volume four: 1990-2007, edited by Thembinkosi Goniwe, Mario Pissarra and Mandisi Majavu

Contributors include: Colin Richards, Kathryn Smith, Zayd Minty, Andries Oliphant, Hayden Proud, Sandra Klopper, Elizabeth Rankin, Anitra Nettleton, Nessa Leibhammer, Melanie Hillebrand an many others.

"A monumental work, one of the most important publishing events in the continent's art" Chika Okeke-Agulu, Department of Art and Archaeology, Princeton University

"The most comprehensive overview of South African art yet." Brenda Schmahmann, Fine Art Department, Rhodes University
Carruthers (J.) & Arnold (M.) THE LIFE AND WORK OF THOMAS BAINES,
184 pp., oblong 4to., map, b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1995) 2000. OUT OF PRINT
Thomas Baines, artist and explorer, was born in England in 1820. He travelled extensively in what is now South Africa, Zambia, Namibia, Botswana & Zimbabwe and died in Durban in 1875. He wrote journals and letters and produced vast numbers of sketches and paintings, many of which are reproduced in this book.
Cassarino (S.R.), Fabris (M.M.) & Smith (M.) PRIMAL, Severa Rech Cassarino
17 pp., colour illus., paperback, Johannesburg, 2009. R55
Catalogue of the exhibition of paintings, Godart Gallery, Johannesburg, 2009.

Includes the exhibition opening address delivered by M.M.Fabris, an essay by Michael Smith and comments on her work by the artist.
Chanarin (O.) & Broomberg (A.) photo. & Chanarin (O.) et. al. text GHETTO,
513 pp., colour illus., hardback, London, 2003. R450
Adam Broomberg & Oliver Chanarin, as editors and photographers of "Colours" magazine, travelled through 12 ghettos around the world, interviewing & photographing their inhabitants. In South Africa they photographed Pollsmoor maximum security prison inmates, with text by Jonny Steinberg
Changuion (L.) et. al. SUFFERING OF WAR, a photographic portrayal of the suffering in the Anglo-Boer War emphasising the universal elements of war
272 pp., 4to., illus., hardback, d.w., Bloemfontein, 2003. R400
Catalogue of the exhibition, War Museum of the Boer Republics, Bloemfontein, 2003.
Foreword by Louis Changuion. Includes the essays "Documenting the Brutality of War", by Paul Alberts & "Suffering of War" by Col Frik Jacobs. The photographs, mainly from the collection of the War Museum and edited by Paul Alberts, are accompanied by extracts from speeches, letters, journalistic reports etc from the time .
Chapman (M.) ART TALK, POLITICS TALK,
187 pp., paperback, Pietermaritzburg, 2009. R180
A collection of essays that offer "perspectives on a single endeavour: how to talk about art in a politically demanding milieu" Michael Chapman

Includes the essay, "The Artist and the Citizen: complimenting/ complementing Andries Botha"

Michael Chapman is Professor of English and Head of the School of Literary Studies, Media and Creative Arts at the University of KwaZulu-Natal.
Charlton (J.) BRONWEN FINDLAY, Every Picture Tells a Story
24 pp., colour illus., paperback, Johannesburg, 2007. R50
Catalogue of the exhibition of paintings, Substation, University of the Witwatersrand, Johannesburg, and KwaZulu Natal Society of Arts, Durban, 2006.

Includes the essay, "Every Picture Tells a Story", by Juia Charlton.

Bronwen Findlay was born in in 1953 in Pietermaritzburg. She lives and works in Johannesburg.
Charlton (J.) curator PAUL EMMANUEL, after-image
13 pp., oblong 4to., b/w & colour illus., paperback, Stellenbosch, 2004. R95
Catalogue of the exhibition of prints, US Art Gallery, Stellenbosch, 2004.

Includes the essay, "Drawing Out of the Darkness: contemplating 'after-image'" by Julia Charlton.

Paul Emmanuel was born in Zambia in 1969. He lives and works in Johannesburg.
Charlton (J.) ed. SIGNATURE PIECES, the Standard Bank Corporate Art Collection
232 pp., 4to., colour illus., paperback, Cape Town, 2009. R620
Catalogue of over a thousand artworks by more than two hundred and fifty artists that make up the Standard Bank Corporate Art Collection, formed over the past four decades.

Contributions include:
"Vicarious Views: South African landscapes in the Standard Bank Corporate Art Collection" by Federico Freschi
"Journey to the Constitution" by Emile Maurice
"Explaining their Power: examining some of the lessor-known works in the Standard Bank Corporate Art Collection" by Wilhelm van Rensburg
"The Standard Bank Art Gallery" by Barbara Freemantle
"The Standard Bank African Art Collection: a heritage in the making" by Anitra Nettleton
"Monna Mokoena", in which Julia Charlton interviews the owner of Gallery MOMO in Johannesburg
"Artists' Voices", in which South African artists Willem Boshoff, Alan Crump, Bronwen Findlay, Robert Hodgins, Churchill Madikida, Colbert Mashile, Kagiso Pat Mautloa, Karel Nel, Sam Nhlengethwa, Dorren Southwood and Minette Vári comment on their work.


Charteris (P.) ed. SELECTED SOUTHERN AFRICAN ROCK ART,
98 pp., illus., hardback, Johannesburg, No Date. R150
Foreword by David Lewis-Williams.

A collection of ninety-two tracings or copies of San rock art previously published on the covers of the South African Archaeological Bulletin, together with the original captions. Dr Benjamin Smith, Director of the Rock Art Research Institute at the University of the Witwatersrand, comments on the images. This book is a sequel to the book, "Rock-Paintings in Africa", published by the Archaeological Society of South Africa in the early 1960s, which contained fifty-seven cover designs.
Chikukwa (R.) curator VISIONS OF ZIMBABWE, when words fail, art speaks
80 pp., colour illus., paperback, Manchester, 2004. R150
Catalogue of the exhibition, Manchester Art Gallery, December 2004 - February 2005.

Artists include Berry Pickle, David Brazier, Chikonzero Chazunguza, Calvin Dondo, Tapfuma Gutsa, Michele Mathison, Chaz Maviyane-Davies, Tsvangirayi Mukwazhi, Alice Tavaya & Voti Thebe.

Includes the essays, "Journalists Still an Endangered Species" by Bill Saidi, "What is a Woman's Life Worth?" by Grace Mutandwa, "Zimbabwe's Journey from Liberation to Oppression and Beyond" by Andrew Meldrum & "When Words Fail, Art Speaks" by Raphael Chikukwa.

Chinzima (P.) curator SUKA DZIVHA FUNDUDZI, Samson Mudzunga
12 pp., colour illus., paperback, Johannesburg, 2003. R95
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Essay by Anitra Nettleton. Also includes text extracted from the monograph, "Samson Mudzunga" by K. Coates & S.Hobbs, published in 2001.
Chipkin (C.) JOHANNESBURG STYLE, architecture & society 1880s - 1960s
335 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1993. OUT OF PRINT
This book sets the architecture of Johannesburg firmly against it's historical context, and examines the politics, music, biography & industry of the city. Includes 30 pp. on "Township Johannesburg".
Clive Chipkin practices as an architect in Johannesburg.
Chipkin (C.) JOHANNESBURG TRANSITION, architecture and society from 1950
501 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2008. R750
Architect Clive Chipkin's sequel to his book, "Johannesburg Style: achitecture and society 1880s - 1960s", now out of print.
Chippindale (C.) & Nash (G.) eds. PICTURES IN PLACE, the figured landscapes of rock-art
400 pp., maps, illus., paperback, Cambridge, 2004. R280
Includes the chapters "Worlds within stone: the inner and outer rock-art landscapes of northern Australia and southern Africa" by Paul S.C.Taçon & Sven Ouzman & "The Landscape Setting of Rock-Painting Sites in the Brandberg (Namibia): infrastructure, 'gestaltung', use and meaning" by Tilman Lenssen-Erz.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
191 pp., 4to., b/w & colour illus., paperback, Brussels, 1998. OUT OF PRINT
This book was published by the Societe des Expositions du Palais des Beaux-Arts de Bruxelles/ Vereniging voor Tentoonstellingen van de Paleis voor Schone Kunsten Brussel in association with Kunstverein Munchen and Neue Galerie Graz on the occasion of the 1998 exhibition "William Kentridge.

Includes Carolyn Christov-Bakargiev in conversation with William Kentridge, "A Procession of the Dispossessed", a survey by Dan Cameron and selections from Kentridge's writings.
Christov-Bakargiev (C.) WILLIAM KENTRIDGE,
256 pp., 4to., b/w & colour illus., paperback, Milan, 2003. R587
Catalogue of the travelling exhibition, first shown at Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, 10 January- 20 February 2004. Forewords by Ida Gianelli, Armin Zweite, Elizabeth Ann MacGregor, Marcel Brisebois and Rochelle Keene. Essays include "On Defectibility as a Resource: William Kentridges art of imperfection, lack and falling short" by Carolyn Christov-Bakargiev and "The Shadow of a Doubt: William Kentridges bronze age" by Jane Taylor. The text also includes many short pieces by William Kentridge on his different projects.
Text in English and Italian.
Claerhout (F.) painting & Symington (J.) text PARABLES,
20 pp., colour illus., paperback, Stellenbosch, (2007). OUT OF PRINT
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery, 2007.
"This book contains eight parables from the Bible, painted by Father Frans Claerhout and narrated by Rev. Johann Symington. The painintgs were done in the late 1980s".
Clark (G.) & Wagner (L.) POTTERS OF SOUTHERN AFRICA,
200 pp., b/w & colour illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
Chapters on Esias Bosch, Sonja Gerlings, Bryan Haden, Alice Heystek, Charles Gotthard Jacobs, Helen Martin, Thelma Marcuson, Tim Morris, Hym Rabinowitz, Marietjie van der Merwe, Hannatjie van der Wat, Andrew Walford, Kolonyama Pottery, Thaba Bosigo Pottery and the potters at Rorke's Drift.
Clark (J.R.), Blom (Z.) et. al. HYPOCRITE'S LAMENT, Julia Rosa Clark & THE DRAIN OF PROGRESS, Zander Blom,
136 pp., colour illus., paperback, London, 2008. R248
Catalogue of the exhibition of installations, Ferreira Projects, London, 2008.

Includes "The Dashboard Melted But We Still Had The Radio, an essay" by Robert Sloon",
"Strategies to Cut Out the Shitty Parts", Julia Rosa Clark in conversation with Kathryn Smith,
and a Michael Smith interview with Zander Blom.

Julia Rosa Clark was born in 1975 in Cape Town, where she still lives and works.
Zander Blom was born in 1982 in Pretoria. She lives and works in Johannesburg.
Clark-Brown (G.) ed. THE SOUTH AFRICAN ART INFORMATION DIRECTORY, SAAID 2005
415 pp., colour illus., paperback, Cape Town, 2004. R139
A listing of galleries, museums, dealers, artists, South African & international grants, residencies, art competitions, art media & art education.

Includes a CD-Rom.
Clarke-Brown (G.) ed. THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 07,
205 pp., b/w & colour illus., paperback, Cape Town, 2007. R119
A listing of artists, art galleries, art material suppliers, art schools and financial and promotional opportunities for visual artists.
Coates (K.) & Hobbs (S.) SAMSON MUDZUNGA, artist's book
77 pp., 4to., illus., paperback, Johannesburg, 2001. R160
Samson Mudzunga was born in 1938 in Venda. He is most well known for his enormous carved "coffin drums" and the performances he arranges around them.
Text in English, French and Dutch.
Included is a separate 16 pp. educational supplement written by Philippa Hobbs.

Number 2 in the Taxi Art Book Series.
Codjia (N.) & Keff-Lobisommer (A-S.) curators PROSTHESIS, catalogue for an exhibition of art works by Gavin Younge, the decade 1997-2007
48 pp., 4to., colour illus., paperback, Paris & Cape Town, 2007. R140
Catalogue of the exhibition, Cloître des Billettes, Paris, 2007.

Includes the essays "Natives to Police (Reconstitution)" by Mark Haywood, "Material Encounters: approaching the trauma of others through the visual arts" by Jill Bennett & "Thoughts on a Phantom Limb: Gavin Younge's distant catastophes" by David Bunn. Also includes comments by Gavin Younge on his works.

Text in English & French.

Gavin Younge teaches at the Michaelis School of Art, University of Cape Town.
Coetsee (E.) CRAFT ART IN SOUTH AFRICA,
240 pp., 4to., colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Artists featured include Hylton Nel, Clive Sithole, Bat Centre wire workers & bead workers, Lobolie Ximba, Roddy Khumalo, Carrol Boyes, Kaross Workers, Kim Sacks, Barbara Jackson, Ardmore Studio, Chivirika Group, and many more.
Coetzer (J.) ALT POP,
130 pp., b/w & colour illus., paperback, (Pretoria), (2007). R175
Performance and conceptual artist Jacques Coetzer was born in 1968 in Kimberley. He lives and works in Pretoria.

Includes texts by Willem Boshoff, Derek Hook, Ella Ziegler and Kathryn Smith, as well as notes by the artist.
Cohen (D.) project director A DAY IN THE LIFE OF AFRICA, photographed by the world's leading photojournalists on one day
288 pp., 4to., b/w & colour illus., hardback, d.w., London, 2002. R450
Foreword by Desmond Tutu. Introduction by Kofi Annan.
Includes work by South African photographers Jodi Bieber, Louise Gubb, Fanie Jason, Kim Ludbrook. Victor Matom, Gideon Mendel, Guy Tillim and Lori Waselchuk.
Cohen (L.) JACKSON HLUNGWANI, a resource book, looking at contemporary South African sculpture
40 pp., illus., paperback, Johannesburg, 1993. OUT OF PRINT
For use by students and teachers. Includes information about Hlungwani and his work, as well as questions for discussion and additional notes for teachers.
Cohn (L.) curator Sasol WAX ART AWARD, 2007
7 + 16 + 16 + 16 + 16 + 16 + 16 + 16 pp.+ 5 loose sheets, b/w & colour illus, boxed, (Johannesburg), 2007. OUT OF PRINT
"The finalists of the Sasol Wax Award 2007 explored wax in diverse ways, using it as part of the process, the medium and also the concept of their works".

The finalists were Wayne Barker, Usha Seejarim, Sue Williamson, Andrew Verster and Walter Oltmann, who won the award.

There is a 16 pp. catalogue on the work of each of the 5 finalists as well as a loose sheet depicting their work. There is also a booklet on Sasol's outreach programme which aims to take skills to communities and individuals who need them, while also educating people about the visual arts, and a booklet of views and reviews which includes messages from the executive director of the Sasol Wax Art Award, Carola Ross, and the curator, Les Cohn.
Colborne (D.) text & dos Santos (S.) photo. SOUTH AFRICA, private worlds
208 pp., 4to., colour illus., hardback, d.w., London, 1999. OUT OF PRINT
Photographic essay on South African architecture and interior design, including wine farms, safari lodges, Clifton cottages and Cape Town lofts.
Cole (D.) THE BUILDING STONES OF CAPE TOWN, a geological walking tour
132 pp., maps, colour illus., paperback, Cape Town, 2002. R125
A facinating study of the buildings of Cape Town and the stones they are built from.
Cole (E.) photo. & text HOUSE OF BONDAGE,
192 pp., 4to., illus., hardback, d.w., New York, 1967. OUT OF PRINT
Introduction by Jospeh Lelyveld.
Thomas Flaherty worked with Ernest Cole on the text.
Ernest Cole was born near Pretoria in 1940. He left South Africa in 1966 to live in exile, carrying with him thousands of photographs documenting life in apartheid South Africa in the 1960s.
Collins (H.) HANNAH COLLINS, Parallel
92 pp., colour illus., paperback + 80 pp., b/w illus., hardback, Barcelona, 2008. R695
Catalogue of the exhibition of Hannah Collins' three-screen video installation that focuses on the daily lives of three African migrants living in Europe: Pamela, a Ugandan working in Rome; Dewa, a former professional football player from Cameroon in Madrid, and Constantine, a woman from the Ivory Coast living in London. The exhibition opened at Laboral Ciudad de la Cultura, Barcelona, in 2008.

Includes the essay, "Three People. Two Shores. One Dream: Hannah Collins' 'Parallel'" by Ken Shulman.

Text in English, French and Spanish.

Award-winning artist, photographer and filmmaker Hannah Collins was born in the UK in 1956. She lives and works between London and Barcelona.
Colombo (P.) curator & ed. MOSHEKWA LANGA,
90 pp., 4to., colour illus., paperback, Milan, 2005. R310
Catalogue of the exhibition, Museo Nazionale delle Arti del XXI secolo, Rome, 2006.

Introduction by Paolo Colombo. Includes the essays, "Moshekwa Langa" by Rita Kersting & "Themes in Moshekwa Langa's Art" by Nicola Brandt.

Text in Italian & English.
Comaroff (J.L.), Comaroff (J.) & James (D.) eds. PICTURING A COLONIAL PAST, the African photographs of Isaac Shapera
224 pp., 4to., illus., paperback, Chicago, 2007. R285
Presents for the first time the selected photographs of the British anthropologist Isaac Shapera (1905 - 2003), taken between 1929 and 1940, mostly during his work among the Kgatla peoples of what is now Botswana.

Introduction by Jean and John Comaroff. Includes a biographical sketch of Shapera by Adam Kuper and "The Bakgatla Bagakgafêla, preliminary report of field investigations, 1933" by Isaac Shapera.

John Comaroff is the Harold W.Swift Distinguisged Professor of Anthropology at the University of Chicago and a senior research fellow at the American Bar Foundation.
Jean Comaroff is the Bernard E.and Ellen C.Sunny Distinguished Service Professor of Anthropology and director of the Chicago Center for Contemporary Theory at the University of Chicago. Both are honorary professors at the University of Cape Town.
Deborah James is reader in the Department of Anthropology and a member of the Center for the Study of Human Rights at the London School of Economics.
Combrink (L.), Stevens (I.) & Badenhorst (P.) text PHILIP BADENHORST,
79 pp., 4to., colour illus., paperback, (Pretoria), (2003). R95
Painter Philip Badenhorst was born on a farm in the Western Transvaal in 1957. He teaches in the Department of Visual Arts at the University of Pretoria.

Includes the essays, "A Lyrical Journey into Love, Fear and Self" by Louisemarié Combrink,
"Philip Badenhorst: midpoint" by Ingrid Stevens, and
"The Artist's Perspective" by Philip Badenhorst.
Comley (R.) et. al. (eds.) WOMEN BY WOMEN, 50 years of women's photography in South Africa
272 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R350
"Editors Robin Comley, George Hallett & Neo Ntsoma made their selection from a range of what 75 photographers considered their most significant images of women." Commissioned by the Ministry of Arts and Culture to celebrate the 50th anniversary of the 1956 Women's March. Foreword by Pallo Jordan. Introduction, "On Both Sides Now, fifty years of South African women behind and in front of the lens", by Penny Siopis. Includes the essay, "The Early Years, notes on South African photographers before the eighties" by Pam Warne.

Includes work by Jansje Wissema, Tracey Derrick, Zanele Muholi, Nontsikelelo Veleko, Lien Botha, Svea Josephy, Jodi Bieber, Berni Searle/Jean Brundit, Angela Buckland, Nadine Hutton, Ruth Motau, Tracey Rose, Ellen Elmendorp, Gisele Wulfsohn, Louise Gubb & Julian Edelstein. The photographs are accompanied by captions and sometimes by essays written by the photographers.
Cook (M.A.) THE CAPE KITCHEN, a description of its position, lay-out, fittings and utensils
112 pp., 4to., illus., hardback, d.w., Stellenbosch, . OUT OF PRINT
Mary Alexander Clark was cultural historian to the South African Museum in Cape Town and the curator of the Drostdy Museum in Swellendam.
Coombes (A.) HISTORY AFTER APARTHEID, visual culture and public memory in a democratic South Africa
366 pp., illus., paperback, Johannesburg, 2004. R220
The book analyses how, in the midst of the shift to an inclusive democracy, South Africa's public culture - in monuments, museums, and contemporary fine art - "represented the past while at the same time contributing to the process of social transformation".

Annie Coombes teaches art history and cultural studies at Birkbeck College, Univ. of London, where she is Director of Graduate Studies in the School of History of Art, Film and Visual Media. In this book she discusses the work of contemporary South African artists Penny Siopis, Sue Williamson, Clive van den Berg, Jean Brundrit, Senzeni Marasela, Tracey Rose, Berni Searle, Zwelethu Mthethwa, amongst others.
Cooper (C.), Rhodes (B.) & Picton (J.) LOUIS MAQHUBELA, Fifteen Years
38 pp., colour illus., paperback, London, 2005. R195
Catalogue of the exhibition of paintings, Art First gallery, London, 2006.

Louis Maqhubela was born in Durban in 1939. In 1973 he left South Africa for Spain, settling in London in 1978. This exhibition was a survey of Louis Maqhubela's output over the fifteen years, spanning the period leading to Nelson Mandela's election as President of South Africa in 1994, and the first decade of democracy that followed.

Includes the essay, "Louis Khehla Maqhubela" by John Picton.
Cormick (J.) BERNARD GCWENSA AND RUBEN XULU, Christian artists of Natal
138 pp., 4to., illus., paperback, Pretoria, 1993. OUT OF PRINT
Bernard Gwensa was born in Pomeroy, Natal, in 1918. Ruben Xulu was born in 1942, at Hlabisa. Bernard Gwensa taught Ruben Xulu to carve. Encouraged by Rev Father Edwin Kinch, parish priest at the Roman Catholic Mission of the Good Shepherd at Hlabisa, the men produced many sculptures for the church there, and for other mission churches in the area.
Cornell (L.), Gioni (M.) & Hoptman (L.) curators YOUNGER THAN JESUS, artist directory, the essential directory to a new generation of artists
540 pp., 4to., colour illus., paperback, New York, 2009. R565
This book, published to accompany the 2009 exhibition at the New Museum in New York, brings together the work of over 500 artists born after 1975. Over 150 curators, critics and artists from all over the world were asked to recommend younger artists whose work appears to mark a generational shift. The material for the book was assembled from this pool of submissions.

Artists include Zander Blom. Dineo Seshee Bopape, Simon Gush, Daya Heller, Donna Kukama, Nomusa Makhubu, Mustafa Maluka, Thando Mama, Nandipha Mntambo, Athi-Patra Ruga, Lerato Shadi and Nontsikeleo Veleko from South Africa, James Beckett and Kudzanai Chiurai from Zimbabwe, and Nzuji de Magalhaes, Nástio Mosquito, Kiluanji Kia Henda and Ndilo Mutima from Angola.
Costa (A.) & José (B.L.) PERCURSOS E OLHARES, um introdução à arte em Moçambique
120 pp., b/w & colour illus., paperback, Maputo, 2008. R220
An introduction to the art of Mozambique. Includes short chapters on Bertina Lopes, Victor Sousa, Chissano, Malangatana, Reinata, Vânia Lemos, Luís Cardoso, Jorge Dias, Anédia, Madunda, and many others.

Text in Portuguese.
Costa (A.) et. al. text JORGE DIAS, zoologia dos fluxos
23 pp., colour illus., paperback, Maputo, 2007. R95
Catalogue of the exhibition, Centro Cultural Franco, Maputo, 2007.

Includes essays by Alda Costa, António Cabrita, Pompílio Hilário and Jean Michel Champault.

Text in Portuguese and French.
Costello (D.) NOT ONLY FOR ITS BEAUTY, beadwork and its cultural significance among the Xhosa-speaking peoples
88 pp., 4to., map, b/ w & colour illus., hardback, Pretoria, 1990. OUT OF PRINT
In this book Dawn Costello aims "to document the role of beadwork in traditional Xhosa society and by means of photographs to record its beauty before this is totally lost to posterity."
Coudere (F.) & Dougler (L.) text & von Schaemen (D.) photo. INSIDE AFRICA, book 1: north & east, book 2: south & west
447 + 463 pp., colour illus., hardback, Cologne, 2003. OUT OF PRINT
A survey of eclectic architecture and interiors throughout Africa. Includes Joseph Kerham's castle near Johannesburg, Ndebele architecture, townships in Cape Town, the Cape Town homes of Willie Bester & Beezy Bailey, Meerlust in Stellenbosch, Mombo & Jao camps on the Okavango Delta, and much more.
Coullie J.L. et. al. (eds.) SELVES IN QUESTION, interviews on Southern African auto/biography
487 pp., paperback, Hawai'i, 2006. R230
Includes an interview with David Goldblatt conducted by Stephan Meyer, in which the photographer discusses his participation in the "Group Portrait South Africa: nine family histories" exhibition, KIT Tropenmuseum, Amsterdam, 2002, and "elaborates on the nature of portraiture and its place within the auto/biographical enterprise in present-day South Africa".
Coulson (D.) & Campbell (A.) AFRICAN ROCK ART, paintings and engravings on stone
256 pp., 4to., maps, b/w & colour illus., hardback, d.w., New York, 2001. R655
Includes a chapter on southern Africa which covers rock art found in Zimbabwe, Namibia, the southwestern Cape, Drakensberg and Maluti mountains, Ndedema Gorge and the inland plateau in South Africa and the Tsolido Hills in Botswana.
Courtney-Clarke (M.) photo. & text NDEBELE, the art of an African tribe
203 pp., 4to., maps, colour illus., paperback, Reprint, London, (1986) 2002. R326
Foreword by David Goldblatt. Includes chapters on painting, beadwork and ceremonies, "umuzi" (the kraal), gateways, motifs, gables, windows & interiors.
Couto (M.) et. al. CARLOS CARDOSO, habitantes do forno
30 pp., b/w / colour illus., paperback, Maputo, 2002. R275
Paintings by Carlos Cardoso, Mozambican journalist who was assassinated in 2000.
Text in Portuguese.
Cowan (G.) photo. & Uttridge (S.) text THE WILD HORSES OF NAMIBIA,
58 pp., 4to., map, illus., hardback, d.w., Cape Town, 2006. R230
"For almost a century wild horses have roamed the desert around Garub, their range falling within the restricted 'Sperrgebiet'". While based in Luderitz wildlife enthusiast Gary Cowan photographed these horses. Sandra Uttridge is a ceramic artist based in Cape Town.
Crafford (C.) photo. MOMENTARILY_ENDLESS, body of photographic work
48 pp., b/w & colour illus., paperback, Pretoria, 2007. R210
Catalogue of the exhibition, Fried Contemporary Gallery, Pretoria, 2007.

Photographer Carla Crafford compiled these images as a visual autobiography dating from 1977 to 2007.

Inlcudes essays by Alan Lipman and Duncan Reyburn.
Craveirinha (J.) et. al. NAGUIB, Não Matem a Cultura, Não Matem o Craveirinha
107 pp., 4to., colour illus., paperback, Maputo, 2008. R295
Catalogue of the exhibition of paintings, Museu Nacional de Arte, Maputo, 2008.

Includes essays by José Craveirinha, Gilberto Cossa, Oscar D'Ambrosio, José Luis Cabaço, Calane da Silva, Filipe Zau and José Pádua.

Naguib Elias Abdula was born in 1955 in Tete in Mozambique.

Text in English and Portuguese.
Crawford (G.M.) SICEBILE, Swaziland's cultural adornment and artefacts
96 pp., 4to., map, colour illus., paperback, Durban, 2008. R195
"The siSwati word for 'treasure' is 'Imicebo'. From that root comes 'Sicebile', meaning 'we have treasures', 'we are rich' and 'we are blessed'. In usage it usually refers to one's family."

Includes chapters on beadwork, dolls and figurines, ritual objects, horn artefacts, snuff containers, smoking pipes, swazi dishes, milk pails, headrests, combs, mirrors, headwear, shields, war clubs, axes and spears.

Charles Gordon Crawford deals in new and antique African artefacts.

Crawford (P.), Moe (L.) & Zervignón (A.) MEMORIAL (COLLAPSE), Ledelle Moe
43 pp., colour & b/w illus., paperback, No Place, 2006. R90
Catalogue of the exhibition of sculptures, The Fine Arts Gallery, George Mason University, 2006.

Includes the essays, ""Memorial (Collapse) by Paula Crawford,
"Collapse" by Ledelle Moe, and
an excerpt from "The Weave of Memory" by Andrés Zervignón, published in "Art Journal", Spring 2002.

Ledelle Moe was born in 1971 in Durban. She now lives and works in the USA.
Crocquet (P.) photo. "US",
128 pp., oblong 4to., illus., hardback, d.w., Cape Town, 2000. R370
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2000.
Photographs of "ordinary" South Africans as they go about their lives.
Pierre Crocquet was born in Cape Town in 1971.
Cruise (W.) GAIL IRIS NEKE, killing the [m]other
24 pp., colour illus., paperback, Cape Town, 2002. R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
Cruise (W.) CONTEMPORARY CERAMICS IN SOUTH AFRICA,
208 pp., 4to., colour illus., hardback, d.w., slipcase, Cape Town, 1991. OUT OF PRINT
Includes the work of Clementina van der Walt, Hylton Nel, Hyme Rabinowitz, Josephine Ghesa, Bonnie Ntshalintshali, Wilma Cruise, Noria Mabasa, Barbara Jackson, Esias Bosch, John Nowers, Gael Neke, and many others.
Cruise (W.) curator EARTHWORKS/CLAYBODIES, Pretoria Art Museum, 16 March - 26 May 2003, Deborah Bell, Wilma Cruise, Guy du Toit, Josephine Ghesa
43 pp., oblong 4th, colour illus., paperback, Johannesburg, 2003. R115
Catalogue of the exhibition, Pretoria, 2003.
Crump (A.) curator & Maurice (E.) ed. STANDARD BANK YOUNG ARTISTS, 25, a retrospective exhibition
100 pp., 4to., colour illus., hardback, Johannesburg, 2009. R235
Catalogue of the exhibition, Albany Museum, National Arts Festival, Grahamstown and Standard Bank Gallery, Johannesburg, 2009.

Includes work by the Standard Bank Young Artist Award winners from 1984 to 2009, as well as the Five Roses Young Artist Award winners from 1981 to 1983.

Includes the essays:
"Standard Bank Young Artists: 25, the exhibition" by Barbara Freemantle
"1986-1999: Looking Back at Politics, Art and Young Artists" by Marion Arnold
"Standard Bank Young Artists: 25, 2000-2009" by Andrew Verster
"From Resistance to Identity - 25 years of the Standard bank Young Artist Award" by Melissa Mboweni with Emile Maurice.
Cunningham (A.B.) & Terry (M.E.) AFRICAN BASKETRY, grassroots art from Southern Africa
208 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2006. R325
"Different types of basketry from southern Africa are featured in this book, with both historical and contemporary examples from Botswana, Lesotho, southern Mozambique, Namibia, South Africa, Swaziland, western Zambia and Zimbabwe...[It] provides detailed information on historical perspectives, weaving techniques, construction methods, designs, styles and raw materials used in basketry...Photographs of baskets from major museum collections in southern Africa, the USA and Britian, feature alongside unique images of basket construction and use. Previosuly unpublished black-and-white photographs taken by Alfred Duggan-Cronin in the early 1900s enhance the historical record."
Curiger (B.) ed. PARKETT, no. 63, 2001
268 pp., colour & b/w illus., paperback, Zurich, 2001. R295
Parkett is a journal published three times a year.

This issue has a large section on William Kentridge. Essays include "Doubled Vision - peering through Kentridge's 'Stereoscope'" by Tom Gunning, "A Messenger" by Susan Stewart & "Live Cinema & Life in South Africa" by Roselee Goldberg & William Kentridge.

Text in English & German
Dagan (E.) AFRICAN DOLLS FOR PLAY AND MAGIC/ POUPES AFRICAINES POUR JEUX ET MAGIE,
143 pp., 4to., maps, illus., paperback, Montreal, 1990. OUT OF PRINT
Includes sections on dolls from Angola, Namibia, Botswana, South Africa, Lesotho, Swaziland, Mozambique & Zimbabwe.
DaimlerChrysler Sculpture Award 2002 DAIMLERCHRYSLER AWARD FOR SOUTH AFRICAN SCULPTURE 2002, exhibition of the nominees, Johannesburg Art Gallery, October 2001-January 2002
40 pp., 4to., colour illus., paperback, Cologne, 2001. R50
The nominees were Langa Magwa, Albert Manyai, Jane Alexander, Joachim Schönfeldt, Claudette Schreuders, Paul du Toit, Minette Vari & Moses Seleko. The award went to Jane Alexander.
Daly (J.) SCRUBLANDS,
126 pp., b/w & colour illus., paperback, Seattle, 2006. R155
16 stories by cartoonist Joe Daly.
Daly (J.) illus. & text THE RED MONKEY, the leaking cello case
32 pp., colour illus., hardback, Cape Town, 2003. R110
Joe Daly was born in London in 1979 (to South African parents) and moved to South Africa in 1980. He lives in Cape Town where he works as a commercial illustrator and cartoonist.
Damsbo (M.) curator SHOW ME HOME,
52 pp., b/w & colour illus., paperback, Johannesburg, 2003. R35
Catalogue of the exhibition, Johannesburg Art Gallery, 2003.
Essays by Joanne Lees, Colin Richards, Veliswa Gwintsa & Kathryn Smith. Includes work by Jo Ractliffe, Santu Mofokeng, Dorothea Kreutzfeldt, and others.
Dare (M.) photo. & text BO-KAAP, a ten minute walk
70 pp., oblong 4to., colour illus., hardback, Cape Town, 2010. R207
A collection of photographs of the Bo-Kaap in Cape Town.

Photographer Malcolm Dare lives and works in Cape Town and has his studio in the Bo-Kaap.
Darroll (M-A.) et. al. ART FOR AIDS ORPHANS AUCTION,
88 pp., colour illus., paperback, Cape Town, 2004. R95
Catalogue produced for the auction conducted by Stephan Welz & Co. in association with Sotheby's, Cape Town, 2004.

Foreword by Beezy Bailey.
Includes work by some 80 artists, including Jane Alexander, Tyrone Appollis, Beezy Bailey, Roger Ballen, Deborah Bell, Lien Botha, Andries Botha, David Brown, Wilma Cruise, Marlene Dumas, Kendall Geers, David Goldblatt, Mark Hipper, Robert Hodgins, William Kentridge, Kim Lieberman, Kagiso Patrick Mautloa, Walter Meyer, John Murray, Obie Oberholzer, Jo Ractliffe, Usha Seejarim, Penny Siopis, Cecil Skotnes, Pippa Skotnes, Guy Tillim, Clive van den Berg, Minnette Vári, Sue Williamson, Dale Yudelman, Tracey Rose and the Keiskamma Art Project.
Davies (H.) curator WILLIAM KENTRIDGE, weighing...and wanting
44 pp., b/w & colour illus., hardback, San Diego, 2000. OUT OF PRINT
Catalogue of the exhibition presented at the Museum of Contemporary Art, San Diego, 25 January - 12 April 1998. Drawings from Kentridge's 6 minutes film, "WEIGHING...and WANTING", made while working at the Museum. Essay entitled "Weighing, Wanting, Writing, notes towards an understanding of the unfinished" by Leah Ollman.
Davis-Mesman (E.) THE COLOURFUL PALETTE OF ALFRED KRENZ,
90 pp., 4to., b/w & colour illus., hardback, d.w., Onrust River, 1998. OUT OF PRINT
Alfred Krenz (1899-1980) was born in Vienna, Austria. He and his family moved to Cape Town in 1949.
Dawes (N.) SUE WILLIAMSON, selected work
103 pp., 4to., b/w & colour illus., paperback, Cape Town & Brussels, 2003. R350
Published on the occasion of the solo exhibition at the Centre d'Art Contemporain, Brussels, Belgium, 24 April - 14 June 2003.
The exhibition was curated by Fabienne Dumont, director of the CAC, and Linda Givon, director of the Goodman Gallery of Johannesburg.
Text in English, Flemish & French. Includes a CD-Rom.
Daydé (E.) MOSHEKWA LANGA, peintre/ painter
23 pp., colour illus., paperback, Paris, 2005. R50
An introductory booklet.

Text in English & French.
de Boeck (F.) text & Plissart (M-F.) photo. KINSHASA, tales of the invisible city
287 pp., colour illus., paperback, Ghent & Tervuren, 2004. OUT OF PRINT
The book has been published as a sequel to the exhibition of photographic and video material by Marie-Françoise Plissart, first shown at the Venice Architecture Biennial, 2004, curated by Filip de Boeck & Koen van Synghel.

During one month in 2001, and again in 2002, anthropologist Filip de Boeck and photographer Marie-Françoise Plissart, traversed the city of Kinshasa, capital of the Democratic Republic of Congo, filming and photographing. Throughout the book, Boeck's text and Plissart's photographs are alternated with the voices of some of Kinshasa's inhabitants.
de Jager (E.J.) IMAGES OF MAN, contemporary South African black art and artists, a pictorial and historical guide to the Collection of the University of Fort Hare housed in the De Beers Centenary Art Gallery.
220 pp., 4to., b/w & colour illus., hardback, d.w., Alice, 1992. OUT OF PRINT
Includes Julian Motau, Cyprian Shilakoe, Gladys Mgudlandlu, John Muafangejo, Sydney Kumalo, Stanley Nkosi, Gerard Bengu, Tito Zungu, Johannes Segogela, Noria Mabasa, Tommy Motswai, Nat Mokgosi, Lucky Sibiya, Michael Zondi, Dan Rakgoathe, Azaria Mbatha, Durant Sihlali, George Msimang, George Pemba, Gerard Sekoto, Lucas Sithole, and many others.
de Jager (F.) & Loots (A.) curators ESTHER MAHLANGU,
48 pp., colour illus., paperback, Cape Town, 2003. R110
Catalogue of the exhibition held at the UCT Irma Stern Museum, 4-22 November 2003.
Esther Mahlangu was born in 1935 in Mpumalanga Province. She "presents traditional Ndebele semi-abstract geometric designs in modern ways, including painting an entire 1991 525i BMW car."
de Kamper (G.) & de Klerk (C.) SCULPTURED, the complete works of Fanie Eloff
121 pp., b/w & colour illus., paperback, Pretoria, 2011. R200
A catalogue raisonné of sculptor Fanie Eloff's work.

Fanie Eloff (1885-1947) studied sculpture in Paris and lived there for most of his working life. He returned to South Africa after the 1940 invasion of Paris and settled in Pretoria, the city of his birth.
de Kock (L.) et. al. eds. SOUTH AFRICA IN THE GLOBAL IMAGINARY,
298 pp., illus., paperback, Pretoria, 2004. R110
Essays include "'Civilised off the Face of the Earth': museum display and the silencing of the /Xam" by Pippa Skotnes.
de Mervelec (P.) photo. THE JO'BURGERS,
125 pp., 4to., illus., hardback, d.w., Pretoria, 2001. R170
Patrick de Mervelec is a French photo-journalist. These portraits were taken during a three year stay in Johannesburg.
Essay by Don Mattera.
Text in English & French.
de Rosemond (P.Crocquet) PINKY PROMISE,
280 pp., 4to., b/w & colour illus., hardback, Johannesburg & Ostfildern, 2011. R450
Published to coincide with the travelling exhibition which opened at the Johannesburg Art Gallery in September 2011.

With this book and the accompanying exhibition Pierre Croquet de Rosemond attempts to understand sexual abuse against children. In presenting the stories of five victims and three perpetrators he seeks to "shed some light on the trauma that is the result of sexual abuse and the conditions in which healing becomes possible." pg.XII

Photographer Pierre Crocquet de Rosemond was born in 1971 in Cape Town and grew up in Klerksdorp.
de Rosmond (Pierre Croquet) ENTER EXIT,
119 pp., oblong 4to., illus., hardback, d.w., Ostfildern, 2008. R300
Catalogue of the exhibition, Nouvelles Rencontres Africaines de la Photographie de Bamako, Mail, 2007.

Foreword by Rick Webster. Includes the essay, "The Reconnaissance of Life: photography by Pierre Croquet de Rosemond".

Photographer Pierre Croquet de Rosemond was born in 1971 in Cape Town and grew up in Klerksdorp. "Enter Exit", a collection of portraits taken in a small South African town, is his fourth book.

Text in English, German & French.
de Villiers (C.) co-ord. & comp. MASTERPIECE, Absa L'Atelier 2008
111 pp., colour illus., hardback, d.w., DVD, Johannesburg, 2008. R195
Catalogue of The Absa L'Atelier Art Awards, Absa Gallery, Johannesburg, 2008.

The Absa L'Atelier Art Award is an annual art competition for young artists in the age group 21 to 35 years. The 2008 winner was James Webb. Merit Award winners were Christiaan Johannes Hattingh, Lunga Kama, Alhyrian Laue and Antonia Digna Steyn. The Gerard Sekoto Award winner was Sophia Margaretha Ferguson.

Please note that this catalogue has a ridiculous cover that has nothing to do with the content.
de Villiers (S.) OTTO LANDSBERG 1803-1905, 19th century South African artist
120 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
Otto Landberg, born in Germany in 1803, immigrated with his family to South Africa in 1818 and died in Cape Town in 1905. He produced many drawings and paintings depicting early South African life, scenery and personalities.
de Vos (P.) photo. & text MILIEU,
261 pp., illus., hardback, Pretoria, 2006. R208
Introduction by Hennie Aucamp.

Photographic portraits include those of painters Beezy Bailey, Conrad Botes, Hardy Botha, Franz Claerhout, Peter Clarke, Nicolaas Maritz, Michael Pettit, Eris Silke, Jan Vermeiren, illustrators Niki Daly & Jude Daly, cartoonists Zapiro (Jonathan Shapiro) & Gus Ferguson, comic artist Anton Kannemeyer, photographer Lien Botha, sculptor Claudette Schreuders, and others.

de Vries (F.) THE FRED DE VRIES INTERVIEWS, from Abdullah to ZIlle
325 pp., illus., paperback, Johannesburg, 2008. R180
Journalist and author Fred de Vries interviews artists Vusi Beauchamp, Jodie Bieber, Kudzanai Chiurai, Karl Gietl, Anton Kannemeyer, Maja Maljevic and Hermann Niebuhr, art agent Jeanetta Blignaut, collector curator Warren Siebrits and gallerist Henri Vergon, amongst others.
de Waal (S.) & Sassen (R.) STEVEN COHEN,
96 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2003. R150
"Best known for his performances, Cohen appears not only on stage and in galleries but also, uninvited, in public spaces. As a homosexual Jewish man, he deals with otherness and outsider identity, using his own and others' bodies to create "living art" that references sculpture, contemporary dance, drag and performance art."
The book comes with a 15 pp. educational supplement written by Jillian Carman.
Text in English, French and Dutch.

Number 8 in the TAXI Art Book Series.
Deacon (J.) text & Foster (C.) photo. MY HEART STANDS IN THE HILL,
191 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2005. R300
In 1999 and 2001 archaeologist Jeanette Deacon and photographer Craig Foster visited the places in the Northern Cape where the /Xam Bushmen had lived to record the rock engravings in their setting and to photograph the landscape. In the book Foster's photographs are combined Deacon's text and the words of the /Xam taken from the Bleek-Lloyd archives.
Debo (K.) comp. BEYOND DESIRE,
136 pp., 4to., colour & b/w illus., hardback, Ghent, 2005. R350
Looks at how African - more specifically black - culture and western and European culture "can each adopt the visual language of the other as their own and how their respective longings are projected through fashion and clothing in their fantasy image of this 'other'".

Essays include "Craving the Exotic" by Zoe Whiteley, "Let's Get it On: black hair" by Carol Tulloch, "Fashion in the African Metropolis" by Filip de Boeck & Césarine Bolya, and more.

Text in English & Dutch.
Deckler (T.) et. al. CONTEMPORARY SOUTH AFRICAN ARCHITECTURE, in a landscape of transition
213 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2006. R330
This book is both the residue and an extension of the first exhibition of contemporary South African architecture, held from October to December 2005 at the 6th International Biennale of Architecture and Design in São Paulo, Brazil."
It focuses on 50 projects built since 1994. These include the Legislature for the Northern Cape Provincial Government, the Constitutional Court and Constitution Hill, the Hector Peterson Memorial Museum & the Apartheid Museum as well as other public projects, museums, memorials, community buildings, transport interchanges, housing projects, centres of learning, corporate structures & private homes.

Includes the essays "Empty Landscapes" by Roger Fischer & "Reframing the 'Contemporary', architecture and the postcolony" by Noëleen Murray".
Dias (J.) curator EXPO ARTE, contemporânea, Moçambique 06
48 pp., colour illus., paperback, Maputo, 2006. R150
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 2006.

Artists include Alexandre dos Santos, Anésia Manjate, David Mbonzo, Falcão, Gemuce, Ídasse, Ivan Serra, Mauro Pinto, Mouzinho, Mudaulane, Rui Assubuji, Tembo Dança & Tomás Cumbana from Mozambique & Berry Pickle from Zimbabwe.

Text in Portuguese & English.
Dias (J.) curator "A WATSONGWANA", Falcao, 2 Exposição Individual
CD-Rom, Johannesburg, 2006. R195
A slide show of the paintings, drawings and sculptures by Falcao on exhibition at Movimento de Arte Contemporãneo de Moçambique, Maputo, 2006.

Includes an introduction by Jorge Dias and artist Falcao's biographical details in Portuguese.
Dietrich (K.) & Bank (A.) eds. AN ELOQUENT PICTURE GALLERY, the South African portrait photographs of Gustav Theodor Fritsch, 1863-1865
176 pp., 4to., map, illus., paperback, Johannesburg, 2008. R275
"In the early 1860s, Gustav Fritsch, a 25-year-old German medical doctor and anthropologist, travelled through southern Africa on a scientific expedition to study the 'native races', making great use of the new medium of photography."

The essays accompanying Fritsch's photographs include
"The Art History of an Anthrpological Image: Gustav Fritsch's 'Collection of photographic native portraits', 1863-1866" by Michael Godby,
"From the 'Honorific' to the 'Repressive': Gustav Fritsch's portraits of 'The natives of South Africa', 1863-1872" by Andrew Bank,
"Gustav Fritsch" facialising the anthropological matrix" by Andreas Broeckmann,
"The Racial Theories and Nude Photography of Gustav Fritsch, 1870-1910" by Annette Lewerentz,
"Anthropology and Microphotography: Gustav Fritsch and the classification of hair" by Michael Hagner, and
"The 'Problem' of Difference and Identity in the Photographs of Gustav Fritsch" by Lize van Robbroeck.

Keith Dietrich is an Associate Professor and Head of the Department of Visual Arts at Stellenbosch Universitty.
Andrew Bank is an Associate Professor in the Department of History at the University of the Western Cape.
Dippenaar (E.) & Strydom (R.) curators AARDKLOP 10,
21 pp., 4to., b/w & colour illus., paperback, (Johannesburg), 2007. R95
Catalogue of the exhibition, Aardklop National Arts Festival, Potchefstroom, 2007.

Includes work by the 10 artists who were invited to exhibit, one each year, over the last 10 years of the festival: Louis Jansen van Vuuren, Judith Mason, Willem Boshoff, Robert Hodgins, Kevin Brand, Jan van der Merwe, Berni Searle, Deborah Bell, Marco Cianfenelli and Nicholas Hlobo.
Diserens (C.) curator & ed. CHASING SHADOWS, Santu Mofokeng, thirty years of photographic essays
239 pp., 4to., b/w & colour illus., hardback , Munich, etc, 2011. R330
Published on the occasion of the travelling retrospective exhibition which opened at the Jeu de Paume in Paris in 2011.

Includes the essays:
"Images of Radical Will: Santu Mofokeng's photographic ambivalence" by Okwui Enwezor
"On a Wing and a Prayer: notes on beauty and loss in Santu Mofokeng's pictures" by Sabine Vogel
"'Hungry clouds swag on deep': Santu Mofokeng at Kassel 2002 looked at through jottings from 1994 and beyond" by Sarat Maharaj
"Serious Laughter: the twisted humour of Santu Mofokeng" by Adam Ashforth

Also includes "The Fugu-Eaters", a short story by Ivan Vladislavic, and a conversation between Santu Mofokeng and Corinne Diserens.
Diserens (C.) et. al. FIFTY-ONE YEARS, David Goldblatt
456 pp., illus., paperback, Barcelona, 2001. R696
Catalogue of the touring exhibition produced by the Museu d'Art Contemporani de Barcelona (MACBA) with the collaboration of AXA Gallery, New York, 2001.
Essays by Corinne Diserens, Okwui Enwezor, J.M.Coetzee, Ivan Vladislavíc, Michael Godby, Chris Killip & Nadine Gordimer.
Distiller (N.) & Steyn (M.) eds. UNDER CONSTRUCTION, "race" and identity in South Africa today
213 pp., b/w & colour illus., hardback, Johannesburg, 2004. R210
Contents include cartoons by Zapiro, comic strips by Anton Kannemeyer, photographs by Michelle Booth, poems by Sandile Dikeni, a short story by Ashraf Jamal and an edited transciption of Usha Seejaram's video installation, "Two Rooms and a Kitchen".

Essays include "Imagining Alternative White Maculinities: Steven Cohen's living art" by Liese van der Watt and "Identity and the Politics of Representation in Hip-hop" by Adam Haupt.
Dixie (Christine) CORPOREAL PROSPECTS,
31 pp., b/w & colour illus., hardback, Grahamstown, 2007. OUT OF PRINT
Catalogue of the travelling exhibition, Standard Bank Gallery, Johannesburg, and Durban Art Gallery, 2007.

Includes the essays, "A Sidelong Glance: Christine Dixie's thresholds" by David Bunn & "A Breach in Representation: caesarean section and Chrisitne Dixie's 'Birthing Tray - Honey'", by Brenda Schmahmann.

Printmaker Christine Dixie is a lecturer in the Fine Art Department at Rhodes University, Grahamstown.
Dixon (M.) curator & Freschi (F.) ed. WATER, THE [DELICATE] THREAD OF LIFE,
163 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2011. R330
Published in conjunction with the exhibition, Standard Bank Gallery, Johannesburg, 2011. The exhibition focuses on water as an essential but threatened resource and brings together artists and scientists.

Essays include:
"Water, the [delicate] thread of life" by Marion Dixon
"Fluid of the Ancestors: water and the spirit realm in past and present Black South African thought and practice" by Nessa Leibhammer
"Water and Biomorphism" by Cyril Coetzee
"Troubled Waters" by Caroline Trump.

Artists include Norman Catherine, Deborah Bell, Mmakgabo Helen Sebidi, Jackson Hlungwani, Paul Stopforth, William Kentridge, Karel Nel, Willen Boshoff, Walter Oltmann, Durant Sihlali, Marcus Neustetter, Strijdom van der Merwe, and Moshekwa Langa.

Dobson (R.) photo. & Mowszowski (R.) text KAROO MOONS, a photographic journey
164 pp., colour illus., hardback, d.w., Cape Town, 2004. R250
An essay on the Great Karoo, an arid region in the Northern Cape.

Richard Dobson was born in Yorkshire. He now divides his time between Cape Town and Paris, shooting advertising and editorial photography.

Ruben Mowszowski is a Cape Town-born writer and journalist.
Dodd (A.) MARCO CIANFANELLI, projected development
23 pp., colour illus., paperback, Johannesburg, 2005. R125
Catalogue of the exhibition, Gallery Momo, Johannesburg, 2005.

Sculptor and new media artist Marco Cianfanelli was born in Johannesburg in 1970.
Dodd (A.) MARCO CIANFANELLI, 05.95, tracking a decade
83 pp., colour illus., paperback, Johannesburg, 2006. R250
Sculptor Marco Cianfanelli was born in 1970 in Johannesburg, where he still lives and works. For the past ten years he has collaborated with various professionals, from engineers and architects to inyangas, on public and corporate projects in Johannesburg: the steel sculpture and mosaics at Hollard Street Mall, the mosaic artwork at MTN head office, the Forum Homini sculptures at The Cradle of Humankind and the installation at the University of Johannesburg's new art centre.

Includes the essay, "Out of Place" by Alex Dodd.
Dodd (A.) text KIM LIEBERMAN, human currents
55 pp., colour illus., paperback, Johannesburg, 2006. R160
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg & Esso Gallery, New York, 2006.

Kim Lieberman was born in 1969 in Johannesburg,where she still lives and works. "In 'Human Currents' Kim Lerberman explores the invisible energies that travel between people and the impact these energies can have on our world." Working with oil paint on puzzles and postage stamp paper "she has created a series of artworks exploring the interconnectedness of human experience".

Includes the essay, "Where Information Flows" by Alex Dodd.
Dodds (D.) curator PORTFOLIO SOUTH AFRICA, through the eyes of professional imaging
256 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2002. R456
Includes the work of Guy Tillim, Mark Lewis and Jac de Villiers.
Dolby (J.) GERARD SEKOTO, from the Paris studio
28 pp., colour illus., paperback, Cape Town, 2005. OUT OF PRINT
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, December 2005 - February 2006.

The works included in the exhibition are part of Sekoto's art collection, numbering over 3000 pieces, found in his Paris studio after his death in 1993. In 1999 they were returned to South Africa and in 2000 donated to Iziko South African National Gallery.

Dolby (J.) & Viljoen (D.) curators FRIENDS' CHOICE 1975-1991/ VRIENDE SE KEUSE 1975-1991, an exhibition of works collected by the Friends of the SA National Gallery, 9 April 1992 - 2 May 1992/ 'n tentoonstelling van kunswerke versamel deur die Vriende van die SA Nasionale Kunsmuseum, 9 April 1992 - 2 Mei 1992
56 pp., b/w & colour illus., paperback, Cape Town, 1992. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1992.

Foreword by Melvyn Minnaar. Includes the essays, "The Friends' Choice Collection, 1975-1991: a short history" by Joe Dolby & "Friends' Choice, 1975-1991: directions and trends" by Deon Viljoen.

Includes work by Tommy Motswai, David Hlongwane, Sophie Peters, Randolph Hartzenberg, William Kentridge, Barend de Wet, and many others.

Text in English & Afrikaans.
Domino (C.) & Magnin (A.) L'ART AFRICAN CONTEMPORAIN,
127 pp., map, colour & b/w illus., paperback, Paris, 2005. R250
Artists include Jane Alexander, Willie Bester, Kendell Geers, David Goldblatt, William Kentridge, Esther Mahlangu, Santu Mofokeng & Tracey Rose from South Africa, Antonio Olé & François Thango from Angola & Henry Munyaradzi from Zimbabwe.

Text in French.
Dommisse (B.) ADMIRALTY HOUSE SIMON'S TOWN,
151 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2005. R265
Admiralty House was acquired by the Royal Navy as the official residence of the Flag Officer Commanding the South African Station early in the nineteenth century. It was used as Admiral's Residence until the Headquarters of the South African Navy moved to Pretoria in 1975. Since then it has been used as accomodation for visiting officers from the South African Defence Force as well as for naval dignitaries from other countries.

The original house dates from 1743. This book presents the history of the house with chapters describing its furniture, paintings, objets d'art and gardens. Includes paintings by Thomas Bowler, Christopher Webb-Smith and Majorie Wallace as well as furniture designed by Sir Herbert Baker
dos Santos (J.) et. al. text & Pádua (J.) illus. RICARDO RANGEL, homenagem de amigos
63 pp., 4to., colour illus., paperback, Maputo, 2008. R550
A collection of essays in honour of Ricardo Rangel, Mozambique's best known photographer.
Essays include "Ricardo Rangel o poeta do fotojornalismo Moçambicano" by Graça Machel,
"Os Deuses espreitam pelos seus olhos" by Mia Couto,
"Carta para o Ricardo sobre as suas fotografias" by José Craveirinha,
"RR e o fotojornalismo" by Luís Bernardo Honwana, and
"José Pádua e Ricardo Rangel: de mãos dadas" by António Sopa.

Text in Portuguese.
Dosunmu (A.) photo. & Robinson (K.) text THE AFRICAN GAME,
255 pp., 4to., b/w & colour illus., hardback, d.w., Westford, 2006. R395
From August 2005 to February 2006 filmaker and photographer Andrew Dosunmu and writer Knox Robinson travelled through Africa documenting the continent's passion for soccer in the lead-up to and during the 2006 Africa Cup of Nations in Cairo, Egypt. Dosunmu & Robinson see soccer "as a way to explore modern African life, culture and identity".
Downs (J.) THE KEISKAMMA ART PROJECT,
48 pp., oblong 4to., colour illus., paperback, Peddie, 2008. R160
The Keiskamma Art Project, located in Hamburg, a small village on the Keiskamma River in the Eastern Cape, was initiated by Carol Hofmeyr in 2000. It aimed to teach art to women of the village and to provide them with income-generating skills. Today over one hundred woman artists from Hamburg and the surrounding rural villages produce embroidered, beaded and appliquéd handbags, cushion covers, quilts, linen and tapestries. They have also produced a number of large artworks. The 126 metre Keiskamma Tapestry, which records the history of the Eastern Cape, now hangs permanently in the Parliament Building in Cape Town. The 4 metre by 6.8 metre Keiskamma Altarpiece, depicting the tragedy of the HIV/AIDS pandemic, toured North America and the UK from 2008-2008.
Dowson (T.) ROCK ENGRAVINGS OF SOUTHERN AFRICA,
124 pp., oblong 4to., map, b/w & colour illus., hardback, d.w., Johannesburg, 1992. OUT OF PRINT
Foreword by David Lewis-Williams.

Thomas Dowson offers insight into the meaning and significance of the engravings Bushmen artists made into the patina of dolomite rocks in the central parts of Southern Africa. Illustrated with colour photographs, rubbings and drawings.
du Bois (F.) & du Bois-Pedian (A.) eds. JUSTICE AND RECONCILIATION IN POST-APARTHEID SOUTH AFRICA,
321 pp., paperback, Cambridge, 2008. R180
International and South African scholars assess the various transitional processes under way in South Africa since the early 1990s, including cultural initiatives.

Contributions include the essay, "Drawing the Line: justice and the art of reconciliation", by Carrol Clarkson, senior lecturer in English at the University of Cape Town.

"In this chapter I explore the ethical implications that arise in the artist's attempt to redraw the lines of South Africa's post-apartheid cultural and political landscapes. In reconfiguring the lines that trace out patterns of meaning and paths of communication, the arts play a transformative role in calibrating the socio-political space of reconciliation. The chapter thus raises the question of what a post-apartheid aesthetic might entail. In the course of my discussion I make particular reference to the work of contemporary South African artist, Willem Boshoff."
du Plessis (A.) & Loots (A.) MOTEL 7, tears and castles
29 pp., colour illus., paperback, Cape Town, 2009. R75
Catalogue of the exhibition, 34 Long Fine Art, Cape Town, 2009.

Motel 7 is the pseudonym of a young artist who has been active in the grafitti and street art scene in and around Cape Town for the past five years. She was born in 1987 in Cape Town.

Includes the essays, "Motel 7 on the Move" and "Streets and Gender" by Antoinette du Plessis, and
"Tears and Castles - a gallerist's view" by Andries Loots.

du Plessis (A.), Shaman (S.S.) & Loots (A.) text ASHA ZERO, say for me
32 pp., oblong 4to., colour illus., paperback, Cape Town, 2008. R95
Catalogue of the exhibition, 34 Long Fine Art, Cape Town, 2008.

Includes the essays, "Better Left Unsaid" by Antoinette du Plessis, "Asha Zero and Acts of Cancellation" by Sanford S.Shaman and "Asha? Asha Who?" by Andries Loots.

Painter Asha Zero was born in 1975 in Johannesburg. He now lives and works in Cape Town.
du Plessis (J.) ed. CONTEMPO, arts + culture + design, April/May 2006, no.1
127 pp., 4to., b/w & colour illus., paperback, Johannsburg, 2006. R35
Articles include a profile on Edoardo Villa at 90, "In and Beyond the Museum" in which Robyn Sassen looks at the conceptual art of Willem Boshoff, Stephan Erasmus & Strijdom van der Merwe, "Taming the Rhino", in which Alex Dodd talks to William Kentridge, "Mbongeni's Vision" in which Thokozani Mthiyane examines the work of Mbongani Richman Buthelezi, and much more.
du Toit (P.) HIGHLY CHARGED,
47 pp., colour illus., paperback, Cape Town, 2007. R95
Catalogue of the exhibition, 34LONG Fine Art, Cape Town, 2007.

Painter Paul du Toit was born in Johannesburg in 1965. He lives and works in Cape Town.

Duarte (R.) et. al. MSCARAS, masks
74 pp., oblong 4to., colour illus., paperback, Maputo, 1992. OUT OF PRINT
Catalogue of the exhibition, Exposição Universal de Sevilha, Portugal, 1992.
Examples of masks used in the Mapico ritual dance of the Maconde people and the Nhau ritual dance of the Maraves, who live on the borders of Lake Niassa.
Essays by João Ferreira dos Santos, Jorge & Margot Dias & Ricardo Teixeira Duarte.
Text in Portuguese & English.
Dube (H.) ZULU BEADWORK, talk with beads
112 pp., 4to., colour illus., paperback, Denver, 2009. R410
Hlengiwe Dube discusses the traditions and meanings of Zulu beadwork. Includes chapters on snuff containers, love letters, sangomas and beadwork and beadwork during pregnancy.
Dube (P.M.) DUMILE FENI, the story of a great artist, volume 1
286 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2010. R395
A monograph on Dumile Feni by Prince Mbusi Dube.

Dumile Feni was born in Worcester in the Western Cape in 1942. He left South Africa in 1968 to go into self-imposed exile in London and then the USA, where he died in 1991.

Prince Mbusi Dube is an art collections and exhibitions officer with Ekurhuleni Metropolitan Municipality in Gauteng. Dube also curated the 2005 Dumile Feni Retrospective and edited its accompanying catalogue.
Dube (P.M.) curator VISUAL ARTS HERITAGE OF THE VAAL METROPOLITAN REGION, attempting to reconstruct a neglected archive
46 pp., b/w & colour illus., spiral-bound, (Johannesburg), 2009. R177
Catalogue of the exhibition, Bodutu Art Gallery, Vaal University of Technology, Johannesburg, 2009.

Includes the essays, "Who is R.Thlapi? On the visual arts in the Vaal region from 1959 until the late 1970's" by Linda du Preez and Rodney Hopley,
"Defining the future, the role of the Vaal Triangle Technikon in the visual arts in the Vaal Metropolitan Region from 1978-1994" by Brent Record,
"Who is Mr Sharpe? A landscape in turmoil: the Vaal region from 1980-1994" by Richard Baholo,
"In With the New, art-making in the Vaal region in public and private spaces" by Avitha Sooful, and
"New Frontiers" by Nkululeko Khumalo.

Dube (P.M.) curator & ed. DUMILE FENI RETROSPECTIVE,
248 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R400
Catalogue of the retrospective exhibition, Johannesburg Art Gallery, 2006.

All the photographs in the book are by George Hallett.
Dubin (S.C.) MOUNTING QUEEN VICTORIA, curating cultural change
342 pp., illus., paperback, First S.A.Edition, Johannesburg, 2009. R190
A guide to the politics of culture and identity in the South African public sphere. This book was originally published in New York in 2006 as "Transforming Museums".

"Steven C.Dubin's 'Transforming Museums' is a state of the art study of how museums and monuments have engaged in the work of social and political transformation in South Africa...This study is an indispensable guide to the politics of culture and identity in the South African public sphere, and a must for anyone interested in museums outside of Europe and America. There is nothing else like it." Ivan Karp, National Endowment for the Humanities Professor, Director of the Center for the Study of Public Scholarship, Emory University

"By looking through the prism of South African cultural policy at a moment of uncertainty and transformation, Dubin is able to reveal the tensions that often pass unnoticed in more stable moments. This is an engaging, witty, and provocative demonstration of how museums matter in shaping social life. It is a must read for anyone interested in cultural policy, in southern Africa, and in the linkage of art and history." Gary Alan Fine, John Evans Professor of Sociology, Northwestern University

Steven Dubin is Professor for Arts Administration at Columbia University
Dubow (N.) ed. PARADISE, the journal and letters (1917-1933) of Irma Stern
112 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1991. OUT OF PRINT
Based on a previously unpublished journal kept by Irma Stern between 1919 and 1924 and on letters from the artist to a German friend and confidante, Trude Bosse. The richly illustrated journal is reproduced, with a translation and commentary.
Duffey (A.) 101 CERAMICS FROM THE COLLECTION OF THE UNIVERSITY OF PRETORIA,
76 pp., colour illus., paperback, Pretoria, 2010. R95
This publications showcases 101 of the most rare and valuable ceramics in the University of Pretoria's collection of more than 16 000 pieces, ranging from earthenware from ancient Mesopotamia, Egypt, Mesoamerica, China and Africa to stoneware and porcelains from the Orient, Europe and South Africa.
Duffey (A.), Tiley-Nel (S.), de Kamper (G.) & Ernst (J.) THE ART & HERITAGE COLLECTIONS OF THE UNIVERSITY OF PRETORIA,
111 pp., 4to., colour illus., hardback, d.w., Pretoria, 2008. R195
A detailed description and appraisal of six of the University of Pretoria's most important collections: The J.A.van Tilburg Museum, The Mapungubwe Museum, The Edoardo Villa Museum, The Van Wouw Museum, The University of Pretoria Art Collection and The Van Gybland-Oosterhoff Collection.

Includes oriental artworks and ceramics, artefacts from Mapungubwe archaeological site, sculptures by Edoardo Villa and Anton van Wouw, paintings by well-known South African artists and memorabilia of the Royal House of Orange.
Duffey (A.E.) ANTON VAN WOUW, the smaller works
236 pp., illus., hardback, d.w., Pretoria, 2008. R400
The Dutch-born sculptor Anton van Wouw (1862-1945) moved to South Africa at the age of 28. He is well-known for his large public sculptures such as the Kruger Monument in Pretoria, the Women and Children sculpture in the Voortrekker Monument and the Womens Monument in Bloemfonttein. He also produced smaller sculptures, including busts of many prominent Afrikaners: President Paul Kruger, President M.T.Steyn, General Koos de la Rey, General Louis Botha, General D.R.de Wet, General J.B.M.Hertzog, Piet Retief, Jan Hendrick Hofmeyr and Jopie Fourie, amongst others.

Alexander Duffet is currently head of Cultural Affairs at the University of Pretoria.
Dugmore (H.) et. al. (eds.) NELSON MANDELA, a life in cartoons
191 pp., 4to., illus., hardback, d.w., Cape Town, 1999. OUT OF PRINT
Includes cartoons by South Africans Zapiro (aka Jonathan Shapiro), Derek Bauer, Bob Connolly, Stephen Francis, Harry Dugmore & Rico (Madam & Eve), Tony Grogan, Abe Berry, Dov Fedler, Nyakanyaka (aka Aka Makhosini Nyathi), Chip Snaddon (formerly Don), Stracey Stent, Anthony Stidolph (aka Stidy), Jack Swanepoel (aka Dr. Jack), and many others from South Africa and elsewhere in the world.
Dumas (M.) & Bedford (E.) curators & eds. MARLENE DUMAS, intimate relations
139 pp., b/w & colour illus., paperback, Johannesburg & Amsterdam, 2007. R220
Catalogue of the travelling exhibition, Iziko South African National Gallery, Cape Town, November 2007 - January 2008 and The Standard Bank Gallery, Johannesburg, February - March 2008.

Preface by Marilyn Martin.

Includes the essays, "The Michaelis School of Fine Art (1970s)" & "Love Letters" by Marlene Dumas, "Questions of Intimacy and Relations" by Emma Bedford, "Mass for the Painter" by Marlene van Niekerk & "The Human Face" by Achille Mbembe & Sarah Nuttall.
Duncan (P.) text & von der Schulenburg (F.) photo. DOWN SOUTH, homes and interiors in South Africa
176 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2004. R325
Paul Duncan is editor of the South African edition of Condé Nast's decor magazine, "House & Garden".

Includes homes decorated by Julia Twigg, Stephen Falcke, Thabi Taukobong, Boyd Ferguson, Graham Viney, Ineke Henderson, Ralph Krall, Keith Skeel, as well as the homes of artist-potter Hylton Nel and artist Karel Nel.
Duncan (P.) text & von der Schulenburg (F.) photo. DOWN SOUTH TWO, more homes and interiors in South Africa
182 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2007. R350
Paul Duncan was the first editor of Condé Nast House & Garden. He is now head of design for homeware at Woolworths.
Photograhper Fritz von der Schulenburg works for publications that include The World of Interiors, Vogue, Architectural Digest, House & Garden and Condé Nast House and Garden.
Duncan and von der Schulenburg worked together on "Down South", published in 2004.

Includes interiors put together by Stephen Falcke, Graham Viney, Head Interiors, Cecile & Boyd's, Tessa Proudfoot, Suzy Lubner and John Zwiegelaar, in buildings designed by architects Silvio Rech, Andrew Makin and Janina Masojada, Richard Perfect and Karen Newman, amongst others. Includes Groote Schuur, Stellenberg, Noordhoek Manor, Jack's Camp in Botswana, Samara Private Game Reserve in the Great Karoo and Christo Coetzee's home in Tulbach.
Dundas (N.) et. al. (eds.) THE GOODMAN GALLERY,
26 pp., colour illus., paperback, Johannesburg, 2004. R90
Catalogue for the Basel Art Fair, 2004.

Artists represented are Norman Catherine, Kendell Geers, David Goldblatt, Frances Goodman, Robert Hodgins, William Kentridge, Moshekwa Langa, Zwelethu Mthethwa, Sam Nhlengethwa, Tracey Rose, Penny Siopis & Clive van den Berg.
Durban Cartoon Project MAMBA COMIX, number one
73 pp., 4to., b/w & colour illus., paperback, Durban, 2003. OUT OF PRINT
Includes comics and/or cartoons by Rico, Themba Siwela, Zapiro & Derek Bauer.
Durban Cartoon Project MAMBA COMIX, #2
57 pp., 4to., illus., paperback, second edition, Durban, 2003 (2004). OUT OF PRINT
Comics by Alastair Laird, Rico, Themba Siwela, Claire Angelique & Nikhil Singh, amongst others.
Durban Cartoon Project MAMBA COMIX, #3, the genre-bending graphix zine from generation Z
97 pp., 4to., illus., paperback, Durban, 2004. OUT OF PRINT
Comics by Mike Scott, Christian Mugnai, Rico & Pieter de Wet, Gina Vee, Wendy Knights, Nikhil Singh, Alastair Laird and Themba Siwela, amongst others.
Dziedzic (E.) curator EVERYTHING MATTERS, Deborah Poynton
108 pp., 4to., colour illus., paperback, Savannah, 2009. R295
Published by the Savannah College of Art and Design with the assistance of Michael Stevenson. The exhibition opened at the Pei Ling Chan Gallery in Savannah, and travelled to the ACA Gallery of SCAD in Atlanta in 2009.

Includes the essays, "Deborah Poynton Observed" by David Goldblatt,
"Deborah Poynton: Everything Matters" by Erin Dziedzic, and
Deborah Poynton in conversation with Michael Stevenson.
Eastman (Peter) REFLECTIVE,
12 pp., colour illus., paperback, Cape Town, 2004. R50
Catalogue of the exhibition, Michael Stevenson Contemporary, June 2004.
Peter Eastman came to South Africa soon after he was born in 1976 in Newcastle-upon-Tyne, U.K. He grew up in Johannesburg. Currently he lives and works in Cape Town.
Eastwood (E.) & (C.) CAPTURING THE SPOOR, an exploration of southern African rock art
216 pp., maps, b/w & colour illus., paperback, Cape Town, 2006. R265
Edward and Cathelijne Eastwood examine the rock art of the central Limpopo basin created by four distinct cultural groups: the recent military inscriptions of South Africans of European descent; the finger-paintings and engravings of Bantu-speakers, specifically the Northern Sotho and, possibly, the Venda; the finger-paintings of the Khoekhoen, formerly known as 'Hottentots'; and the rock engravings and paintings of the San or Bushman. They also discuss the interaction and connection between these groups.

Zoologist and horticulturist Edward Eastwood is a research associate of the University of the Witwatersrand's Rock Art Research Institute. Cathelijne and Edward Eastwood founded Palaeo-Art Field Services in 1991.
Edelstein (J.) photo. TRUTH & LIES, stories from the Truth and Reconciliation Commission in South Africa
227 pp., illus., paperback, First US Edition, New York, 2002. R
Includes an introduction by Michael Ignatieff and an essay, "Memory and Trauma", by Pumla Gobodo-Madikizela.

Award-winning photopgraher Jillian Edelstein spent four years attending hearings of the TRC, taking photographs of both victims and perpetrators and recording their stories.

Jillian Edelstein was born and grew up in South Africa. She now lives and works in London.
Edjabe (N.) & Pieterse (E.) eds. AFRICAN CITIES READER,
255 pp., b/w & colour illus., paperback, Cape Town, 2010. R285
A volume published by Chimurenga and the African Centre for Cities that seeks to offer "a wide-ranging ensemble of genres, perspectives, and forms of representation that provide crucial glimpses into how African identities and spatialities are being crafted at a moment when both urban theory and policy is experiencing its worst existential crisis." from the preface

Contributions include
"Johannesburg, vocabularies of the visceral and expressions of multiple practices" by Jyoti Mistry, and
"Vocabularies of the Visceral and Expressions of Multiple Practices" by Stephen Hobbs and Marcus Neustetter.
Edjabe (N.) ed. AFRICAN CITIES READER II, mobilities and fixtures
208 pp., b/w & colour illus., paperback, Cape Town, 2011. R285
"The African Cities Reader is a biennial publication that brings together contributors from across Africa and the world to challenge the prevailing depiction of urban life on the continent and redefine cityness, Africa-style. It is a joint creation of Chimurenga Magazine and the African Centre for Cities at the University of Cape Town."

Contributions include:
"Tracks", with words by MADEYOULOOK and photographs by Santu Mofokeng
"'Here I am Nobody': rethinking urban governance, sovereignty and power" by Caroline Kihato
"Anti-Iconic: the photography of David Adjaye", in which Sean O'Toole chats to architect David Adjaye
"Yeoville Studio: negotiating the line between research and activism" by Claire Benit-Gbaffou.
Edkins (D.) & Vehkalahti (I.) STEPS BY STEPS, the making of the "Steps for the Future" documentary series
220 pp., b/w & colour illus., paperback, Johannesburg, 2008. R165
Details the process of making the 38 award-winning films for the "Steps for the Future" documentary film project, which deals with the problem of HIV and AIDS in southern Africa. Includes a 200 minute DVD with eight of the films.
Edmunds (P.) KEVIN BRAND, set the world on fire
26 pp., colour illus., paperback, Cape Town, 2007. R85
Catalogue of the exhibition of sculptures in aluminium, perspex and wood, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Kevin Brand was born in Cape Town in 1953. He won the Vita Art New Award in 1995 and was awarded the Mercedes-Benz South Africa 2008 Award for Art in Public Spaces.
Edmunds (P.) ed. SPIER OUTDOOR SCULPTURE BIENNAL,
46 pp., colour illus., paperback, Cape Town, 2002. R70
Catalogue of the exhibition, Spier Estate, Stellenbosch, 2002.
Essay by Emma Bedford.
Includes work by Deborah Bell, David Brown, Bruce Arnott, Willie Bester, Randolph Hartzenberg, and others.
Edmunds (P.) text & Murray (B.) & Samcuia (/T.) art BAOBABS, STORMCLOUDS, ANIMALS AND PEOPLE, an artwork by /Tuoi Stefaans Samcuia and Brett Murray at the Cape Town International Convention Centre
11 pp., colour illus., paperback, Cape Town, (2003). R95
Brett Murray, winner of the 2002 Standard Bank Young Artist Award, and /Tuoi Stefaans Samcuia of the !Xun and Khwe San Art and Cultural Project at Schmidtsdrift in the Northern Cape were awarded the commission to create an artwork for the main foyer of The Cape Town International Convention Centre.
Edmunds (P.), Bussy (B.) & Dawes (N.) text PAUL EDMUNDS, aggregate
47 pp., colour illus., paperback, Cape Town, 2008. R140
Catalogue of the exhibition, João Ferreira Gallery, Cape Town, 2008.

Includes the essays, "Sensibility" by Brendon Bussy & "Cut-Fold. Do it again" by Nic Dawes.

Sculptor Paul Edmunds was born in Johannesburg in 1970. He is currently based in Cape Town. He won the Tollman Award for the Visual Arts 2007.
Election Poster MANDELA FOR PRESIDENT,
58 cm wide x 82 cm long, colour poster, (Johannesburg), 1994. OUT OF PRINT
The ANC's 1994 election poster, on board, with two holes top and bottom for hanging on poles, which do not affect the image of Nelson Mandela's face.
Ellert (H.) THE TRADITIONAL AFRICAN ART OF ZIMBABWE,
80 pp., map, b/w & colour illus., paperback, Bath, 2002. R465
This book explores the art of the Shona-speaking peoples of Zimbabwe. Includes headrests, divining tablets, axes, swords and scabbards, stools, walking sticks and staffs, wooden bowls, snuff containers, pottery, "mbira", drums, spears, and baskets.
Ellison (G.) ART IN ZAMBIA,
129 pp., colour illus., hardback, Lusaka, 2004. OUT OF PRINT
An overview of the visual arts in Zambia from its beginnings to the present, focusing especially on the last 25 years.
Emslie (A.) A JOURNEY THROUGH THE OWL HOUSE,
148 pp., illus., paperback, Johannesburg, 1997. OUT OF PRINT
The Owl House, in the isolated Karoo village of Nieu Bethseda, South Africa, was transformed by its owner, the reclusive Helen Martins. The garden is filled with concrete sculptures and the walls of the house are coated in colour and crushed glass.
Emslie (A.) JEANETTE UNITE, sentences
24 pp., colour illus., paperback, Cape Town, 2001. R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2001.
Jeannette Unite was born in 1964 in Cape Town, where she is currently living and working.
Emslie (A.) THE OWL HOUSE, with photographs by Roy Zetiksy
102 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1991. OUT OF PRINT
Beginning in the 1950s until her death in 1976 Helen Martins transformed the interior and yard of her house in Nieu Bethesda, a small village in the hills of the Karoo. The yard became a sculpture garden filled with concrete pilgrims, sun-worshippers, mermaids, owls, camels and other creatures while the house was filled with candles, lamps and mirrors and the walls and ceilings decorated with crushed coloured glass.
The Owl House, now a national monument, was the inspiration behind Athol Fugard's play "The Road to Mecca".
Engblom (P.) ZULU SUSHI,
175 pp., map, b/w & colour illus., paperback, Durban, 2006. R250
Amateur anthropologist Peter Engblom has dedicated ten years of his life to proving that the Zulus discovered sushi in 1911.
Engelbrecht (S.) & Grobler (N.) photos. BICYCLE PORTRAITS, everyday South Africans and their bicycles
112 + 120 + 120 pp., oblong 4to., colour illus., hardbacks , (Cape Town), 2012. R250 each
A photographic study of ordinary South Africans who rely on bicycles every day, compiled over two years, and published in three volumes.

Includes interviews with each person photographed, and short essays by J.M.Coetzee, Sean O'Toole and Paul Edmunds.

The photograph shown here is of Gabriel Moloi from Johannesburg.

Engelbrecht (S.) photo & de Beer (T.) text AFRICAN SALAD, a portrait of South Africans at home
264 pp., oblong 4to., colour illus., hardback, Cape Town, 2005. R520
Stan Engelbrecht and Tamsen de Beer spent one-and-a-half years travelling around urban and rural South Africa collecting regional recipes and photographing the cooks and their houses.

Foreword by Sean O,Toole.
Englund (P.) photo & Figlan (M.) et. al. text THE BEAUTIFUL STRUGGLE,
144 pp., b/w & colour illus., hardback, rsta, 2006. R350
Swedish documentary and fashion photographer Per Englund's photographs of fashion and street culture in Cape Town's townships, taken between 2002 and 2006. Mlamli Figlan, born in Guguletu, collaborated closely with Englund, acting as interpreter, guide and problem solver. Together they conducted many of the interviews included in the book. Also included is a foreword by Marika Grieshel, Swedish Television's Africa correspondent from 1990 to 2001 & text by Karen Waltorp Sørensen, a Danish anthropologist who spent 6 months in Guguletu researching young people and their attitudes to education and dreams for the future.
Enwezor (0.), Hassan (S.) & OKeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 21, Fall/2007, special issue, photography, film
136 pp., 4to., b/w & colour illus., paperback, Ithaca, 2007. R240
Includes the article, "An Archaeology of the Imaginary: Deborah Bell's 'Unearthed'" by Anitra Nettleton, and a review of "Fresh", the artists residency programme at the South African National Gallery, 2001-2003.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemporary African art, number 18, spring/summer 2003
103 pp., 4to., b/w & colour illus., paperback, New York, 2003. R95
Includes "Ernest Mancoba: an appreciation" by Elza Miles as well as an interview with the artist conducted by Hans Ulrich Obrist; " Johannesburg in and out of the museum: the Joubert Park Project, 2000-2001 by Pamela Allara; "Fugitive: Robin Rhode drawings and performances" by Claire Tancons and 3 articles on Documenta II: "Okwui Enwezor in conversation with Derek Conrad Murray"; "A Critical Perspective" by María Fernández & "Documenta: the first and last exhibition of place" by Jan-Erik Lundström.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemporary African art, number 19, summer 2004.
96 pp., 4to., b/w & colour illus., paperback, New York, 2004. R150
Includes "Tracey Rose, postapartheid playground" by Kellie Jones, "Joburg Intersect, Nka Project" a photo-essay by David Goldblatt, and much more.
Enwezor (O.) & Okeke-Agulu (C.) CONTEMPORARY AFRICAN ART SINCE 1980,
367 pp., 4to., b/w & colour illus., paperback, Bologna, 2009. R625
Okwui Enwezor and Chika Okeke-Agulu define and "periodize" African art since 1980 and examine the different strategies and themes in the work of contemporary African artists.

Artists include Jane Alexander, Willem Boshoff, Marlene Dumas, Kendell Geers, David Goldblatt, Jackson Hlungwane, Gaving Jantjes, William Kentridge, Jo Ractliffe, Penny Siopis, Paul Stopforth, Sue Williamson, Candice Breitz, Kay Hassan, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Sam Nhlengethwa, Antonio Ole, Johannes Phokela, Robin Rhode, Tracey Rose, Claudette Schreuders, Bernie Searle, Johannes Segolela, David Koloane, Nandipha Mntambo, Zanele Muholi, Mikhael Subotzky, Guy Tillim, and Hentje van der Merwe.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemporary African art, number 15, fall/winter, 2001
95 pp., 4to., b/w & colour illus., paperback, New York, 2001. R95
Includes the essay, "The Havanna Biennale" by Valerie Cassel, which discusses work by Jane Alexander & Willem Boshoff.
Enwezor (O.) & Hassan (S.) eds. NKA, journal of contemorary African art, number 16/17, fall/winter 2002
118 pp., 4to., b/w & colour illus., paperback, New York, 2002. R95
Includes "Willem Boshoff's Panifice: between Africa and Europe, the language(s) of civilization(s)" by Johan Snyman; "Usha Seejarim: the opposite of illustration" by Emma Bedford; "Johannes Phokela " by Bruce Haines, "Siemon Allen: stamp collection" by Lauri Firstenberg & "Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose and Fatimah Tuggar" by Soraya Murray.
Enwezor (O.) art. director & Richards (C.) et. al. curators TRADE ROUTES, history and geography, 2nd Johannesburg Biennale, 1997
412 pp., 4to., colour illus., paperback, Johannesburg & The Hague, 1997. OUT OF PRINT
Catalogue of the 2nd Johannesburg Biennale, Johannesburg, 1997. Exhibitions curated by Okwui Enwezor & Octavio Zaya, Colin Richards, Gerardo Mosquera, Kellie Jones, Hou Hanru, Yu Yeon Kim. Essays by Francesco Bonami, Pedrag Finci, Jean Fisher, Paul Gilroy, Ashraf Jamal, Clive Kellner, David Koloane, Vasif Kortun, Julia Kristeva, Hannah le Roux, Olu Oguibe, Ivor Powell & Saskia Sassen. Includes work by William Kentridge, Stephen Hobbs, Berni Searle, Veliswa Gwintsa, Willem Boshoff, Sandile Zulu, Tracey Rose, Johannes Phokela, Moshekwa Langa, Angela Ferreira, Sue Williamson, Penny Siopis, Jo Ractliffe, António Ole, Zwelethu Mthetwa, Santu Mofokeng, Vivienne Koorland, Andries Botha, Pat Mautloa, Wayne Barker, and many others.
Enwezor (O.) curator SNAP JUDGMENTS, new positions in contemporary African photography
384 pp., 4to., b/w & colour illus., hardback, d.w., New York & Gottinger, 2006. R846
Published to coincide with the exhibition, International Center of Photography, New York, 2006.

Includes work by Kay Hassan, Moshekwa Langa, Zwelethu Mthethwa, Jo Ractliffe, Tracey Rose, Mikhael Subotzky, Guy Tillim & Nontikelelo "Lolo" Veleko from South Africa, Luis Basto from Mozambique & Hentie van der Merwe from Namibia.

Includes the essay, "After 'In/Sight': ten years of exhibiting contemporary African photography" by Vanessa Rocco.
Enwezor (O.) ed. THE SHORT CENTURY, independence and liberation movements in Africa, 1945-1994
496 pp., 4to., map, b/w & colour illus., hardback, d.w., Munich, 2001. OUT OF PRINT
Published on the occasion of the travelling exhibition organised by the Museum Villa Stuck, Munich, 2001.
Includes work by Ernest Mancoba, Gerard Sekoto, Sydney Khumalo, Malangatana Ngwenya, Antonio Olé, Thomas Mukarobgwa, Cecil Skotnes, Lucas Sithole, John Muafangejo, Gavin Jantjes, Willem Boshoff, Jane Alexander, William Kentridge, Sue Williamson, Santu Mofokeng, Kendell Geers, Zwelethu Mthethwa, Kay Hassan, Moshekwa Langa, Ian Berry, Bob Gosani, Peter Magubane, David Goldblatt, Ranjith Kally, Ernest Cole, Ricardo Rangel, and others.

Introduction by Okwui Enwezor. Essays include "Modern African Art" by Chika Okeke, "Independence and Liberation Movements in Africa, 1945-1994" by Marilyn Martin, "Colonial Pretense and African Resistance, or Subversion Subverted: commemorative textiles in sub-Saharan Africa" by John Picton, "Postcoloniality, Performance, and Photographic Portraiture" by Lauri Firstenberg, "City and Citizenship" by Rory Bester, "The Ambiguous Modernisms of African Cities" by Gwendolyn Wright & "Architecture and Nationalism in Africa, 1945-1994" by Nnamdi Elleh.
Enwezor (O.) ed. CONTEMPORARY AFRICAN PHOTOGRAPHY FROM THE WALTHER COLLECTION, Events of the Self: Portraiture and Social Identity
445 pp., 4to., b/w & colour illus., hardback, d.w., Göttingen, 2010. R990
Catalogue of the exhibition, "Events of the Self: Portraiture and Social Identity", introducing works from the Africa Collection of The Walther Collection, Ulm, Germany, 2010.

Includes work by Candice Breitz, David Goldblatt, Kay Hassan, Pieter Hugo, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, Jo Ractliffe, Berni Searle, Mikhael Subotzky, Guy Tillim, and Nontsikelelo "Lolo" Veleko, from South Africa, and Hentie van der Merwe from Namibia.

Includes the essays:
"Events of the Self: Portraiture and Social Identity - a conceptual framework" by Okwui Enwezor,
"The Black Photo Album/ Look At Me; 1890-1950" by Santu Mofokeng.

Text in English and German.
Enwezor (O.) et. al. IN/SIGHT, African photographers, 1940 to the present
275 pp., 4to., b/w & colour illus., hardback, d.w., New York, 1996. OUT OF PRINT
Catalogue of the exhibition, Solomon R.Guggenheim Museum, New York, 1996.

Includes photographs by Gordon Bleach, Cloete Breytenbach, David Goldblatt, Bob Gosani, Ranjith Kally, Peter Magubane, Santu Mofokeng, G.R.Naidoo, Gopal Naransamy, Lionel Oostendorp and Ricardo Rangel.

Introduction by Clare Bell. Essays include "Colonial Imaginary, Tropes of Disruption: history, culture, and representation in the works of African photographers" by Okwui Enwezor & Octavio Zaya, "A Critical Presence: 'Drum' magazine in context" by Okwui Enwezor and "Photography and the Substance of the Image" by Olu Oguibe. Also included are artists' biographies and personal statements.
Enwezor (O.) et. al. CITIGROUP PHOTOGRAPHY PRIZE 2004, Robert Adams (USA), Peter Fraser (UK), David Goldblatt (South Africa), Joel Sternfeld (USA)
99 pp., b/w & colour illus., paperback, London, 2004. R150
Published to coincide with the exhibition of the work of the four photographers selected for the annual Citigroup Photography Prize, The Photographers' Gallery, London and Museum Kunst Palast, Düsseldorf, 2004.

Includes an essay on David Goldblatt, "Photography without Event" by Okwui Enwezor.
Enwezor (O.) et. al. (eds.) DOCUMENTA 11_PLATFORM 4, Under Siege: four African cities - Freetown, Johannesburg, Kinshasa, Lagos
454 pp., maps, b/w & colour illus., paperback, Ostfildern-Ruit, 2002. OUT OF PRINT
This volume contains all contributions to Documenta 11_Platform 4, "Under Siege: four African cities - Freetown, Johannesburg, Kinshasa, Lagos", a conference and workshop held in Lagos, Goethe-Institut Inter Nationes, March 16-20, 2002.

Contributions include "The Visible and the Invisible: remaking cities in Africa" by AbdouMaliq Simone, "Order and Disorder in African Cities: governance, politics, urban land development processes" by Carole Rakodi, "Between Euphemism and Information: inventing the city" by Antoine Bouillon, "Figures of the Subject in Times of Crisis" by Achille Mbembe and Janet Roitman, "Closure, Simulation, and 'Making Do' in the Contemporary Johannesburg Landscape" by Lindsay J.Bremner, "'There's Space for Africa in the New South Africa '(?): African migrants and urban governance in Johannesburg" by Maxine Reitzes, and much more.
Enwezor (O.) et. al. curators DOCUMENTA 11_PLATFORM 5, exhibition, catalogue
620 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern-Ruit, 2002. R500
This volume is a catalogue of all contributions to "Documenta 11_Platform 5: exhibition, Kasel, June 8 - September 12, 2002".

Includes work by Kendell Geers, David Goldblatt, William Kentridge & Santu Mokokeng.

Contains the following essays "The Black Box" by Okwui Enwezor, The Encyclopedia of Babel" by Carlos Basualdo, "Toward a Metaphysics of Shit" by Jean Fisher, "Xeno-Epistemics: makeshift kit for sounding visual art as knowledge production and the retinal regimes" by Sarat Maharaj, "The Port of Calls" by Molly Nesbit, "The Space of Documenta 11: Documenta 11 as a zone of activity" by Ute Meta Bauer, "Art in the Age of Biopolitics: from artwork to art documentation" by Boris Groys, "Globalizing Urban Economies" by Abdoumaliq Simone, "Realities of the Artistic Imagination" by Angelika Nollert, "Art and Cinema: some critical reflections" by Mark Nash & "Can Places Travel?" by Sverker Sörlin.
Enwezor (O.), Goldblatt (D.) & Skinner (C.) TERRENO OCUPADO, Jo Ractliffe
99 pp., illus., hardback, d.w., Johannesburg, 2008. R520
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008. The photo-essay that comprises this exhibition grew out of Jo Ractliffe's 2007 visit to Luanda, Angola.

Introduction by Jo Ractliffe.
Includes the essays, "Esperança é a última coisa morrer - Hope is the last to die" by Charles Skinner, "Exodus of the Dogs" by Okwui Enwezor and "The Particular and the Universal in the Photography of Jo Ractliffe" by David Goldblatt.
Enwezor (O.), Hassan (S.) & Okeke-Agulo (C.) eds. NKA, journal of contemporary African art, number 24
172 pp., colour illus., paperback, Ithaca, 2010. R275
Contributions include "Color in the Presentation of the South African Townships" by Michael Godby,
"Nicholas Hlobo in Conversation with Joost Bosland,
Berni Searle's Soliliquies on Strength and Solitude" by Laurie Ann Farrell,
and "The Fragile Persistence of Memory" by Bettina Malcomess, in which she discusses the work of Nandipha Mntambo.
Enwezor (O.), Hassan (S.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 22/23, spring/summer 2008
208 pp., 4to., b/w & colour illus., paperback, Ithaca, 2008. R195
Articles include "Architecture as Colonial Discourse, Angela Ferreira's 'Maisons Tropicales'" by Manthia Diawara,
"Re:Print/ Re:Present/ Re:View, three artists, three projects" by Salah M.Hassan (Berni Searle is one of the artists),
"Africa Remix, an immigrant to be looked at from the other side of reinforced glass" by Rory Bester,
"Mikhael Subotzky" by Ivor Powell,
"The Opposite of Everyday, Wim Botha's acts of translation" by Liese van der Watt,
"About Beauty" by Sarah Nuttall, and
"Marlene Dumas, returning home" by Virginia MacKenny.
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemorary African art, number 25, winter 2009
168 pp., 4to., b/w & colour illus., paperback, Ithaca, 2009. R195
Nka is published biannually under the auspices of Africana Studies and Research Center, Cornell University.

This issue includes "On a Knife Edge, Penny Siopis in conversation with Sarah Nuttall".
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 26, spring 2010
155 pp., 4to., b/w & colour illus., paperback, Durham, 2010. R195
Nka, published two times a year, features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

This issue includes"
"A Land of Signs" by Tamar Garb, on contemporary South African art
"Deborah Poynton, Everything Matters, a review of her exhibition at ACA Gallery of Art and Design, Atlanta, Georgia, by Erin Dziedzic.
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 27, fall 2010
131 pp., 4to., b/w & colour illus., paperback, Ithaca, 2010. R195
Nka is published twice a year and features scholarly articles, reviews of exhibtions, book and film reviews and roundtables.

This issue includes
"Simon Gush, refracting surfaces" by Joost Bosland, and
"Roger Ballen, Boarding House", a review by Gerhard Schoeman.
Enwezor (O.), Hassan (S.M.) & Okeke-Agulu (C.) eds. NKA, journal of contemporary African art, number 28, spring 2011
159 pp., 4to., b/w & colour illus., paperback, Ithaca, 2011. R195
Nka is published twice a year and features scholarly articles, reviews of exhibitions, book and film reviews and roundtables.

This issue includes:
"A Vigil of Departure, Louis Khehla Maqhubela - his life and work (1960-2010) by Marilyn Martin
"Probing White Guilt, Pursuing White Redemption, WIlliam Kentridge's '9 Drawings of Projection'" by Peter Erickson
"William Kentridge's Activist Uncertainty During and After Apartheid" by Terry Smith
"Paul Emmanuels 'Transitions', the white South African male in process" by Pamela Allara,
"'Zwelethu Mthethwa, Inner Views'", a review of the exhibition at Studio Museum in Harlem, New York, by Susanna Newbury.
Eppel (Jane) SANCTUM,
26 pp., colour illus., paperback, Cape Town, 2008. R50
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2008.

Painter Jane Eppel was born in 1979. She lives and works in Cape Town.
Erasmus (R.) curator CLEAN/GRIME, exhibition of desaturated contemporary art
31 pp.+ 31pp., colour illus., paperback + CD-Rom, Cape Town, 2001. R196
Catalogue of the two exhibitions, "Clean", Millenium Gallery II, Johannesburg, October 2001 and "Grime", Bell-Roberts Art Gallery, Cape Town, July 2002.
Essays by Robert Greig and Carine Zaayman.
Includes interviews with and work by Wim Botha, Hanneke Benade, Frederik Eksteen, Retha Erasmus, Gordon Froud, Antoinette Murdoch, Christian Nerf, Marcus Neustetter, Kathryn Smith, Alex Trapani, Diane Victor and Berco Wilsenach.
Ernst (J.) ANTON VAN WOUW, 'n biografie
128 pp., illus., paperback, Johannesburg, 2006. R100
Sculptor Anton van Wouw's most well-known works include the Kruger Monument in Pretoria, the Women's Monument in Bloemfontein, the Women and Children sculpture in the Voortrekker Monument as well as many busts of South African presidents and generals.

Text in Afrikaans.
Ewen (E.) & Ewen (S.) TYPECASTING, on the arts & sciences of human inequality, a history of dominant ideas
555 pp., illus., hardback, d.w., New York, 2006. OUT OF PRINT
Ewen & Ewen explore the relationship between "stereotyping as a persistent social, cultural and mental practice" and "the emergence of a global economy, colonialism, the matrix of urban life, and the rise of democratic and egalitarian movements and ideas".

'With exceptional and profound research on visual culture, Ewen & Ewen have captured a wide-angle view of the impact of racial imaging. Using the history of art as well as popular imagery, they demonstrate the complexity found in mapping and reading this legacy". Deborah Willis

Elizabeth Ewen is Distinguished Teaching Professor in the Department of American Studies at SUNY College at Old Westbury. Stuart Ewen is CUNY Distinguished Professor of Film & Media Studies at Hunter College and in Ph.D. programmes in history and sociology at the CUNY Graduate Center.
Faber (P.) comp. GROUP PORTRAIT SOUTH AFRICA, nine family histories
240 pp., 4to., maps, b/w & colour illus., hardback, Cape Town, 2003. R295
Foreword by Nelson Mandela.
The book sketches the histories of nine "ordinary" South African families, each with a different cultural, economic, social and geographical background. The families are Mthethwa, Nunn, Rathebe, Plaatje, Steyn, Le Fleur, Manuel, Galada & Juggernath.
Photographs by David Goldblatt, Ruth Motau, Cedric Nunn & Paul Weinberg. Artists featured include Willie Bester, Lien Botha, Sam Nhlengethwa, Berni Searle & Penny Siopis. Writers include Henry Bredekamp, Rayda Jacobs & Elsabe Brink.
Faber (P.), Rassool (C.) & Witz (L.) SOUTH AFRICAN FAMILY STORIES, reflections on an experiment in exhibition making
118 pp., b/w & colour illus., paperback, Amsterdam, 2007. R360
The exhibition, "Group Portrait South Africa: nine family histories", opened in the Tropenmuseum, Amsterdam, in 2002. It was also shown in the National Cultural History Museum in Pretoria between 2003 and 2007. An imaginatve presentation was created by a number of South Africans in co-operation with nine families: the Juggernath, Galada, Manuel, Le Fleur, Steyn, Plaatje, Rathebe, Nunn and Mthethwa families. South African artists, amongst them Willie Bester, Sam Nhlengetwa, Penny Siopis, Andrew Verster, Berni Searle and Claudette Schreuders, and photographers like David Goldblatt, Ruth Motau, Roger van Wyk, George Hallett, Lien Botha and Jurgen Schadeburg, worked with researchers and organisers. The Tropenmuseum exhibition was curated by Paul Faber. The original catalogue, "Group Portrait South Africa: nine family histories" is now out of print.

Contents include "Making the 'Family Stories' exhibition" by Paul Faber, and "Making South Africa in the Netherlands", a critical essay by Ciraj Rassool and Leslie Witz.
Fagan (G.) ROSES AT THE CAPE OF GOOD HOPE, with photographs by Gabriël Fagan
271 pp., large 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1988) 1995. OUT OF PRINT
Gwen Fagan has done the research and landscape planning for many restored historic buildings and planted many gardens, notably at Boschendal and the Swellendam Drostdy Museum.

This book about old roses at the Cape covers the period "from the moment Commander Jan van Riebeeck picked the first Dutch rose in 1657 until the formation of Union in 1910, by which time the new Hybrid Teas were beginning to oust old roses from Cape Gardens".
Fagan (Gabriel) photo. & text Fagan (Gwen) comp. & text BRAKDAK, flatroofs in the Karoo
217 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2008. R465
A collection of photographs of flat-roofed vernacular architecture in the Karoo taken between 1959 and 1964 by architect Gabriel Fagan, together with brief notes by Gabriel and Gwen Fagan.

Also available in Afrikaans.

Gwen Fagan is also the author of the book, "Roses at the Cape of Good Hope".

Fagan (Gwen) comp. GABRIEL FAGAN, twenty Cape houses
141 pp., b/w & colour illus., hardback, d.w., Cape Town, 2005. R460
Introductory essay by Peter Buchanan.

Gabriel Fagan was born in Cape Town in 1925. He is well-known for his restoration of old Cape buildings, such as the Castle of Good Hope and Tuynhuis. This book looks at some of his restoration work as well as at new houses he has designed.
Fairhead (B.) WORD AND BEAD, the presentation of a journey
87 pp., 4to., colour illus., paperback, Cape Town, 2001. R220
Catalogue of the exhibition of bead-work tapestries, Cape Town, 2001.
Also includes several of Barbara Fairhead's poems.
Introduction by Stephen Watson.
Fall (N.) & Pivin (J.) eds. AN ANTHOLOGY OF AFRICAN ART, the twentieth century
407 pp., 4to., b/w & colour illus., hardback, d.w., First English Language Edition., New York, 2002. R750
First published in French, Paris, 2001.
Includes "Two Schools in Zimbabwe" by Yvone (sic) Vera; "Post-Apartheid South Africa" by Marylin (sic) Martin; "The Precursors of South Africa" by Marylin (sic) Martin; "Continuity and Rupture in South Africa" by Marylin (sic) Martin & Gavin Younge; "Resistance Art in South Africa" by Sue Williamson & "Painting and Liberation Movements in Mozambique" by Thierry Payet. Articles previously published in Revue Noire.
Farber (L.) ed. IMAGING OURSELVES, visual identities in representation
167 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R310
A compilation of extended versions of papers presented at a conference held at the University of Johanneburg's School of Tourism and Hospitality in 2008.

Contributions include:
"Mr Blatter, The Boys and The Bicycle Kick: excavating identities in the 2010 FIFA World Cup logo" by Lizé Groenewald,
"Ideologies and Identities in Digital Artists' Books: parallels between Charles Sandison's 'Carmina Figurana' and Willem Boshoff's 'Kykafrikaans'" by David Paton,
"Visually Constructing Socialist Identity in 20th Century South Africa: a comparison between Communist Party of South Africa cartoons from the 1930s and Congress of South African Trade Unions posters from the 1980s" by Deidre Pretorius,
"Abject Negotiations: the mutability of identification in selected artworks by Berni Searle" by Christy Rennie,
"I am the Cup of Water without the Cup [or William Kentridge, Steven Cohen, Louis Burke and me (or William Kentridge, Steven Cohen, Louis Burke and him...)]" by Myer Taub.
Farber (L.), Meyerov (L-A.) & Rayner (L.) curators TOO CLOSE FOR COMFORT, belonging and displacement in the work of South African video artists
31 pp., b/w & colour illus., paperback, Johannesburg, 2008. R50
Catalogue published on the occasion of the video programme at Hebbel Am Ufer, Berlin, in September 2008 as part of the "Performing South Africa Festival".

Includes the essays, "Doppler Effect: performing South Africa" by Stefanie Wenner, and
"Too Close for Comfort: belonging and displacement in the work of South African video artists" by Leora Farber.

Artists featured are Stephen Hobbs, Nadine Hutton, Sam Nhlengethwa, William Kentridge, Mocke Jansen van Veuren and Theresa Collins, Anthea Moys, Steven Cohen and Minnette Vari.
Farrell (L.A.) ed. LOOKING BOTH WAYS, art of the contemporary African diaspora
184 pp., 4to., colour illus., hardback, d.w., New York & Gent, 2003. OUT OF PRINT
Published in conjunction with the travelling exhibition first at the Museum for African Art, New York, November 2003 - March 2004.

Artists include Kendell Geers and Moshekwa Langa.

Foreword by Sue Williamson. Essays include ""Moshekwa Langa, in Conversation" by Kobena Mercer, "A TerroRealist in the House of Love", Kendell Geers interviewed by Jérôme Sans, "Name Calling" by Allan deSouza, "The Diaspora as Object" by John Peffer and "Negotiating the Taxonomy of Contemporary African Art - production, exhibition, commodification" by Lauri Firstenberg. Other contributors include Valentijn Byvanck, José Antonio B.Fernandes Dias, Okwui Enwezor, Laurie Ann Farrell, Salah Hassan, Steven Nelson, Simon Njami and Edith-Marie Pasquier.

Federici (S.), Golden (T.), Reggiani (A.M.) & Schroth (M.A.) curators AFRICA COMICS,
271 pp., b/w & colour illus., paperback, New York, 2007. R475
Catalogue of the exhibition, The Studio Museum in Harlem, New York, 2007.

Artists include Conrad Botes, Joe Dog (Anton Kannemeyer), Themba Siwela and Zapiro (Jonathan Shapiro) from South Africa, Laércio George & Adérito Wetela from Mozambique & Romão Segunda from Angola.

Includes the essays, "Working with the African Comics Artists" by Sandra Federici & Andrea Marchesini Reggiani, "African Comics: the supersonic soul boom!" by Valerie Cassel Oliver,"The Education of a Comics Nut" by Calvin Reid, "New Comics from Africa" by Massimo Repetti & "Another Way of Looking: African artists and comics" by Mary Angela Schroth.
Feinberg (B.) GEORGE PEMBA, painter of the people
69 pp., b/w & colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Foreword by Pallo Jordan.
Edited and adapted by Ivan Vladislavíc.

Suitable for use in schools.
Ferguson (G.) WAITING FOR GATEAU, cartoons & drawings
90 pp., illus., paperback, Cape Town, 2004. R95
Gus Ferguson is a well-known poet and cartoonist. His previous publications include the collections of poems and drawings entitled "Snail Morning", 'Doggerel Day" and "Carpe Diem" and a book of cartoons, "Love Amongst the Middle-Aged".
Fibicher (B.) curator SOUTH MEETS WEST,
122 pp., 4to., colour illus., paperback, Bern, 2000. R550
Catalogue of the exhibition, National Museum of Ghana, Accra, 1999 and Kunsthalle Bern and Historical Museum of Bern, Switzerland, 2000.

Artists include Jane Alexander, Fernando Alvim, Kendell Geers, Tapfuma Gutsa, Zwelethu Mthethwa, Tracey Rose and Minnette Varí.

Essays include "Negotiating the Double Bind - overcoming the passé of the so-called 'inclusive' exhibition" by Oladélé A.Bamgboyé, "'Permission to Speak Freely Sir...?'" by Kendell Geers, "Emotional Geographies - tradition, modernity and nation in the postcolony" by Clive Kellner and "The Curator as a Naked King - contextualisation and decontextualisation" by Simon Njami.

Text in German & English.
Fischer (R.) et. al. eds. ARCHITECTURE OF THE TRANSVAAL,
338 pp., 4to., maps, illus., hardback, d.w., Pretoria, 1998. OUT OF PRINT
Essays by architectural critics Franco Frescura, Elize Labuschagne, Dieter Holm, Michael Keath, Schalk le Roux, Roger C Fischer, Clive M Chipkin, Walter Peters, Gus Gerneke, Julian Cooke, Philip Brittan, Gary van Wyk & Estelle A Maré.
Fisher (A.) photo. & text AFRICA ADORNED,
304 pp., large 4to., maps, colour illus., hardback, d.w., Reprint, London, (1984) 1989. OUT OF PRINT
Social scientist Angela Fisher's study of the jewellery worn by the men and women of Africa. She discusses how these forms of decoration speak of values and beliefs, achievements and staues, how they form part of Africa's cultural heritage. Richly illustrated with her colour photographs.
Fitzgerald (S.) & Mosaka (T.) curators A FICTION OF AUTHENTICITY, contemporary Africa abroad
192 pp., 4to., colour illus., paperback, St. Louis, 2003. OUT OF PRINT
Published to accompany the travelling exhibition, first shown at Contemporary Art Museum St. Louis, September 2003 - January 2004.

Artists include Siemon Allen, Kendell Geers and Moshekwa Langa.

Essays include "A Fiction of Authenticity: contemporary Africa abroad" by Shannon Fitzgerald, "Negotiating Identity" by Tumelo Mosaka, "Tales of Authenticity: the artist, the artwork, the exhibition and the institution" by Gilane Tawadros, "Demystifying Authenticity" by Ery Camara, amongst others.
Fiumara (G.A.) photo. CAPETONIANS,
48 pp., illus., paperback, Cape Town, 2005. R100
Catalogue of the exhibiton, Bell-Roberts Art Gallery, Cape Town, 2005.

"'Capetonians' is an ongoing project which consists of a collection of black and white studio portraits of residents of Cape Town".

Giovanni Agresti Fiumara was born in Belgium in 1968. He lives in Luxemburg and travels regularly to South Africa.
Fleetwood (J.) et. al. PAN AFRICAN PHOTO ENCOUNTERS,
32 pp., oblong 4to., b/w & colour illus., paperback, Johannesburg, (2005). R20
The Pan African Photo Encounters, hosted in South Africa in November 2004, brought together photographers and academics from the Democratic Republic of Congo, Malawi, Mozambique, South Africa, Zambia and Zimbabwe to discuss and debate their work and issues relating to African photography practice. Participants included Kok Nam, Cedric Nunn, David Goldblatt, Andrew Tshabangu, Bonile Bam, Debbie Yazbek, Omar Badsha, Neo Ntsoma, Sean O'Toole, Patricia Hayes, Lori Waselchuk and Siphiwe Sibeko. This publication summarises the debates and includes a selection of the participants' photographs.
Fleischer (D.) SANDRA MCGREGOR, "onse artist" in District Six
214 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R250
Sandra McGregor was born in Johannesburg in 1928. After attending Roedean School she left for London, France and Italy to study drawing, painting and sculpture. On her return to South Africa in 1962 she settled in Cape Town and was introduced to District Six. She painted there for the next sixteen years, witnessing the removals and destruction of the community.
Foster (J.) WASHED WITH SUN, landscape and the making of white South Africa
336 pp., maps, b/w & colour illus., paperback, Pittsburgh, 2008. R395
Focusing on the years 1902-1930, Jeremy Foster brings together practical, aesthetic and ideological analyses "to examine the influence of painting, writing, architecture and photography on the construction of a shared, romanticised landscape subjectivity that was perceived as inseperable from 'being South African', and thus helped forge the imagined community of white South Africa." from the back cover

"Foster is illuminating on the connections between landscape, aesthetics and white South African colonial consciousness. This subtly argued, innovative, and theoretically sophisticated study of space and place skillfully articulates issues of common interest to cultural geographers, historians and art historians." Saul Dubow, University of Sussex

Jeremy Foster teaches architecture and planning at Cornell University.
Fourie (A.) photo. END OF THE WORLD,
80 pp., colour illus., paperback, Johannesburg, 2005. R95
Catalogue of the travelling exhibition first shown at the Museum of African Art, New York.

Introduction by Khwezi Gule. The following essays appear: "Abrie Fourie's 'Netherlands'" by Bronwyn Law-Viljoen, "Habit is the Enemy" by Miranthe Staden-Garbett, "Letter to Sappho" by John Gross & "Capturing Images Trapped Between the Ordinary and the Sublime" by Laurie Ann Farrell. Abrie Fourie also comments on his work.
Fox (J.) THE LIFE AND ART OF FRANCOIS KRIGE,
144 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2000. OUT OF PRINT
François Krige was born in 1913 in Uniondale. In 1949 he was awarded the medal of honour for painting and graphic art by the South African Academy for Science and Arts. Although his drawings are well-known his paintings have never been exposed to the public and many are seen for the first time in this book. He died in 1994.
Fox (R.) dir SPIER CONTEMPORARY 2007, Taxi Art Films 2
54 minutes, DVD, , 2007. R120
Selected footage of some of the artists included in Spier Contemporary 2007, a curated exhibition organised by the Africa Centre and held in a temporary structure built out of shipping containers at the Spier Wine Estate in Stellenbosch.

Featured on this DVD:
Andrew Putter and his singing portrait of Maria van Riebeek,
Andrzej Nowicki, whose paintings and drawings examine the role of interpretation in art,
Peter van Heerden, whose performance questions South African stereotypes, and
Mduduzi Nyembe, who breaks barriers between art forms through performance.
Also includes an interview with curator Clive van den Berg and director Fox's interview with the judges.

Fox (R.) dir. SPIER CONTEMPORARY 2007, Taxi Art Films 3
55 minutes, DVD, , 2007. R120
Selected footage of some of the artists included in Spier Contemporary 2007, a curated exhibition organised by the Africa Centre and held in a temporary structure built out of shipping containers at the Spier Wine Estate in Stellenbosch.

Featured on this DVD:
Brett Bailey, whose performance piece shocked viewers with its pointed commentary on immigrants in South Africa,
Ruth Levin, with a performance that interrogates stereotypes of feminine identity,
Leila Anderson, who performs a work conceptualised by Peter van Heerden, and
Mwenya Kabwe, Chuma Sopotela and Kemang Wa Lehulere, whose collaborative performance is inspired by their interpretations of memory, loss and transition.
Also includes an interview with curator Clive van den Berg and director Fox's interview with the judges.
Fransen (H.) comp. A CAPE CAMERA, the architectural beauty of the old Cape, photographs from the Arthur Elliott Collection in the Cape Archives
224 pp., 4to., illus., paperback, Reprint, Johannesburg, (1993) 2000. OUT OF PRINT
Arthur Elliot, born in or near New York around 1870, came to South Africa in the late 1880s. He started taking photographs during the South African War after receiving a quarter-plate camera as a gift. After arriving in Cape Town as a refugee in 1900 he began to focus on recording historic landmarks in the city and its surroundings. For most of the rest of his life he lived in Long Street, where he had his studio.
Fransen (H.) comp. A GUIDE TO THE OLD BUILDINGS OF THE CAPE, a survey of extant architecture from before c1910 in the area of Cape Town-Calvinia-Colesburg-Uitenhage
596 pp., 4to., maps, illus., hardback, d.w., Johannesburg, 2004. OUT OF PRINT
"This edition constitutes a revision of 'The Old Houses of the Cape ' (1965) and 'The Old Buildings of the Cape' (1989) retaining historical notes by Mary Alexander Cook, co-author of the above two publications".

Illustrated with plans and photographs by André Pretorius, Arthur Elliott and the author.
Fraser (C.) photo. SHACK CHIC, art and innovation in South African shack-lands
187 pp., colour illus., paperback, Reprint, Cape Town, (2002) 2009. R249
Craig Fraser's photographs of interior decoration in one or two roomed shacks. Text made up of interviews, quotes, history, background pieces and poetry by Sandile Dikeni.
Fraser (C.) photo. HOME, Cape Town
189 pp., 4to., colour illus., hardback, d.w., Cape Town, 2003. R342
Interios of Cape Town houses. Introduction by interior designer, Boyd Ferguson. Includes quotations from the home owners.
Fraser (C.) photo. AFRICANISMO, interior inspiration from southern Africa
216 pp., 4to., colour illus., hardback, Cape Town, 2008. R359
A collection of photographs of southern African interiors and landscapes by photographer Craig Fraser. His other books include "Shack Chic" and "Mud Chic".
Fraser (C.) photo. & Allen (M.) text HOT AFRO, interiors from South Africa
201 pp., 4to., colour illus., hardback, Cape Town, 2009. R345
Beautiful photographs of the interiors of South African homes belonging to designers Trevyn and Julia McGowan and Laurie Owen, ceramic artists Barbara Jackson, Anthony Harris and Gerhard Swart, Shirley Fintz, Werner and Philippa du Toit and Immie Mostert, Elle Decoration editor Karen Roos, jeweller Marchand van Tonder, interior stylist and painter Tracy Lynch, creative and design consultant Laureen Rousouw, social anthropologist, retail consultant and artist Neville Trickett, jewellery designer Geraldine Fenn, fashion designers Marianne Fassler and Craig Port, furniture designer Haldane Martin and interior designer Boyd Ferguson.
Fraser (C.) photo. & Magona (S.) text MUD CHIC, lifestyle & inspiration from the Xhosa people of the old Transkei
189 pp., 4to., colour illus., hardback, d.w., Cape Town, 2006. R342
Photographs of the traditional dwellings and homesteads in the old Transkei.

Text by Sindiwe Magona.
Freschi (F.) curator & ed. ALAN CRUMP, A Fearless Vision
156 pp., b/w & colour illus., hardback, Johannesburg, 2011. R440
Catalogue of the retrospective exhibition, Johannesburg Art Gallery, 2011.

Includes the essays:
"Alan Crump: a fearless vision, curator's foreword" by Federico Freschi
"An Appreciation" by Christopher Till
"A Tribute" by Mandie van der Spuy
"Self, Land and Power: the art of Alan Crump" by Karel Nel
"Illuminating Landscapes - their pathos and their beauty, some thoughts on selected watercolours" by Karin Maria Skawran

Sculptor, watercolour artist and educator Alan Crump (1949-2005) taught at Michaelis, UNISA and the University of the Witwatersrand, where he became Professor and Head of Department of Fine Art. He was also an arts advisor to Standard Bank and chair of the Grahamstown National Arts Festival's Governing Committee.
Freschi (F.) ed. THE HIGHLY IMPORTANT AUCTION OF THE PRESTIGIOUS ART COLLECTION OF THE LATE ROGER BRETT KEBBLE,
295 pp., 4to., colour illus., paperback, Johannesburg, 2009. R500
Catalogue of the auction of the late Brett Kebble's collection of South African art by Graham's Fine Art Gallery in Johannesburg in May 2009. The collection included works by Walter Battiss, Thomas Bowler, Pranas Domsaitis, Eleanor Esmonde-White, May Hillhouse, William Kentridge, Maggie Laubser, George Pemba, J.H.Pierneef, Alexis Preller, Irma Stern, Maud Sumner, Vladimir Tretchikoff, Pieter Wenning, and many others.
Freschi (F.) ed. IMAGING AND IMAGINING, South African art c.1896-2008
247 pp., colour illus., hardback, Johannesburg, 2009. R800
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2009.

Includes sections on landscape, still life, people and abstraction, and features work by Walter Battiss, Gregoire Boonzaier, Peter Clarke, Robert Hodgins, Karel Nel, Ephraim Ngatane, George Pemba, Gerard Sekoto, Cecil Skotnes and Irma Stern, amongst others.

Frescura (F.) RURAL SHELTER IN SOUTHERN AFRICA, a survey of the architecture, house forms and constructional methods of the black rural peoples of Southern Africa
208 pp., maps, illus., paperback, Johannesburg, 1981. OUT OF PRINT
Architect Franco Frescura has lectured at various South African universities and is currently Chair of Architecture at the University of KwaZulu-Natal.

Friedl (P.) photo FOUR OR FIVE ROSES,
136 pp., colour illus., paperback, New York, 2004. R95
Catalogue of the exhibition, Frankfurter Kunstverein, 2004.

Includes the essay, "The World, Viewed from the Playground, notes of Peter Friedl's 'Four of Five Roses'" by Joan Müller.

Peter Friedl's project is based on numerous interviews and conversations with children aged between five and fourteen years of age he met at various playgrounds in Johannesburg, Cape Town and the surrounding townships. He recorded the conversations over a period of three years, had them translated into English, and presents them as a monologue, accompanied by photographs of the different playgrounds.
Friedman (H.) NORMAN CATHERINE,
183 pp., 4to., colour illus., paperback, Johannesburg, 2000. R435
Foreword by David Bowie. Introduction by Ashraf Jamal.

Frost (L.) JEREMY WAFER, artist's book
96 pp., 4to., b/w & colour illus., paperback, TAXI Art Book Series No.3, Johannesburg, 2001. R160
Jeremy Wafer was born in Durban in 1953. He is a sculptor and print maker.
Text in English, French and Dutch.

Included is a separate 17 pp. educational supplement written by Philippa Hobbs.

Number 3 in the TAXI Art Book Series.
Froud (G.) & McInnes (J.) GORDON FROUD 1992-2007/ GORDON FROUD 2007-2008,
29 + 21 pp., colour illus., paperback, Johannesburg, 2008. R150
This book consists of 2 sections. In the first part Gordon Froud looks back over two decades of art making. The second part serves as a catalogue for two exhibitions: Modular Repetition, University of Johannesburg Gallery, 2008, and Second Hand Process, Worldart Gallery, Johannesburg, 2008. Both exhibitions were submitted in partial fulfilment of the requirements for the degree of Magister Technologiae: Fine Art in the Department of Visual Art at the University of Johannesburg.

Gordon Froud was born in Johannesburg in 1963. He established godard Gallery in Johannesburg in 2003.
Furlong (W.) SPEAKING OF ART, four decades of art in conversation
272 pp., b/w & colour illus., hardback, London, 2010. R440
A collection of interviews with artists first recorded for the sound archive Audio Arts in the early 1970s.

Introduction by Mel Gooding.

Includes a 2006 interview with William Kentridge by Claudia Wegener.
Fusi (L.) et. al. curators .ZA GIOVANE ARTE DAL SUDAFRICA,
191 pp., 4to., b/w & colour illus., paperback, Milan, 2008. OUT OF PRINT
Catalogue of the exhibition of young South African artists, Palazzo della Papesse, Siena, 2008.

Artists include Zander Blom, Frances Goodman, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Nandipha Mntambo, Zanele Muholi, Ruth Sacks, Doreen Southwood, Mikhael Subotzky and Nontsikelelo "Lolo" Veleko.

Includes essays by five established South African artists who assisted curator Lorenzo Fusi:
".ZA Young Art from South Africa" by Lorenzo Fusi,
"Skull of My Mother" by Marlene Dumas,
"Young, Hip...and Sussed" by Berni Searle,
"Currencies of Change" by Minnette Vári, and
"Should I Stay or Should I Go: the dilemma of the artists of 'Island Africa'" by Sue Williamson.

Text in English and Italian.
Gaba (Meschac) TRESSES, + other recent projects
72 pp., colour illus., paperback, Cape Town, 2007. R195
Catalogue of the exhibition, Michael Stevenson Gallery, Cape Town, 2007 and Johannesburg Art Gallery, 2007-2008.

Forewords by Joost Bosland and Clive Kellner. Includes the essay, "Europe: that other African country" by Khwezi Gule and a conversation between Joost Bosland and the artist.

Meschac Gaba was born in Cotonou, Benin, in 1961. He now lives and works in the Netherlands and Benin.
Gabassi (A.) dir. CERTAIN DOUBTS OF WILLIAM KENTRIDGE/ CERTAS DUVIAS DE WLLIAM KENTRIDGE,
51 minutes, DVD, , 2000. R750
In this documentary. filmed in Johannesburg and Brazil, William Kentridge talks about his work, his use of landscape and his characters, Felix Teitelbaum and Soho Bernstein. Also includes a 17 minute bonus feature on the setting up of the installation, "Screensaver", commissioned in 200 By Associação Cultural Videobrasil for the Contemporary African Art Show in São Paulo.
Music by Philip Miller.
In English and Portuguese.
Gadanho (P.) curator PANCHO GUEDES, an alternative modernist/ ein alternativer modernist,
63 pp., 4to., b/w & colour illus., paperback, Basel, 2007. R160
Catalogue of the exhibition, Swiss Architecture Museum, Basel, 2007.

Focuses on 25 years of architect Pancho Guedes' life and work in Mozambique from the 1950s onwards.

Includes the essays, "Pancho Guedes, echoes of an alternative modernity" by Pedro Gadanho,
Pancho, Mozambique: 20th century Portuguese architecture" by José Manuel Fernandes,
"The Allusive Pancho Guedes" by Timothy Ostler, and
"One Modernism? One History? One World? One Guedes?" by Simon Sadler.

Text in English & German.
Garb (T.) & Nel (H.) HYLTON NEL, a prayer for good governance
15 pp., colour illus., paperback, London, 1996. OUT OF PRINT
Catalogue of the ceramics exhibition, The Fine Art Society, London, 1996.
Garb (T.) curator VIVIENNE KOORLAND, reisemalheurs (travel woes)
52 pp., colour illus., paperback, London, 2007. OUT OF PRINT
Catalogue of the exhibition, Freud Museum, London, 2007.

Includes the essays ""Reisemalheurs" by Tamar Garb, "Painting Maps" by William Kentridge, "Speak, don't tell: a rondo-fantasia in broken time for V.K." by Adrian Rifkin and a conversation between Mark Godfrey and Vivienne Koorland.

Vivienne Koorland was born in Cape Town in 1957. She now lives and works in New York.
Garb (T.) ed. HOME LANDS - LAND MARKS, contemporary art from South Africa
167 pp., 4to., b/w & colour illus., hardback, London, 2008. R650
Catalogue of the exhibition, Haunch of Venison gallery, London, 2008.

"The artists in this exhibition consider the surfaces of lived and located experience in the place they call home, discovering, recording and re-drawing the marks history makes on the land and its occupants, while using the expanded field of landscape as a site for a new poetics of place. In the works in 'Home Lands - Land Marks' each artist articulates a view of this multipayered landscape in relation to historical narratives, pictorial precedents and personal experience" Tamar Garb and Ben Tufnell

Introduction by Tamar Garb abd Ben Tufnell.

Includes work by David Goldblatt, Nicholas Hlobo, William Kentridge, Vivienne Koorland, Santu Mofokeng, Berni Searle and Guy Tillim,
and the essays, "A Land of Signs" by Tamar Garb,
"The Indeterminate Structure of Things Now" by Okwui Enwezor, and
"Modderfontein Road" by Ivan Vladislavic.
Garratt (M.) et. al. FIBRE ART EXHIBITION, Innovative Threads 2001
46 pp., colour illus., paperback, (Cape Town), 2001. R95
Catalogue of the travelling exhibition of textile art the opened at Nova Constantia Cellars in Cape Town in 2001.
Geers (K.) IRRESPEKTIV,
300 pp., 4to., colour illus., hardback, red plastic slipcase, Barcelona, 2007. R495
Includes the essays "The Bewilderment of Pentheus, on the attractivity of the state of nature (and on the state of nature as attraction) by Rudi Laermans & Lieven De Cauter, "Kendel Geers, the Internal Experience, from breaking in to breaking out" by Christine Macel, "Here Lies Kendel Geers, the Cannibal" by Paulo Herkenhoff & "States of Emergence, growing up in apartheid South Africa" by Warren Siebrits as well as an interview with the artist by Jerome Sans.
Geers (K.) et. al. MINNETTE VRI,
119 pp., b/w & colour illus., paperback, Lucerne, 2004. R250
Catalogue of the exhibition, Museum of Art Lucerne, Switzerland, 2004.

Includes the essays "History, Fleshed Out" by Kendell Geers, "Unhomely Places/ Uncanny Knowledge, the art of Minette Vári" by Liese van der Watt, "Against the Forgetfulness of Time: Minnette Vári's 'Alien' and 'Oracle': examples of memory made visual" by Susanne Neubauer, "Minnette Vári's Lucid Syntheses" by Harold Szeemann & "Chimera, History's Monster" by John Peffer.

Text in English & German.
Gerdes (P.) WOMEN AND GEOMETRY IN SOUTHERN AFRICA, some suggestions for further research
201 pp., mapb/w & colour illus., paperback, Maputo, 1995. OUT OF PRINT
Examines some of the mathematical aspects and ideas incorporated in the patterns invented by Southern African women through traditional cultural activities such as ceramics, beading, mural decoration, basket weaving, hair braiding, tatooing etc.

Paulus Gerdes is a researcher in the Dept. of Mathematics at the Universidade Pedagógica in Maputo, Mozambique.
Gerdes (P.) & Bulafo (G.) SIPATSI, technology, art and geometry in Inhambane
103 pp., maps, b/w & colour illus., paperback, Maputo, 1994. OUT OF PRINT
Examines the mathematical aspects related to the production of "sipatsi", the woven handbags made by men and women in Inhambane Province in Mozambique. Also presents a catalogue of the unique strip patterns with which basektweavers decorate the bags.

Paulus Gerdes is a teacher and researcher in the Department of Mathematics, Instituto Superior Pedagógico, Maputo, Mozambique. Gildo Bulafo was a student in the Master's Programme.

Translated from the Portuguese.
Gere (D.) & Sember (R.) curators NOT ALONE, an international project of Make Art/ Stop Aids
56 pp., colour illus., paperback, No Place, (2009). R165
"Not Alone" is a travelling exhibition which was first shown at the Fowler Museum at UCLA. The exhibition was hosted in South Africa by the Durban Art Gallery, Museum Africa in Johannesburg and Iziko Goodhope Castle in Cape Town. It features contemporary art from Brazil, India, South Africa and the United States. For the South African tour certain works which were on the original show were not represented and others from South Africa were added. This catalogue was produced for the South African tour and includes work by Pieter Hugo, Langa Magwa, Churchill Madikida, Clive van den Berg, William Kentridge, Gideon Mendel, Penny Siopis, Zanele Muholi, Jonathan Shapiro and Angela Buckland.
Gevisser (M.), Ratele (K.) & Mergel (J.) NICHOLAS HLOBO, Standard Bank Young Artist Award 2009
107 pp., 4to., colour illus., paperback, Cape Town, 2009. R200
Catalogue of the touring exhibition which opened at the National Arts Festival, Grahamstown, 2009.

Includes the essays, "Under Covers, Out in the Open: Nicholas Hlobo and Umtshotsho" by Mark Gevisser,
"Pride and Playfulness: Hlobo's subversive love of Xhosa traditions" by Kopano Ratele, and
"Nicholas Hlobo, in medias res" by Jen Mergel.

The catalogue includes a selection of the artist's works from 2005 to 2009 and includes sculptures, installations, performances and works on paper.

Nicholas Hlobo was born in Cape Town in 1975. He lives and works in Johannesburg.
Gibson (G.A.) ed. PICTURE CAPE TOWN, landmarks of a new generation
114 pp., oblong 4to., map, b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Published in conjunction with an exhibition organised by the Getty Conservation Institute, in association with the University of Cape Town, Castle of Good Hope Gallery, Cape Town, November 1996.
Cape Town as seen by ten young photographers: Jason Cope, Andrea Eden, Dominique Johnson, Yvette Kruger, Marwaan Manuel, Jolene Martin, Odidi Mfenyana, Nondumiso Ncisana, Percival Nkonzo and Kyle Younge, with essays by Gavin Younge, Jane Taylor, Tracey Derrick, Zwelethu Mthethwa, Miguel Angel Corzo and Shamiel Albertyn.
Gilks (J.) FIBREWORKS, major minors II, South African Fibreworks exhibition
74 pp., colour illus., paperback, Natal, (2005). R75
Catalogue of the exhibition, 2005.
Textile art constructed using embroidery, quilting, sewing, gluing, weaving, dying, painting & beading.
The 2003 catalogue is also available @ R75
Gillespie (L.) INNOVATIVE THREADS, a decade of South African fibre art
136 pp., 4to., colour illus., hardback, d/w, (Cape Town), 2006. R250
Brings together a selection of fibre and textile artworks from the 10 Innovative Threads competitions, 1996 - 2006.
Gillow (J.) AFRICAN TEXTILES, colour and creativity across a continent
240 pp., 4to., map, b/w & colour illus., hardback, d.w., London, 2003. R655
Includes chapters on Zulu, Ndebele and Xhosa beadwork and Malagasy raphia and silk textiles.
Givon (L.) REVELATIONS BY JOHANNES MASHEGO SEGOGELA, 24th January to 14th February 2004
27 pp., colour illus., paperback, Johannesburg, (2004). R57
Catalogue of the exhibition held at The Goodman Gallery, Johannesburg, 2004.
Givon (L.) curator ON THE ROAD, works by 10 Southern African artists
46 pp., 4to., colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, The Delfina Studio Trust, London, 1995.
Text by Ivor Powell.

Includes the work of Keston Beaton & Berry Pickle from Zimbabwe, António Ole from Angola, Reinata Sadimba Passema from Mozambique and Willie Bester, Norman Catherine, Kendell Geers, William Kentridge, Kagiso Pat Mautloa & Penny Siopis from South Africa.
Givon (L.) et. al. ROBERT HODGINS, new works, May-June 2000, at the Goodman Gallery
24 pp., oblong 4to., colour illus., paperback, Johannesburg, 2000. OUT OF PRINT
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 2000.
Includes short appreciations by Sam Nhlengethwa, William Kentridge, Deborah Bell, Norman Catherine, Michael Godby, and others.
Global Art Information THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 2009
143 pp., colour illus., paperback, Cape Town, 2009. R169
An annual publication that lists South African art galleries, museums, dealers, service industries, art media, arts education, residencies, and art competitions.
Global Art Information THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 2010
111 pp., colour illus., paperback, Cape Town, 2010. R189
An annual publication that lists South African art galleries, museums, service industries, arts education, residencies and art competitions. Also includes a who's who of South African art.
Global Art Information THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 2011
95 pp., colour illus., paperback, Cape Town, 2011. R199
An annual publication that lists South African art galleries, museums, service industries, arts education and competitions. Also includes a who's who of South African art.
Global Art Information comp. THE SOUTH AFRICAN ART INFORMATION DIRECTORY, 06
479 pp., colour illus., paperback, Cape Town, 2005. R169
An annual publication that includes South African art galleries, museums, dealers, service industries, art media, arts education, South African and international grants, residencies and art competitions.
Godby (M.) WILLIAM KENTRIDGE, drawings for projection, four animated films
26 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, The Goodman Gallery, Johannesburg, 21 February - 14 March 1992.
The four films shown were "Johannesburg - 2nd greatest city after Paris", "Monument", "Mine" & "Sobriety, Obesity & Growing Old".
Godby (M.) THE LIE OF THE LAND, representations of the South African landscape
136 pp., map, b/w & colour illus., paperback , Cape Town, 2010. R265
Catalogue of the exhibition, The Iziko Michaelis Collection, Old Town House and Sanlam Art Gallery, Cape Town, 2010.

Includes the essays:
"Looking Forward, Looking Back: beyond the narrative of loss and restoration in the history of land" by Cherryl Walker,
"Creating a Sense of Belonging: sacred and secular landscapes in the life experiences of South Africa's rural communities" by Sandra Klopper,
"An Unsettled Habitation: narratives of South African landscape" by Dirk Klopper,
"Reading the Land: changing landscapes and the environmental history of South Africa" by Brett M.Bennett.

Michael Godby is Professor of History of Art at the University of Cape Town.

Godby (M.) curator GRAVEN IMAGES, an exhibition of photographs of Ministers of the Dutch Reformed Church, Swellendam, c1860-2000
18 pp., 4to., illus., paperback, Stellenbosch, 2005. R65
Catalogue of the exhibition, Sasol Art Museum, University of Stellenbosch, 2005.

All the photographs of the Swellendam collection of portraits are taken by Jean Brundrit.
Godby (M.) text and curator IS THERE STILL LIFE?, continuity and change in South African still life painting
64 pp., colour illus., paperback, Cape Town, . R145
Catalogue of the exhibition, Old Town House, Cape Town, and Sanlam Art Gallery, Belville, 2007 and 2008.

Artists include Walter Battiss, Cecil Skotnes, Robert Hodgins, Mokgabudi Amos Letsoalo, Bongiwe Dhlomo Mautloa, Irma Stern, Wolf Kibel, Gregoire Boonzaier, Erik Laubscher, William Kentridge, Jean Welz, Maggie Laubser, Hylton Nel, Willie Bester, Trevor Makhoba, Sam Nhlengethwa, and Moshekwa Langa.
Goldberg (R.) & Doepel (R.) KIM LIEBERMAN, every interaction interrupts the future
55 pp., colour illus., paperback, Johannesburg, 2003. R100
Catalogue of the exhibition, Linda Goodman Gallery, Johannesburg, 2003.
Kim Lieberman in conversation with RoseLee Goldberg. Essay by Rory Doepel.
Goldblatt (D.) KITH, KIN & KHAYA, South African photographs
200 pp., illus., paperback, Johannesburg, 2010. R390
Catalogue of the exhibitions, "South African Photographs", The Jewish Museum, New York, May-September 2010, and "Kith, Kin & Khaya: South African photographs", South African Jewish Museum, Cape Town, October 2010-February 2011.

Includes a selection of David Goldblatt's photographs taken between 1948 and 2009.

"First is the raw impulse to photograph. It begins with something in the external world, the 'real world' outside my own inside, that draws me. It has an 'isness', a quality of being that holds me and that I want, somehow, to distil in photographs. It is the 'isness' of what I find here, in South Africa, among my compatriots and in this place, that I have tried most consistently and urgently to photograph." David Goldblatt

Includes an introduction by Ingrid Sischy and comments on the photographs by David Goldblatt.
Goldblatt (D.) & Courtney-Clarke (M.) photo.Kench (J.) text CAPE DUTCH HOMESTEADS,
143 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1981. OUT OF PRINT
David Goldblatt and Margaret Courtney-Clarke chose the ten Cape Dutch homsteads that appear in this book: Meerlust, Ida's Valley, Ou Muratie, Rustenberg, Schoongezicht, Uitkyk, Stellenberg, Stettyn, Westoe and Vergelegen.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, d.w., Standard edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 artist's proofs from the Collectors edition, available at R6800 (see separate listing). The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. PARTICULARS,
27 pp., 4to., illus., hardback, slipcase, Collector's edition, Johannesburg, 2003. OUT OF PRINT
Five hundred copies of "Particulars" were printed. Of these, 100 copies and 20 author's proofs form the collectors edition. Each copy of the collectors edition is signed and numbered by David Goldblatt opposite the title page and includes a 203 x 254 mm silver print, of one of four photographs in the book. Each print is signed and numbered by David Goldblatt.

Clarkes has 3 copies of the book in stock, with the following images: "Woman collecting shellfish", "Woman waiting at the trading store" and "Woman sun bathing".

The book was designed by Francois Smit and David Goldblatt, and edited by Mark Reynolds.

Introduction by David Goldblatt.

These photographs were taken mainly in 1975 with a few in 1982, 1983 and 2003. They were exhibited at Michael Stevenson Contemporary, Cape Town, and the Goodman Gallery, Johannesburg, in 2003.
Goldblatt (D.) photo. IN BOKSBURG,
78 pp., 4to., illus., hardback, d.w., signed by the photographer, Cape Town, 1982. OUT OF PRINT
Photographs of life in the town of Boksburg, a small, middle-class, white community on the East Rand, taken in the autumn and winter of 1979 and of 1980.
Goldblatt (D.) photo. SOUTH AFRICAN INTERSECTIONS,
124 pp., oblong 4to., colour illus., hardback, d.w., Munich etc., 2005. OUT OF PRINT
Published in conjunction with the exhibition, "David Goldblatt: Intersections", held at Museum Kunst Palast, Düsseldorf, and Camera Austria, Graz, 2005.

Includes an interview with the photographer conducted by Mark Haworth-Booth and the essays "Markers of Presence: intersections with the South African Landscape" by Michael Stevenson & "On the Visual Landscape of David Goldblatt" by Christoph Danelzik-Brüggemann.
Goldblatt (D.) photo. DAVID GOLDBLATT, Hasselblad Award 2006
83 pp., oblong 4to., colour illus., hardback, Ostfildern, 2006. OUT OF PRINT
Catalogue of the exhibition, Hasselblad Centre, Gothenberg, Sweden, 2006.

Although the exhibition comprised a selection of David Goldblatt's pictures, only new and previously unpublished photographs are included in the book.

Includes the essay, "David Goldblatt: a life in photography" by Michael Godby.
Goldblatt (D.) photo. SOME AFRIKANERS PHOTOGRAPHED,
167 pp., 4to., illus., hardback, cover slightly marked, d.w., slightly damaged, front endpapers marked & with ownership signature, Johannesburg, 1975. OUT OF PRINT
Number 184 of an edition limited to 1000 numbered copies, signed by the photographer.
Goldblatt (D.) photo. INTERSECTIONS INTERSECTED,
131 pp., oblong 4to., b/w & colour illus., hardback, d.w., Porto, 2008. OUT OF PRINT
Catalogue of the exhibition of paired photographs taken before and after South Africa's transition to democracy, Museu Serralves, Portugal, 2008.

Includes the essays "History in Motion" by curator Ulrich Loock, and "Parallax and Parallel: the uses of time and space in David Goldblatt's Pairings" by Ivor Powell, as well as extended captions by David Goldblatt.
Goldblatt (D.) photo. IN BOKSBURG,
109 pp., b/w & colour illus., hardback, d.w., Reprint, New York, (1982) 2010. R400
A reprint of David Goldblatt's book of photographs of everyday life in the middle-class white community of Boksburg, South Africa, during the apartheid years. The book was first published in 1982.

Includes the essays:
"On Boksburg, Baasskap, and Poetry" by Joanna Lehan,
"Making 'In Boksburg'" by Jeffrey Ladd.
Goldblatt (D.) photo. & text SOME AFRIKANERS REVISITED,
235 pp., 4to., illus., paperback, Cape Town, 2007. R395
"Some Afrikaners Photographed" was originally published in 1975 and has long been out of print. "Some Afrikaners Revisited" is a reprint of all the images included in the original book, plus an additional twenty images from the period. It also includes the introduction to the first edition, notes by David Goldblatt on how both books came into being, as well as the essays, "The Anxiety of Identity and 'Some Afrikaners'" by Ivor Powell & "...between the nose and the mouth. Perhaps more towards the eyes" by Antjie Krog.
Goldblatt (D.) photo. & Goldblatt (B.) & van Niekerk (P.) text THE TRANSPORTED OF KWANDEBELE, a South African odyssey
80 pp., oblong 4to., map, illus., hardback, d.w., New York, 1989. OUT OF PRINT
Accompanied a travelling exhibition which opened at Aperture's Burden Gallery, New York, 1989.

"The Transported" tells the plight of a group of black workers who, at 2:40 every morning, began their bus journey from KwaNdebele, one of the "homelands" in apartheid South Africa, to their jobs in Pretoria, often only arriving home after 22:00. The photographs were taken in the mid 1980s.

Introduction by David Goldblatt. "Accompanying the photographs is a series of statements based on interviews with five bus drivers by Brenda Goldblatt, in which they tell in their own voices of life on the buses and in KwaNdebele". Includes the essay, "The Bus Stop Republic" by South African journalist Philip van Niekerk. Afterword by Alex Harris.
Goldblatt (D.) photo. & Gordimer (N.) text LIFETIMES UNDER APARTHEID,
115 pp., 4to., illus., hardback, d.w., New York, 1986. OUT OF PRINT
David Goldblatt's photographs are accompanied by extracts from Nadine Gordimer's novels and stories.
Goldblatt (D.) photo. & text SOUTH AFRICA, THE STRUCTURE OF THINGS THEN,
260 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Black and white photographs of bleak South African buildings and landscapes taken from 1976 - 1992 by master photographer David Goldblatt.
Introduction and extended captions by Goldblatt.
Essay by Neville Dubow.
Goldblatt (D.) photo. & text SOME AFRIKANERS REVISITED,
235 pp., 4to., illus., hardback, d.w., limited to 300 copies signed by David Goldblatt, Cape Town, 2007. R1750
"Some Afrikaners Photographed" was originally published in 1975 and has long been out of print. "Some Afrikaners Revisited" is a reprint of all the images included in the original book, plus an additional twenty images from the period. It also includes the introduction to the first edition, notes by David Goldblatt on how both books came into being, as well as the essays, "The Anxiety of Identity" and "Some Afrikaners" by Ivor Powell & "...between the nose and the mouth. Perhaps more towards the eyes" by Antjie Krog.
Goldblatt (David) photo. DAVID GOLDBLATT, thirty-five years of photographs/ vyf-en-dertig jaar se foto's
24 pp., 4to., illus., paperback, Cape Town, 1984. OUT OF PRINT
Catalogue of the travelling exhibiton first shown at the South African National Gallery, Cape Town, 1984.

Includes the essay "The Spirit of Goldblatt" by Lionel Abrahams.

Text in English & Afrikaans.
Goldblatt (David) photo. & text & Gordimer (N.) text ON THE MINES,
126 pp., 4to., illus., hardback, d.w., Cape Town, 1973. OUT OF PRINT
David Goldblatt and Nadine Gordimer explore, in words and photographs, the world of the Witwatersrand goldmines. David Goldblatt goes on to present a series of photographs of shaftsinking and a collection of portraits of men who work on the mines.
Goldblatt (W.) comp. FNB VITA CRAFT NOW AWARDS, 2002
28 pp., colour illus., paperback, Johannesburg, 2002. R55
Catalogue of the exhibition, MuseumAfrica, Johannesburg, 2002.
The awards judge was Karel Nel.
Goldin (A.) et. al. ALICE GOLDIN,
68 pp., b/W & colour illus., paperback, Cape Town, 2012. R135
A monograph on painter Alice Goldin.

Foreword by Christopher Peter, Director, Irma Stern Museum, Cape Town.

Contributions include:
"Life is a Journey", an autobiographical essay by Alice Goldin
"An Appreciation" by Lloyd Pollack
and a selection of published comments on Alice Goldin's work from the press.
Golinski (H.G.) et. al. eds. NEW IDENTITIES, zeitgenössische kunst aus Südafrika
211 pp., 4to., b/w & colour illus., hardback, Osterfildern-Ruit, 2004. R440
Published on the occasion of the travelling exhibition, first shown at Museum Bochum, Germany, July 2004 - November 2005.

Artists represented include William Kentridge, Sam Nhlengethwa, Santu Mofokeng, Andrew Tshabangu, David Koloane, Minnette Varí, Berni Searle, Sue Williamson, Johann Louw, Zwelethu Mthethwa, Samson Mudzunga, Jane Alexander, Penny Siopis, Kay Hassan, Esther Mahlangu and work by The Mapula Embroidery Project. Each artist's work is accompanied by a brief commentary. Authors include Santu Mofokeng, Nicholas Dawes, Thembinkosi Goniwe, Pitso Chinzima, Svea Josephy, Sipho Mdanda, amongst others.

Essays include "South Africa in Bochum" by Hans Günther Golinski, "Learning to Live with the Past and Going Forward" by Sello Duiker, "The Pot of Gold at the End of the Rainbow" by Marilyn Martin, "Urbanization: its influence on local expression" by David Koloane & Sipho Mdanda and "The Long Journey of South African Art" by Ralf-P. Seippel.

Text in English and German.
Goodman (Francis) DAVID,
6 pp., colour illus., paperback, Johannesburg, (2005). R25
Catalogue of the sound installation, The Goodman Gallery, Johannesburg, 2003.

Francis Goodman was born in Johannesburg in 1975. She lives and works in Antwerpen, Belgium.
Goodnow (K.) CHALLENGE AND TRANSFORMATION, museums in Cape Town and Sydney
221 pp., 4to., colour illus., paperback, Paris, 2006. R450
This book is based on a series of case studies undertaken in Australia and South Africa, where ethnographic museums, historic sites and art galleries have had to come to terms with issues of diversity and change. "The case studies present the ethical foundations of the methodological approach as well as the processes necessary for transforming the museums, especially through new aspects of design and display and new policies for staffing and training."

Introduction by Jack Lohman, Director of the Museum of London, Professor at the Bergen National Academy of the Arts and previously CEO of IZIKO Museums of Cape Town.
Epilogue by Jatti Bredekamp, the current CEO at IZIKO Museums.

Katherine Goodnow is Associate Professor at the Department of Information Science and Media Studies at the University of Bergen, Norway.
Gordimer (Nadine) THE ULTIMATE SAFARI, with original hand-printed lithographs by Aletah Masuku, Alsetah Manthosi and Dorah Ngomane
44 pp., oblong 4to., colour illus., buckram covered boards with paper title labels on front and spine, slipcase, one of an edition limited to 100 copies signed by the author, Johannesburg, 2001. R5500
Nadine Gordimer's short story about Mozambican refugees is illustrated by three women who walked across the border from Mozambique to South Africa in the 1980s.
The plates were drawn in the village of Welverdiend near the Orpen Gate of the Kruger National Park, where the artists live. They were made during a two week workshop in 1995. The women do not normally work as artists. They earn what money they can as seasonal labourers on nearby farms, and were new to the lithographic printing process and the making of images on paper.
Each illustration is signed by the artist. Proofing and hand-printing of the images was later carries out by Mark Atwood, Joseph Legate and Peter Sekole at The Artists Press, Johannesburg.The books were hand-bound by Peter Carstens. Book design and layout by The Artists Press.
Gordon-Brown (A.) CHRISTOPHER WEBB SMITH, an artist at the Cape of Good Hope, 1837-1839
96 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1965. OUT OF PRINT
Christopher Webb Smith, born just outside London in 1703, produced an album of water-colour drawings entitled "Birds, Flowers and Scenery of the Cape of Good Hope" during the two years he spent in Cape Town between 1837 and 1839. Many of these drawings are reproduced in this book.
Gottgens (K.) LITTLE DEATHS, works in paint and ash
31 pp., colour illus., paperback, Cape Town, 2007. R60
Catalogue of the exhibition, UCT Irma Stern Museum, Cape Town, 2007.

Foreword by Hazel Friedman.

Painter Kate Gottgens was born in 1965 and lives and works in Cape Town.
Grant (S.) & (E.) DECORATED HOMES IN BOTSWANA,
134 pp., 4to., map, b/w & colour illus., hardback, d.w., Mochudi, 1995. OUT OF PRINT
Sandy and Elinah Grant spent seven years travelling around Botswana to find where homes were still being traditionally decorated by women. They record this dynamic cultural tradition, examine the dramatic effects recent development has had on women artists, explore the role of men, the advent of commercial art and possibilities for the future.
Greenwall (R.) ARTISTS AND ILLUSTRATORS OF THE ANGLO-BOER WAR,
264 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1992. OUT OF PRINT
Introduction by Jane Carruthers.

Ryno Greenwall provides "a general and extensive overview of the main vehicles of Anglo-Boer War art - ranging from illustrated newspapers and magazines to postcards, postal covers, souvenir publications and work produced by prisoners of war." There are also biographies of over 1 100 Anglo-Boer War artists.
Gregorowski (C.) & David-Mesman (E.) BILL DAVIS, sculptor, his life & work
207 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2010. R395
Bill Davis was born in 1933 in India and grew up in South Africa. In the 1960s he taught sculpture and life drawing at the University of Cape Town before beginning to work full-time as a sculptor. His public commissions include the portrait of Nelson Mandela for the Mandela Rhodes Foundation (2008) and the portrait of Nico Malan for the Nico Malan Theatre Centre in Cape Town (1981). He has also completed many commissions for churches.
Gregory (B.) WILLIAM KENTRIDGE, "procession"
5 pp., illus., folded, Sydney, 2000. OUT OF PRINT
Catalogue of the exhibition, Annandale Galleries, Sydney, Australia, 2000.
Gregory (B.) & McDonald (J.) WILLIAM KENTRIDGE, telegrams from the nose, films, sculpture, drawings, tapestry, etchings
64 pp., b/w & colour illus., paperback, Sydney, 2008. R225
Catalogue of the exhibition, Annandale Galleries, Sydney, 2008.

Includes essays on William Kentridge by John McDonald and Bill Gregory.
Greshoff (J.) photo. THE LAST DAYS OF DISTRICT SIX,
27 pp., illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, District Six Museum, Cape Town, 1996.
Includes the essays, "The Urbanism of District Six" by Lucien Le Grange, "The Architecture that Cape Town Lost" by Hans Fransen and "Memories of District Six", in which artist and ex-resident, Roderick Sauls, recalls his memories of District Six.
Greslé (Y.) HOBBY HEROES, recent works by Luan Nel
12 pp., colour illus., paperback, Cape Town, 2005. R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2005.

"In 'Hobby Heores' Luan Nel appropriates the miniscule plastic figures from specialist train set kits...[and] stages these surprisingly idiosyncratic figures...in a number of curious situations".
Greyling (R.) et. al. SHOWCASE, edition 1, June 2006
78 pp., illus., paperback, (Johannesburg), 2006. R35
Comics by Rupert Greyling, Neville Howard, Nuhan Ysel & Ben Geldenhuys, Spencer Whittle, Donne Malan, Andre Hamman, Gretchen Schoeman, Reinet Herbst & Cathlene Roos.
Grogan (T.) TONY GROGAN'S EASTERN CAPE,
128 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2005. R275
Tony Grogan, a well known cartoonist, journeyed through the Eastern Cape capturing it's natural beauty, people, towns and villages in watercolours and drawings. He also wrote a supporting text which incorporates his personal experiences and observations as well as notes on the general history of the places he visited.
Groves (S.) et. al. eds. FEMINIST STUDIES, volume 29, number 3
, Maryland, 2003. R135
Includes the essay, "The Philani Printing Project: women's art and activism in Crossroads", South Africa" by Kimberly Miller.
Grundlingh (G.) ed. THE CAPE TOWN MONTH OF PHOTOGRAPHY, 2002
199 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R225
Catalogue of the second Cape Town Month of Photography exhibition, 15 March - 14 April 2002.
Includes essays "Click" by Andrew Lambrecht, "Post-apartheid South African Photography" by Svea Josephy, "Child Soldiers in Sierra Leone" by Guy Tillim, "A preliminary bibliography on South African Photography" by Andrew Lamprecht & Lorraine Khoury.
Documents the hundreds of photographic exhibitions held throughout the Cape Peninsula in galleries, bars, museums etc.
Grundlingh (G.) ed. THE CAPE TOWN MONTH OF PHOTOGRAPHY, 2005
193 pp., 4to., b/w & colour illus., paperback, Cape Town, 2005. R200
Catalogue of the various exhibitions held around Cape Town during the 6th Cape Town Festival, 2005.

Includes work by Jane Alexander, Jean Brundrit, Tracey Derrick, David Goldblatt, Geoffrey Grundlingh, Stephen Inggs, Svea Josephy, Dorothee Kreutzfeldt, Ronnie Levitan, David Lurie, Ricardo Rangel, Jurgen Schadeberg, Guy Tillim, Andrew Tshabangu, Sue Williamson, Dale Yudelman, and many others.
Grundlingh (K.) curator PHOTOSYNTHESIS, contemporary South African photography
40 pp., illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1997.
Foreword by Marilyn Martin. Preface by Kathleen Grundlingh.
Inlcudes the essay, "Avoiding the Event" by Jane Taylor.
Includes work by Jean Brundrit, Zwelethu Mthethwa, Guy Tillim, Chris Ledochowski, Steven Hobbs, Lien Botha, Geoffrey Grundlingh, Jo Ractliffe, Minette Vári, Santu Mofokeng, Roger Ballen, David Goldblatt, Jane Alexander, Obie Oberholzer, Terry Kurgan, Penny Siopis, Omar Badsha, Jeremy Wafer, Svea Josephy, and others.
Grundlingh (K.) ed. LINES OF SIGHT, perspectives on South African photography
172 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R390
Catalogue of the exhibition held at the South African National Gallery, Cape Town, 17 July - 31 October 1999 and Centre de Musee National du Mali, Bamako, 15 October - 30 November 2001.
Essays by curators Geoffrey Grundlingh, Michael Godby, Kathy Grundlingh, Marilyn Martin, Emile Maurice, Cedric Nunn and Zwelethu Mthethwa.
Gruntkowski (N.) & Seippel (R.) MBONGENI BUTHELEZI, (imizwa yami) my feelings
87 pp., 4to., b/w & colour illus., paperback, Cologne & Johannesburg, 2009. R350
Catalogue of the travelling exhibition which opened at the Pretoria Art Museum in May 2009.

Mbongeni Buthelezi was born in 1965 in Johannesburg, where he still lives and works. He works exclusively in plastic on plastic.

Includes the essays, "Melting Art in a Melting Pot" by Ralf Seippel, and
"Changing your Life with Plastic and a Heat Gun" by Nina Gruntkowski.

Guaita (O.) ON DISTANT SHORES, colonial houses around the world
360 pp., 4to., colour illus., hardback, d.w., New York, 1999. OUT OF PRINT
Includes chapters on British colonial style in central and southern Africa and Dutch colonial style in South Africa.
Gumede (N.) et. al. comps. A COMMUNITY OF ARTISTS, a photographic book of 106 KwaZulu Natal artists in their studios and workplaces
110 pp., b/w & colour illus., paperback, Durban, 2005. R120
Published by the KwaZulu Natal Society of Artists to celebrate it's centenary: 1905-2005.

Photographers are Val Adamson, Angela Buckland, Jeeva Rajgopaul, Rafs Mayet, Ernest Tshiamo, Storm Janse van Rensburg, Harry Lock, Ros Sarkin, Charles Musetsi, Abhi Indrarajam, Godfrey Mpuse & Thoko Mtshali.

Artists photographed include the photographer Paul Weinberg, the sculptors Jeremy Wafer & Andries Botha and the painter Andrew Verster, amongst many others.
Gwintsa (V.) curator & Maart (B.) ed. BOIPELO KA SETSO,
32 pp., colour illus., paperback, Johannesburg, 2002. R175
Catalogue of the exhibition, Johannesburg Art Gallery, 2002.
"The exhibition focuses on indigenous objects of material culture of the southern African region, and is drawn from the permanent collection of the Johannesburg Art Gallery."
Essays by Ronald Dorris, Mandla Mlotshwa, Anitra Nettleton & Evelyn Smith.
Hackforth-Jones (J.) et. al. BETWEEN WORLDS, voyagers to Britain 1700-1850
120 pp., b/w & colour illus., paperback, London, 2007. R350
Catalogue of the exhibition, National Portrait Gallery, London, 2007.

An exhibition of portraits of non-European men and women who visited Britain from the seventeenth century onwards, largely as a result of colonial development, exploitation and warfare. The catalogue includes a chapter in Sara Baartman.
Haddow (I.) ed. THE FILMMAKERS GUIDE TO SOUTH AFRICA, 2008
165 pp., map, colour illus., paperback, Cape Town, 2007. R190
A Film Management Production in collaboration with the National Film and Video Foundation.

Includes listings of commercial service companies, director service companies, stills production service companies, models, artistes and casting agencies and film and television company profiles, as well as alphabetical and categorical telephone directories.
Hadfield (N.) text & Botha (L.) photo. BEAUTIFUL HOMES OF SOUTH AFRICA,
191 pp, 4to., colour illus., hardback, d.w., Cape Town, 2006. R350
Features 15 homes photographed by Lien Botha. Interiors include artwork by William Kentridge, Beezey Bailey, Irma Stern, Arlene Amaler-Raviv, Norman Catherine, Walter Battiss & Eduardo Villa as well as Ardmore & Linnware ceramics.
Hagen (C.) ed. CULTURES IN TRANSITION, the world's reality
80 pp., 4to., b/w & colour illus., paperback, New York, 1990. OUT OF PRINT
A special edition of Aperture magazine, Issue 119.

Articles include "A House Divided: South Africa's hostels" by David Lewis, with photographs by Roger Meintjies,
"Reclaiming a Cultural Legacy: the Ju/'hoansi of Namibia" by Megan Biesele, with photographs by John Marshall and Paul Wienberg, and
"Making a New Culture: an interview with Omar Badsha" by Charles Hagen, with photographs by Omar Badsha.
Hall (C.) & Thornley (B.) co-ordinators A DAY IN THE LIFE OF SOUTH AFRICA,
304 pp., 4to., map, colour illus., hardback, d.w., Johannesburg, 1982. OUT OF PRINT
On 26th May 1982 ordinary South Africans were encouraged to take a photograph of what they thought best captured their feelings about life in South Africa. The photographs in the book were selected from the 36 000 entries.
Hallett (G.) & MacKenzie (P.) eds. DISTRICT SIX REVISITED, photographs by George Hallett, Clarence Coulson, Jackie Heyns, Wilfred Paulse, Gavin Jantjes
112 pp., 4to., illus., hardback, Johannesburg, 2007. R280
Includes text by George Hallett and Clarence Coulson and a poem by James Matthews,
Hallett (G.) ed. MOVING IN TIME, images of life in a democratic South Africa
280 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2004. R425
Introduction by Mandla Langa.
Includes photographs taken since the 1994 elections by Jodi Bieber, Paul Albert, Gideon Mendel, Ruth Motau, Jürgen Schadeberg, Obie Oberholzer, George Hallett, Paul Weinberg, David Goldblatt, Chris Ledochowski, Benny Gool, and others.
Hallett (G.) ed. YOUTH 2 YOUTH, 30 years after Soweto '76
141 pp., 4to., colour illus., paperback, Johannesburg, 2006. R160
Introduction by Mandla Langa.

Photographs of young South Africans taken by young South African photographers.
Hallett (G.) photo. PORTRAITS OF AFRICAN WRITERS,
153 pp., 4to., illus., hardback,, Johannesburg, 2006. R280
Introduction by Keorapetse Kgositsile. Foreword by George Hallett.

The photographs span the years 1970 - 2006, taken both at home in South Africa and while in exile overseas.Included are essays by John Matshikiza, James Matthews & Shabbir Banoobhai and poems by Lesego Rampolokeng & Finuala Dowling. Writers photographed include James Matthews, Richard Rive, Alex LaGuma, Zoe Wicomb, Denis Brutus, Bessie Head, Lewis Nkosi, Zakes Mda, and many more. There is also a photograph of artist Gerard Sekoto.
Hamilton (C.) et. al. eds. REFIGURING THE ARCHIVE,
368 pp., b/w & colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Papers from the seminar series "Refiguring the Archive" held in Johannesburg in 1998 at the University of the Witwatersrand.
Illustrated with works from the exhibition "Holdings: Refiguring the Archive", curated by Jane Taylor, which arose out of and celebrated the launch of the seminar series.
Includes work by Clive van den Berg, Willem Boshoff, William Kentridge, Sasntu Mofokeng, Penny Siopis, Peter Schutz, Colin Richards, Walter Oltmann, and others.

Contributions include "Holdings: refiguring the archive" by Jane Taylor, "Picturing the Past in Namibia: the visual archive and its energies" by Patricia Hayes, Jeremy Silvester & Wolfram Hartmann, "Living by Fluidity: oral histories, material custodies and the politics of archiving" by Carolyn Hamilton, "Literature and the Archive: the biography of texts" by Sarah Nuttall, "Archive Fever in South Africa" by Jacques Derrida, and more.
Hamilton (H.), Fraser (R.) & Sadie (V.) curators LIGHT SHOW,
18 pp., colour illus., paperback, Durban, 2008. R60
Catalogue of a group exhibition of South African and international artists that looks at the notion of light, Bank Gallery, Durban, 2008.

Artists include Siemon Allen, Stephen Hobbs, Vaughn Sadie, Greg Streak, Bronwen Vaughan-Evans, Jeremy Wafer & James Webb,
Hammond-Tooke (D.) & Nettleton (A.) eds. CATALOGUE: TEN YEARS OF COLLECTING (1979-1989),
139 pp., 4to., map, b/w & colour illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, University of the Witwatersrand Art Galleries, Johannesburg, 1989.

This exhibition marked a decade of collecting African art for The Standard Bank Foundation of African Art housed at the University of the Witwatersrand Art Galleries.

Introduction by Alan Crump.
Includes the essays, "Venda Art" by Anitra Nettleton,
"Tsonga-Shagana Beadwork and Figures" by Rayda Becker and Anitra Nettleton,
"Art of the Pedi and Ntwane" by Anitra Nettleton and David Hammond-Tooke,
"Ndebele Beadwork" by Diane Levy,
"The Art of Traditionalists in Zululand-Natal" by Sandra Klopper,
"The Beadwork of the Cape Nguni" by Anitra Nettleton, Sipho Ndabambi and David Hammond-Tooke,
"Transitional Sculpture" by Elizabeth Dell, and
"From Country to City: the development of an urban art" by Steven Sack.
Haney (E.) PHOTOGRAPHY AND AFRICA,
197 pp., b/w & colour illus., paperback, London, 2010. R275
Erin Haney examines the use of photography in Africa. Her examples range from royal portraiture in the nineteenth-century Cape Coast to railway gangs in Uganda, to apartheid-era South African resistance photography, to cityscapes, and she investigates how the medium has influenced painting, sculpture, textiles and public performance.

Erin Haney is Research Specialist at the National Museum of African Art, Smithsonian Institution.
Harmsen (F.) THE WOMEN OF BONNEFOI, the story of the Everard Group
242 pp., b/w & colour illus., hardback, d.w., Pretoria, 1980. OUT OF PRINT
The women of Bonnefoi, also known as the Everard Group, were Bertha Everard, her sister Edith Luise Mary King, and Bertha's daughters Ruth and Rosamund King Everard. They are remembered for their paintings of the Eastern Transvaal landscape
Harmsen (F.) THE ART AT SANTA SOPHIA,
57 pp., b/w & colour illus., paperback, Pretoria, 2002. R115
The art at Santa Sophia, the Institute for Catholic Education in Waterkloof, Pretoria, was originally commissioned by the Fransiscan priest, Fr Fergus Barrett, it's first director. Works include a mosaic by Armando Baldinelli, a mural of The Last Supper and a set of woodcut prints depicting the Stations of the Cross by Cecil Skotnes, a painting of theTrinity by Maud Sumner, a sculpture of Saint Francis and a tabernacle by Suzanne du Toit and a scarving of Christ by Duke Ketye.
Harmsen (F.) ed. CECIL SKOTNES,
240 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue published in conjunction with the 1996 Cecil Skotnes Retrospective exhibition at South African National Gallery.

Text includes "Teaching and Learning: Skotnes at Polly Street" by Elizabeth Rankin, "At the Cutting Edge: Cecil Skotnes as printmaker" by Pippa Skotnes, "The Skotnes and Gray Block Books (1972-81)" by Stephen Gray, "Landscape into Art: a reading of the "Brandberg Wall" series and other representations of the South African landscape by Cecil Skotnes" by Michael Godby, "Landscapes of the Mind: talking to Skotnes" by Neville Dubow and "Artist Resolute" and "Religious Art" by Frieda Harmsen.
Harris (S.) WHO'S WHERE IN CAPE ARCHITECTURE, a directory of people and places
80 pp., 4to., paperback, Cape Town, 2006. R55
"Compiled from Hans Fransen's "The Old Buildings of the Cape" with additional material from De Villiers and Pama's genealogies, "The Directory of South African Biography" and other sources."
Hartmann (W.) ed. HUES BETWEEN BLACK AND WHITE, historical photography from colonial Namibia, 1860s to 1915
336 pp., 4to., map, illus., paperback, Windhoek, 2004. R525
Essays include "Portraits of Power and Panoramas of Persuasion: the Palgrave album in the National Archives of Namibia" by Jeremy Silvester, "Novelty and Repetition: photographs of South West Africa in German visual culture, 1890-1914" by John P.Short, "Writing in Images: aspects of mission photography in southern Africa" by Gesine Krüger, "Missionaries Behind the Camera" by Tuulikki Vilhunen, "Artists and Photographers: explorers, missionaries and colonialists, 1830s to 1915", "The Homosocial World of Colonialism: men", "A Heterosocial Aspect of Colonialism: intimacy" by Wolfram Hartmann, and much more.
Hartmann (W.) et al (eds.) THE COLONISING CAMERA, photographs in the making of Namibian history
220 pp., 4to., map, b/w & colour illus., paperback, Reprint, Cape Town, Windhoek & Athens, Ohio, 1998 (2001). R350
Catalogue of the exhibition.
Includes essays by Robert Gordon, Jan-Bart Gewald, Marion Wallace, Paul Landau, Margo Timm & Wolfram Hartmann
Hartzenberg (R.) ed. SOUTH AFRICAN JOURNAL OF PHOTOGRAPHY, vol. 1 issue 2, June 2006
68 pp., 4to., b/w & colour illus., paperback, Pretoria, 2006. R30
Photographers featured include David Goldblatt, Harold Carlsson, Graeme Williams, Caroline Suzman, Shaun Stander, Salvelio Meyer & Karin Miller, amongst others.

This is the first printed issue - the first issue was only available electronically.
Hartzenberg (R.) ed. SOUTH AFRICAN JOURNAL OF PHOTOGRAPHY, vol. 1 issue 3, 2006
72 pp., 4to., b/w & colour illus., paperback, Pretoria, 2006. R30
Contents include profiles on exiled Zimbabwean Kudzanai Chiurai, Russel Steyn, a South African living and working in London, and Paul Shiakallis, a new photographer, as well as interviews with Leanette Botha and Vanessa Cowling.
Harun (H.) curator DESENHO, exposição anual - Musart, 7.8-31.10.1998
80 pp., oblong 4to., illus., paperback, Maputo, 1998. OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 1998.
Harun (H.) curator TERRITORIES OF THE HEART/ LINHAS DE SANGUE, a solo exhibition by Ann Gollifer
17 pp., colour illus., paperback, (Maputo), 2006. R125
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2006.

Ann Gollifer was born in 1960 in Guyana, South America. She lives and works in Gaberone, Botswana. The work in this exhibition is made up of images cut from pieces of lino and printed on wax-print cloth or paper.
Includes comments by the artist.

Text in English & Portuguese.
Harun (H.) curator FELICITA, exposição individual de pintura
8 pp., colour illus., paperback, Maputo, 2005. R125
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2005.

Painter Felicita (Ana Felicidade Dias Fernandos) was born in 1942 in Quelimane, Zambezia Province, Mozambique. She lives and works in Maputo.

Text in Portuguese.
Hassan (S.) & Oguibe (O.) eds. AUTHENTIC/ EX-CENTRIC, conceptualism in contemporary African art
263 pp., colour illus., paperback, New York, 2001. R225
Catalogue of the exhibition, "Authentic/Ex-Centric: African art in and out of Africa", presented as part of the 49th Venice Biennale, 2001.

Essays include "Where, What, Who, When: a few notes on African conceptualism" by Okwui Enwezor; "Making/Breaking Bread: Willem Boshoff's" Panifice" by Rory Doepel; "The FLAT Gallery: conceptual practices in Durban, South Africa" by Siemon Allen & "Skin Deep/ Bodies of Evidence: The work of Berni Searle" by Annie Coombes.
Hassan (S.) et. al. JA TAA, "prendre l'image", 3e recontres de la photographie Africaine, Bamako, 1998
70 pp., 4to., colour & b/w illus., paperback, Paris, 1998. OUT OF PRINT
Catalogue of the exhibition, Bamako, 1998.

Includes photographs by Antonio Ole from Angola, Sergio Santimano from Mozambique & George Hallet, Cedric Nunn, Santu Mofokeng and others from South Africa.

Text in French & English.
Hattingh (R.) & Botes (C.) DIE FOSTER BENDE,
61 pp., illus., paperback, Stellenbosch, 2000. OUT OF PRINT
Graphic novel. Text in English and Afrikaans.
Havell (J.) SEVEN STORIES, about modern art in Africa
319 pp., 4to., b/w & colour illus., hardback, d.w., Paris, 1995. OUT OF PRINT
Catalogue of the exhibition, Whitechapel Art Gallery, London, 1995; Malmö Konsthall, Sweden; 1996 & The Solomon R:Guggenhien Museum (SoHo), New York, 1996.
Includes "Moments in Art, a story from South Africa" by David Koloane withwork by Sam Nhlengethwa, Paul Stopforth, Norman Catherine, Robert Hodgins, Kagiso Pat Mautloa etc.

Contributions include "Paris in the 1960s" by Es'kia Mphahlele, "A Human Face: the death of Steve Biko and South African art" by Andries Water Oliphant, "The African Identity" by Bill Ainslie & David Koloane in conversation with Ivor Powell.
Hayes (P.) & Bank (A.) eds. KRONOS, journal of Cape history, no.27, November 2001, special issue: visual history
346 pp., illus., paperback, Institute of Historical Research, University of th, Cape Town, 2001. R180
Includes "Photography and the Performance of History" by Elizabeth Edwards; "The Interdependence of Photography and Painting on the South West Africa Expedition of James Chapman and Thomas Baines, 1861-1862" by Michael Godby; "Anthropology and Portrait Photography: Gustav Fritsch's Natives of South Africa, 1863-1872" by Andrew Bank; "Blank Verbeeld, or the Incredible Whiteness of Being: amateur photography and Afrikaner nationalist historical narrative" by Marijke du Toit; "Downcast: mining, men and the camera in Colonial Zimbabwe, 1890-1930" by Josiah Mhute; "Vision and Violence: photographies of war in Southern Angola and Northern Namibia" by Patricia Hayes; "Shoot to Kill: photographic images in the Namibian independence/ bush war" by Casper Erichsen; "Screening Saints and Sinners: the construction of filmic and video images of black and white South Africans in western popular culture during the late apartheid era" by Vivian Bickford-Smith & "The Renaturing of African Animals: film and literature in the 1950s and 1960s" by William Beinart.
Haylett (D.) EDENTIA, the adventures of Corgan and Occy, other forces
30 pp., 4to., colour illus., paperback, Cape Town, 2004. R95
Hecker (J.B.) WILLIAM KENTRIDGE, TRACE, prints from The Museum of Modern Art
75 pp., b/w & colour illus., hardback, d.w., New York, 2010. R376
Published to accompany the exhibition, "William Kentridge: Five Themes", The Museum of Modern Art, New York, 2010.

The book is a catalogue of the museum's collection of nearly fifty of Kentridge's prints and books as well as being an artist's book itself. William Kentridge worked closely with Judith Hecker on the project and created a series of new drawings for the book, which appear throughout on translucent pages and on the cover.
Hecker (J.B.) curator IMPRESSIONS FROM SOUTH AFRICA 1965 TO NOW, prints from The Museum of Modern Art
96 pp., 4to., b/w & colour illus., paperback, New York, 2011. R396
Catalogue of the exhibition, The Museum of Modern Art, New York, 2011.

Includes an essay by Judith Hecker and prints by Conrad Botes, Norman Catherine, Robert Hodgins, Anton Kannemeyer, William Kentridge, Senzeni Marasela, Azaria Mbatha, Zwelethu Mthethwa, John Muafangejo, Jo Ractliffe, Dan Rakgoathe, Claudette Schreuders, the United Democratic Front and the Congress of South African Trade Unions.
Hemingway (W.) JUST ABOVE THE MANTELPIECE, mass-market masterpieces
240 pp., 4to., colour illus., hardback, London, 2000. R350
This book "celebrates the mass produced art that began to decorate thousands of homes on both sides of the Atlantic from the late 1950s". Includes a chapter on Vladimir Trechikoff, now regarded by some as a pop art genius.
Herreman (F.) ed. LIBERATED VOICES, contemporary art from South Africa
190 pp., 4to., colour illus., hardback, d.w., New York, 1999. OUT OF PRINT
Catalogue of the exhibition, Museum for African Art, New York, 17 September 1999-2 January 2000.
Contributors include David Koloane, Andies Walter Oliphant, Ivor Powell, Mongane Wally Serote & Sue Williamson, amongst others.

Work by Bridget Baker, Willie Bester, Mbongeni Richman Buthelezi, David Koloane, Samson Mnisi, Brett Murray, Zwelethu Mthethwa, Claudette Schreuders, Thabiso Phokompe, Penny Siopis, Paul Stopforth, Sue Williamson & Sandile Zulu.
Hess (J.B.) ART AND ARCHITECTURE IN POSTCOLONIAL AFRICA,
209 pp., illus., paperback, Jefferson, North Carolina, 2006. R295
Includes the chapters, "Reversing the Gaze: exhibition, postapartheid art and the politics of display", "Representations of the Body in Postcolonial Africa", "The Gaze, 'Tradition', and African Art History" & "Envoi: expressive culture and performativity in the diaspora".
Hill (T.) & Harris (A.) eds. BEYOND THE BARRICADES, popular resistance in South Africa
144 pp., oblong 4to., illus., paperback, New York, 1989. OUT OF PRINT
Catalgue of the travelling exhibition, first shown at the United Nations in March 1990.
Photographs by twenty South African photographers including Omar Badsha, Gideon Mendel, Santu Mofokeng, Cedric Nunn, Guy Tillim, Gill de Vleig & Paul Weinberg.
Historical essay by André Odendaal. Foreword by the Reverend Frank Chikane. Includes personal accounts collected from published sources, archives, lawyers' files and court records.
Hillebrand (M.) THE WOMEN OF OLIFANTSFONTEIN/ DIE VROUE VAN OLIFANTSFONTEIN, South African studio ceramics/ Suid-Afrikkanse ateljee-keramiek
63 pp., 4to., b/w & colour illus., paperback, Cape Town, 1991. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at the Natale Labia Museum, CapeTown, 1991.

The Ceramic Studio at Olifantsfontein in the Transvaal was founded in 1925 by Gladys Short and Majorie Johnstone. Between 1926 and 1955 a succession of artists, potters and painters worked in the studio producing painted tiles, monumental ceramic scuplture, decorative vases and tableware.

Text in Englsih & Afrikaans.
Hillebrand (M.) & Gers (W.) eds. ZULU HEADRESTS, of the Msinga district in Kwazulu-Natal
17 pp., 4to., maps, colour illus., paperback, Port Elizabeth, 1999. OUT OF PRINT
Catalogue of the exhibition, King George VI Art Gallery, Port Elizabeth, 1999. Essay by Clive Newman.
Hillebrand (M.) ed. ART IN PERSPECTIVE, Southern Nguni
57 pp., illus., paperback, Port Elizabeth, 1990. OUT OF PRINT
Catalogue of the exhibition, King George IV Art Gallery, Port Elizabeth, 1990.

Essays include "Art as Artefact: another way of seeing" by Patricia Davison and "Classification of Glass Trade Beads" by Sharma Jeanette Saitowitz.
Hillebrand (M.) ed. HYLTON NEL, retrospective exhibition
60 pp., 4to., b/w & colour illus., paperback, Port Elizabeth, 2001. R125
Catalogue of the exhibition, King George VI Art Gallery, Port Elizabeth, 2001.

Includes the essays "Ethical Dilemmas and Sensual Delights" by Melanie Hillebrand, "Hylton Nel" by Wilma Cruise, "Hylton Nel - a vital lyricism" by Ian Wilson and "Hylton Nel" by Tamar Garb as well as a statement by the artist.
Hilton-Barber (B.) JOHN MEYER, sequential narratives
104 pp., oblong 4to., colour illus., paperback, (Cape Town), 2005. R186
Painter John Meyer was born in 1942 in Bloemfontein. He currently lives and works in Cape Town.

Includes a conversation between John Meyer and Brett Hilton-Barber.
Hlobo (Nicholas) IZELE,
48 pp., colour illus., paperback, Cape Town, 2006. R70
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

"'Izele' means someone or something has given birth", Nicholas Hlobo in conversation with Sophie Perryer.

Sculptor Nicholas Hlobo was born in 1975 in Cape Town. He lives and works in Johannesburg.
Hlobo (Nicholas) KWATSITYW'IZIKO,
35 pp., colour illus., paperback, Cape Town, 2008. R70
Catalogue of the exhibition of sculptures and paper works, Michael Stevenson, Cape Town, 2008.

"'Kwatsityw'iziki' means 'crossing the hearth' and refers, most literally, to sex. In Xhosa culture, as in many European traditions, married couples sleep in separate beds. To initiate intimacy, one has to cross the centre of the room, where one would traditionally find the hearth." Nicholas Hlobo.

Includes a conversation between Nicholas Hlobo and Joost Boland.

Nicholas Hlobo was born in Cape Town in 1975. He lives and works in Johannesburg.
Hoad (N.) et. al. (eds.) SEX AND POLITICS IN SOUTH AFRICA,
255 pp., paperback, Cape Town, 2005. R160
Includes "Where was I in the Eighties?" by Ann Smith, "If we Can't Dance to it, it's not our Revolution" by Julia Nicol, "Because I'm Gay and I Believe" by Paul Mokgethi, "Engendering Gay and Lesbian Rights: the equality clause in the South African constitution" by Jacklyn Cock, Mosiuoa 'Terror' Lekota's address at Simon Nkoli's memorial service, a Simon Nkoli obituary by Zackie Achmat, a letter to the Constitutional Assembly written by Desmond Tutu, and much more.
Hobbs (P.) & Rankin (E.) RORKE'S DRIFT, empowering prints, twenty years of printmaking in South Africa
242 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. R250
Includes work by John Muafangejo, Pat Mautloa, Sam Nhlengethwa, Eric Mbatha and Dan Rokgoathe.
Hobbs (P.) & Rankin (E.) PRINTMAKING, in a transforming South Africa
204 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
"This book offers a fuller understanding of the print by providing an introduction to the complex processes of printmaking, and focusing on contemporary works by South African artists to illustrate the expressive character and potential of the different media."
Artists included are William Kentridge, Terry Kurgan, Pippa Skotnes, Mmakgabo Sebidi, Billy Mandindi, Durant Sihlali, Vuyisani Mgijima & Lionel Davis.
Hobbs (P.) & Rankin (E.) LISTENING TO DISTANT THUNDER, the art of Peter Clarke
221 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2011. OUT OF PRINT
Catalogue of the exhibition of paintings, prints and mixed-media works, Standard Bank Gallery, Johannesburg, 2011.

Peter Clarke was born in Simon's Town in 1929. In 1956 he left his job in the Simon's Town Dockyard to devote himself to his art. In the early 1960s he spent brief periods at Michaelis School of Art and the Rijksakademie in Amsterdam. In the late 1960s his family were forcibly removed to the township of Ocean View and Peter Clarke's work began to reflect the social disrpution of the Cape Flats. He was awarded the South African Order of Ikhamanga (silver) in 2005..

Philippa Hobbs is currently curator of the MTN Art Collection. She is also a Research Fellow of the University of Johannesburg: Visual Identities in Art and Design.
Elizabeth Rankin is currently Professor of Art History at the University of Auckland, after many years at the University of the Witwatersrand.
Hobbs (P.) ed. MTN NEW CONTEMPORARIES AWARD 2006,
20 pp., colour illus., paperback, Johannesburg, 2006. R95
Catalogue of the exhibition, Johannesburg Art Gallery 2006.

Showcases five emerging South African artists selected by the 2006 curator, Khwezi Gule. The finalists were Nandipha Mntambo, Mlungisi Zondi, James Webb, Julia Rosa Clark & Sharlene Khan. The award was won by Mlungisi Zondi.
Hobbs (P.) ed. MESSAGES AND MEANING, the MTN Art Collection
301 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2006. R720
The MTN Art Collection was established in 2001 and today owns about 1400 works of traditional and contemporary African art, with a special focus on South African art.

Introduction by Philippa Hobbs, curator of the collection. Includes the essays, "Art, Heritage and a Posse of Pioneers" by Emile Maurice,
"Reading Ceramics" by Wilma Cruise,
"New Humanisms in Contemporary South African Art" by Colin Richards,
"Alter Images and the Aesthetics of South African Resistance Art" by Andries Oliphant,
"Reading Beadwork in the MTN Art Collection" & "Motifs, Memory and Morals in Contemporary African Art" by Nessa Leibhammer,
"Material Messages: sculpture and mixed-media works from the MTN Art Collection" by Elizabeth Rankin, amongst others.
Hobbs (P.) et. al. MTN ARTISTS CAREER RESOURCE, five MTN commissions and the artists who made them
96 pp., 4to., illus., paperback + 5 colour illus. loosely inserted in backcover + an 8pp. teacher's facilitation guide, Johannesburg, 2000. OUT OF PRINT
The artists are Allinda Ndebele, Andries Botha, Walter Oltmann, Sam Nhlengethwa and Wilma Cruise. These works are part of the MTN Collection.
One of the "Live Art" series of resource books suitable for teaching art appreciation in schools.
Hobbs (P.) et. al. MTN PRINTMAKING RESOURCE,
75 pp., 4to., illus, paperback + 7 colour illus. loosely inserted in backcover, Johannesburg, 1999. OUT OF PRINT
The artists are John Roome, Diane Victor, Samkelo Bunu, Sue Williamson, Kim Berman and Nhlanhla Xaba. These works are part of the MTN Collection.
One of the "Live Art" series of resource books suitable for teaching art appreciation in schools.
Hobbs (S.) & Neustetter (M.) ONAIR,
93 pp., colour illus., paperback, Johannesburg, 2008. R100
A selection of various exhibitions and events at The Gallery Premises at the Johannesburg Civic Theatre managed and curated by The Trinity Session from 2004 until 2008. Also includes public space projects in Hillbrow, Braamfontein and Yeoville.

"Directed by Stephen Hobbs and Marcus Neustetter, The Trinity Session is a contemporary art production team that investigates the relationships between art and business, collaborative practice and network development."

Exhibitions and events include "Corpa Delica" by Leora Farber, "Panoramas" by Titus Mateyane, "Pierneef, Black White and Coloured" by Ryan Arenson, "Uplift - The Mountain Premises" by Sean Siemon, "no condition is permanent - an in-situ painting installation" by Dorothea Kreutzfeldt and "SOUNDS AND PICTURES and any sort of hyperbolic theoretical promise we want to wallow in" by Zander Blom.
Hobbs (S.) curator FIRE!, an exhibition of burnt paintings by Sandile Zulu
20 pp., colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, Rembrandt van Rijn Gallery, Johannesburg, 1995. Introduction by Laurent Devèze.

Sandile Zulu was born in 1960 in Ixopo, Natal.
Hoffmann (A.) curator & ed. WHAT WE SEE, reconsidering an anthropological collection from southern Africa: images, voices, and versioning
233 pp., b/w & colour illus., paperback, Basel, 2009. R250
Published to accompany the exhibition shown at the Slave Lodge, Cape Town, in 2009.

In 1931 the German artist Hans Lichtenecker created an archive of racial types by casting, measuring and photographing people in the Witzpütz police station in southern Namibia. The casts, voice recordings, anthropometrical photographs and other pysical representations were exhibited at the colonial exhibition in Köln, Germany, in 1934. They were exhibited again in the 1980s in Windhoek.

This book engages with the anthropometrical archive and its canned voices theoretically, visually and artistically and provides transcriptions of many of the recorded texts, transcribed and translated here for the first time.

Essays include "Seeing More (Hi)Stories: versioning as a resignificatory practice in the 'What We See' exhibition and the work of Sanell Aggenbach and Mustafa Maluka" by Esther Peeren, and
"The Joy of Looking: early German anthropology, photography and audience formation" by Udo Krautwurst.
Hollmann (J.) ed. CUSTOMS AND BELIEFS OF THE /XAM BUSHMEN,
439 pp., 4to., maps, illus., paperback, Johannesburg, 2004. R250
Reproduces the material published in the 1930's by Dorothea Bleek in the journal "Bantu Studies".
Includes a grammar of the /Xam language, original drawings produced by the /Xam teachers of Wilhelm Bleek and Lucy Lloyd and photographs taken by Dorothea Bleek of the /Xam teachers' descendants.
Holloway (V.) CECIL HIGGS,
64 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
Cecil Higgs was born in 1900 on a farm in the Orange Free State and is known for her oil paintings of seascapes. She died in 1986.
Hopkins (P.) JOHNNY GOLIGHTLY COMES HOME, a portrait of eccentricity
234 pp., paperback, Johannesburg, 2009. R190
This book "defies a neat categorisation. The narrative follows a journey of discovery by author Pat Hopkins - discovery of himself, of the nature of eccentricity and the multiple identities of a unique South African conceptual artists, John Anthony Boerma". John Boerma is otherwise known as Johnny Golightly.

Author and journalist Pat Hopkins is also the author of "Voëlvry: the movement that rocked South Africa".
Huddleston (S.) AGAINST ALL ODDS, George Pemba: his life and works
156 pp., 4to., b/w & colour illus., paperback, Reprint, Johannesburg, (1996) 2003. R550
Geroge Pemba was born in 1912 in Port Elizabeth and died in 2001. He painted scenes of rural and township life.
Hug (A.), Junge ((P.) & Konig (V.) curators THE TROPICS, views from the middle of the globe
19 pp/. 4to., colour illus., paperback, (Cape Town), (2009). R50
Catalogue of the travelling exhibition shown at Iziko South African National Gallery, Cape Town, in 2009.

"Curators from the Goethe-Institut and Staatliche Museen zu Berlin selected artworks that reflect on the notion of "The Tropics", focusing the viewer's attention particularly on this mythical terrain...Though it was not possible to bring 'The Tropics' in its entirety to Cape Town, the selection of work contributes significantly to the discourse of the 'self' and 'other'." Peter Anders, from his introduction

Includes essays by Nadja Daehnke and Altons Hug, and work by South Africans Tracey Rose, Mandy Lee Jandrell and Guy Tillim.
Hughes (N.) THE PAINTINGS OF THE BAY OF NATAL, a selection of works dating from 1845 to 1982
196 pp., 4to., b/w & colour illus., hardback, d.w., Durban, 2001. OUT OF PRINT
Includes work by Thomas Baines, Thomas Bowler, Robert Gwelo Goodman and Maud Sumner.
Hughes (N.) VIEWS IN COLONIAL NATAL, a select catalogue raisonné of the southern African paintings of Cathcart William Methven (1849-1925)
144 pp., 4to., b/w & colour illus., hardback, d.w., Durban, 2005. OUT OF PRINT
Cathcart William Methven was born in Edinburgh, Scotland, in 1849. He came to South Africa in 1888 to take up the position of Harbour Engineer at Port Natal. An amateur artist "rooted in the landscape tradition of Victorian romantic realism" he was for a time regarded as the foremost landscape artist in Natal.

Foreword by Antony Wiley.
Hugo (D.) et. al. illus. CLOCKWORX, 8 artists worlds
41 pp., 4to., colour illus., paperback, Cape Town, 2004. R35
Contributors are Daniel Hugo, Brendon Hayes, Kian Eriksen, Nicolas Rix, Clowey Matrimoney, Vincent Sammy, Rob Hooper & Mark Rust.
Hugo (P.) photo. THE HYENA & OTHER MEN,
73 pp., 4to., colour illus., hardbck, d.w., Munich, 2007. OUT OF PRINT
Pieter Hugo's photographic portraits of the Hyena Men who perform with their hyenas, rock pythons and baboons and sell traditional medicines in the cities of Nigeria, taken in 2005 and 2007.

Includes the essays, "The Hyena Men: making money on the fringe" by Adetokunbo Abiola and "The Dog's Master" by Pieter Hugo.

Pieter Hugo was born in Johannesburg in 1976 and is currently based in Cape Town. This is his third monograph and follows "Looking Aside" (2006) and "Messina/Musina" (2007). He won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (P.) photo. NOLLYWOOD,
120 pp., 4to., colour illus., hardback, Munich, 2009. R525
A collection of portraits taken in Nigeria in 2008 and 2009. For these portraits Pieter Hugo had actors from the Nigerian film industry recreate typical scenes from Nollywood films.

Includes the essays "Omar Sharif Comes to Nollywood, a storyboard in 10 frames" by Chris Abani,
"No Going Back" by Zina Saro-Wiwa, and
"Nollywood Confidential" by Stacy Hardy.

Photographer Pieter Hugo won the Standard Bank Young Artists Award for Visual Art in 2006.
Hugo (Pieter) photo. MESSINA/ MUSINA,
118 pp., colour illus., hardback, d.w., Cape Town, 2007. R400
Includes an essay, "The Donkey Fuckers", by Stacey Hardy, and a conversation between Pieter Hugo and Joanna Lehan.

Pieter Hugo's photographs of individuals, families, interiors, landscapes and incidental details in and around Musina (formerly Messina), the northernmost town of South Africa, situated on the Limpopo River on the border of Zimbabwe.

Pieter Hugo won the Standard Bank Young Artist Award for Visual Art in 2006.
Hugo (Pieter) photo. & Krog (Antjie) text LOOKING ASIDE, South African studio portraits, 2003-2006
88 pp., 4to., colour illus., hardback, Rome, 2006. R450
Pieter Hugo was born in Johannesburg in 1976 and lives in Cape Town. He is the recipient of the Standard Bank Young Artist Award for Visual Art 2007.
Human (A.) ed. THE 31ST ANNUAL LOERIE AWARDS, feed your ego
313 pp., 4to., colour illus., hardback, 2 x DVD, Johannesburg, 2009. R907
The Loerie Awards are recognized as the most prestigious awards in the brand communications industry, celebrating all areas of brand communication including disciplines such as architecture, ambient media, experiential field marketing and internet and mobile media.

This catalogue is a record of all the winners and the DVD set features all the electronic entries.
Hundt (S.) & Crampton (S.) curators JACQUES FULLER, sculptor
48 pp., colour illus., paperback, Cape Town, 2001. R110
Catalogue of the travelling exhibition first shown at Oliewenhuis Art Museum, Bloemfontein, 2001.

Includes a conversation between the artist and Sharon Crampton as well as an essay, "My Family and Other Animals" by Dirk van den Berg.

Jacques Fuller was born in 1960 in Windhoek. He lives and works on a smallholding outside Bloemfontein.
Hundt (S.) curator JOHANN LOUW,
60 pp., 4to., b/w & colour illus., paperback, 2007, Cape Town. R230
Catalogue of the exhibition, Sanlam Art Gallery, Cape Town, 2007.

Includes the essays, "Nought for Your Pleasure, Nought for Your Desire" by Andries Gouws and "Toppled, Johann Louw's reluctant embodiments" by David Bunn.

Painter Johann Louw was born in 1965 in Cape Town.
Hundt (S.) curator ADRIAAN VAN ZYL,
56 pp., colour illus., paperback, Cape Town, 2007. R190
Catalogue of the exhibition of oil paintings, Sanlam Art Gallery, Cape Town, 2007.

Introduction by Stefan Hundt. Includes the essays, "Herinnering as Waarborg tot Heelheid" by Amanda Botha,
"Resiger in die Grensgebied" by Marlene van Niekerk, and
Hospitaaltyd, realism as memento mori" by Lize van Robbroeck.

Text in English and Afrikaans.

Adriaan van Zyk was born in 1957 in Vredenburg. He died in 2006.
Hundt (S.) curator & text DECADE, highlights of 10 years of collecting for the Sanlam Art collection
10 pp., colour illus., paperback, Cape Town, 2008. R95
Catalogue of the exhibition of a selection of 83 paintings, drawings and sculptures from the Sanlam Art Collection, Sanlam Art Gallery, Cape Town, 2008.
Hundt (S.) ed. PERCEPTIONS OF AN OUTSIDER, Gavin du Plessis
29 pp., illus., paperback, Cape Town, 2005. R50
Gavin du Plessis was born in 1952 in Cape Town, where he lives and works.

Introduction by Stefan Hundt. Essays include Gavin du Plessis: 'n Reis na Binne" by Abraham le Roux, "Gavin du Plessis: notas oor 'n kunstenaar" by Amanda Botha, "Gavin du Plessis: 'n kort perspektief" by Anriët van Deventer. Also included is an essay by the artist entitled "Perceptions of an Outsider".

Text in English & Afrikaans.

Hundt (S.) ed. UNKNOWN, installations by Jan van der Merwe
52 pp., 4to., colour illus., paperback, (Cape Town), (2004). R190
Jan van der Merwe was born in 1958 in Virginia, Orange Free State.

Contributions include an introduction by Willem Boshoff and the essays ""Jan van der Merwe and the Patina of Time" by Koos van der Watt, "The Best Kind of Art" by Robert Hodgins, "The Archaeology of Time" by Clive Kellner & "Transformasie van die gevonde: 'n alchemiese proses" by the artist.

Text in English & Afrikaans.
Hundt (S.) ed. CLARE MENCK, Hidden Life/ Verborge Lewe, twenty years of painting (1990-2010)/ twintig skilderjare (1990-2010)
122 pp., b/w & colour illus., paperback, Cape Town, 2011. R310
Catalogue of the retrospective exhibition of paintings, Sanlam Art Gallery, Cape Town, 2011.

Contributions include:
"'n Deurskouende Blik op Menslike Ervaring" by Amanda Botha
"Interior Worlds" by Michael Godby
"Alles Voed die Skilderoog" by Ingrid Winterbach
"'Realism' and Realist Tradition in the Paintings of Clare Menck" by Hayden Proud.

Text in Afrikaans and English.

Clare Menck was born in 1969 in Durban. She lives and works in and between Moorreesburg and Piketburg on the Cape West Coast.
Hundt (S.) et. al. text TYRONE APPOLLIS, today and yesterday
51 pp., colour illus., paperback, Cape Town, 2006. R140
Catalogue of the retrospective exhibition, Sanlam Gallery, Cape Town, 2006.

Introduction by Stefan Hundt. Includes the essays, "Artist of Reconciliation" by Emile Maurice, "Songs of Place, some reflections on the paintings of Tyrone Appollis" by Mario Pisarra & "Tyrone Appollis se Kuns, narratiewe van 'n geleefde lewe" by Amanda Botha.


Tyrone Appollis was born in 1957 on the Cape Flats, where he still lives and works. He is well-known as a painter although he also sculpts in wood and makes mixed media assemblages.

Text in English & Afrikaans.
Hunt (B.) curator BODIES OF RESISTANCE,
74 pp., b/w & colour illus., paperback, New York, 2000. R175
Catalogue of the exhibition, Real Art Ways, Hartford, Connecticut & NSA Gallery, Durban, South Africa, 2000.

"Bodies of Resistance" presents various artists's responses to the spread of the human immunodeficiency virus (HIV). The Durban exhibition coincided with the 13th International Conference on HIV/AIDS during July 2000.

Includes work by South African Kendell Geers, the essays, "Beyond Prescription: art/ bodies/ AIDS" by Julia Bryan-Wilson & Barbara Hunt, "Ongoing: on contemporary art and AIDS" by Richard Meyer, and more.
Huntly (J.) illus. & text VELD SKETCHBOOK, wildlife portraits and essays
192 pp., colour illus., hardback, d.w., Cape Town, 2008. R220
A collection of wildlife paintings and drawings by natural history artist and author Jeff Huntly. The artwork is combined wih a selection of articles from his weekly column, "Veld Sketchbook", which ran in The Witness newspaper from 1983 to 2006.
Hutton (N.) curator SEEING WOMEN,
32 pp., b/w & colour illus., paperback, Johannesburg, 2005. R100
Catalogue of the exhibition, The Market Photo Workshop, Johannesburg, 2005.

Photographs of women taken by students from The Market Photo Workshop. Includes essays by Usha Seerjarim and Nadine Hutton.
Inggs (S.) IN PRINCIPLE, new work by Michaelis Master of Fine Art students
42 pp., colour illus., paperback, Cape Town, 2009. R80
Catalogue of the exhibition of work in progress by Master of Fine Art students at the Michaelis School of Fine Art, University of Cape Town, 2009.

Preface by Stephen Inggs. Introduction by Jonah Jack.

Includes an essay, "Principled Reticence", by Matthew Partridge, and statements by the artists.
Inggs (S.) 665, making prints with light
159 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R345
A monograph on the work of photographer and printmaker Stephen Inggs.

Foreword by Nigel Warbuton.

Includes the essay, "Traces of Presence" by Virginia MacKennny, and a conversation between Sean O'Toole and Stephen Inggs.

Published on the occsion of Stephen Ingg' exhibition 'Legacy' in a limited edition of 500 copies.

Stephen Inggs was born in Cape Town in 1955 and grew up in Johannesburg, London and Umbogintwini in KwaZulu-Natal. He is an Associate Professor and Director of the Michaelis School of Fine Art at the University of Cape Town.
Inggs (S.) co-ord. WORKING PROOF, a portfolio of lithographs
10 loose prints + title page + 1 pg. text by Stephen Inggs + colophon, large 4to., contained in blue cloth covered box, Katrine Harries Print Cabinet, Michaelis School of Fine Art, Univ. of Cape Town, Cape Town, 2003. R25 000
"Working Proof" is a portfolio of lithographs to commemorate the 3rd Impact International Printmaking Conference held at the Michaelis School of Fine Art from 27 - 30 August 2003."

The artists are Jane Alexander, Katherine Bull, Stephen Inggs, William Kentridge, Malcolm Payne, Roderick Sauls, Pippa Skotnes, Gavin Younge, Frith Langerman & Dominic Thorburn.

All the lithographs in this portfolio were printed on Rives BFK paper. The images were scanned by Russell Jones at the Scan Shop using the stochastic process and printed on a five-colour Heidelberg Speedmaster press by Morgan Boovan and supervised by Stephen Inggs.

The edition consists of 50 original copies numbered 1/50 - 50/50, 10 hors commerce numbered I/X - X/X & 5 artists' proofs numbered I/V - V/V.

The print used here is by Gavin Younge. Email us and we can send you images of all the prints.
Inggs (S.) et. al. MICHAELIS SCHOOL OF FINE ART, graduate exhibition 2008
173 pp., colour illus., paperback, Cape Town, 2008. R200
Catalogue of the exhibition, Michaelis School of Fine Art, Cape Town, 2008.

Preface by Stephen Inggs.

Work produced by final year undergraduate and postgraduate students at Michaelis School of Fine Art, University of Cape Town.
Inggs (S.), Jamal (A.) et. al. MASTERS MOVING OUT, Catherine Dickerson, Claire Jorgensen, Elgin Rust, Robyn Nesbitt, Ryna Cilliers
61 pp., colour illus., paperback, Cape Town, 20ll.
Catalogue of the exhibition of five solo shows by the 2010 Masters of Fine Art graduates, Michaelis School of Fine Art, University of Cape Town, 2011.

Preface by Stephen Inggs.

Includes an essay, "...breathe...", by Ashraf Jamal, an interview with the graduates by Chad Roussouw, and brief comments of each student's work.
Inggs (Stephe) & Geustyn (Eunice.) eds. WHAT'S BRED IN THE STONE, art and technique of lithography
137 pp., b/w & colour illus., large 4to. half leather, title label pasted down on back, marbled paper boards, one of an edition limited to 25 signed, numbered copies, Cape Town, 1998. OUT OF PRINT
This is the third in the series of hand-made artists' books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town. It is both a technical manual and a creative exploration of the possibilities of the medium of lithography.
Introduction by Stephen Inggs. Foreword by Pippa Skotnes.

Included are eight original test plates and fourteen original lithographic prints by Stephen Inggs, Gavin Younge, Pippa Skotnes, Roderick Sauls, Eunice Geustyn, Fritha Langerman, Thembinkosi A.Goniwe, Bruce Arnott, Peggy Delport, Helmut Starke, Malcolm Payne, Geoff Grundlingh, Zwelethu Mthethwa and Louis Jansen van Vuuren. All the prints were hand printed from stone and aluminium lithographic plates. Each print is signed and numbered by the artist.
The aluminium lithographic test plates were made and printed by Eunice Geustyn as was the cover of the book and the text. The stone test plates were made and printed by Eunice Geustyn and Stephen Inggs, assisted by Roderick Sauls.
The edition consists of 20 copies numbered 1/20 to 20/20 and 5 hors commerce numbered H.C.I/V TO H.C.V/V.
Instituto Camões ARTE(S) DE MOAMBIQUE, exposição
12 pp. folded pamphlet, , 1999. OUT OF PRINT
Catalogue of the exhibition, Instituto Camões, Maputo, 1999.

Work by Reinata, Ricardo Rangel, Matias Ntundo, Valingue, Ídasse, Muando, Ndlozy, José Forjaz & Malangatana.

Text in Portuguese.
Instituto de Investigação Cientifica de Moçambique (ed.) WOOD SCULPTURES OF THE MACONDE PEOPLE, album
88 pp., illus., spiral-bound, Maputo, 1963. OUT OF PRINT
Includes masks used in the "Mapico" dance ritual, human figures and a few sculptures of wild animals.
Ipopeng Project BANNERS OF TWILIGHT, an exhibition of wall hangings by street children from South Africa
18 pp., 4to., colour illus., paperback, Pretoria, 1997. OUT OF PRINT
Catalogue of the exhibition of wall hangings shown at the Durban Art Gallery, the National Cultural History Museum in Pretoria and at museums in Germany, Britain, Norway, Scotland, the Netherlands and Zimbabwe.

Ipopeng, which means 'build yourself', in Northern-Sotho, is an art project co-operative based in Mamelodi township, Pretoria, which teaches art and creative skills to young artists and children.
Jaar (A.) EMERGENCY,
262 pp., colour illus., hardback, Barcelona, (2005). R300
Publsihed to coincide with the exhibition, "Emergencias", Museum of Contemporary Art of Castille and Leon (MUSAC), Spain.

In 1994 Alfredo Jaar went to Rwanda. In 2000, in response to his trip, Jaar made a work, "Emergency", an enormous black pool from which, at regular intervals, the African continent rises up.

The book consists of a collection of texts in which 25 African writers reflect on Africa. 18 of these essays originally appeared in the Swedish book, "Emergency", published in 2000 by the BildMuseet, Stockholm, to accompany the exhibiting of Jaar's piece there.

Essayists include Achmat Dangor, Antjie Krog & Marlene van Niekerk from South Africa, José Eduardo Agualusa & Pepetela from Angola, Mia Couto from Mozambique & Yvonne Vera from Zimbabwe.
Jack (I.) ed. THE VIEW FROM AFRICA, Granta 92, winter 2005
256 pp., b/w & colour illus., paperback, London, 2005. R200
Includes "The Black Portraits" by Santu Mofokeng, and essay illustrated with portraits of black people and families taken between the end of the nineteenth century and the middle of the twentiewth collected by the photographer since 1989.
Jacobs (E.) et. al. PROJECT CONFLUX,
46 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
"Project Conflux" was "a series of exhibitions highlighting the concept of collaboration and showcasing the works of 21 contemporary artists of diverse origins, both South African and European."

Foreword by Estelle Jacobs. Introduction by Louis Jansen van Vuuren. Artists included Willie Bester, Lien Botha, Dorothee Kreutzfeldt, Fritha Langerman, Mustafa Maluka, Zwelethu Mthethwa, Sam Nhlengethwa, and many others.
Jacobs (E.) et. al. comps. 10 YEARS AT GREATMORE STUDIOS, CAPE TOWN,
23 pp., colour illus., paperback, Cape Town, (2008). R25
"Greatmore Studios and Thupelo Cape Town workshops respond to the needs of the art community by providing individual studios and workshop opportunities in an interactive environment to a cross section of artists who have chosen art making as their careers. The artists working in the studios and workshops promote awareness and understanding of the visual arts to the broader community through outreach and community work."

Includes work by and comments from some of the artists who have workd at Greatmore Studios.
Jacobsen (W.) text DIS-LOCATION/ RE-LOCATION, Leora Farber in collaboration with Strangelove
12 pp. folded, colour illus., Johannesburg, 2007. R95
Catalogue of the travelling exhibition, first shown at The Albany Museum, Grahamstown, 2007.

Includes the essay, "A Room of Her Own: Leora Farber's 'Dis-location/ Re-location'", by Wendy Jacobsen. "Leora Farber's exhibition, 'Dis-location/ Re-location', produced in collaboration with the design team Strangelove, traverses places and periods, from Victorian England, nineteenth- and twenthieth-century Eastern Europe, to colonial and contemporary South Africa. By means of various media - photographic prints, video, sculpture, sound art, and installation - the exhibition presents the intertwined and inconclusive narratives of three Jewish women."
Jamal (A.) THE RAT IN ART, Conrad Botes, pop and the posthuman
56 pp., colour illus., paperback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition, ErdmannContemporary, Cape Town, 2004.

Conrad Botes was born in 1969. He lives and works in Cape Town.
Jamal (A.) NORMAN CATHERINE, now and then, a selection of work from 1968 to 2004
48 pp., colour illus., paperback, (Johannesburg), 2004. R90
Catalogue of the travelling exhibition which opened at the Pretoria Art Museum, 2004.

Jamal (A.) PREDICAMENTS OF CULTURE IN SOUTH AFRICA,
171 pp., paperback, Pretoria, 2005. R100
Ahraf Jamal is the author of "Norman Catherine, now and then, a selection from 1968 to 2004", "The Rat in Art, Conrad Botes, pop and the posthuman", co-author with Karen Press of "Lien Botha" and co-author with Sue Williamson of "Art in South Africa, the future present".
Jamal (A.) & Press (K.) LIEN BOTHA,
92 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2002. OUT OF PRINT
The poet, Karen Press, has collaborated with Lien Botha in several projects. Extracts from some of her poems appear in the text. Parts of Ashraf Jamal's text has also been translated into French and Dutch.

Includes a separate 13 pp. educational supplement written by Ashraf Jamal.

Number 5 in the TAXI Art Book Series.
Jami (S.) et. al. JANE ALEXANDER, DaimlerChrysler Award for South African Sculpture 2002
133 pp., 4to., b/w & colour illus., paperback, Ostfildern-Ruit, 2002. OUT OF PRINT
Jane Alexander won the DaimlerChrysler Award for South African Sculpture 2002.
Catalogue of the travelling exhibition, DaimlerChrysler Konzernzentrale Forum Stuttgart-Möhringen, Germany, 2002.
Janse van Rensburg (S.) curator "NEW PAINTING", a group exhibition of recent South African art
46 pp., colour illus., paperback, Durban, 2006. R95
Catalogue of the exhibition, KZNSA Gallery, Durban, & UNISA Art Gallery, Pretoria, 2006.

Artists featured are Ryan Arenson, Conrad Botes, Jan-Henri Booyens, Dineo Seshee Bopape, Kudzanai Chiurai, Tom Cullberg, Dorothee Kreutzfeldt, Moshekwa Langa, Mustafa Maluka, Colbert Mashile, Tracy Payne, Johannes Phokela, Deborah Poynton, Tanya Poole, Themba Shibase & Dinkies Sithole.

Includes the essay, "Painting Ourselves Out of a Corner" by Virginia MacKenny.
Janse van Rensburg (S.) ed. WONDERLAND, Nontsikelelo Veleko, 2008 Standard Bank Young Artist of the Year
88 pp., colour illus., paperback, Cape Town, 2008. R180
Catalogue of the travelling exhibition that opened at the National Arts Festival, Grahamstown in June 2008.

Includes the essays, "Spilling Through the Lens; Slipping Behind the Looking Glass" by Tracy Murinik,
"Urban Mythologies" by Tumelo Mosaka, and
"Nontsikelelo in Wonderland" by John Fleetwood.
Janssen (C.) photo. THERE IS SOMETHING IN THE AIR, in Prince Albert, South Africa
58 pp., oblong 4to., colour illus., hardback, Cologne, 2007. R425
A selection of colour photographs taken by Cuny Janssen in Prince Albert in 2005.
Jantjes (G.) ed. STRENGTHS & CONVICTIONS, the life and times of the South African Nobel Peace Prize laureates
207 pp., 4to., b/w & colour illus., hardback, d.w., Oslo, 2009. R625
Published to accompany the travelling exhibition about the lives and times of the four South African Nobel Peace Prize laureates, Albert Luthuli, Desmond Tutu, FW de Klerk, and Nelson Mandela. The exhibition opened at the IZIKO South African National Gallery in Cape Town in 2009.

Includes work by J.H.Pierneef, Noria Mabasa, Constance Stuart Larrabee, Gerard Sekoto, George Pemba, David Goldblatt, Claudette Schreuders, Feni Dumile, Mashego Segogela, Jackson Hlungwani, John Muafangejo, Sam Nhlengethwa, Gavin Jantjes, Santu Mofokeng, George Hallett, William Kentridge and Araminta de Clermont, as well as the essay, "Art and History" by Gavin Jantjes.
Jantjes (G.) et. al. eds. A FRUITFUL INCOHERENCE, dialogues with artists on internationalism
166 pp., 4to., b/w & colour illus., paperback, London, 1998. OUT OF PRINT
Preface by Gilane Tawadros. Introduction by Gavin Jantjes.
Includes a conversation with Marlene Dumas.
Jennings (H.) NEW AFRICAN FASHION,
239 pp., 4to., b/w & colour illus., paperback, Munich, 2011. R310
In this book fashion journalist Helen Jennings, editor of ARISE magazine, offers a brief history of African fashion, beauty and style, traces its influence on global fashion and profiles the best designers, photographers and and models from across Africa and the diaspora.

Designers include South Africans Jacques van der Watt (Black Coffee), Stiaan Louw, Albertus Swanepoel, David Tlale, Suzaan Heyns, Thula Sindi, Alice Heusser (LaLesso), Heni Este-hijzen, Malcolm Kluk and Chritiaan Gabiel Du Toit.
Jinorio (O.B.), Njami (S.) & Silva (B.) curators BAMAKO 2007, VIIes recontres Africaines de la photographie, dans la ville et au-dela
269 pp., 4to., b/w & colour illus., paperback, Paris, 2007. R495
Catalogue of the international exhibition, 7th African Encounters of Photography, Bamako, 2007.

Introduction by Simon Njami.

Includes work by Jodi Bieber, Pierre Croquet de Rosemond, Fanie Jason, Andrew Tshabangu and Nontsikelelo "Lolo" Veleko of South Africa, Calvin Dondo and Tsvangirayi Mukwazhi of Zimbabwe, Sylvain Ralaivaohita and Soavina Ramaroson of Madagascar and Sérgio Santimano of Mozambique.
Text in French & English.
Jolly (P.) ROCK SHELTER, some cave and cliff structures in Lesotho and South Africa
135 pp., b/w & colour illus., paperback, Cape Town, 2010. R225
A photographic record of some of the structures built in caves and in the shelters of cliffs in Lesotho and south-eastern South Africa, and of the people who once lived, or still live, in them. Some of these sites also have rock paintings.
Jolly (P.) DITEMA, some decorated Sotho buildings
77 pp., colour illus., paperback, Cape Town, 2010. R165
Pieter Jolly's photographs of buildings decorated by Southern Sotho people living in Lesotho and South Africa, taken over the last 15 years.

Pieter Jolly is Honorary Research Associate in the Department of Archaeology at the University of Cape Town.
Jonge (I.F) et. al. eds. UNSETTLED, 8 South African photographers
111 pp., colour illus., paperback, Copenhagen, 2004. R186
Published to accompany the travelling exhibition first shown at The National Museum of Photography, The Royal Library, Copenhagen, 2004.

Foreword by Ingrid Fischer Jonge.
The 8 photographers are Santu Mofokeng, David Goldblatt, Jodi Bieber, Guy Tillim, Lolo Veleko, Jo Ractliffe, Adam Broomberg & Oliver Chanarin.

Essays include "Unsetlled: notes on a mirror nation" by Mads Damsbo, "This is not Photography: this is just boring" by Sean O'Toole & "Conversations with Santu Mofokeng" by Natasha Christopher.
Jordan (B.) photo. & text SWAHILI CHIC, living in style on the East African coast
284 pp., 4to., maps, colour illus., hardback, d.w., London, 2007. R495
Foreword by Dr Richard Leakey.

Features Lamu's stone houses, homes around Lamu market, adobe buildings in Shela such as the Peponi Hotel, the beachfront bungalows of Manda Bay, retreats in Mombasa & Malindi like the Serena Hotel & Indian Ocean Lodge and the stone villas of Zanzibar, including the Emerson & Green Hotel.
Jordán (M.) curator MAKISHI, mask characters of Zambia
84 pp., 4to., map, b/w & colour illus., paperback, Los Angeles, 2006. R225
Catalogue of the exhibition, Fowler Museum, UCLA, Los Angeles, 2006.

Includes a preface, "The Way of Masks in Northwestern Zambia", by Allen F.Roberts, Manuel Jordán's essay on "makishi" and a section on "makishi" in performance.

Manuel Jordán is the Phyllis Wattis Curator of the Arts of Africa, Oceania and the Americas at the Iris & B.Gerald Cantor Center for Visual Arts at Standord University.
Josias (A.) comp. THE ALBIE SACHS MOZAMBIQUE COLLECTION OF ART, UWC-Robben Island Mayibuye Archives, catalogue no.14
54 pp., 4to., illus., paperback, Reprint, Cape Town, (1995) 2001. OUT OF PRINT
A catalogue of Albie Sachs' collection of art from Mozambique, acquired during his stay in that country and now permanently housed at the Mayibuye Centre, University of the Western Cape in Cape Town.

Includes an edited interview with Albie Sachs, conducted in November 1993, in which he discusses Mozambican culture, Malangatana, the sculptors Chissano and Govane, Naftal Langa, Samate, Makonde carvings and woodcuts, and more.
Joubert (H.) & Valentin (M.) curators UBUNTU, arts et cultures d'Afrique du Sud
371 pp., 4to., maps, colour illus., paperback, Paris, 2002. R700
Catalogue of the exhibition, Musée National des Arts d'Afrique et d'Océanie, Paris, 2002.

Includes essays by Patricia Davison, Pumula Madiba, David Lewis-Williams, Andrew SMith, Henry Bredekamp, Johnny van Schalkwyk, Sandra Klopper. Anitra Nettleton, Linsay Hooper, Gary van Wyk, Karel Nel, Rayda Becker, and others.

Exhibition includes shields, wooden bowls, plates and vessels, spoons, pipes and tobacco holders, headrests, staffs, clay pots, woven mats and baskets, statues, dolls, beadwork, and more.

Text in French.
Joubert (O.) ed. 10 YEARS + 100 BUILDINGS, architecture in a democratic South Africa
444 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2009. R650
A compendium of contemporary South African architecture. Architects were invited via the South African Institute of Architects to submit projects which were then reviewed and recommended for inclusion in the book by academics in six different regions of the country: Limpopo, Mpumalanga, Tshwane and environs; Johannesburg and environs; Free State, Northern Cape and Karoo; Cape Town and environs, Garden Route and Eastern Cape; and KwaZulu-Natal.

Projects include the Albert Luthuli International Convention Centre and the Millennium Tower in Durban, the Nelson Mandela Youth & Heritage Centre in Qunu, the Red Location Museum of Struggle in Port Elizabeth, Graça Machel Women's Residence and Cape Town International Convention Centre in Cape Town, Art Centre for the University of Johannesburg, Melrose Arch, Yeoville Clinic, Sandton Library and Art Gallery and Sandton International Convention Centre, the Constitutional Court and the Women's Jail Precinct in Johannesburg, the Alexandra Heritage Centre in Alexandra, Hector Peterson Memorial Museum and Walter Sisulu Square of Dedication in Soweto, Apartheid Museum in Gold Reef City, Mpumalanga Provincial Government Complex, the bush camps at Makalali Conservancy in Mpumalanga, and the Baobab Toll Plaza on the N1 highway between Musina and Makhado.

Judin (H.) & Vladislavíc (I.) eds. BLANK, architecture, apartheid and after
488 pp., b/w & colour illus., paperback, Rotterdam & Cape Town, 1998. OUT OF PRINT
Produced on the occasion of 'South African Seasons', a year of exhibitions on South Africa in Rotterdam, and the exhibition, 'blank' in the Netherlands Architecture Institute, Rotterdam, from 16 December 1990 to 30 March 1999.

A "compilation of over forty essays, both written and photographic, which seek to present the complexities of the built environment and the deep structures of divisive spatial planning in South Africa".

Drawings by Moshekwa Langa. Photo-essays include "Appropriated Spaces" by Santu Mofokeng, "Silence!" by Joachim Schönfeldt, "Offices" by David Goldblatt, "House Martienssen" by Jo Ractliffe, "Carltonville" by Jodi Bieber, "Environmental Portraits" by Zwelethu Mthethwa, "Rural in Urban" by Chris Ledochowski, "Armed Responses" by Mark Lewis, "Inner City" by Themba Hadebe, "Steinkopf Community Centre" by Angela Buckland, "My Porzie, My Zla, My Koesta" by Rafs Mayet.

Essays include'"Whited Sepulchres: on the reluctance of monuments" by David Bunn, "Game Lodges and Leisure Colonialists" by Njabulo Ndebele, "Take Your Body Where It Has Never Been Before" by Marlene van Niekerk, "Does Size Matter? The apartheid state's powers of penetration" by Deborah Posel, "Erasing Roadmarkings, Cnrs Bezuidenhout and Jeppe Streets" by Stephen Hobbs, "Street Addresses, Johannesburg" by Ivan Vladislavíc, "Apartheid and the Death of South African Cities" by Achmat Dangor, "Interiors, District Six, c.1950" by Shamiel Jeppe, "The Social Programme of the South African Modern Movement" by Derek Japha, "'Fort Ende Thuijn': the years of Dutch Colonization" by Karel Schoeman, and much more.
Kacimi (N.) & Sulger (A.) MAKONDE MASTERS, encontros com artistas de Cabo Delgado, Moçambique/ encounters with artists of Cabo Delgado, Mozambique
122 pp., map, illus., paperback, Maputo, 2004. R350
Artists discussed include the sculptors João Aliweka, Balide Simon Vivava, Felipe Maurício Mateus, José Saliundi Ntasi, Félix Jaime Moamedi, Damásio Cachomba Munemba, Maurício Ntumuke, Martins Labus Sijelu & Kilosa Majaliwa Njundi, the ceramicist Destéria Ndinhwaswa Kumwitasana and Matias Ntundo Msaniooka, who makes woodprints.

Text in English & Portuguese.
Kaden (M.) et. al. (eds.) SPIT, Visual Arts, University of Syellenbosch, vol. 1
63 pp., 4to., colour illus., paperback, Stellenbosch, 2005. R110
Published by the Department of Fine Arts, University of Stellenbosch, edited by Marthie Kaden, Jean Brundit, Katherine Bull and Sandra Klopper, and dominated by images rather than words, this journal is "the first in a series of annual artwork/publications with a view to challenging conventional notions of research and established assumptions regarding the idea of what makes a journal scholarly."

Includes an introductory essay, "De/centring Visual Studies at the University of Stellenbosch" by Sandra Klopper, as well as work by Jean Brundit, Katherine Bull, Errico Cassar, Lize van Robbroeck, Vivien van der Merwe, Alan Alborough, Kurt Campbell, Elizabeth Gunter, Marthie Kaden, Keith Dietrich & Anton Kannemeyer.
Kally (R.) photo. & Khan (F.) text THE STRUGGLE, 60 years in focus
146 pp., 4to., illus., hardback, d.w., Durban, 2004. R90
Foreword by Fatima Meer.

Ranjith Kally was born in 1925 in Isipingo, a small town on the Natal South Coast. While working in a shoe factory he bought a camera and started taking photographs. He spent time working for POST newspaper and DRUM magazine before resigning to work as a free lance photo-journalist.
Kannemeyer (A.) PAPPA IN AFRIKA,
95 pp., 4to., colour illus., paperback, Johannesburg, 2010. R280
Anton Kannemeyer AKA Joe Dog combines political cartooning and comics that parody Hergé's "Tintin in the Congo" with factual and realistic images and provocative text to create a critique of European colonialism and the corruption that persists in Africa today.

Includes an essay on Kannemeyer's art by poet and journalist Danie Marais.

Co-published with Michael Stevenson Gallery in Cape Town and Jack Shainman Gallery in New York.
Kannemeyer (A.) & Botes (C.) BITTERKOMIX 12, in die uur van die donker dors, Bitterkomix 10 jaar 1992-2202
59 pp., 4to., illus., paperback, Stellenbosch, 2002. R70
Includes comics by Konradski (Conrad Botes), Joe Dog (Anton Kannemeyer), Lorcan White, Paddy Bouma, Claudette Schreuders, and others.
Kannemeyer (A.) & Botes (C.) THE BIG BAD BITTERKOMIX HANDBOOK,
217 pp., 4to, b/w & colour illus., paperback, Johannesburg, 2006. R300
This book "brings together the full range of Kannemeyer and Botes's work produced from the early 1990s until now, including published covers, postcards, posters and drawings from personal sketchbooks." Also Includes other work by Joe Dog/Anton Kannemeyer & Conrad Botes.

Foreword by Garth Walker. Includes the essays "Bitterkomix 2002: silent comics, critical noise and the politics of 'pielsuig'" by Andy Mason, "Watter Soort Mens Is Jy: 'n Kuifie of 'n Asterix?" by Antjie Krog, "Strip Teasers" by Michael Morris, "'Loslyf', including speech at the launch of Bitterkomix" by Ryk Hattingh, "Bitterkomix: de kunstform anders bekeken" by Gert Meesters, "Die Kind Lig Sy Hand Teen Sy Moeder: young Afrikaners and the art of outrage" by Gregory Kerr & "Bitterkomix: notes from the post-apartheid underground" by Rita Barnard.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 13, testosterone uitgawe
47 pp., to., illus., paperback, Stellenbosch, 2004. R70
Includes comic strips by Conrad Botes (Konradski), Joe Daly, Anton Kannemeyer (Joe Dog), Lorcan White and Fanie de Villiers (Kleinboer).
Text in English and Afrikaans.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 14, slaan die maerman, breek sy nek
63 pp., 4to., illus., paperback, Cape Town, 2005. R70
Includes comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Joe Daly, Paddy Bouma, Anna Sommer, Catherine Clarke, Karien de Villiers, Daan & ND Mazin.

Text in English & Afrikaans.
Kannemeyer (A.) & Botes (C.) eds. BITTERKOMIX 15,
95 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2008. R200
Comics by Joe Dog (Anton Kannemeyer), Konradski (Conrad Botes), Joe Daly, Lorcan White, and others.
Kannemeyer (A.) et. al. THE BEST OF BITTERKOMIX, volume 2
80 pp., illus., paperback, Cape Town, 2002. R95
Comics by Conrad Botes, Anton Kannemeyer, Karlien de Villiers, Lorcan White, Ina van Zyl and Paddy Bouma.

Translated from the Afrikaans.
Kannemeyer (A.) et. al. curators COMICS BREW, 2002/2003
22 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Spark! Gallery, Johannesburg, 2002.

Includes work by the South Africans Brendon Bell-Roberts, ND Mazin, Karlien de Villiers and members of the Igbu Collective as well as cartoons by Swiss and French cartoonists.
Kannemeyer (Anton) FEAR OF A BLACK PLANET,
48 pp., colour illus., paperback, Cape Town, 2008. R100
Catalogue of the exhibition of drawings, paintings and prints, Michael Stevenson, 2008.

Includes a conversation between Danie Marais and the artist.

Anton Kannemeyer (alias Joe Dog) was born in 1967 in Cape Town, and lives and works there. He is well-known as the co-founder of Bitterkomix.
Kannemeyer (Anton) ALPHABET OF DEMOCRACY,
71 pp., 4to., colour illus., paperback, Johannesburg, 2010. R280
"Anton Kannemeyer's 'Alphabet of Democracy' is an illustrated A to Z guide to the absurdities of life in the democratic South Africa. Kannemeyer subverts the myth of the 'rainbow nation' with acute humour and critique, dissecting the issues, events and personalities that confound the country in this series of satirical drawings and prints." from inside front cover

Foreword by Andy Mason.

"The beauty of Kannemeyer's work is the jarringly funny contrast between its cheerful, seemingly innocent style and its reflection of the hideous underbelly of South African politics and society. Ken Johnson, The New York Times

Anton Kannemeyer AKA Joe Dog, founded Bitterkomix together with Conrad Botes in 1992. Previous books include "Pappa in Afrika" (2010), "The Big Bad Bitterkomix Handbook" (2006), and the anthology "Bitterkomix" (2009).

Kannemeyer (J.C.) HANNES VAN DER MERWE, argitek en skrywersvriend
163 pp., illus., hardback, d.w., Pretoria, 2006. R130
A biography of architect Hannes van der Merwe who designed many large buildings in Cape Town, including the SABC building in Seapoint, the Oriental Plaza in Woodstock, Mutualpark in Pinelands and the Nico Malan Theatre (today known as the Artscape), Cartwright's Corner, the Cape Provincial Administration building, the South African Reserve Bank building and the Burgersentrum (now Unistad) in the city centre.

He was also friendly with many writers and journalists, including Boerneef, D.J.Opperman, Piet Cillié and Izak de Villiers.
Karp (I.), Kratz (C.A.), Szwaja (L.) & Ybarra-Frausto (T.) eds. MUSEUM FRICTIONS, public cultures/ global transformations
602 pp., illus., paperback, Durham, 2006. R295
The third volume in a series on culture, society and museums. The first two volumes are "Exhibiting Cultures" and "Museums and Communities"

Contents include "The Reappearance of the Authentic" by Martin Hall,
"Transforming Museums on Postapartheid Tourist Routes" by Leslie Witz, "Community Museums, Memory Politics, and Social Transformation in South Africa: histories, possibilities, and limits" by Ciraj Rassool,
"Remapping the Museum" by Corinne A,Kratz & Ciraj Rassool
and "The Museum Outdoors: heritage, cattle, and permeable borders in the southwestern Kruger National Park" by David Bunn.
Katchka (K.) LEDELLE MOE, Erosion
5 pp. folded, colour illus,, Los Angeles, 2009. R15
Catalogue of the exhibition of sculptures, Southeastern Contemporary Gallery, Los Angeles, 2009.

Ledelle Moe was born in 1971 in Durban. She now lives and works in the USA.
Kauffman (K.) & Martin (M.) AIDS ART / SOUTH AFRICA,
24 pp., b/w & colour illus., paperback, Cape Town, 2003. R36
Catalogue of the exhibition, Iziko: South African National Gallery, Cape Town, 29 November 2003 - 16 February 2004.
Foreword by Pieter-Dirk Uys. Essay, "AidsArt / South Africa - the visual expression of a pandemic", by Kyle D.Kauffman & Marilyn Martin.
Artists include Andries Botha, Lien Botha, David Goldblatt, Karel Nel, Sam Nhlengethwa, Penelope Siopis, Clive van den Berg, Sue Williamson & Zapiro.
Kauffman (K.) curator & text ESTHER MAHLANGU, reacquiring
40 pp., colour illus., paperback, New York, 2008. R125
Catalogue of the exhibition of traditional Ndebele-style paintings on objects and artifacts such as helmets, toy cars and boxes, Kyle Kaufmann Gallery, New York, 2008.

Includes the essay, "Reacquiring: an approach to objects" by Kyle Kaufmann.

Esther Mahlangu was born in 1935. She lives and works in Mabhoko, Mpumalanga Province.
Keene (R.) curator & ed. ART AND AMBIGUITY, perspectives on the Brenthurst Collection of Southern African Art
197 pp., 4to., map, b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1991.

Preface by Christopher Till. Introduction by Es'kia Mphahlele.
Includes the following essays: "Ambiguity, Style and Meaning" by Patricia Davison, "Looking from the Outside: the historical context of the Brenthurst Collection of Southern African Art" by Johan van Schalkwyk, "Tradition, Authenticity and Tourist Scuplture in 19th and 20th Century South Africa" by Anitra Nettleton, "Headrests: Tsonga types and variations" by Rayda Becker, "'Zulu' Headrests and Figurative Carvings: the Brenthurst Collection and the art of South-east Africa" by Sandra Klopper, "Southern African Beadwork: issues of classification and collecting" by Diane Levy and "Public Pleasures: smoking and snuff-taking in Southern Africa" by Ann Wanless.
Kellner (C.) KAY HASSAN, Urbanation
105 pp., 4to., colour illus., paperback, Johannesburg, 2008. R395
Published on the occassion of the mid-career exhibition, Johannesburg Art Gallery, 2008.

Foreword by Clive Kellner.

Contributions include ""A Visual Kind of Discourse" by Khwezi Gule,
"At the Centre of the Margin: Kay Hassan and the postmodern condition" by Ivor Powell,
"Working Notes: Kay Hassan's 'Dump', 'Bra Tom' and "Niggertives'" by Thembinkosi Goniwe,
"My Father's Music Room" by John Matshikiza,
"Soweto Blues" by Lesego Rampolokeng,
and Kay Hassan in conversation with Khwezi Gule.
Kellner (C.) & González (S-A.) eds. THAMI MNYELE + MEDU ART ENSEMBLE, retrospective
216 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R350
Published on the occasion of the Thami Mnyele and Medu Art Ensemble Retrospective Exhibition, Johannesburg Art Gallery, November 2008 - March 2009.

Artist Thami Mnyele was born in Alexandra Township in 1948. In the early 1970s he met Wally Serote and joined Serote's and Molefe Pheto's Mihloti Black Theatre and later the MDALI collective. He studied at Rorke's Drift for a short time and worked as an illustrator for SACHED (South African Committee for Higher Education) before going into exile in Botswana in 1979. Here he joined the ANC, became a cadre in Umkhonto we Sizwe and worked with the MEDU Art Ensemble, founded by Wally Serote. The MEDU Art Ensemble (1978-1985) was an ANC cultural organisation that produced photography, film, theatre, dance, music, art and posters. In 1985 Thami was killed, along with six other members of the ANC, in the South African Defence Force raid on Gaberone.

Contributions include "Thami Mnyele and the Art of Tragedy" by Diana Wylie,
"Word and Image: a dialogue - the art of Thami Mnyele" by Elza Miles,
"Medu: art and resistance in exile" by Sergio-Albio González,
"The Art of National Liberation: the Thami Mnyele and Medu Art Ensemble Retrospective" by Judy Seidman, and
"Medu Art Ensemble and Revolution" by Mongane Wally Serote.
Kellner (C.) & van Rensburg (W.) NATHANIEL STERN, Call and Response
22 pp., colour illus., paperback, Johannesburg, 2007. R95
Catalogue of the exhibition of lamba prints and hand-printed works, Art on Paper Gallery, Johannesburg, 2007.

Includes the essays, "Nathaniel Stern: the compressionist" by Clive Kellner and "Narrating the Database: the performative and iterative prints of Nathaniel Stern" by Wilhelm van Rensburg.

Kellner (C.) ed. CO.@RTNEWS, southern African review of contemporary art and culture
32 pp., 4to., illus., paperback, second edition, Johannesburg, 1999. OUT OF PRINT
Contents include an interview with William Kentridge about his film, "Stereoscope", conducted by Marlaine Tosconi at MOMA, New York, in April 1999.
Also includes an extract from "House of Bondage" by Ernest Cole.
Kentridge (W.) EVERYONE THEIR OWN PROJECTOR,
102 pp., b/w & colour illus., paperback, Valence, 2008. R995
An artbook published by ?ditions Valèrie-Cudel in France to accompany the exhibition at Marion Goodman gallery, Paris, 2008.

Kentridge draws, doodles, cuts and pastes on pages from old printed books and ledger sheets.
Kentridge (W.) & Breidbach (A.) WILLIAM KENTRIDGE, thinking aloud, conversations with Angela Breidbach
120 pp., illus., paperback, Johannesburg, 2006. R400
An extended conversation between Kentridge & Breidbach. "As he spoke, the artist spontaneously sketched various workprocesses. Some of these drawings are diagrams, others are gestural demonstrations. As 'visible thought' these are an important part of the text and appear at intervals as they occured during the discussions. In addition to the drawings, the text is also interspersed with illustrations of the works under discussion..."
Kentridge (W.), Miller (P.) & Pam-Grant (S.) WIILIAM KENTRIDGE, I Am Not Me, the Horse Is Not Mine
80 pp., b/w & colour illus., paperback, (Cape Town), 2008. R330
Catalogue of the exhibition, Iziko South African National Gallery, Cape Town, 2008.

Contributions include the essay, "The Nose: learning from the absurd", by William Kentridge, as well as lecture extracts and notes by William Kentridge, music composer Philip Miller, and stage director Sue Pam-Grant.


Kentridge (W.), Pasini (F.), Vettese (A.) & Taylor (J.) WILLIAM KENTRIDGE, (REPEAT) From the Beginning/ Da capo
112 pp., b/w & colour illus., paperback, Milan, 2008. R530
Catalogue of the exhibition, Teatro La Fenice and Fondazione Bevilacqua la Masa, Venice, 2008.

"My project for the fire screen of the Teatro La Fenice and for the Fondazione Bevilacqua la Masa takes the sound of an orchestra tuning as the starting point for a series of projections of movement from chaos to order: an essay in visual anti-entropy." William Kentridge

Essays include "Some Notes on '(Repeat) From the Beginning/ Da capo'" by William Kentridge,
"'(Repeat) From the Beginning/ Da capo', notes on the film projected onto the safety curtain of the Teatro La Fenice" by Angela Vettese,
"The Fragility of Coherence" by Francesca Pasini, and
"The Eye of the Beholder" by Jane Taylor.

Text in Italian and English.
Kentridge (William) DIE ZAUBERFLTE, by Wolgang Amadeus Mozart
192 pp., colour illus., paperback, Brussels, 2005. OUT OF PRINT
Libretto for the production of Mozart's opera, "The Magic Flute", which premiered in Brussels on 26 April 2005. William Kentridge directed the production, designed the sets together with Sabine Theunissenand contributed to the notes alongside the libretto. He also contributed the essay, "Le Tableau Noir de Sarastro".

Text in French.
Kentridge (William) WILLIAM KENTRIDGE, preparing the flute
poster, one of an edition of 200, signed by the artist, Johannesburg, 2005. OUT OF PRINT
Poster advertising the exhibition at The Goodman Gallery, Johannesburg, on Kentridge's production of "The Magic Flute" in Bruselles in 2005
Kentridge (William) TAPESTRIES,
120 pp., oblong 4to., b/w & colour illus., hardback, Philadelphia, 2008. R345
Catalogue of the exhibition of tapestries, Philadelphia Museum of Art, December 2007 - April 2008.

"Since 2001, William Kentridge has completed a series of seventeen tapestries, each in multiple copies or versions. They originate in the artist's collages of black silhouettes cut and glued over reproductions, mostly from nineteenth-century geographical atlases. The weavers then use a photograph of the collage as the basis for turning the image into tapestry." [Gabriele Cuercio] The tapestries are the result of a successful collaboration between the William Kentridge and Marguerite Stephens and her Stephens Tapestry Studio in Diepsloot, Johannesburg.

Includes the essays, "Permanent Projections" by Carlos Basualdo, "Becoming Aware in a World of People on the Move" by Gabriele Cuercio, "(Un)Civil Engineering: William Kentridge's allegorical landscapes" by Okwui Enwezor and "A Farm in Eloff Street" by Ivan Vladislavic.

Kentridge (William) dir. THE MAGIC FLUTE, Wolfgang Amadeus Mozart
44 pp., b/w & colour illus., paperback, (Johannesburg), 2007. R70
The programme for the South African season of Mozart's opera, "The Magic Flute", directed by William Kentridge.

A production of the Théâtre Royal de la Monnaie, Brussels, where it premiered in April 2005, the opera toured venues in France, Italy, Israel and the USA before completing its run in South Africa in 2007.
Kentridge (William) et. al. WILLIAM KENTRIDGE, Black Box / Chambre Noire
120 pp., oblong 4to., colour & b/w illus., hardback, New York, 2005. R490
Published on the occasion of the exhibition, Deutsche Guggenhiem, Berlin, 2005-2006.

William Kentridge was commissioned to produce this work as part of the Deutsche Guggenhiem's commission programme. The catalogue traces the development of the work from its initial stages to its completion. An installation of animated film, mechanized figures and drawings situated in a miniature theatre, formally the focus is "on the technical development of the theater and visual reproduction procedures, but the contents deal with Germany's colonial history in Africa, in particular the massacre of the Hereros in 1904".

Introduction by Maria-Christina Villaseñor. Includes the essays "Black Box: between the lens and the eyepiece" by William Kentridge, " & "Constructions of a Black Box: three acts with prologue" by Maria-Christina Villaseñor,
Kerbel (C.) & Wright (J.) FRED PAGE, ringmaster of the imagination
179 pp., 4to., b/w & colour illus., paperback, Port Elizabeth, 2011. R290
A monograph on Fred Page (1908-1984), surrealist painter. He lived in Port Elizabeth from 1947 and the city forms the backdrop in many of his paintings.

Lawyer Cecil Kerbel became friends with Fred Page in the early 1960s, bought many of his works, and introduced him to collectors and to Joe Wolpe, the well-known Cape Town art dealer who marketed Page's work.
Jeanne Wright taught art history at Rhodes University, has exhibited as a ceramic sculptor and worked as a journalist.
Kerr (G.) PHILIPPA HOBBS,
16 pp., 4to., b/w & colour illus., paperback, (Johannesburg), (1993). OUT OF PRINT
Includes an interview with the artist.
Khan (Sharlene) PREVIOUSLY DISADVANTAGED,
14 pp., 4to., colour illus., paperback, Johannesburg, 2006. R50
Catalogue of the exhibition of paintings, Gallery Momo, Johannesburg, 2006.

Includes a statement by the artist and an essay, "Economy of Truth", by Kwezi Gule.

Sharlene Khan was born in Durban in 1977. She now lives and works in Johannesburg.
Khan (Sharlene) (B)LACK,
16 pp., illus., folded, Durban, 2007. R40
Catalogue of the exhibition of mixed media paintings, KwaZulu-Natal Society of Arts gallery, Durban, and Gallery Momo, Johannesburg, 2007.

Sharlene Khan was born in Durban in 1977. She now lives and works in Johannesburg.
Khan (Sharlene) WALKING THE LINE,
16 pp., colour illus., paperback, Johannesburg, 2004. R40
Catalogue of the performative exhibition, a satire on fashion, at the Wits Downstairs Theatre, Johannesburg, 2004.

Sharlene Khan was born in Durban in 1977. She now lives and works in Johannesburg.
Khumalo (A.) photo. & text & Farber (T.) text THROUGH MY LENS, a photographic memoir
224 pp., 4to., illus., hardback, d.w., Cape Town, 2009. R350
Foreword by Mamphela Ramphele.

A collection of photographs taken by renowned photojournalist Alf Khumalo over the past five decades, together with text in which Khumalo reflects on his life and work. He was present at the 1956 Women's March, Sharpville, the Treason Trial, Verwoerd's funeral, the Soweto uprising, and the release of Nelson Mandela. Among the people he photographed and befriended were Robert Sobukwe, Oliver Tambo, Steve Biko, Winnie Madikizela-Mandela, Miriam Makeba and Hugh Masekela.
Kileff (C.) & (M.) STREET SELLERS OF ZIMBABWE STONE SCULPTURE, artists and entrepreneurs
68 pp., b/w & colour illus., paperback, Gweru, 1996. OUT OF PRINT
Includes interviews with some of the sculptors.
Kinahan (J.) CATTLE FOR BEADS, the archaeology of historical contact and trade on the Namib coast
119 pp., 4to., maps, b/w & colour illus., paperback, Uppsala, 2000. R175
Jill Kinahan uses trade goods, most notably glass beads and imported ceramics, to explore the response of the indigenous pastoralists at Walvis Bay on the Namib Coast to contact with Western seafarers.
Kissane (S.) ed. IN PRAISE OF SHADOWS,
150 pp., b/w & colour illus., hardback, Milan, 2008. R650
Catalogue of the travelling exhibition first shown at the Irish Museum of Modern Art, Dublin, 2008-2009.

In Praise of Shadows "is an exhibition about shadows, shadow theatre and silhouettes. It is also an exhibition about stories based on traditional folklore, contemporary short stories, literary works and other simple narratives, all expressed through limited means." from the foreword

Includes work and an essay, "In Praise of Shadows", by William Kentridge.
Kistler (A.) curator IMAGING SOUTH AFRICA, collection projects of Siemon Allen
83 pp., 4to., colour illus., paperback, Richmond, 2010. R350
Published in conjunction with the exhibition of installations, Anderson Gallery, School of the Arts, Virginia Commonwealth University, USA, 2010.

Includes the essays:
"Imaging South Africa, the archival turn in Siemon Allen's production" by Clive Kellner
"The Weave of History, Siemon Allen's 'Screen' in postapartheid South Africa" by Andrés Mario Zervigon
"In Coversation, Ashley Kistler talks to Siemon Allen".

Siemon Allen in a South African artist currently living and working in the USA. "His recent installation or 'collection projects' include the display of multiple historical artifacts in which he explores issues of identity and branding". from Siemon Allen's website
Kleyn (L.) et. al. (eds.) POMP, 08
452 pp., b/w & colour illus., paperback, Pretoria, 2008. R180
An Afrikaans publication that celebrates literature, journalism, music, architecture, film, photography and art.

Articles include "Absa-Versameling" by Eunice Basson,
"Jazz in Suide-Afrika" by Wessel van Rensburg,
"Irene Village Mall" by Stephanus de Swart and Linette van der Merwe,
photographs by Waldemar Bussiahn, Trevor Kahn, Carne Bezuidenthout and Irene Quirk, and much more.

Text in Afrikaans.
Klopper (S.) & Godby (M.) WILLIE BESTER,
38 pp., colour illus., paperback, Johannesburg, 2007. R95
Catalogue of the exhibition, Montagu Museum, November 2007, and Iziko South African National Gallery, December 2007 - April 2008.

Includes the essays, "Becoming an Artist in Apartheid Montagu" and "Trojan Horse III" by Sandra Klopper, and
"The Road to the Montagu Portraits" by Michael Godby.
Klopper (S.) et. al. THE ART OF SOUTHEAST AFRICA, from the Contru Collection
223 pp., 4to., b/w & colour illus., hardback, d.w., Milan, 2002. R780
Documents the Conru Collection of Brussels. Includes sculptures, jewellery, prestige staffs, walking/fighting sticks, headrests and snuff containers.
Essays by Sandra Klopper & Karel Nel.
Knape (G.) ed. ERNEST COLE, photographer
263 pp., oblong 4to., illus., hardback, d.w., Göttingen, 2010. R675
Catalogue of the exhibition, Hasselblad Foundation, Göteborg, Sweden, 2010. The exhibition and book were created around a collection of extremely rare prints, most of them made by Cole himself and most never previously exhibited.

Includes the essays:
"Ernest Cole in the House of Bondage" by Struan Robertson,
"A Slight Small Youngster with an Enormous Rosary: Ernest Cole's documentation of apartheid" by Ivor Powell,
"Notes on the Life of Ernest Cole (1940-1990)" by Gunilla Knape.

Ernest Cole left South Africa in 1966, carrying thousands of his photographs documenting the lives and experiences of black people living in apartheid South Africa. His book of photographs, "House of Bondage", was published in the USA in 1967 and immediately banned in South Africa. He died in New York after more than twenty-five years in exile, never having returned to South Africa and leaving no known negatives and few prints of his work. "Tio fotografer", an association of photographers with whom Cole worked when he lived in Stockholm from 1969 to 1975, received a collection of his prints and later donated them to the Hasselblad Foundation. it is these prints which form the core of this exhibition.
Knight (N.) ed. L'AFRIQUE, a tribute to Maria Stein-Lessing and Leopold Spiegel
123 pp., b/w & colour illus., hardback, d.w., Johannesburg, 2009. R250
Catalogue of the exhibition of African art and artefacts from the collections of Maria Stein-Lessing and Leopold Spiegel, Museum Africa, Johannesburg, 2009.

Maria Stein-Lessing, a German expatriate academic and art collector, taught art appreciation at Pretoria Technical College and art history at the Univerity of the Witwatersrand. She also opened the shop, l'Afrique, in Johannesburg, in the early 1940s. She and her husband, Leopold Spiegel, travelled around southern Africa collecting artefacts for l'Afrique and their own collection. Maria Stein-Lessing died in 1961. Leopold Spiegel died in 2006.

Includes the essays "Hidden Treasures" by Natalie Knight,
"Maria Stein-Lessing: setting the stage for African art" by Paula Girshick,
"A Fragmented Picture: the collections of Maria Stein-Lessing and Leopold Spiegel" by Nessa Liebhammer,
"Tributes to Maria Stein-Lessing" by Esmé Berman and Walter Battiss, and
"Tributes to Leopold SPiegel" by Phylis Woolf and Adrew Spiegel.
Knubben (T.) & Osterwold (T.) eds. MARLENE DUMAS, wet dreams, watercolours
128 pp., colour illus., hardback, Ostfildern-Ruit, 2003. R360
Catalogue of the exhibition, Städtischen Galerie Ravenburg, Germany, 2003.

Includes the essays "An Irresponsible Affair" by Thomas Knubben, "Water-colours as Physiognomies" by Tilman Osterwold, "Marlene Dumas: tender, loathsome, shrewd and ecstatic" by Jean-Christophe Ammann as well as writings by the artist.

Text in English & German.
Kohler (A.) curator EPISODES, an installation of puppets from seven productions over sixteen years by The Handspring Puppet Company
40 pp., illus., paperback, Johannesburg, 2001. R115
Catalogue of the exhibition, The Albany Museum, Grahamstown, 28 June - 7 July 2001.
Introduction by William Kentridge.
Productions include "Faustus in Africa", "Ubu and the Truth Commission" and "The Chimp Project".
Koloane (D.) et. al. KAY HASSAN, DaimlerChrysler Award for South African Contemporary Art 2000
134 pp., 4to., b/w & colour illus., paperback, d.w., Ostfildern-Ruit, 2000. R360
Kay Hassan was born in Johannesburg in 1956 and now lives and works in the city. He won the DaimlerChrysler Award for South African Contemporary Art 2000.
Catalogue of the travelling exhibition, first shown at Württembergischer Kunstverein Stuttgart, Germany, 2000.
Koorland (Vivienne) EXHIBITION OF SMALL PAINTINGS FROM THE NINETIES,
36 pp., colour illus., hardback, d.w., Vermont, 1998. R250
Catalogue of the exhibition, Irma Stern Museum, Cape Town, 1998.

Introduction by Neville Dubow. Includes the essay, "The Unquiet Image: paintings by Vivienne Koorland" by Tamar Garb.

Vivienne Koorland was born in 1957 in Cape Town. She now lives and works in New York.
Kratz (C.) THE ONES THAT ARE WANTED, communication and the politics of representation in a photographic exhibition
307 pp., maps, b/w & colour illus., paperback, Berkeley, 2002. R250
Corinne Kratz documents the travelling exhibition of her photographs of the Okiek People of Kenya, shown at seven venues including the National Musem of Nairobi and the Smithsonian Institution in Washington. The book "explores the exhibition medium itself, focusing on the complexities and possibilities of cultural representation."

Corrine Kratz is Associate Professor of Anthropology and African Studies at Emory University.
Kreamer (C.M.) curator INSCRIBING MEANING, writing and graphic systems in African art
255 pp., 4to., maps, b/w & colour illus., paperback, Washington, 2007. R695
Published in conjunction with the exhibition, National Museum of African Art, Smithsonian Institution and Fowler Museum at UCLA, 2007.

Explores "the relationships between African art and the communicative powers of language, graphic systems and the written word". Includes work by Sue Williamson, Willem Boshoff, Berry Bickle, Berni Searle, Kim Berman and Gavin Jantjes.

Contributions include :"Word Play: text and image in contemporary African art" by Elizabeth Harney,
"Re-Writes" by Berry Bickle,
"Language Works" by Willem Boshoff,
"Inscribing Identity: the body" and "Sacred Scripts" by Mary Nooter Roberts,
"Inscribing Power/ Writing Politics" and "Circumscribing Space" by Christine Mullen Kreamer, and much more.
Krekin (I.) & Mthethwa (Z.) photo. SWEDEN, SOUTH AFRICA, a photographic art exchange
47 pp., oblong 4to., colour illus., hardback, d.w., Stockholm, 1999. OUT OF PRINT
Irmelie Krekin, born in 1965, is considered one of Sweden's foremost experimental style and fashion photographers. She flew to South Africa in late 1999. At the same time Zwelethu Mthethwa made a trip to Sweden. The book is the result of this week-long exchange project and represents the two photographers attempts to portray the other country and its citizens.
Kriger (R.) & Zegeye (A.) eds. CULTURE IN THE NEW SOUTH AFRICA, after apartheid - volume two
334 pp., paperback, Cape Town, 2001. R175
Contributions include "Rural Art and Rural Resistance: the rise of a wall decorating tradition in rural Southern Africa" by Franco Frescura & "How Cultural Policy Creates Inequality: the case of the Greater Johannesburg Metropolitan Council and its Biennale project" by Jane Duncan.
Kritzinger (J.) DERRIC VAN RENSBERG,
200 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2007. R530
Painter Derric van Rensburg was born in 1952 in Cape Town.

Published to celebrate the artist's 50th birthday.
Kruger (Marieke) TO A PROMISED LAND,
4 pp. folded pamphlet, b/w & colour illus, Cape Town, 2006. R30
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Includes an essay, "To a Promised Land...damnation versus redemption as spiritual metaphors in a body of work", by the artist.
Kruiper (B.) & Kruiper (V.R.) MOOI LOOP, the sacred art of Vetkat Regopstaan Kruiper
55 pp., 4to., b/w & colour illus., paperback, (Durban), 2011. R336
A collection of Vetkat Regopstaan Boesman Kruiper's writings and artwork, which also includes poems by his wife Belinda Kruiper.

Khomani Bushman Regopstaan Kruiper, also known as Vetkat, was born at Twee Rivieren, a rest camp in the then Kalahari Gemsbok Park, now known as the Kgalagadi Transfontier Park. An artist and musician, he lived on a farm called "Blinkwater" outside the park until his sudden death in 2007, aged 38. Belinda Kruiper was born in Cape Town. While working as a receptionist at the park, she met Vetkat and married him in 1999. With her help his artowrk became well-known both locally and abroad. Belinda now lives in Welkom and works to promote Khomai art and craft and to restore dignity to the people of the Kalahari. She has also written a book with Elana Bregin called "Kalahari Rain-Song" (2004).

Text in English and Afrikaans.
Kugel (K.) et. al. SAUDADE, de l'Espoir/Esperenza, être photographe au Mozambique
139 pp., map, b/w & colour illus., hardback, Réunion, (2003). R295
Catalogue of the travelling exhibition first shown at au Marché Couvert de Saint-Benoît, Réunion, 2003.

Features work by Ricardo Rangel, Joël Chiziane, Kok Nam, Ferhat Vali Momade, Martinho Fernando, Naita Ussene, Basílio Muchate, José Cabral, Rui Assubuji, Luis Basto, Mauro Pinto & Sérgio Santimano.
Kumalo (A.) photo. & Mphahlele (E.) text MANDELA, echoes of an era
161 pp., 4to., illus., paperback, Johannesburg, 1990. OUT OF PRINT
Foreword by Walter Sisulu.

Both Alf Kumalo and Es'kia Mphahlele are long-time friends of Nelson Mandela. Published just after Nelson Mandela's release from prison this book presents, in words and pictures, his life and times.
Kumalo (A.) photo. & Wanner (Z.) text 8115, A PRISONER'S HOME,
159 pp., illus., hardback, d.w., Johannesburg, 2010. R250
A selection of Alf Kumalo's photographs of the Mandela family and their home in Vilikazi Street in Soweto, now a South African heritage site and museum, taken between 1946 and 1994.
Kurgan (T.) & Ractliffe (J.) JOHANNESBURG CIRCA NOW, photography and the city
114 pp., oblong 4to., b/w & colour illus., paperback, limited to 800 copies, Johannesburg, 2005. R195
"Johannesburg Circa Now" was a multifaceted exhibition shown at the Johannesburg Art Gallery from July - October 2004. The exhibition included Terry Kurgan's photographic portraits of the street photographers in Joubert Park and an exhibition of their street portraits, Jo Ractliffe's photographs of the inner city of Johannesburg and a group exhibition by the Market Photo Workshop photographers. There was also a public project with a photo studio where the public could have their photograph taken. This book brings these various components together with additional essays". These include ""A Moving City" by Rory Bester, "Saying Nothing" by Sean O'Toole, "Material Ghosts: Terry Kurgan's park pictures" by Ruth Rosengarten, "Shadowing Donkey Boy" by Penny Siopis, "Trajectory of a Street Photographer: South Africa 1973-1998" by Santu Mofokeng,"The Market Photo Workshop" by John Fleetwood and Keorapetse Mosimane, photographs by David Goldblatt and Ruth Motau, and much more.
Kurgan (T.) curator BRINGING UP BABY, artists survey the reproductive body
44 pp., 4to., b/w & colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Catalogue of the exhibition first shown at the Standard Bank National Arts Festival, Grahamstown, July 1998.
Includes work by Jane Alexander, Penny Siopis, Terry Kurgan, Claudette Schreuders, Mandla Mabila & Clive van den Berg.
Kurgan (Terry) SKIP: PRESENT COMPANY INCLUDED, a space between "private" & public
14 pp folded pamphlet, Cape Town, 2003. R30
Catalogue of the exhibition, Bell-Roberts Gallery, 2003.

Includes an essay by Kathryn Smith.
Kuus (J.) photo. & McDonald (T.) text SOUTH AFRICA, in black and white
188 pp., 4to., paperback, London, 1987. OUT OF PRINT
Juhan Kuus was born in 1953. He worked as a photojournalist for various South African newspapers during the 1970s & 1980s, recording the violence and unrest of the last decades of Nationalist Party rule.

Introduction by Trevor McDonald.
Labelle (M.-L.) BEADS OF LIFE, eastern and southern African beadwork from Canadian collections
185 pp., map, b/w & colour illus., paperback, Quebec, 2005. R350
Published to accompany the exhibition, "Beads of Life, eastern and southern African adornments", Canadian Museum of Civilization, Quebec, 2005.

Social anthropologist Marie-Louise Labelle examines the origins of beadwork in eastern and southern Africa and analyses its aesthetics, social meanings and historical context. All the pieces discussed are drawn from public and private Canadian collections. Labelle was guest curator of the exhibition.
Labuschagne (C.) & Green (C.) eds. JOBURG ART FAIR, directory/ curated show
175 + 79 pp., b/w & colour illus., paperback, Johannesburg, 2008. R225
Joburg Art Fair was held at the Sandton Convention Centre, 13 - 16 March 2008.

22 Galleries from South Africa, Egypt, Morocco, USA, UK, France and Germany exhibited contemporary African art. There was also a curated show, "As You Like It" curated by Simon Njami, who selected 29 contemporary artists including Malala Andrialavidrazana from Madagascar, Berry Bickle from Zimbabwe, Ihosvanny and Kiluanji Kia Henda from Angola, and Thando Mama and Zen Marie from South Africa. Joburg Art Fair's Special Projects 2008 highlighted performance artist Robin Rhode, FUNDA Community College in Soweto and the finest in South African design.

Lacagnina (S.) & Fuchs (R.) curators MARLENE DUMAS + MARIJKE VAN WARMERDAM,
111 pp., b/w & colour illus., paperback, Cologne, 2005. R495
Catalogue of the joint exhibitions, "Con Vista al Celestiale", Siracusa Contemporary Art Center, Montevergini, June 2004 & "Hin und Weiter", BAWAG Foundation, Vienna, September 2004. The selection of works changed slightly for the second exhibiton, in reaction to the space.

"Con Vista al Celestiale" means "with a view towards the elevated" & "Hin und Weiter" means "from here and further".

Lainé (D.) photo & text & Alexandre (P.) text AFRICAN KINGS,
157 pp., 4to., colour illus., hardback, d.w., First English Language Edition, Berkeley, 2000. R295
Daniel Lainé's formal portraits of seventy tribal kings in Africa, in full regalia. The portraits are accompanied by brief biographies and historical notes on the tribe and the rituals and history associated with each ruler. Includes portraits of King Goodwill Zwekethini, King of the Zulu, Enok Makhosoki Mabena II, King of the Ndebele, Mogjadji V, Zulu Rain Queen and Xololizwe Sigcawu, King of the Xhosa. Also includes a chapter, "Origins of the African Kingdoms" by Pierre Alexandre.

Photographer Daniel Lainé was born in Auxerre in 1949. "African Kings", first published in French in 1991, won the Villa Médicis' Beyond the Wall Prize and first prize of the World Press Photo "People in the News" category in 1991.
Lainé (D.) photo. AFRICAN GODS, contemporary rituals and beliefs
191 pp., colour illus., hardback, d.w., Paris, 2007. R690
Translated from the French by Susan Pickford.

Preface by Tobie Nathan, professor of clinical and pathological psychology at the University of Paris.

Includes the essays "African Religions" by ethnologist Anne Stamm and "Vodun" by priest and anthropologist Pierre Saulnier.

Photographs of priests, shamans, prophets and traditional healers in twelve African countries, including South Africa, by freelance photograhper Daniel Lainé.
Lamp (F.J.) ed. SEE THE MUSIC, HEAR THE DANCE, rethinking African art at The Baltimore Museum of Art
303 pp., 4to., maps, b/w & colour illus., hardback, d.w., Munich, 2004. R800
Presents 100 objects from The Baltimore Museum's African Collection within the ritual context for which the artworks were originally created, rituals "that rely on sounds, sights, smells and taste to achieve their ultimate effect".

Includes the essays, "The Body as Billboard: Ndebele beadwork" by Frederick John Lamp, "Personal and Social Messages: a Zulu beaded panel (ubheshwana)" by Carol Boram-Hays and "Each Performance is Unique: a Lwena mask (mwanawa pwevo)" by Elisabeth L.Cameron.
Lampbrecht (A.) CARA VAN DER WESTHUIZEN, Venus revisited
22 pp., colour illus., paperback, Cape Town, 2007. R80
Catalogue of the exhibition of lithographs on glass, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Includes the essay, Beauty and the Mirror" by Andrew Lamprecht.

Cara van der Westhuizen was born in 1977 and lives and works in Cape Town.
Lampbrecht (A.) ed. TRETCHIKOFF, the people's painter
204 pp., b/w & colour illus., paperback, Johannesburg, 2011. R300
Published to accompany the first major retrospective exhibition of Vladimir Tretchikoff's work, Iziko South African National Gallery, Cape Town, 2011.

Includes the essays:
"Tretchikoff: the people's painter" by Andrew Lampbrecht
"Turning Eastward: Vladimir Tretchikoff's orient" by Ashraf Jamal
"Lenka, Tretchikoff's Muse: a personal reminiscence" by Yvonne du Toit
"How the World was Won: Tretchikoff goes international" by Boris Gorelik
"Second-hand View" by Melvyn Minnaar
"Unexpected Intrusions of Beauty" by Marianne Fassler
Lampbrecht (Andrew) MUSE, an exhibition by Ed Young
60 pp., colour illus., paperback, Cape Town, 2003. R70
Cataogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (A.) DEBORAH POYNTON, selected paintings, 1998-2000
27 pp., colour illus., paperback, Sedgefield, (2001). R40
Deborah Poynton was born in Durban, South Africa, in 1970.
Lamprecht (A.) CAMERON PLATTER, life is very interesting
45 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Includes the essay, "Don't Talk to Me, Talk to My Lawyer" by Andrew Lamprecht and a conversation between Lamprecht and the artist.

Cameron Platter produces pencil crayon drawings on paper, video stills, digital prints, wall paintings, cinema projections and ceramic and wooden sculptures.
Lamprecht (A.) curator HISTORY,
24 pp., colour illus., paperback, Cape Town, 2009. R70
Catalogue of the exhibition, UCA Gallery, Cape Town, 2009.

"This exhibition deals with the way that artists construct (or adapt) history as a representation or narrative in their work." Andrew Lampbrecht, from his text

Artists include Gavin Younge and Wayne Barker.

Lamprecht (Andrew) ASSHOLE, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. R50
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2003.
Lamprecht (Andrew) BRUCE GORDON, an artwork by Ed Young
58 pp., colour illus., paperback, Cape Town, 2003. R110
Catalogue of a conceptual artwork by Ed Young.
At a charity auction held at the Michaelis School of Fine Art on 4 December 2002 Bruce Gordon, presently owner of Jo'burg Bar in Long Street Cape Town, was "sold" as a work of art. The purchaser, who paid R52000 for this work, donated it to the South African National Gallery.
Landau (P.) & Kaspin (D.) eds. IMAGES AND EMPIRES, visuality in colonial and postcolonial Africa
380 pp., illus., paperback, Berkeley & London, 2002. R316
Contributors include Robert J.Gordon: "Captured on Film: Bushmen and the claptrap of performative primitives"; David Bunn: "The Sleep of the Brave: graves as sites and signs in the colonial Eastern Cape"; Timothy Burke: "Our Mosquitoes Are Not So Big: images and modernity in Zimbabwe" and Pippa Skotnes: "The Politics of Bushman Representations".
Langerman (F.) SUBTLE THRESHOLDS, the representational taxonomies of disease, an exhibition
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R115
Catalogue of the exhibition, Iziko South African Museum, University of Cape Town, 2010.

"'Subtle Thresholds' concerns itself with representational taxonomies...Initially intended as a critique of the visual politics within the representation of disease, emphasis shifted to allow for a response to the context of the exhibition, the South African Museum." from the introduction

Fritha Langerman is an associate professor at the University of Cape Town where she teaches printmaking and drawing at the Michaelis School of Fine Art. Her awards include a Sasol Wax Merit Award (2003), ABSA Atelier Merit Award (1999), UCT Junior Fellow's Award (2007) and UCT's Creative Works Award (2010).



Langerman (F.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 8, 2006
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2006. R195
Includes work and text by Jane Alexander, Lynette Bester, Ralph Borland, Pippa Skotnes & Malcolm Payne, Andrew Lamprecht, Lynne Lomorfsky, Stephen Inggs, Vanessa Cowling, Fritha Langerman, Svea Josephy, Virginia MacKenny, Malcolm Payne, Jacki McInnes, Carine Zaayman, Kurt Campbell, Geoff Grundlingh, Lyndi Sales, Gretchen van der Byl, Johann van der Schijff & Gavin Younge.
Langerman (F.) ed. ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 9:2008
93 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R240
Contributions include "Colophon" by Fritha Langerman,
"Ukungenisa" by Nandipha Mntambo,
"Pogonology" by Malcolm Payne,
"Security" by Jane Alexander,
"Twin Towns, Third Cities and Small Worlds" by Svea Josephy,
"Feral Acts" by Gavin Younge,
"A Brief Consideration of Correspondence - some reflections on artistic process" by Virginia MacKenny,
"The Trouble With Photographs" by Jean Brundit,
"In Transit" by Lyndi Sales, and
"Niggers Can't Be Choosers" by Ed Young.

Langerman (F.) et. al. (eds.) ARTWORKS IN PROGRESS, journal of the staff of the Michaelis School of Fine Art, University of Cape Town, Volume 10, 2010
118 pp., 4to., colour illus., paperback, Cape Town, 2010. R337
Includes work and text by Bruce Arnott, Stephen Inggs, Jane Alexander, Fritha Langerman, Jean Brundrit, Gavin Younge, Pippa Skotnes, Virginia MacKenny, Malcolm Payne, Andrew Putter and Paul Weinberg.
Langerman (Fritha) THE KNOWLEDGE CHAMBERS, an exhibition series
32 pp., illus., paperbck, Cape Town, 2007. R80
Catalogue of the exhibition, Bell-Roberts Contemporary Art Gallery, Cape Town, and Artspace Gallery, Johannesburg, 2007 & 2008.

Includes the essay, "What Makes Sense?" by Anna Tietze.

Printmaker Frith Langerman is a senior lecturer at the University of Cape Town Michaelis School of Fine Art.
Langhan (D.) THE UNFOLDING MAN, the life and art of Dan Rakgoathe
171 pp., b/w & colour illus., paperback, Cape Town, 2000. R146
Dan Rakgoathe was born in 1937 in Bhongweni township in Randfontein, Western Transvaal.
The book is based extensively on interviews with the artist, and on letters written by him.
Lanning (M.) photo. & Roake (N.) & Horning (G.) text LIFE - SOWETO STYLE,
158 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. R220
Includes chapters on fashion, music, homes, taverns, businesses and cuisine.
Larrabee (S.) text & photo. CONSTANCE STUART LARRABEE WWII PHOTO JOURNAL,
48 pp., 4to., illus, paperback, Washington, D.C., 1989. OUT OF PRINT
Catalogue of the exhibition, National Museum of Women in the Arts, Washington, D.C., 1989.
Introduction by Susan Fischer Sterling. Includes extracts from Constance Stuart Larrabee's World War II journal.
Larrabee was South Africas first woman war correspondent for Libertas magazine. She travelled to Egypt, Italy, France and England in 1944 and 1945.
Lauber (P.) ed. CAPE TOWN, architecture and design
237 pp., 4to., colour illus., hardback, d.w., Cologne, 2007. R490
Elaborately illustrated book that includes work by Albert&Partners, Arthur Quinton Daryl Croome Architects, Gabriel Fagan Architects, Revel Fox & Partners, Louis Karol, dhk, Stefan Antoni Olmesdahl Truen Architects & Peerutin Architects.

Text in English, German, French, Italian & Spanish.
Law (J.) curator SYMPATHETIC MAGIC, Penny Siopis at the Gertrude Posel Gallery, University of the Witwatersrand 2002
43 pp., colour illus., paperback, Johannesburg, 2002. R150
Catalogue of the exhibition, Gerturde Posel Gallery, University of the Witwatersrand, 2002. Essay by Jennifer Law. Preface by David Bunn.
Law-Viljoen (B.) & O'Kane (P.) JOHANNES PHOKELA, I Like My Neighbours
69 pp., 4to., colour illus., hardback, Johannesburg, 2009. R250
Published to accompany the exhibition of paintings, Standard Bank Gallery, Johannesburg, 2009.

Introduction by Bronwen Law-Viljoen. Includes the essay, "How to Hypnotise a Chicken", by Paul O'Kane.

Johannes Phokela was born in Soweto in 1966. He studied at the Royal College of Art and now lives and works between South Africa and London.

Law-Viljoen (B.) ed. FLUTE, William Kentridge
207 pp., b/w & colour illus., paperback, Johannesburg, 2007. R290
Traces William Kentirgde's project that began with the 1998 commission to produce Mozart's opera, "The Magic Flute", and culminated in the miniature mechanised theatre installation, "Black Box/ Chambre Noire", commissioned by Deutsche Guggenheim in 2003. "The Magic Flute" premiered at the Théâtre Royal de la Monnaie in Brussels in April 2005 and toured venues in France, Italy, Israel and the USA before completing its run in South Africa in the spring of 2007.

Includes an introduction,"From the Centre Out", by Bronwyn Law-Viljoen and a conversation between William Kentridge and Bronwyn Law-Viljoen, and the following essays:
"Notes Towards an Opera" and "Drawing the Stage" by William Kentridge,
"Drawing with Light" by Stéphanie Roussel,
"I am the Bird Catcher" by Kate McCrick, and
"Footnote on Darkness", an essay on "Black Box/ Chambre Noire", by Bronwyn Law-Viljoen.
Law-Viljoen (B.) ed. DIS-LOCATION/ RE-LOCATION, exploring alienation and identity in South Africa, Leora Farber in collaboration with Strangelove
156 pp., b/w & colour illus., hardback, Johannesburg, 2008. R250
A collection of commissioned essays that respond to the questions and problems raised by Leora Farber's work, 'Dis-Location/ Re-Location', which began as a public performance at The Premises Gallery, Johannesburg in August 2006. It travelled to seven galleries and museums from June 2007 to September 2008, ending its run at the Durban Art Gallery. It incorporated stage-sets, video, sound art, photography, sculpture and performance.

Introduction by Bronwyn Law-Viljoen.
Includes the essays "Bertha Marks Reborn: Leora Farber in conversation with Sandra Klopper",
"The Gilded Cage: Bertha Marks at Zwartkoppies" by Richard Mendelsohn,
"Artistic Chronotopes: visualising identities through time-space organisation in the work of Leora Farber" by Wilhelm van Rensburg,
"Awfully Pretty: female embodiment in 'Dis-Location/ Re-Location" by Sally-Ann Murray,
"The Modestly Adorned Woman: anachronism or hybrid?" by Robyn Sassen,
"Recreating the Archive" by Jillian Carman,
"Oreosness/ Coconutness" 'not quite black, not quite white" by Wandile Kasibe,
"Imagination in Crisis: displaced subjects, virtual communities" by Liese van der Watt,
"Parergons of Dis-closure: identifying meaning signifying with a 'différance'" by Jennifer Ord, and
"/, or On How Newness Enters the World" by Ryan Bishop.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol 09 issue 03, opinions that matter
75 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R95
In this issue:
"Changing Gears", in which Alexandra Dodd speaks to choreographer Jay Pather
"Soviets in the Archive", in which Alexandra Dodd reflects on the life and legacy of poster designer Jon Berndt
"Beyond the Surface", in which Mary Corrigall considers the role of textiles in the works of various artists including Nicholas Hlobo, Lawrence Lemaoana, and Andrew Verster
"Tables of Uncomfortable Contents; reading between the lines", by Alexander Opper, in which he considers the use of the table in art
"No One Size Fits All", in which Raél Salley discusses the relationship between design and art in a painting by Serge Alain
"History Never Sounded So Good", by Michael Blake, on new South African opera
"Looking with New Eyes", in which Anthea Buys looks at the history of collecting at the Johannesburg Art Gallery
"South African Splendour" by Luke Dormehl, in which he considers the work of the comic artists Andre and Nathan
"The Body as Work", in which Paul Wessels remembers artist Mark Hipper, who died in August 2010.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol 09 issue 04 winter 2011
93 pp., 4to., b/w & colour illus., paperback , Cape Town, 2011. R95
Articles in this issue include:
"A Paper Issue", Linda Stupart considers books in the works of Willem Boshoff, Gerhard Marx, Wim Botha, Lyndi Sales, Julia Rosa Clarke and Fabian Saptouw
"Still Paper After all These Years", Bronwyn Law-Viljoen on printmaking workshops in South Africa
"Artists Proof Studio Turns Twenty", by Kim Berman
"Looking Back, Looking Forward", Philippa Hobbs and Elizabeth Rankin describe Peter Clarke's 1963 illustrations for a Swiss Christian journal
"Rock, Paper, Scissors", Fred de Vries on the music that informs the drawings of Mark Kannemeyer aka Lorcan White
"Space, Ritual, Absence: liminality in South African visual art", a special focus feature with essays by James Sey, Mary Corrigal, Philippa Hobbs and Nessa Leibhammer, Alexandra Dodd, Myer Taub, Virginia MacKenny, Zen Marie and Rat Western.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, opinions that matter, vol 10 issue 01 spring 2011
77 pp., 4to., b/w & colour illus., paperback, Cape Town, 2011. R95
This issue includes:
"Performing Africa Abroad", Wendy Gers on performance artist and choreographer Robyn Orlin
"A Pavilion too Far", Gavin Younge discusses the 54th Venice Biennale
"The Picture Stares Back", Gerhard Schoeman considers Adries Gouws's "Pedestrian Paintings"
"The Tretchokoff Conundrum", Karin Preller discusses the critical responses to the Tretchikoff retrospective exhibition at Iziko South African National Gallery
"Synthetic Dirt", a colloquium hosted by Rhodes Fine Art, with contributions by Bettina Malcomess, Maureen de Jager, Mary Corrigall, Gerhard Schoeman, Alette Schoon, Chad Rossouw, Dominic Thorburn and James Sey.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol 10 issue 02 summer 2011
80 pp., b/w & colour illus., paperback, Cape Town, 2011. R95
Contributions include:
"Self and Other" by Federico Freschi, on Irma Stern's portrait entitled "The Cellist"
"Lyric Documentary" by Leora Maltz-Leca, on Santu Mofokeng's photography
"Refuse the Hour" by Angela Breidbach, on William Kentridge's new multimedia opera, "Dancing with Dada"
"'This is Our Contemporary': Mozambican masks in Cape Town" by Paolo Israel, on the work of choreographer Massacre dr Mueda
"Communities of Practice at the Faculty of Art, Design and Architecture, University of Johannesburg", with essays by Brenden Gray, Myer Taub, Kim Berman and Mandy Coppes, Eugene Hon, Landi Raubenheimer and Paul Cooper, Mary Corrigall and Leora Farber and Anthea Buys.
Law-Viljoen (B.) ed. ART SOUTH AFRICA, vol. 10 issue 03, autumn 2012
83 pp., 4to., colour illus., paperback, Cape Town, 2012. R95
Articles in this issue include:
"Inconvenient Exhibitions", in which Luke Dormehl reviews three exhibitions that accompanied the recent COP17 Climate Change Conference,
"Pop Cultures, Ordinariness, City Form", in which Pattabi Ganapathi Raman discusses the work of architect Denise Scott Brown,
"Out of the Cave and into the Cauldron", in which Wendy Gers writes about performance artist Steven Cohen's work, and
"South African Museums Under Scrutiny", in which Janine Stephen investigates David Goldblatt's comment on a "lack of respect for the work" at several public museums and galleries.
Law-Viljoen (B.) ed. & Buckland (A.) photo. LIGHT ON A HILL, building the Constitutional Court of South Africa
173 pp., 4to., b/w & colour illus., paperback, Johannesburg, (2006). R340
Text includes a series of interviews with Chief Justice Pius Langa, Justices Johann Kriegler, Yvonne Mokgoro and Albie Sachs, the architects Andrew Makin, Janina Masojada and Paul Wygers, Ambassador Thenjiwe Mtindtso who was a prisoner in the Women's Jail of the Old Fort Prison, the building contractor, and others. Anglea Buckland's photographs are supplemented by architectural notes and sketches. Buckland was commissioned in 2003 by the architects to document the building of the Court.
Law-Viljoen (B.) et. al. ART AND JUSTICE, the art of the Constitutional Court of South Africa
203 pp., 4to., colour illus., paperback, Johannesburg, 2008. R340
A companion volume to "Light on a Hill: building the Constitutional Court of South Africa". This book focuses on the public art collection displayed in the Court, explains the connection between the art and the architecture of the Court and explores the relationship between art and justice.

Foreword by Justice Ruth Bader Ginsburg.

Essays include ""Art and Freedom" by Justice Albie Sachs,
"Art and Architecture" by architect Andrew Makin,
"Calling All Artists, Crafters and Designers" by architect Janina Masojada, and
"Art and Justice" by Bronwyn Law-Viljoen and Karel Nel.
Also included are comments by some of the artists whose works are included in the collection.
Lawson (L.) DAVID GOLDBLATT, 55
125 pp., b/w & colour illus., paperback, London, 2001. R80
A pocket-sized book that reproduces 55 of David Goldblatt's key works. Introduction and extended captions by Lesley Lawson.
Lawson (L.) et. al. RHIZOMES OF MEMORY, tre Sørafrikanske fotografer
247 pp., illus., hardback, d.w., Høvikodden, 2000. R795
Catalogue of the exhibition, Henie Onstad Kunstsenter, Høvikodden, Norway, 2000.
Foreword by Desmond Tutu. Introduction by Gavin Jantjes.
Features the work of David Goldblatt, Santu Mofokeng and George Hallett. Includes the essays "David Goldblatt's Johannesburg" by Lesley Lawson, "Chasing Shadows" by Santu Mofokeng and "Stargazing: George Hallett" by Gavin Jantjes.
le Roux (K.) RURAL ART IN NAMIBIA,
24 pp., map, colour illus., paperback, Windhoek, 1993. OUT OF PRINT
Published in conjunction with the exhibition held in Norway and Denmark in 1993.
Includes sections on baskets, beadwork and embroidery.
le Roux (M.) THE CAPE COPPER-SMITH, survey of the copper-smiths who worked at the Cape of Good Hope from 1662 onwards with particular reference to the materials, tools and techniques they employed
160 pp., b/w & colour illus., hardback, d.w., Stellenbosch, 1981. OUT OF PRINT
Includes more than 180 photographs of the copper and brass tart pans, coffee-pots, konfore, saucepans, kettles, skimmers, chamber-sticks and other utensils which have now become valued collectors' pieces.
le Roux (W.) & White (A.) comps. & eds. VOICES OF THE SAN, living in southern Africa today
226 pp., 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2004. R295
A collection of some of the discussions held amongst San youth and their elders and peers in an attempt to tell their own story in their own words and communicate it to the world. All the interviews have been translated into English and are illustrated with photographs and artwork by !Xun, Khwe and Kuru artists.
Ledochowski (C.) photo. & text CAPE FLATS DETAILS, life and culture in the townships of Cape Town
205 pp., large 4to., colour illus., hardback, d.w., Reprint, Pretoria, (2003) 2007. R520
"My use of the term 'Details' stands in contrast to the general appearance of the townships as a bleak and colourless environment - an environment which over time, challenges one to seek and unveil hidden layers. It is in these details that I found individual and collective expressions of creativity and resilience that give positive meaning and definition to people's lives. They present public and private images of hope that bring together and convey tradition and modernity, stability and change, faith and despair". Chris Ledochowski.

Foreword by David Goldblatt.

Poster of the photographic exhibition at Michael Stevenson is available @ R185.

Photographer Chris Ledochowski was born in Pretoria in 1956.


Ledochowski (Chris) CHRIS LEDOCHOWSKI, CAPE FLATS DETAILS, life and culture in the townships of Cape Town
85 x 59 cm, colour poster, Cape Town, 2003. R185
Poster for the photographic exhibition, Michael Stevenson Contemporary, Cape Town, 2003.

The book of photographs by Chris Ledochowksi, "Cape Flats Details, life and culture in the townships of Cape Town", foreword by David Goldblatt, is also available @ R350
Lee (D.) GREAT AFRICAN ARTISTS,
10 x approx. 45 pp., colour illus., hardback, boxed, Reprint, Johannesburg, (2006) 2008. R1620
A series of ten books, nine of which introduce the life and work of a well-known South African artist, and one which explains some words and ideas used in connection with art. Suitable for schools.

"Gail Catlin, making magic with liquid crystal",
"Bonnie Ntshalintshali, a new way with paint and clay",
"Peter Clarke, following dreams and finding fame",
"Willie Bester, art as a weapon",
"Dan Rakgoathe, exploring mystery through art",
"Noria Mabasa, carving her name in history",
George Pemba, the painter of the people",
William Kentridge, drawing us into a new world",
"Dumile Feni, making art out of suffering",
"Art Dictionary".
Leeb-du Toit (J.) MMAKGABO MMAPULA MMANKGATO HELEN SEBIDI,
96 pp., b/w & colour illus., paperback, Johannesburg, 2009. R150
Introduction by Andries Walter Oliphant.

Includes the essay, "'Basadi ba Malapa: reflections on the self-realisation of Mmakgabo Mmapula Mmankgato Helen Sebidi" by Juliette Leed-du Toit,
and "Fragments of a Conversation: David Koloane and Mmakgabo Sebidi, December 2008."

Helen Sebidi was born in Mpumalanga and grew up in the village of Marapyane, near Hammanskraal. It was while training under Bill Ainslie at the Johannesburg Art Foundation that she produced her first semi-abstract paintings. In 1989 she won the Standard Bank Young Artist Award. She also won the Vita Award in 1990 and the Silver Award of the Order of Ikhamanga in 2004.

Includes an 16 pp. educational supplement by André Croucamp.

Number 14 in the TAXI Art Books series.

Juliette Leeb-du Toit teaches in the Centre for Visual Arts at the University of KwaZulu-Natal.
Leibhammer (N.) MAKING LINKS, a resource book on the Traditional Southern African Collection at the Johannesburg Art Gallery
50 pp., map, b/w & colour illus., paperback, Johannesburg, 1996. OUT OF PRINT
For use by learners and teachers as a guide to the exhibitions, "Secular and Spiritual: objects of meditation" and "Views from Within", from the Traditional Southern African Collection at the Johannesburg Art Gallery.
Leibhammer (N.) ed. DUNGAMANZI, stirring waters, Tsonga and Shangaan art from southern Africa
227 pp., 4to., map, b/w & colour illus., paperback, Johannesburg, 2007. R250
Catalogue of the exhibition, Johannesburg Art Gallery, 2007, curated by Nessa Leibhammer, Natalie Knight & Billy Makhubele.

Essays include "Tsonga and Shangaan: the making and moulding of identities" by Nessa Leibhammer,
"Breaking symmetries: aesthetics and bodies in Tsonga-Shangaan beadwork" & "In Search of a Tsonga Style: figuratives and abstract woodcarving" by Anitra Nettleton,
"Toy or Treasure? exploring 'n'wana', the Tsonga 'doll'" by Jean-Marie Dederen,
"What's in a Name: Jackson Hlungwani and the politics of language" by Khwezi Gule,
"Shangaan: in search of a genealogy" by Karel Nel,
"Tsonga divination in the South African Lowveld" by Enos Sikhauli & Isak Niehaus
and "Divination Objects from the South African Lowveld" by Enos Sikhauli, Isak Niehaus & Billy Makhubele.

A DVD made to accompany the exhibition is also available @ R150.
Leibhammer (N.) et. al. ART FROM THE AFRICAN CONTINENT,
124 pp., 4to., map, illus., paperback, Johannesburg, 2005. R270
A resource book which uses the art and material culture from Africa and the way it is discussed and labelled to explore ideas about the continent and how it is represented.

Includes a teachers' facilitation guide.
Leibhammer (N.) et. al. curators DUNGAMANZI, stirring waters, Tsonga and Shangaan art from southern Africa
20 minutes, DVD, South Africa, (2007). R150
A film that accompanies the exhibition held at the Johannesburg Art Gallery. Includes an interview with Billy Makhubele, a pioneer in the making of wire sculptures and a collector of rare beaded artworks and items of clothing of the Ndebele and Shangaan, many of which formed part of the exhibition. He is also a desinger of "mincekas" (traditional textile wraps). beaded by his three wives and children. Also features an interview with poet and publisher Vonani Bila, who discusses the culture and artwork of the Tsonga and Shangaan people.

The catalogue of the exhibition is also available @ R250
Leijdekkers (P.) et. al. POWER PLAY, Johann van der Schijff
23 pp., colour illus., paperback, Cape Town, 2006. R60
Catalogue of the exhibition, Bell-Roberts, Cape Town, 2006.

Includes the essays "Power Play" by Gavin Younge, "Toys for Boys" by Virginia MacKenny, "Choices" by Petri Leijdekkers, "Thinking Things" by Rob van Kranenburg & "Iron Triangle" by Johann van der Schijff.

New media artist and sculptor Johann van der Schijff lives and works in Cape Town.
Leist (R.) photo. SOUTH AFRICA, blue portraits
175 pp., 4to., illus., hardback, d.w., Munich, 1993. OUT OF PRINT
Published to accompany a travelling exhibition which opened at the Fotomuseum im Münchner Stadtmuseum, 1993.

Reiner Leist interviewed and portrayed people in South Africa from 1989 to 1993. Almost all the photographs are accomapnied by interviews. Includes portraits of William Kentridge, David Goldblatt, Dumisani Khumalo, Nelson Mandela, Franklin Sonn, Ken Owen, Willem de Klerk, Alan Boesak, Bulelani Ngcuka, Helen Joseph, Gcina Mhlophe, Albertina and Walter Sisulu, Chris Hani, Dr Mangosuthu Buthelezi, Ray Alexander and Jack Simon, Adriaan Vlok, Nadine Gordimer, Desmond Tutu, Barney Simon, Dr Andries Treuernicht and Harry Oppenheimer, as well as of many ordinary South Africans.

Introduction by Wulf Herzogenrath.
Levin (A.) THE ART OF AFRICAN SHOPPING, adventure in textiles/ wood/ metal/ jewellery/ fashion/ music/ food
208 pp., map, b/w & colour illus., paperback, Cape Town, 2005. OUT OF PRINT
A guide to the textiles, jewellery, metalwork, music, fashion, food and recycled art of the African continent.
Levinson (O.) ADOLPH JENTSCH,
102 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 1973. OUT OF PRINT
Adolph Jentsch, born in Dresden, Germany, in 1888, moved to what was then South West Africa in 1938, never to return to Germany.
This book is no. 30 of an edition limited to 750 numbered copies.
Text in English, Afrikaans & German.
Levinson (O.) comp. & ed. I WAS LONELYNESS, the complete graphic works of John Muafangejo, a catalogue raisonné 1968-1987
427 pp., 4to., b/w & colour illus., hardback, d.w., slipcase, Cape Town, 1992. OUT OF PRINT
Froeword by Desmond Tutu. Essays by Olga Levinson, Edward Lucie-Smith, Pat Gilmour, Orde Levinson & Steven Sack.
The book illustrates all 262 of Muafangejo's known graphic works.
Lewis (A.) text JOURNEYS TO THE INTERIOR, unseen works by Irma Stern, 1929 - 1939
103 pp., b/w & colour illus., paperback, Cape Town, 2006. R205
Catalogue of the exhibition of drawings and paintings, South African Jewish Museum, Cape Town, 2006.
Lewis-Williams (D.) IMAGES OF MYSTERY, rock art of the Drakensberg
127 pp., 4to., maps, b/w & colour illus., paperback, Cape Town, 2003. R250
David Lewis-Williams was until his recent retirement Professor of Cognitive Archeology and Director of the Rock Art Research Institute at the University of the Witwatersrand.
Lewis-Williams (D.) & Dowson (T.) IMAGES OF POWER, understanding Bushman rock art
196 pp., maps, b/w & colour illus., hardbck, d.w., Johannesburg, 1989. OUT OF PRINT
David Lewis-Williams and Thomas Dowson draw on records of Bushman beliefs recorded verbatim during the 1870s by Dr Wilhelm Bleek and Lucy Lloyd as well as on modern research done with the living Kalahari Bushmen to explain the meaning of Bushman rock art. Illustrated with detailed and accurate copies of the paintings and engravings.
Lewis-Williams (D.) & Pearce (D.) SAN SPIRITUALITY, roots, expressions and social consequences
267 pp., maps, illus., paperback, Cape Town, 2004. R170
Examines interplay of San cosmology, myth, ritual and art in order to "illuminate the world-view of the San, how it is expressed in their society, and how it has been challenged and altered by the modern world."
Lewis-Williams (D.) & Challis (S.) DECIPHERING ANCIENT MINDS, the mystery of San Bushman rock art
224 pp., maps, b/w & colour illus., hardback, d.w., London, 2011. R360
David Lewis-Williams and Sam Challis examine San rock art and nineteenth century transcriptions of interviews with San people in order to provide insight into San beliefs and ways of thought.

David Lewis-Williams is Professor Emeritus and Senior Mentor in the Rock Art Research Institute, University of the Witwatersrand. His many books include "The Mind in the Cave: consciousness and the origins of art", which was awarded the James Henry Breasted Prize, and "Believing and Seeing: symbolic meanings in the southern San rock paintings".
Sam Challis is a rock art specialist at the Rock Art Research Institute, lecturing for the Department of Archaeology, University of the Witwatersrand.
Lewis-Williams (J.D.) DISCOVERING SOUTHERN AFRICAN ROCK ART,
102 pp., map, illus., paperback, Reprint, Cape Town, (1996) 2000. R91
David Lewis-Williams is Director of the Rock Research Unit at the University of the Witwatersrand.
Lewis-Williams (J.D.) A COSMOS IN STONE, interpreting religion and society through rock art
309 pp., map, illus., paperback, Walnut Creek, 2002. R350
David Lewis-Williams is director of the Rock Art Research Institute at the University of the Witwatersrand.
Lewis-Williams (J.D.) SAN ROCK ART, a Jacana pocket guide
157 pp., illus., paperback, Johannesburg, 2011. R100
An introduction to San rock paintings by David Lewis-Williams, Professor Emeritus and former Director of the Rock Art Research Institute at the University of the Witwatersrand.
Liesegang (G.) et. al. OLEIRA DE MUTAMBA, Inhambane 2003
44 pp., maps, b/w & colour illus., paperback, Maputo, 2005. R195
Catalogue of the exhibition, Franco Mozambican Centre, Maputo.

Documents women potters who work along the southern coast of Mozambique.

Text in Portuguese.
Lilienthal (A.) ART IN NAMIBIA, National Art Gallery of Namibia
242 pp., map., b/w & colour illus., paperback, Windhoek, 1997. OUT OF PRINT
Chapters on ancient rock art in Namibia, traditional art & its transition to modern craft and on contemporary artists like John Muafangejo, Peter Strack, Joseph Madisia, Dörte Berner, photographers Amy Schoeman & John Liebenberg, and others.
Lilienthal (A.) JOHN NDEVASIA MUAFANGEJO, (1943-1987), etchings, woodcuts and linocuts from the Collection of the Arts Association Heritage Trust
123 pp., 4to., illus., paperback, Windhoek, 2010. R550
This catalogue of the Arts Association Heritage Trust's collection includes chapters on John Muafangejo's life and work, his technique and style and his enduring legacy by art historian Adelheid Lilienthal.
Lindop (B.) SEKOTO, the art of Gerard Sekoto
64 pp., b/w & colour illus., hardback, d.w., London, 1995. OUT OF PRINT
Through her research Barbara Lindop established a close friendship with Gerard Sekoto and they corresponded extensively. This book includes many extracts from his letters to her.
Lindop (B.) & Eyene (C.) EXILES, drawings by Gerard Sekoto
94 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2008. R520
Catalogue of the exhibition, Afronova, Johannesburg, 2008. This exhibition celebrates the return to South Africa from France of a large collection of Gerard Sekoto's drawings, paintings, photographs, letters, private documents and momentoes.

Includes the essays "Secrets of the Heart" by Barbara Lindop and "French Perspectives on Sekoto's Painting" by Christine Eyene.

Lineberry (H.) & Yapelli (T.) curators THE LONG DAY, sculpture by Claudette Schreuders
40 pp., colour illus., paperback, Tempe, 2004. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Arizona State University Art Museum, Tempe, 2004.

Includes the essay, "Long Days in Linden" by Heather Sealy Lineberry and an interview with Claudette Schreuders by Tina Yapelli.

Claudette Schreuders was born in 1973 in Pretoria. She lives and works in Johannesburg.
Lipman (A.) ARCHITECTURE ON MY MIND, critical readings in design
266 pp., illus., paperback, Pretoria, 2003. R195
Alan Lipman, a South African architect and academic, now retired, has also written on architecture for the newspapers, "Vrye Weekblad" and "The Sunday Independent". This collection comprises some 50 previously published newspaper and occasional journal articles.
Lipman (B.) dir. WILLIAM KENTRIDGE, the end of the beginning
29 minutes, VHS, PAL, Johannesburg, 1994. OUT OF PRINT
Beata Lipman interviews William Kentridge and has him explain the technique of his film making with clips from his film, "Johannesburg 2nd Greatest City after Paris". Also includes excerpts from other films and the theatre piece, "Woyzeck on the Highveld". The film, "Felix in Exile", is included complete.
Lloyd (A.R.) THE ARTIST IN THE GARDEN, the quest for Moses Tladi
294 pp., b/w & colour illus., paperback, Cape Town, 2009. R299
Moses Tladi (1903-1959) was the first black artist to exhibit formally in South Africa and to achieve wide acclaim. He was born in rural Sekhukhuneland, east of Pretoria. In the mid-1920s he started working in Johannesburg as a gardener to Herbert Read. Read introduced Tladi to the collector and philanthropist Howard Pim and together they promoted Tladi at public exhibitions from 1929 onwards.

Angela Read Lloyd, Herbert Read's granddaughter, grew up at Lokshoek, Herbert Read's house, surrounded by Moses Tladi's paintings.
Locke (M.) THE DOVE'S FOOTPRINTS, basketry patterns in Matabeleland
143 pp., 4to., illus., paperback, Harare, 1994. OUT OF PRINT
Provides "a record of the origins and meanings of many of the patterns which decorate baskets, mats and other basketry items crafted in southern and western Zimbabwe, and classifies the fibres and various methods used by the makers."
Loder (R.) et. al. curators IMAGE AND FORM, prints, drawings and sculpture from southern Africa and Nigeria
80 pp., 4to., b/w & colour illus., paperback, London, 1997. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Brunei Gallery, School of African and Oriental Studies, University of London, 1997.

Includes work by Marlene Dumas, Dan Rakgoathe, Jackson Hlungwani, Noria Mabasa, Malcolm Payne, David Koloane, Azaria Mbatha, John Muafangejo, Deborah Bell, Billy Mandindi, Reinata Sadhimba, Vuyile Cameron Voyiya, artists of the Kuru Group & Pippa Skotnes.

Essays include "Image and Form in Africa" by Robert Loder, "Tracing the Lines of Art: prints, drawings and sculpture from Nigeria and southern Africa" by John Picton, "The Artist and His Community" by David Koloane & "A Mission for Art: the Evangelical Lutheran Church Art and Craft Centre at Rorke's Drift" by Elizabeth Rankin.
Louw (R.) text and Rasmussen (W.) photo. ROELOF LOUW, flag works
36 pp., b/w & colour illus., paperback, Cape Town, 2001. R96
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2001.

Roelof Louw was born in Cape Town. He studied at St Martins School of Art in London and taught there before travelling to New York. In the late 1980s he returned to live and work in Cape Town.

Includes the essays "A Personal History" and "Diary Notes" by Roelof Louw as well as a body of work entitled "Flag Works, made for the USA 1998-1999". Also included is a photo documentary on the artist, "Studio Surroundings, District Six, Cape Town" by Warren Rasmussen.
Low (I.) ed. DIGEST OF SOUTH AFRICAN ARCHITECTURE, 2010
231 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R50
A review of architectural projects completed in 2010, including private and communal residential projects, hotels and commercial buildings.

Also includes a feature article, "Housing and the Informal City Research Project: 2008-2010" by Thorsten Deckler and Lone Poulsen, an article on the South African Institute of Architecture Awards, and a professional directory.
Lundström (J-E.) & Pierre (K.) eds. DEMOCRACY'S IMAGES, photography and visual art after apartheid
145 pp., 4to., b/w & colour illus., paperback, Umeå, 1998. OUT OF PRINT
Catalogue of the exhibition, BildMuseet, Umeå Universitet, Umeå, Sweden, 1998.
Work by Jodi Bieber, Cedric Nunn, Minnette Vari, Ruth Motau, Zwelethu Mthethwa, Tracey Rose, Jean Brundrit, Santu Mofokeng, Senzeni Marasela, Joachim Schönfeldt, Penny Siopis and Kay Hassan.

Includes "Stating the Nation" by Rory Bester and Katarina Pierre, "Remembrance of Things Past: memory and the archive" by Okwui Enwezor, "The Evolution of Documentary Photography in South Africa as Shown in a Comparison between the Carnegie Inquiries into Povery (1932 and 1984)" by Michael Godby and "Trajectory of a Street Photographer: South Africa 1973-1998" by Santu Mofokeng.
Text in English & Swedish.
Luntumbue (T.M.) ed. TRANSFERTS,
255 pp., colour illus., paperback, Brussels, 2003. R295
Catalogue of the exhibition, Palais des Beaux-Arts des Bruxelles, 2003.

Artists include William Kentridge, Tracey Rose, Minnette Vári & Sue Williamson from South Africa & Isaac Carlos & Antonio Olé from Angola.

Essays include "Transferts, a critical cartography" by Toma Muteba Luntumbue, "Forgetting Africa" by Johannes Fabian & ""Reflections on..." by Youssouf Tata Cissé.

Text in Dutch & French, with an English annex.
Lurie (D.) photo. CAPE TOWN FRINGE, Manenberg Avenue is where it's happening
128 pp., 4to., illus., hardback, d.w., Cape Town, 2004. R250
David Lurie spent 6 months between 2001and 2003 taking photographs in and around Manenbeg Avenue in Manenberg, a dormitory township on the Cape Flats known as much for its poverty, gang violence and crime as for it's vibrant street life.

Includes an introduction, "Cape Town Fringe" by Shamil Jeppe as well as extracts from interviews with Manenberg residents. Interviews with Rashied Staggie, former leader of the "Hard Livings" gang, by Shawn Uys and Henriette Geldenhuys.
Lurie (D.) photo. IMAGES OF TABLE MOUNTAIN,
131 pp., 4to., map, illus., hardback, d.w., Cape Town, 2006. R250
David Lurie, photographer, was born in Cape Town and now lives in London. The photographs in this book were taken between October 2001 & Janurary 2006.

Includes .the essay, "Shadow of the Mountain" by Ashraf Jamal.
Maart (B.) & Lemon (T.) eds. SHARP, the Market Photography Workshop
104 pp., b/w & colour illus., paperback, Johannesburg, 2002. R310
Introduction by David Goldblatt, one of the founders of the Market Photography Workshop in 1988.
Photography and text by photographers who studied at the Workshop, including Ruth Motau and Jodi Bieber.
Maart (B.) curator EXCHANGE VALUES, images of invisible lives
48 + CD-Rom, illus., paperback, Johannesburg, 2002. R125
Catalogue of the "Exhibition for the World Summit on Sustainable Development", Johannesburg Art Gallery, August - November 2002.
A Social Sculpture Project, developed by Shelley Sacks with banana producers in the Windward Islands. The voices of the growers may be heard on the enclosed audio CD.
Maart (B.) curator NO LONGER AT THIS ADDRESS,
20 pp., illus., paperback, Durban, (2007). R95
Catalogue of the exhibition, Durban Art Gallery, 2007.

Examines the history of the old colonial street names in Durban and investigates the people and events behind the new names. The exhibition consists of Peter Machen's presentation of his archival research on the old and proposed new names, as well as work by the Imvunge Street Photographers and an installation by local graffiti artists.
Maart (B.) et. al. START, The Nivea Art Award 2009 exhibition catalogue
32 pp., colour illus., paperback, (Durban), 2009. R50
Catalogue of the exhibition, KZNSA Gallery, Durban, 2009.

The winner of the 2009 award was Jane Oliver. The two runners up were Cynthia Msibi and Michele Silk.
Mabaso (T.) curator MAZ'ENETHOLE!, a selection from the Nelson Mandela Collection
24 pp., 4to., b/w & colour illus., paperback, Johannesburg, 1997. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1997.

Includes paintings, drawings, prints, photographs & sculptures of Nelson Mandela as well as a selection of gifts, honours and awards, documents and certificates from Mandela's private collection.
MacGarry (M.) GRAPHIC DESIGN,
177 pp., colour illus., paperback, Johannesburg, 2008. R290
A primer in South African graphic design, suitable for use by teachers and students.

Includes inteviews with graphic designers Peet Pienaar, Ruan Vermeulen, Olivier Schildt, Carina Comrie, Richard Hart and Garth Walker and an essay, "Design in the African Context" by Garth Walker.

Michael MacGarry is a graphic designer, writer and visual artist based in Johannesburg.
MacGarry (M.) WHEN ENOUGH PEOPLE START SAYING THE SAME THING, a solo exhibition by Michael MacGarry
24 pp., colour illus., paperback, Johannesburg, 2008. R95
Catalogue of the exhibition, Art Extra, Johannesburg, 2008.

Includes an interview with Michael MacGarry by David Brodie, as well as the artist's comments on his work.

Michael MacGarry was born in Durban in 1978. He is a visual artist based in Johannesburg. He is a member of the visual art collective AVANT CAR GUARD.
MacGarry (M.) END GAME, Standard Bank Young Artist Award 2010 Michael MacGarry
117 pp., 4to., illus., paperback, (Johannesburg), 2010. R200
Published in conjunction with the travelling exhibition, "Endgame", which opened at the National Arts Festival, Grahamstown, 2010.

Includes selected works 1999-2010, interview extracts 2008-2010, and the work produced for the Standard Bank show, "Endgame".

Michael MacGarry was born in Durban in 1978 and is now based in Cape Town.
MacGarry (M.) THE REPUBLIC OF LUANDA,
144 pp., 4to., colour illus., hardback, Johannesburg, 2011. R350
A collection of photographs taken by Michael MacGarry in Luanda, July-August 2009 and November-December 2010.
MacIntosh (R.) THE ART OF ROB MACINTOSH, introduction to photorealism
80 pp., oblong 4to., colour illus., paperback, (Paarl), 2011. R285
An introduction to the art and painting technique of photorealist painter Rob MacIntosh.
Mack (J.), Bouttiaux (A-M.), Sorber (F.) & van Cutsem (A.) AFRICAN COSTUMES AND TEXTILES, from the Berbers to the Zulus, the Zaira and Marcel Mis Collection
318 pp., 4to., maps, colour illus., hardback, d.w., Milan, 2008. R1646
This book presents historical and modern African costumes, textiles and accessories used for everyday wear and for special celebrations from the Zaira and Marcel Mis Collection, and explores the different techniques, influences and meanings behind them.

Includes a section on southern African beadwork with an essay, "Say It With Beads", by Anne-Marie Bouttiaux.
MacKenny (V.) KGWE-KGWE, Colbert Mashile
48 pp., colour illus., paperback, Cape Town, 2008. R135
Catalogue of the exhibition of paintings and prints, i-Art Gallery, Cape Town, 2008.

Includes the essays, "Vision of a Promised Land", by Virginia MacKenny and "An African Surrealist" by Alex Emsley.

Colbert Mashile was born in 1972 in Bushbuckridge in Mpumalanga Province, where he lives and works.
MacKenny (V.) & Lamprecht (A.) SVEA JOSEPHY, twin town
26 pp., colour illus., paperback, Cape Town, 2007. R80
Catalogue of the exhibition of photographs, Bell-Roberts Contemporary Art Gallery, Cape Town, 2007.

Inlcudes the essays, "The Constructed View" by Virginia MacKenny and "The Tyranny of Sameness" by Andrew Lamprecht.
Mackintosh (Theresa-Anne) JACKIE THE KID,
54 pp., colour illus., paperback, d.w., Durban, 2004. R215
Catalogue of the exhibition, NSA Gallery, Durban, 2004.

Includes a very small flipbook attached to the back cover.

"Jackie the Kid" is the title of a short animated film that forms the centrepiece of the exhibition. Also included in the exhibition are digital prints, drawings, paintings and a fibreglass sculpture of Tina, the main character in the film.

Catalogue also includes an interview with Theresa Mackintosh as well as an essay, "The Funniest Thing", by Carine Zaayman.
Mackintosh (Theresa-Anne) T.A. MACKINTOSH,
12 pp. folded, colour illus.,, Johannesburg, 2005. R95
Catalogue of the exhibition of paintings and ceramic sculptures, Franchise, Johannesburg, 2005.

Theresa-Anne Macintosh was born in 1968. She lives and works in Pretoria.
Mackintosh (Theresa-Anne.) MENAGERIE,
48 pp., b/w & colour illus., paperback, Johannesburg, 2007. R110
Catalogue of the exhibition of fibreglass sculptures, photographs and digital prints, Gallery MOMO, Johannesburg, 2007.

Includes the essay, "The Broken Unicorn", and an interview with the artist. both by Carine Zaayman

Theresa-Anne Mackintosh was born in 1968. She lives and works in Pretoria.
Madeline (L.) & Martin (M.) curators & eds. PICASSO AND AFRICA,
221 pp., 4to., colour & b/w illus., paperback, Cape Town, 2006. R300
Catalogue of the exhibition shown at the Standard Bank Gallery, Johannesburg & Iziko South African National Gallery, Cape Town, 2006.

Includes the essays "Picasso: impressions of Africa" & "The Picasso Continent" by Laurence Madeline, "Picasso's Collection of African and Oceanic Art - new research" by Peter Stepan, "Picasso en Nigritie" by Léopold Sédar Senghor, "Eye of the Beholder" by Dr Mogane Wally Serote, "All Encounters Produce Change - Africa, Picasso and beyond" by Marilyn Martin & "Guernica" by Peter Clarke.

Madikida (C.) CHURCHILL MADIKIDA, Standard Bank Young Artist for Visual Art 2006
83 pp., colour illus., paperback, Michael Stevenson, 2006. R150
Catalogue of the travelling exhibition first shown at the National Arts Festival, Grahamstown, 2006.

Includes the essays "Our Father" by Steve Kwena Mokoena & "Inside Out" by Colin Richards.

Churchill Madikida was born in Butterworth, Eastern Cape, in 1973. He lives and works in Johannesburg.
Mafundikwa (S.) AFRIKAN ALPHABETS, the story of writing in Afrika
170 pp., maps, b/w & colour illus., hardback, d.w., New York, 2004. R350
An informal review of African writing systems that emphasises the graphic aspects. Saki Mafundikwa is a Zimbabwean graphic designer, typographer and founder of the Zimbabwe Institute of Vigital Arts (ZIVA), a graphic design and new media training college in Harare, Zimbabwe. His well illustrated book identifies, defines and dicusses more than a dozen writing systems (pictographs, ideographs, syllabaries and alphabets) devised and designed by Africans. Included are sections on San rock art, Bantu symbol writing and Ndebele painters.
Maggs (T.) ed. MAJOR ROCK PAINTINGS OF SOUTHERN AFRICA, facsimile reproductions by R.Townley Johnson
95 pp., large 4to., map, colour illus., paperback, Reprint, Cape Town, (1979) 1991. OUT OF PRINT
Preface by Ray Inskeep.
Includes paintings from the Meads and Nuttalls Shelter in Natal, Skaapplaas and Orange Springs in the Orange Free State, Leeuwkraal and Buffelsfontein in the Eastern Cape, Glistening Grotto in the Southern Cape, Langkloof and Boontjieskloof in the Western Cape and Tsibab Ravine, Brandberg, in Namibia.
Magnin (A.) curator AFRICAN ART NOW, masterpieces from the Jean Pigozzi Collection
224 pp., map, colour illus., hardback, d.w., London, 2005. R520
Catalogue of the exhibition, The Museum of Fine Arts, Houston, Texas, 2005.

Artists include Willie Bester and Esther Mahlangu.

Foreword by Peter Marzio. Essays include "How Contemporary African Art Comes to the West" by Thomas McEvilley and "Always Something New: an African-American response to contemporary African culture" by Alvia J. Wardlaw. In "Two Conversations" Jean Pigozzi answers questions from André Magnin, Alison de Lima Greene and Alvia J.Wardlaw.
Magnin (A.) curator ARTS OF AFRICA, the contemporary collection of Jean Pigozzi
365 pp., 4to., colour illus., hardback, Monaco, 2005. R777
Catalogue of the exhibition, Girmaldi Forum, Monaco, 2005.

All the works come from the Contemporary African Art Collection - The Pigozzi Collection, Geneva.

Includes work by Willie Bester & Esther Mahlangu.
Magnin (A.) ed. CONTEMPORARY ART OF AFRICA,
192 pp., 4to., b/w & colour illus., hardback, d.w., New York, 1996. OUT OF PRINT
Includes work by South African artists Esther Mahlangu and Francina Ndimande, Johannes Maswanganyi, Johannes Segogela, Jackson Hlungwani, Zwelethu Mthethwa, Valente Ngwenya Malangatana, David Koloane, Tommy Motswai, Willie Bester, Henry Munyaradzi, Bernard Matemera & Nicholas Mukomberanwa.
Magubane (P.) photo & Klopper (S.) text HOMESTEADS,
96 pp., colour illus., paperback, Cape Town, 2001. R120
Text in English, French & German.
Part of the "African Heritage" series. Other titles available are "Arts and Crafts", "Ceremonies" and "Dress and Adornment".
Magubane (P.) photo. AFRICAN RENAISSANCE,
168 pp., 4to., colour illus., hardback, d.w., Cape Town, 2000. OUT OF PRINT
Text by Sandra Klopper.
Documents contemporary rural life in South Africa: traditional styles of dress, beadwork and other forms of adornment, rites of passage, artistic traditions and the murals and vernacular forms of architecture practiced in rural areas across the country.
Magubane (P.) photo. VANISHING CULTURES OF SOUTH AFRICA, changing customs in a changing world
168 pp., 4to., colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Photographer Peter Magubane captures the ornamentation, ceremonial and everyday dress, musical instruments, dances and rites of passage, art, homes and work of the ten major ethnic groups in South Africa - the San, Zulu, Ndebele, Basotho, Venda, Xhosa, Tsonga, Tswana, Pedi & Bantwane. The photographs are accompanied by text that describes the way of life, the religion, beliefs and customs, the medicine and magic and the social and political organisation of each group. Sandra Klopper, Manton Hirst, Alan Kirkaldy, Deborah James, Chris van Vuuren, Patrick Harries and Andrew Spiegel were consultants on the different groups. Hazel Friedman wrote the text on the Bantwane.
Magubane (P.) photo. MAN OF THE PEOPLE, a photographic tribute to Nelson Mandela
204 pp., 4to., b/w & colour illus., hardback,d.w., Johannesburg, 2008. R300
Photographer Peter Magubane began his career in 1954 with Drum magazine. He joined the Rand Daily Mail newspaper in 1966. He spent a total of 586 days in solitary confinement and was banned as a photographer for five years. In 1990 he was selected as Nelson Mandela's official photographer to chronicle South Africa's transition to democracy. He has published sixteen other books of photography, including "Vanishing Cultures of South Africa", "AmaNdebele", "Africa's Undiscovered People" and "Bantwane".

Includes the essays, "Through the Lens of a Resilient Storyteller" by Melanie Lawrence,
"'The Goodest Man in the World'" by Raymond Louw, and
"Generosity of Spirit" by Benjamin Pogrund.
Magubane (P.) photo. & Klopper (S.) text THE BANTWANE, Africa's undiscovered people
144 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 2001. OUT OF PRINT
Includes chapters on adornment, craft, homesteads and ceremonies. The Bantwane, originally from Botswane, live in Mpumalanga Province, South Africa.
Magubane (P.) photo. & Klopper (S.) text DRESS AND ADORNMENT,
96 pp., colour illus., paperback, Cape Town, 2001. R120
Text in English, French & German.
Part of the "African Heritage" series. Other titles available are "Ceremonies", "Arts and Crafts" and Homesteads".
Magubane (P.) photo. & Bristow (D.) & Motjuwadi (S.) text SOWETO, portrait of a city
156 pp., maps, b/w & colour illus., hardback, d.w., London, 1990. OUT OF PRINT
Foreword by Desmond Tutu.

A political history of Soweto told in photographs by Peter Magubane, with text by journalists David Bristow and Stan Motjuwadi.
Magubane (P.) photo. & Klopper (S.) text ARTS AND CRAFTS,
96 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Text in English, French & German.
Part of the "African Heritage" series. Other titles available are "Ceremonies", "Dress and Adornment" and "Homesteads".
Magubane (Peter) photo. & Klopper (S.) text AMANDEBELE,
152 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2005. R300
Documents Ndebele traditions, rituals, rites of passage, mural art and beadwork.
Maingard (J.) SOUTH AFRICAN NATIONAL CINEMA,
220 pp., illus., paperback, London & New York, 2007. R325
A history of South African cinema which "examines how cinema in South Africa represents national identities, particularly with regard to race". Jacqueline Maingard discusses cinema's role in the making, entrenching and dismantling of apartheid by analysing selected films: "De Voortrekkers" (1916), "The Symbol of Sacrifice" (1918), "Sarie Marais" (1931), "Moedertjie" (1931), "Jim Comes to Joburg" (1949), "Zonk!" (1950), "Song of Africa" (1951), "Cry, the Beloved Country" (1951), "Come Back, Africa" (1959), "Mapantsula" (1988), "Drum" (2004), "Zulu Love Letter" (2004) and "Tsotsi" (2005).

Jacqueline Maingard is a Senior Lecturer in the Department of Drama: Theatre, Film, Television at the University of Bristol.
Makhetha (T.) DUMILE FENI, a retrospective exhibition, resource book
28 pp., illus., paperback, Johannesburg, 2005. R50
Published to accompany the exhibition curated by Prince Dube, Johannesburg Art Gallery, 2005.

Suitable for use by high school learners.
Malan (C.) & McInerney (P.) eds. THE MAKING OF AN AFRICAN BUILDING, the Mpumalanga Provincial Government Complex
142 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2001. R335
"The Mpumalanga Provincial Government Complex...is the first major public building to have been commissioned in a newly constituted, democratic country. The project challenged all those involved to explore new approaches to architecture, both in process and product, and to give appropriate expression to the aspirations of a rapidly transforming society."
Malan (C.) & McInerney (P.) eds. BUILDING AN AFRICAN ICON, the Northern Cape Provincial Complex
148 pp., colour illus., paperback, Johannesburg, 2003. R345
The complex was designed by architect Ferreira da Silva and is adorned by artworks produced under the direction of project artist Clive van den Berg. The book covers the background to the project and includes extracts from the architects' reports and written contributions by the project artist and the landscape artist, Stuart Glen.

Essays include "Space and Transformation: representation of power in the new Northern Cape Legislature complex in Galeshewe, Kimberley, Northern Cape" by Iain Low, "An Exploration of the Baroque as a Response to the Challenge of African Architecture" by Anthony Lange, "The Artworks Integral to the Northern Cape Legislature Buildings" by Clive van den Berg, "The Architect as Artist" by Christoph Malan, "The Physical and Cultural Landscape of Space", and more.
Malgas (J.) & Couzyn (J.) KOOS MALGAS, sculptor of the Owl House
87 pp., b/w & colour illus., paperback, Nieu-Bethesda, 2008. R355
Preface by poet Jeni Couzyn.

The story of Koos Malgas, the man employed by Helen Martins to make the cement sculptures at the Owl House in Nieu-Bethesda, as told to Jeni Couzyn by his grandaughter, Julia Malgas. Koos' own words, recorded in a series of taped interviews with Egbert Gerryts not long before his death, are interwoven with Julia's memories of her grandfather.
Malope (T.) & Magabane (P.) photos. BLACK AMBITION, life in two lenses
30 pp., colour illus., paperback, Johannesburg, 2010. R140
A collection of photographs by photographer Paako Magubane and cinematographer Tebogo Malope. The photographs offer two different perspectives of the same township enviroment.

Foreword by Johnny Clegg.
Maluka (Mustafa) ACCENTED LIVING, (a rough guide)
35 pp., colour illus., paperback, Cape Town, 2005. R50
Catalogue of the exhibition, Michael Stevenson Gallery, Cape Town, 2005.

Mustafa Maluka was born in Cape Town in 1976. He lives in Cape Town and Amsterdam.

Includes an interview with the artist conducted by Sophie Perryer.
Maluka (Mustafa) THE INTERVIEW (A TRANSCRIPT),
35 pp., colour illus., paperback, Cape Town, 2007. R70
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.
Manake (M.) ECHOES OF AFRICAN ART, a century of art in South Africa
111 pp., b/w & colour illus., paperback, Reprint, Johannesburg, (1987) 2007. OUT OF PRINT
Foreword by Es'kia Mphahlele.

Includes traditional African art: rock paintings, mural paintings, basketware, beadwork, headrests and gourds and work by modern artists Noria Mabasa, Sydney Kumalo, Michael Zondi, Johannes Segogela, Lucas Sithole, Durant Sihlali, George Pemba, Gerard Sekoto, Helen Sebidi, Ephraim Ngatane, Cyprian Shilakoe, Julian Motau, Lucky Sibiya, Dan Rakgoathe, John Muafangejo, David Koloane, and others.

Manganyi (C.) A BLACK MAN CALLED SEKOTO,
201 pp., illus., paperback, Johannesburg, 1996. OUT OF PRINT
"In this fascinating narrative of exile, Chabani Manganyi, a clinical psychologist by training, draws on several in depth interviews with Sekoto and on his extensive correspondence to consider both the specificity and the universality of the life of a South African who chose to live in France in order to remain true to his creative commitments and talents."
Manganyi (C.) THE BEAUTY OF THE LINE, the life and times of Dumile Feni
150 pp., b/w & colour illus., paperback, Johannesburg, 2012. R280
A biography of Dumile Feni which includes the recollections of many of those whose lives intersected with Dumile's in Johannesburg, London and New York. Some of the people who contributed are Bill Ainslie, Omar Badsha, Linda Givon, Thembinkosi Goniwe, William Kentridge, David Koloane, Hugh Masekela, John Matshikiza, Elza Miles, Albie Sachs, Mogane Wally Serote and Lize van Robbroeck.

N Chabani Manganyi is Senior Research Fellow at the Unit for Advanced Study, University of Pretoria. He is also the author of "Gerard Sekoto, 'I am an African', a biography".
Manganyi (N.C.) GERARD SEKOTO, "I am an African", a biography
244 pp., b/w & colour illus., paperback, Johannesburg, 2004. R250
"Chabani Manganyi's biography is informed by the discovery, after Sekoto's death, of a 'suitcase of treasures', which contained previously unknown musical compositions, letters and a large quantity of notes, writings and private documents."
Marchand (T.H.J.) THE MASONS OF DJENN,
352 pp., maps, illus., paperback, Bloomington, 2009. R350
In the town of Djenné in Mali, a town renowned for its mud-brick architecture, anthropologist Trevor Marchand signs on as a builder's apprentice. In this book he describes his journey from raw labourer to skilled craftsman, the processes involved in making and renewing buildings and the raising of a mud-brick house. He also explores the professional associations of masons, their social networks and their training.

"An elegantly written and important anthropological study of indigenous knowledge, building practices, and social relationships among contemporary Djenné masons in Mali." Mary Jo Arnoldi, Smithsonian Institution

Trevor Marchand is Senior Lecturer in Social Anthropology at the School of African and Oriental Studies, University of London.
Marincowitz (H.) KAROOSTYLE, folk architecture of Prince Albert and environs
36 pp., map, illus., paperback, Second Edition, Prince Albert, (2006) 2008. R40
Helena Marincowitz has recorded the rural vernacular building style typical in Prince Albert and environs and still standing in 2005. "The town preserves examples of gabled Cape Dutch houses, Victorian, Georgian, Cape cottages, Neo Gothic churches and flat-roofed Karoostyle buildings."
Marinovich (G.) ed. PROSPECTS OF BABEL, new imagery from the Congo
116 pp., 4to., colour illus., paperback, Johannesburg, 2008. R225
Photographs taken in the Democratic Republic of the Congo by Leonie Marinovich, Greg Marinovich, Pieter Hugo, Victor Matom and Muntu Vilakazi from South Africa and Gary Knight and Marcus Bleasdale from the UK.

Text in English and French.
Markgraaf (S.) et. al. FUSION THROUGH ART, reflections on a legacy, from the collections of the National Cultural History Museum
28 pp. colour illus., paperback, Cape Town, 2004. R50
Catalogue of the exhibition, National Cultural History Museum, Cape Town, 2004.

Includes work by Frederick I'Ons, Thomas Baines, Thomas Bowler, Erich Karl Mayer, Pierneef, Coert Laurens Steynberg, Gerard Sekoto, Jo Maseko and others, as well as sections on rock painting, beadwork, basketry, pottery and woodcarving.

Marschall (S.) COMMUNITY MURAL ART IN SOUTH AFRICA,
290 pp., colour illus., hardback, Pretoria, 2002. R325
Includes images of mural art in Cape Town, Durban & Johannesburg.
Marschall (S.) & Kearney (B.) OPPORTUNITIES FOR RELEVANCE, architecture in the new South Africa
222 pp., b/w & colour illus., hardback, Pretoria, 2000. R197
Foreword by Albie Sachs.
Includes sections on community participation , design on a low budget, environmental design, appropriate materials and technology & culturally relevant architecture.
Martin (D.) illus. & text THE BISHOP'S CHURCHES, the churches of Anglican Bishop Robert Gray
96 pp., b/w & colour illus., paperback, Cape Town, 2005. OUT OF PRINT
Documents the 50 churches established between 1848 and 1880 by Bishop Robert Gray, the first Bishop of Cape Town. Forty of these churches were designed by his wife, Sophy. The text is accompanied by Desmond Martin's watercolours and line drawings of most of these buildings.
Martin (D.) text & illus. WALKING LONG STREET,
112 pp., b/w & colour illus., paperback, Cape Town, 2007. OUT OF PRINT
Author and illustrator Dr Desmond Martin's guide to the Victorian, Edwardian and Art Deco buildings in Long Street, Cape Town, including the building from which Clarkes Bookshop has operated for more than 50 years.

Martin (K.) PAUL DU TOIT, a painter's journey
112 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2004. R225
Paul du Toit (1922-1986), a one-time student of Jean Welz, is known for his landscapes and seascapes as well as his non-figurative paintings.
Martin (M.) & Dolby (J.) eds. ALBERT ADAMS, journey on a tightrope
119 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R390
Catalogue of the retrospective exhibition, Iziko South African National Gallery, Cape Town 2008.

Painter and printmaker Arthur Albert Hugh Adams was born in Johannesburg in 1929. Forbidden to study at the Michaelis School of Fine Art because of the policy of "seperate development", he was awarded a scholarship to the Slade School of Art in London where he studied from 1953 to 1956. In 1957 he enrolled for a course study at the Munich Academy of Arts and later that year attended master classes under Oscar Kokoschka. In the late 1950s he returned to Cape Town and exhibited extensively until 1960 when he left South Africa to settle in London. He taught at various secondary schools and lectured in art history at the City University for 18 years. He died in 2006.

Contributions include "Portrait of a Friendship - words for Albert Adams" by Peter Clarke,
"'Resurrected: the 'Crucified Dark Man'"by Elza Miles,
"Beloved Comforter: Albert Adams as a printmaker - an appreciation" by Joe Dolby,
"'The task of the artist is to see' (Oscar Kokoshka)" by Marilyn Martin, and
"'The Burden of Humanity on His Back: Albert Adams' lifelong struggle'" by Crain Soudien.


Martin (M.) curator & ed. A VIGIL OF DEPARTURE - LOUIS KHEHLA MAQHUBELA, a retrospective 1960-2010
109 pp., 4to., b/w & colour illus., hardback,, Johannesburg, 2010. R310
Catalogue of the travelling retrospective exhibition which opened at the Standard Bank Gallery, Johannesburg, 2010.

Includes an appreciation by John MacLean and a short essay, "A Journey; as artists and friends", by David Koloane.

Painter Louis Khehla Maqhubela was born in 1939 in Durban. While at high school he joined Durant Sihlali's weekend artists group and later studied under Cecil Skotnes and Sydney Khumalo at the Polly Street Art Centre. In 1973 he left South Africa for Spain, settling in London in 1976, where he currently lives and works.
Martin (M.) et. al. ABSTRACT SOUTH AFRICAN ART FROM THE ISOLATION YEARS, volume 3, winter 2009
80 pp., colour illus., paperback, Stellenbosch, 2009. R165
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery (SMAC), 2009.

Introduction by Marilyn Martin.

Includes work by Bill Ainslie, Walter Battiss, Christo Coetzee, Cecil Higgs, Sydney Kumalo, Ephraim Ngatane, Sam Nhlengethwa, Larry Scully, Lucky Sibiya, Cecil Skotnes, Edoardo Villa, and many others.
Mason (A.) WHAT'S SO FUNNY?, under the skin of South African cartooning
248 pp., 4to., illus., paperback, Cape Town, 2010. R295
A history of South African cartooning from the colonial period to today.

"A wonderfully readable and excellently researched account of one of the most neglected art forms in South Africa. Andy Mason is South Africa's foremost comics and cartooning historian: since the late 1970s he has befriended the best contemporary South African cartoonists and the resultant mix of autobiography and journalism is both gripping and illuminating. He passionately explores satire and the racial complexities of both the old and new South Africas, making this book indispensable to anyone with an interest in African politics." Anton Kannemeyer (Joe Dog), co-creator, "Bitterkomix"

"By far the best and most politically astute account ever of South African cartooning." Zapiro

"Absolutely brilliant! Everything you ever wanted to know about South African cartoonists but were afraid to ask." Stephen Rico, co-creator, "Madam & Eve"

Andy Mason has been actively involved in cartooning and comic art since the late 1970s. He worked on "Staffrider" magazine, launched the underground comix magazine PAX and co-founded the graphic design and publishing agency Artworks Communications. In the early 2000s he established the Durban Cartoon Project and "Mambo Comix". In 2008 he co-founded the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University and in 2009 co-edited the first in a series of annual anthologies of South African political cartooning.
Mason (A.) ed. MAMBA COMIX ANNUAL, number 4
96 pp., 4to., b/w & colour illus., paperback, (Durban), 2006. R90
Includes comics by Rico, Tyron Love, Themba Siwela, Mike Scott, Alastair Findlay, N.D.Mazin, Alastair Laird, Mogorosi Motshumi, Yalo, John Dunning & Nikkil Singh, Annelize Willemse, Jason Bronkhorst, Monoli Hadebe, Thabani Gumede, Brendon Hayes & Luke Molver .
Mason (A.) ed. MAMBA COMIX, no.5, the horror lies within
96 pp., illus., paperback, Durban, 2007. R95
Published annually by the Durban Cartoon Project.

Includes comics by N.D.Mazin, Alastair Findlay, Jason Bronkhorst, Jeff Rankin, Luke Molver, and others.
Mason (J.) et. al. PAUL STOPFORTH,
96 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2010. R195
Introduction by Judith Mason.

Includes the essays "Collecting Evidence: art and the apartheid state" by Anne Sassoon,
"The Logic of the Relic: traces of history in stone and milk" by Leora Maltz-Leca,
"Exile on Main Street: the American works of Paul Stopforth, 1989-2009" by Kate McCrickland.

Number 15 in the TAXI Art Books series on contemporary South African artists.

Early in his career, in the late 1970s and 1980s, Paul Stopforth produced work that directly confronted the issues of torture and detention. In 1988 he emigrated to the United States. He taught for the School of the Museum of Fine Arts at Tufts University and the Visual and Environmental Studies Department at Harvard University. He is currently on the faculty of the School of the Museum of Fine Arts in Boston, Massachusetts.
Mason (J.), Schimmel (G.) & Conradie (A.) FRED SCHIMMEL, retrospective
151 pp., b/w & colour illus., paperback, Stellenbosch, 2008. R310
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Art Gallery (SMAC), 2008.

Includes the essays "The Man Who Put Red and Green Together" by Judith Mason,
"On a Personal Note, some biographical thoughts" by Gail Schimmel, and
"Fred Schimmel: five decades of making art 1954-2008" by Annemi Conradie.

Painter and printmaker Fred Schimmel was born in Amsterdam in 1928. His family moved to South Africa in 1948.
Massie (A.) curator AWAY FROM HOME,
111 pp., b/w & colour illus., paperback, Columbus, 2003. R150
Catalogue of the exhibition, Columbus College of Art & Design, Canzani Center Gallery, Columbus, Ohio, 2003.

Artists include Lisa Brice, born in Cape Town, South Africa, and now living and working in London.

Introduction by Annetta Massie. Includes the essays, "Away From Home" by Mark Cousins, "'Baywatch' on the Amazon" by Jan Avgikos and "An 'Away from Home' Guide" by Jeffrey Kipnis.
Massimbe (J.) ARTE ASSINADA NO FEMININO, exposição no Museu Nacional de Arte de 03 de Out. a 03 de Nov. de 2002
6 pp., colour illus., folded, Maputo, 2002. R30
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 2002.
Features the work of Anésia Mandlate, Berry (Berry Bickle), Meme (Maria Manuel Torcato Ataíde), Myrian Rocuts (Myriam Rocuts), Nelma (Nelma de Sousa) and Reinata (Reinata Sadimba).
Text in Portuguese.
Massimbe (J.) & Dias (J.) ANIMAIS, Representação e Caracterização
22 pp., b/w & colour illus., paperback, Maputo, 2008. R95
Catalogue of the exhibition of photographs, sculpture, prints and installation art, Museu Nacional de Art, Maputo, 2008.

Artists represented are Berry Bickle, José Cabral, Vinício Soares, Gonçalo Mabunda, Kester, Anésia Manjate, Simões, and Mary Brych.

Text in Portuguese.
Massimbe (J.) et. al. EXPO CONTEMPORNEA DE MOAMBIQUE,
39 pp., 4to., colour illus., paperback, Maputo, 2004. R150
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 2004.

Mozambican artists represented include Alipache, Anésia Manjate, Butcheca, Carmen Muianga, César Torres, Chocate Ali, Faizal Omar, Gemuce, Ildo Infante, Ivan Serra, Jorge Dias, Luís Muiéngua, Madoricane, "Mouzinho", "Mudaulane", "Muthewuye", Pinto, Titos Mabota, Tsenane, Vânia Lemos, Victor Sousa, Walter & Xavier M'beve.

Text in Portguese.
Massimbe (J.) et. al. DOMINIQUE MACOND, Mozambique - La Réunion
147 pp., map, b/w & colour illus., paperback, Réunion, 2006. R550
Catalogue of the exhibition, Musée Historique de Villèle, Réunion, December 2006-September 2007.

Includes the essays "L'art Makondé dans les Musées du Mozambique" by Julieta Massimbe,
"Les sources d'une identité" by Jean Barbier,
"Sur les origines et l'histoire des Makondé du Mazambique" by Gergard Liesegang,
"La sculpture Makondé" and "Reinata Sadimba, une artiste de convictions" by Gianfranco Gandolfo,
"Matias Ntundu ou le désir 'd'écrire' des histoires sur le bois" by Alda Costa,
and "Mueda 1998, photographies de José Cabral" by Fernando Manuel.

Text in Portuguese and French.
Mathews (P.) ARCHITEXTURE,
133 pp., colour illus., paperback, Pretoria, 2003. R245
Peter Mathews is an architect practising in Pretoria.
A guide to the use of texture in South African architecture.
Matt (G.) et. al. curators & eds. BLACK, BROWN, WHITE, fotografie aus Südafrika/ photography from South Africa
239 pp., b/w & colour illus., paperback, Nürnberg, 2006. R350
Catalogue of the exhibition, Kunsthalle Wien, 2006.

Photographers are Omar Badsha, David Goldblatt, Pieter Hugo, Thando Mama, Zwelethu Mthethwa, Jo Ractliffe, Berni Searle and Andrew Tshabangu.

Includes the essay, "Black, Brown, White" by Gerald Matt, Thomas Mie?gang & Jyoti Mistry and texts by Mongane Wally Serote, Oswald Mtshali, Ivan Vladislavíc, and others.
Maurice (E.) ed. LAST LIGHT, fugitive images from deep space, Karel Nel
43 pp., maps, b/w & colour illus., paperback, Johannesburg, 2007. R160
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2007.

Includes an introduction, "Light, Dust, Leaves and Currency, the work of Karel Nel" by Emile Maurice and the essays, "Status of Dust: a profane spirituality, a radical materiality" by Jessica Dubow &"The Secret Life of Forms" by Peter de la Porte, as well as comments by the artist on his work.

Karel Nel was born in 1955. He is Associate Professor of Fine Art at the University of the Witwatersrand.
Maurice (E.) et. al. (co-ordinators) DISTRICT SIX, image and representation
28 pp., oblong 4to., illus., paperback, Cape Town, 1995. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1995.
Introduction by Marilyn Martin.
Includes the essays "Representation and Struggle" by Crain Soudien and Lalou Meltzer and "The Sore on the Queen's Forehead" by Emile Maurice.
Artists include Erik Laubser, Max Wolpe, Roderick Sauls and Lionel Davis.
Mbatha (A.) WITHIN LOVING MEMORY OF THE CENTURY, an autobiography
369 pp., map, illus., hardback, Pietermaritzburg, 2005. R280
Azaria Mbatha was born in 1941 at Ensukazi in Zululand. After studying art at Sandlwane he received a scholarship to study art in Sweden, settling permanently in that country in 1969. He returned to South Africa for the first time in 1992. The book is illustrated with linocuts selected by the artist.
McCluskey (A.T.) ed. THE DEVIL YOU DANCE WITH, film culture in the new South Africa
236 pp., illus., paperback, Urbana & Chicago, 2009. R350
Twenty-five interviews with established and emerging South African filmmakers, collected and edited by Audrey Thomas McCluskey. Includes a biographical profile of each filmmaker and an introductory essay by McCluskey, an associate professor of African American and African diaspora studies at Indiana University. He also served as the director of the Black Film Center/Archive at Indiana University.

Filmmakers include Ingrid Gavshon, Kgafela oa Magogodi, Angus Gibson, Kevin Harris, Zola Maseko, Jyoti Mistry, Khalo Matabane, Letebele Masemola Jones, Teboho Mahlatsi, and Bhekizizwe Peterson.
McGillivray (K.) INTRODUCING SOUTH AFRICAN ART DECO FURNITURE, published in celebration of the 7th World Congress on Art Deco, Cape Town, March 2003
22 pp., b/w & colour illus., paperback, Cape Town, 2003. R110
Includes examples of furniture manufactured in the Art Deco style in the Cape by D.Isaacs, H.Ospovat (Duros), Bell,Webb & Bell (Belweb), the Colonial Furnishing Company, the United African Furnishing Company, Jackson's and Rosens in the period.
Mchunu (V.) AMANDEBELE, signals of colour from South Africa/ farbsignale aus Südafrika
175 pp., 4to., maps, b/w & colour illus., hardback, d.w., Tübingen, 1991. OUT OF PRINT
Published to accompany the travelling exhibition which opened in Berlin in 1991.
Examines mural painting, clothing and beadwork.

Includes "Commuting between KwaNdebele and Pretoria - photoimpressions" by David Goldblatt. Essays include "AmaNdebele-People of Beauty from South Africa, a short history" by Vusi Mchunu, "Mother Holds the Knife on the Sharper Side" by Gavin Younge, "Mural Painting in South Africa" by David Koloane, "The House: function and signification in the art of the AmaNdebele" by Wolfger Pöhlmann, and more. The text also includes interviews with women mural painters.

Text in English & German.

McIlleron (Anne) WANTED EVERYTHING,
23 pp., colour illus., paperback, Johannesburg, 2005. R110
Catalogue of the exhibition, Goodman Gallery, Johannesburg, 2005.

Anne McIlleron was born outside Johannesburg in 1968. She lives and works in Johannesburg. She works with photography and video.

Text by Anne Stanwix.
McInnes (J.) & Koseff (L.) comps. COMPENDIUM OF TAXI ART BOOKS EDUCATIONAL SUPPLEMENTS,
270 pp., illus., paperback, Johannesburg, 2008. R280
Contains all the Educational Supplements originally published as a supplement to the TAXI Art Books series. These supplements, for use by teachers and learners, provide accessible information on the following artists:
Diane Victor by Jacki McInnes and Lara Koseff,
Sandile Zulu by Philippa Hobbs,
Willem Boshoff by Philippa Hobbs,
Deborah Bell by Ruth Sack,
Kagiso Pat Mautloa by Philippa Hobbs,
Steven Cohen by Jillian Carman,
Noria Mabasa by Wilhelm van Rensburg,
David Koloane by André Croucamp,
Lien Botha by Ashraf Jamal,
Santu Mofokeng by Philippa Hobbs,
Jeremy Wafer by Philippa Hobbs,
Samson Mudzunga by Philippa Hobbs,
Jo Ractliffe by Brenda Atkinson and Philippa Hobbs.
They also include practical exercises, discussion topics, writing projects and new practical guidelines for Visual Arts Studies for Grades 10, 11, and 12.
McInnes (J.) curator A LEGACY OF MEN,
39 pp., colour illus., paperback, Johannesburg, 2007. R145
Catalogue of the exhibition, Johannesburg Art Gallery, November 2007 - January 2008.

This exhibition was held in conjunction with the 16 Days of Activism campaign which aims to stimulate public awareness of women abuse and offers a male perspective on domestic violence.

Participating artists are Pierre Fouché, Robert Hamblin, Lawrence Lemaoana, Nicholas Hlobo, Mikhael Subotzky, Johan Thom and Kemang wa Lehulere.

Foreword by Clive Kellner. Introduction by Jacki McInnes. Includes the essay, "Engendering Debate, situating a legacy of men" by Kim Gurney.
McQuiston (L.) curator UPFRONT AND PERSONAL, three decades of political graphics from the United Kingdom, plus southern African political graphics
180 pp., colour & b/w illus., paperback, Second Edition, Cape Town, (2003 2004. R150
Caralogue of the travelling exhibition shown throughout Southern Africa, 2004.

Includes a chapter on South African political graphics with work by Jonathan Shapiro (Zapiro), Conrad Botes & Brett Bailey, amongst others, as well as chapters on socio-political graphics from Botswana & Mozambique.
Meckel (D.) photo. & text & Keune (O.) text STRAIGHT TALK, voices from the new South Africa
156 pp., colour illus., hardback, d.w., Cape Town, 2004. R190
Darwin Meckel and Ole Keune interviewed South Africans from diverse backgrounds in an attempt to gain insight into the country as it is today, after a decade of democracy.
Meintjes (J.) & Pettitt (G.) comps. THE STANDARD BANK NATIONAL DRAWING COMPETITION/ DIE STANDARD BANK SE NASIONALE TEKENKOMPETISIE,
58 pp., b/w & colour illus., paperback, 1987, Johannesburg. OUT OF PRINT
Catalogue of the travelling exhibition first shown at The Standard Bank National Arts Festival, Grahamstown, 1987.

Catalogue includes work by Beezy Bailey, Norman Catherine, William Kentridge, David Koloane, Thomas Motswai, Helen Sebidi, Cecil Skotnes, Penelope Siopis, Clive van den Berg, Diane Victor, and many others.
The award winners were Jeremy Wafer (first prize), Paul Emsley & Margaret Vorster (merit awards).

Text in English & Afrikaans.
Meintjes (J.) comp. VITA ART NOW, Johannesburg Art Gallery, 03.05.1989 - 18.06.1989
64 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1989.

The catalogue contains entries for 114 artworks by 48 South African artists, all of whom were selected to take part in the Vita Art Now exhibition. Artists include David Brown, Philippa Hobbs, Thomas Motswai, Joachim Schönfeldt, Marion Arnold, Kevin Brand, Wilma Cruise, William Kentridge, Jurgen Schadeburg, Johannes Segogela & Gerard Sekoto.

Text by Christopher Till & Elsa Miles in English & Afrikaans.
Meintjes (J.) curator VIVIAN VAN DER MERWE,
12 pp., colour illus., paperback, Stellenbosch, 2001. R40
Catalogue of the exhibition, Tokara Restaurant, Stellenbosch, 2001.

Vivian van der Merwe was born in 1956 in Cape Town. He was awarded his Master of Fine Art, University of Cape Town in 1983. He currently lives and works in Stellenbosch.
Meintjes (J.) curator JOHANN LOUW/ CLARE MENCK/ KENNETT SINCLAIR,
20 pp., colour illus., paperback, Stellenbosch, 2002. R40
Catalogue of the exhibition, Tokara Restaurant, Stellenbosch, 2002.

Johann Louw was born in 1965 in Cape Town. Clare Menck was born in 1969 in Durban. Kennett Sinclair was born in 1965 in Cape Town.
Meintjes (J.) curator THE LANDSCAPE, places seen through the eyes of 56 artists
63 pp., 4to., colour illus., paperback, Johannesburg, 2001. R106
Catalogue of the selling exhibition, Northwoods, Johannesburg, 2001.

Includes work by Samuel Daniel, Thomas Bowler, Pieter Wenning, Frans Oerder, Walter Battiss, Jacob Hendrik Pierneef, Wolf Kibel, Irma Stern, Gerard Bhengu, Gregoire Boonzaier, Gerard Sekoto, Durant Sihlali, Clifford Mpai, Johann Louw, and many others.
Meintjes (J.) curator TRACES, Jan du Toit, Henk Serfontein, Helen Timm, Adriaan van Zyl and Aidon Westcott.
10 pp., colour illus., paperback, Johannesburg, 2008. R20
Catalogue of the exhibition of paintings, Tokara winery between Stellenbosch and Franschhoek, 2008.
Meintjes (J.) et. al. comps. NICHOLA LEIGH,
11 pp., colour illus., paperback, Cape Town, 2008. R25
Catalogue of the exhibition of landscape paintings, UCT Irma Stern Museum, Cape Town, 2008.

Nichola Leigh was born in 1966. She lives and works in Pietermaritzburg.
Meintjes (J.) et. al. comps. DIAMOND BOZAS,
11 pp., colour illus., paintings, Cape Town, 2008. R25
Catalogue of the exhibition of paintings, UCT Irma Stern Museum, Cape Town, 2008.

Diamond Bozas was born in Isipingo in 1923. He lives and works in Eshowe.

Meintjes(J.) & Maree (I.) comps. HATS OFF!, 25 Years: Linocuts from Caversham
15 pp., b/w & colour illus., paperback, Johannesburg, 2010. R50
Catalogue of the exhibition, Tokara, a wine estate between Stellenbosch and Franschhoek, 2010.

This exhibition celebrates twenty-five years of Caversham Press, Educational Trust and Centre for Artists and Writers in the Natal Midlands, run by master printer Malcolm Christian and his wife, Ros. Includes work by Andrew Verster, Robert Hodgins, Colbert Mashile, William Kentridge, Peter Clarke, and Penny Siopis.
Mendel (G.) photo. A BROKEN LANDSCAPE, HIV & Aids in Africa
207 pp., illus., hardback, d.w., Reprint, Johannesburg, (2001) 2002. R110
Gideon Mendel, a leading photojournalist, was born in Johannesburg in 1959. He moved to London in 1990 and has been documenting the Aids pandemic in Africa since 1993. He won the Eugene Smith Award for Humanistic Photography in 1996.

Mendel photographed and gathered personal testimonies from AIDS sufferers in Malawi, South Africa, Tanzania, Uganda, Zambia and Zimbabwe.
Meneghelli (V.) et. al. LA MIA VITA, LA MIA COLLEZIONE/ MY LIFE, MY COLLECTION, memorie e pezzi selezionati dlla collezione di Vittorio Meneghelli/ memoir and selected pieces from the collection of Vittorio Meneghelli
459 pp., b/w & colour illus., paperback, Johannesburg, 2007. R855
The Meneghelli collection includes traditional and contemporary African art, with work by Lucky Sibiya, Tito Zungu, Cecil Skotnes, Norman Catherine, Nils Burwitz, Edoardo Villa, Paul Emmanuel, David Brown, Robert Hodgins, William Kentridge, John Muafangejo, Pippa Skotnes, Guiseppe Cattaneo and Helmut Starke.

Vittorino Meneghelli is a collector and gallery owner in Italy and South Africa, exhibiting both contemporary and traditional African art.

Includes the essay,"Vittorino Meneghelli: bold collector of the unexpected", by Karel Nel.

Text in English & Italian.
Mennen (I.) & Daly (N.) text & Maritz (N.) illus. ASHRAF IN AFRICA,
30 pp., colour illus., paperback, Cape Town, 1990. OUT OF PRINT
A children's story book illustrated by Nicolaas Maritz.
Merrett (J.) ed. PUBLIC SPACE, volume one - stencil graffiti
48 pp., colour illus., paperback, Cape Town, 2004. R57
A publication promoting all forms of street art and its culture. This volume focuses on stencil grafitti.

Includes interviews with Cape Town street artists known as "Paint Drip Risks", "Uturn Project", "No Respect" and "Supa" and photographs of stencil art seen on the streets of the city.
Mertens (A.) photo. SOUTH WEST AFRICA, and its indigenous peoples
124 pp., 4to., map, b/w & colour illus., hardback, d.w., London, 1966. OUT OF PRINT
Introduction by Stuart Cloete.
Metz (G.) et. al. curators ART AGAINST APARTHEID,
12 pp., oblong 4to., colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, South African Parliament, 1996.

Artists from all over the world donated artworks for a collection that is to form the basis of a future museum against apartheid.

Includes work by Malangatana & Gavin Jantjes.
Meyersfeld (M.) photo. GAZE,
219 pp., 4to., colour illus., hardback, Cape Town, 2003. R390
Portraits of gay South Africans.
Foreword by Mr Justice Edwin Cameron.
Miescher (G.) & Henrichsen (D.) AFRICAN POSTERS, a catalogue of the poster collection in the Basler Afrika Bibliographien
301 pp., 4to., colour illus., hardback, Basel, 2004. R625
Includes posters by liberation movements like SWAPO, ANC, ZANU and FRELIMO, solidarity and anti-apartheid posters, election posters from Namibia, South Africa, Zimbabwe and Mozambique, as well as posters focusing on nation building, awareness and health, religious posters and posters advertising cultural events in these countries.
Miescher (G.), Rizzo (L.) & Silvester (J.) eds. POSTERS IN ACTION, visuality in the making of an African nation
256 pp., 4to., b/w & colour illus., paperback, Basel, 2009. R795
"This publication is the result of six years of collaborative work based on the research and documentation of the two large collections of Namibian posters held at the National Archives of Namibia (ANA) and the Basler Afrika Bibliographien (BAB) in Switzerland." In this volume scholars from both countries argue that these posters "form an important part of Namibia's heritage in the field of visual history, and that the historical posters in these collections played a crucial role in shaping the visual representation of Namibia"

Contributions include "Posters, T-shirts and Placards: images and popular mobilisation in Rundu during the liberation struggle" by Kletus Likuwa and Bertha Nyambe,
"Images of the Cassinga Massacre - contested visualities" by Nadja Borer,
"'Strictly Members Only'- the circulation of SWAPO posters in northern Namibia during the liberation struggle" by Martha Akawa, and
"'The Struggle is Futile' - a short overview of anti-SWAPO visual propaganda" by Jeremy Silvester.
Mikula (M.) ed. MAGGIE MIKULA, from clay, a retrospective
88 pp., b/w & colour illus., paperback, Durban, 2004. R255
Catalogue of the exhibition, Tatham Art Gallery, Pietermaritzburg, 2004.

Maggie Mikula was born in Durban in 1941. She is regarded as one of the first South African ceramicists to incorporate into her work aspects of indigenous African art and, as such, was very influential in changing ceramic style in Natal and throughout the country. She died in 1989.

Introduction by Andrew Verster. Includes the essays "Maggie Mikula - a ceramic artist of vision" by Jill Addleson, "A Personal Vocabulary" by Vee Bauer & "A Brief History of Maggie the Ceramicist" by Paul Mikula as well as tributes by fellow artists, museum curators and critics.
Miles (E.) NOMFANEKISO, who paints at night, the art of Gladys Mgudlandlu
95 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2002. R225
Gladys Mgudlandlu (1917-1979) "was primarily self-taught, and she translated the time-honoured narratives and customs of her people - Fingo and Xhosa - into paintings, drawings and etchings."
Miles (E.) THE WORLD OF JEAN WELZ,
143 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1997. OUT OF PRINT
Jean Welz (1900-1975), architect, artist and art teacher, was born in Salzburg, Austria, and emigrated to South Africa at the age of 37. He is most well-known for his landscapes, still lifes, nude studies & portraits.
Text translated from the Afrikaans by Julia Meintjies.
Miles (E.) LAND AND LIVES, a story of early black artists
190 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1997. OUT OF PRINT
An account of black artists born in the nineteenth and early twentieth centuries. Includes sections on Gerard Bhengu, Gerard Sekoto, George Pemba, Gladys Mgudlandlu, Ernest Mancoba, Jan Schoeman (Outa Lappies), Peter Clarke, and many more.
Miles (E.) POLLY STREET, the story of an art centre
167 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2004. R295
Polly Street Art Centre was established in 1949 by a group of artists who began to teach art voluntarily to black South Africans. Cecil Skotnes, Larry Skully, Gideon Uysand Fred Scimmel taught at the centre. Sydney Kumalo, Ezrom Legae, Louis Maqhubela, Leonard Matsoso, Nat Mokgosi, Isaiah Moeketsi, Durant Sihlali, Lucas Sithole, Ephraim Ngatane and Dumile Feni were students there.

Foreword by Jack Ginsberg.

Includes a separate 6 pp., resource for educators and learners in the visual arts written by Helene Smuts entitled "Looking for no.1 Polly Street".
Miles (E.) A LIBERATORY VISION, Maggie Laubser from the Sanlam Art Collection
56 pp., 4to., colour illus., paperback, Cape Town, 2004. R140
Includes the essay "Beyond the Framework, the art of Maggie Laubser" by Elsa Miles.

A complete listing of all 88 works attributed to Laubser in the Sanlam Art Collection. Since 19 of these works are painted on both sides the total number of images is 107.

Text in English & Afrikaans.
Miles (E.) LIFELINE OUT OF AFRICA, the art of Ernest Mancoba
95 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1994. OUT OF PRINT
Sculptor, painter and printmaker Ernest Mancoba was born in 1904 in Johannesburg. He left South Africa in 1938 for Paris where he died in 2002.
Miles (E.) curator & text ERNEST MANCOBA, a resource book
48 pp., illus., paperback, Johannesburg, 1994. OUT OF PRINT
Published to coincide with the opening of "Hand in Hand: a retrospective exhibiton of Ernest Mancoba and Sonja Ferlov Mancoba", Johannesburg Art Gallery, 1994. Written in an accessible way for use by secondary school students.
Ernest Mancoba was born in Johannesburg in 1904. Sonja Ferlov was born in Copenhagen in 1911. Mancoba left South Africa for Paris in 1938. There he met Sonja Ferlov. They married in 1942.
Miles (E.) et. al. IRMA STERN, expressions of a journey
191 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2003. R335
Catalogue published in conjunction with the retrospective exhibition of the works of Irma Stern (1915-1965): Portraits (1917-1961), Figure Studies (1916-1965), Landscapes (1922-1966), Still-Lifes (1912-1963), Standard Bank Gallery, 25 September - 29 November 2003.
Millar (M.) JOURNEY OF A TALL HORSE, a story of African theatre
237 pp., illus., paperback, London, 2006. R230
In 2004 a group of performers and writers from around the world collaborated to tell the story of a giraffe presented to King Chalres X of France in 1826. They made use of puppets, actors, dancers, stilt-walkers, music, costumes and graphics and incorporated a range of theatrical styles and techniques. The show was co-produced by Basil Jones of the Handspring Puppet Company and the Sogolon puppet troupe of Mali. Adrian Kohler was responsible for set and costume design.The international team included director Marthinus Basson, video artist Jaco Bouwer and composer Warrick Sony, all South Africans, as well as Yaya Coulibaly, the puppet-maker and director from Mali, choreographer Koffi Kôkô from Benin and writer Khephra Burns from New York. The book includes Burns's performance script. Theatre director and puppet specialist Mervyn Millar was present as observer, chronicler and assistant director.
Miller (P.) comp. MUSIC FOR THE FILMS OF WILLIAM KENTRIDGE,
CD, 69 minutes running time, Johannesburg, 1999. R125
Philip Miller was born in London in 1964 and grew up in Cape Town.
The CD contains his scores for William Kentridge's animated films "Memo", "Felix in Exile", "Hotel", "Weighing...and Wanting" and "Stereoscope". Also includes edited extracts of a radio interview with Kentridge and Miller by Mary Rörich", broadcast in 1998.


Miller (P.) comp. MUSIC FROM THE SOUNDTRACK TO WILLIAM KENTRIDGE'S BLACK BOX / CHAMBRE NOIR,
CD, 24 minutes running time, Johannesburg, (2005). R95
Philip Miller was born in 1964 in London and grew up in Cape Town. He has composed music for many of Kentridge's films.
Miller (P.) composer MUSIC FROM WILLIAM KENTRIDGE'S "9 DRAWINGS FOR PROJECTION",
CD, 52 minutes running time, (Johannesburg), No Date. R125
Philip Miller was born in 1964 and grew up in Cape Town. He has composed music for many of Kentridge's films.
Ministério da Cultura, Departamento de Museus ARTE MAKONDE, caminhos recentes, exposição
90 pp., 4to., b/w & colour illus., paperback, (Maputo), (1999). OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, 1999.
Includes the work of Reinata Sadimba, Nkabala Ambelikola, Miguel Valinge and Celestino Tomás, amongst many others.
Text in English, Portuguese and French.
Minty (Z.) & Davids (C.) curators RETURNING THE GAZE, Public Arts Project at the Cape Town One City Festival 2000
40 pp., oblong 4to., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Catalogue of the exhibition, Cape Town, 2000.
The project made use of postcards, billboards, murals and a web animation to raise issues of power, race, culture and identity in the city of Cape Town.
Artists involved include Brett Murray & Berni Searle.
Minty (Z.) curator A PLACE CALLED HOME, a contemporary art show with artists from the South Asian diaspora
64 pp., colour illus., paperback, Cape Town, 2004. OUT OF PRINT
Catalogue of the exhibition, NSA Gallery, Durban and Iziko: South African National Gallery, Cape Town, 2004.
Essays include "Making Place" by Zayd Minty and "Hidden Art Histories in Durban" by Nasan Pather.
Includes work by the South Africans Omar Badsha, Faiza Galdhari, Zen Marie and Usha Seejarim.
Mitchell (P.) & Smith (B.) eds. THE ELAND'S PEOPLE, new perspectives on the rock art of the Maloti-Drakensberg Bushmen, essays in memory of Patricia Vinnicombe
214 pp., b/w & colour illus., paperback, Johannesburg, 2009. R400
A companion volume to Patricia Vinnicombe's groundbreaking book on the rock art of the Maloti-Drakensberg Bushmen, "People of the Eland", published in 1976 and reprinted in 2009. In their essays leading scholars in the field explain how knowledge has changed since the publication of "People of the Eland", but how current research is still influenced by the book.

Essays include "Contextualising 'People of the Eland'" by Lynn Meskell,
"Originals and Copies: a phenomenological difference" by Nessa Leibhammer,
"Meaning Then, Meaning Now: changes in the interpretative process in San rock art studies" by David Pearce, Catherine Namono and Lara Mallen,
"Images in Time: advances in the dating of Maloti-Drakensberg rock art since the 1970s" by Aron Mazel,
"Gathering Together a History of the 'People of the Eland': towards an archaeology of Maloti-Drakensberg hunter-gatherers" by Peter Mitchell, and
"Rereading 'People of the Eland'" by David Whitley.

Peter Mitchell is Professor of African Archaeology, University of Oxford.
Benjamin Smith is the Director of the Rock Art Research Institute, University of the Witwatersrand.
Mitha (H.) ed. CONTEMPO, arts + culture + design, Aug/Sept 2006, number 3
96 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2006. R68
Includes profiles on artists Wim Botha, Richard Scott and Pamela Stretton, articles on the 2006 ABSA L'Atelier Art Competition, architect Revel Fox and the Tyronne Appollis Retrospective Exhibition, a look at trends in South African architecture, and more.
Mntambo (N.) NANDIPHA MNTAMBO, The Encounter
48 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of cowhide sculptures, bronzes, video and photographs, Michael Stevenson, Cape Town, 2009.

Includes the essay, "'A Compendium of Desires'" by Mfundi Vundla.

Nandipha Mntambo was born in 1982 in Swaziland. She lives and works in Cape Town.
Mntambo (Nandipha) INGABISA,
31 pp., colour illus., paperback, Cape Town, 2007. R70
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

"Ingabisa" is a Swazi word referring to a young girl's coming of age.

Includes the essay, "The Fragile Persistence of Memory" by Bettina Malcomess.

Sculptor Nandipha Mntambo was born in 1982 in Swaziland. She now lives and works in Cape Town.
Mofokeng (S.) & Raditlhalo (S.) SANTU MOFOKENG,
96 pp., 4to., illus., paperback, Johannesburg, 2001. OUT OF PRINT
For this book Mofokeng made a selection of 76 of his photographs to complement his autobiographical writings, which make up most of the text. The second text by Sam Raditlhalo is based on a series of interviews with the photographer.

Text in English, French and Dutch.

The book comes with a separate 16 pp. educational supplement written by Philippa Hobbs.

Number 4 in the TAXI Art Book Series.
Mofokeng (S.) & Warne (P.) SANTU MOFOKENG'S LANDSCAPES,
22 pp., illus., paperback, Johannesburg, 2008. R95
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Includes the essays, "Santu's landscape" by Santu Mofokeng and "Santu Mofokeng - the photographer and his work" by Pam Warne.
Mogotsi (S.) et. al. ARTS & CRAFTS BOTSWANA, an exhibition of the visual Arts & Crafts of Botswana curated by the Botswana National Museum as part of the SADC Visual Art and Crafts Festival in Windhoek, Namibia, 26 August-4 September 2000
49 pp., colour illus., paperback, Gaberone, 2000. R95
Catalogue of the exhibition.
Includes chapters on graphics, painting and sculpture and basket, ceramic and wood crafts, with artists' comments.
Mokone (M.) TRANS-SYMBOLISM, Roger Botembe
29 pp., colour illus., paperback, Johannesburg, 2005. R125
Catalogue of the exhibition, Gallery MOMO, Johannesburg, 2005.

Painter Roger Botembe was born in 1959 in Kinshasa, Democratic Republic of Congo, where he still lives and works.
Mokone (M.) text DUMILE FENI, 1942 - 1991
35 pp., b/w & colour illus., paperback, Johannesburg, 2007. R110
Catalogue of the exhibition of mainly pencil and ink drawings, Gallery MOMO, Johannesburg, 2007.

Dumile Feni was born in Worcester in the Western Cape in 1942. He left South Africa in 1968 to go into self-imposed exile in London and then the USA, where he died in 1991.


Mokwena (S.K.) comp. CHANCES ARE...,
40 pp., illus., paperback, Johannesburg, 2005. R60
Includes the work of 16 young photographers who completed an 18-month Photography Learnership at the Market Photo Workshop.
Morgan (J.) curator MARLENE DUMAS, one hundred models and endless rejects
143 pp., b/w & colour illus., hardback, Boston & Ostfildern-Ruit, 2001. OUT OF PRINT
Catalogue of the exhibition held at the Institute of Contemporary Art, Boston, 17 April - 1 July 2001. Foreword by Jill Medvedow, essays by Jessica Morgan & Marlene Dumas.
Morgan (J.) et. al. LONG LIFE..., positive HIV stories
184 pp., 4to., b/w & colour illus., paperback, Melbourne & Cape Town, 2003. OUT OF PRINT
Thirteen women tell their stories in words, drawings, body-map paintings and photographs: Victoria, Nondumiso Hlwele, Nomonde, Nomawethu, Ntombizodwa Somlayi, Babalwa Cekiso, Ncedeka, Bongiwe, Bulelwa Nokwe, Cordelia Ndzamela, Noloyiso and Thozama.
Afterword by Zackie Achmat, chairperson of the Treatment Action Campaign.
The project was directed by Jonathan Morgan of the Memory Box Project at UCT. Jane Solomon facilitated the body-mapping and art-making.
Morgan (R.) & Wieringa (S.) TOMMY BOYS, LESBIAN MEN AND ANCESTRAL WIVES, female same-sex practices in Africa
335 pp., illus., paperback, Johannesburg, 2005. R125
A collection of personal narratives that document same sexuality in East and southern Africa.

Includes photographs by Zanele Muholi.
Morris (B.) DISPOSABLES, a photographic experiment
118 pp., oblong 4to., colour illus., hardback, Johannesburg, 2005. R290
Brett Morris gave 15 disposable to people living on the fringes of society e.g. newspaper sellers, beggars, car watchers and invited them to take photographs for eventual publication. These photographs make up the book, together with interviews with each of the photographers.

The book was launched at an exhibition of limited edition prints, The Premises Gallery, Johnaaesburg Civic Theatre, 2005.
Morris (J.) photo. & Preston-Whyte (E.) text SPEAKING WITH BEADS, Zulu arts from Southern Africa
96 pp., 4to., map, colour illus., paperback, London, 1994. OUT OF PRINT
Presents jewelry, ornamental headdresses, capes, aprons, beaded panels and other decorative forms.

Jean Morris is a photographer and graphic designer living in Cape Town. Eleanor Preston-Whyte is Professor of Social Anthropology, Department of African Studies, University of Natal.
Morris (R.) CLIVE VAN DEN BERG,
7 pp. folded, colour illus., Johannesburg, 2008. R30
Catalogue of the exhibition of sculptures, Goodman Gallery, Cape Town, 2008.

Includes the essay, "For Freedom Without Forgetfulness" by Rosalind C.Morris.

Award-winning artist and designer Clive van den Berg lives and works in Johannesburg.
Mthethwa (Z.) photo. & Enwezor (O.) text ZWELETHU MTHETHWA,
119 pp., oblong 4to., b/w & colour illus., hardback, d.w., New York, 2010. R595
A monograph on the photographer Zwelethu Mthethwa.

Includes an essay, "Photography After the End of Documentary Realism: Zwelthu Mthethwa's color photographs" by Okwui Enwezor, and an interview by Isolde Brielmaier.

Zwelethu Mthethwa was born in 1960 in Durban.
Mudzunga (Samson) SAMSON MUDZUNGA,
23 pp., colour illus., paperback, Cape Town, 2006. R50
Catalogue of the exhibition, Jack Shainman Gallery, New York, 2006.

Includes an essay on the artist by Michael Stevenson.

Sculptor and performance artist Samson Mudzunga was born in 1938 and lives in the Nzhelele Valley in Venda in the northern part of the Limpopo Province, South Africa.
Muholi (Z.) photo. ONLY HALF THE PICTURE,
96 pp., colour & b/w illus., paperback, Cape Town, 2006. R285
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

Includes an introduction by Gabi Ngcobo, the essay "Through Zanele Muholi's Eyes: re/imagining ways of seeing Black lesbians" by Pumla Dineo Gqola and articles from the press.

Photographer Zanele Muholi was born in 1972 in Durban.
Murdoch (Antoinette) ANTOINETTE MURDOCH, just perfect/ eksie perfeksie
10 pp., 4to., colour illus., paperback, (Cape Town), 2002. R60
Antoinette Murdoch was born in 1972 in Johannesburg.

Catalogue published to coincide with the exhibition at Spark! Gallery, 2002.
Murinik (T.) TRACEY ROSE, plasticienne/ visual artist
23 pp., colour illus., paperback, Paris, 2005. R50
An introductory booklet.

Text in English & French.
Murinik (T.) & O'Toole (S.) SOURCES, contemporary sculpture in the landscape, 25 March - 5 June 2009
70 pp., colour illus., paperback, Johannesburg, 2009. R220
Catalogue of the exhibition, Nirox Foundation, Cradle of Humankind, 2009.

Includes the essay "Mapping Connections: figures in a ground" by Sean O'Toole, and interviews with sculptors Deborah Bell, Willie Bester, Willem Boshoff, Norman Catherine, Marco Cianfanelli, Gerhard Marx, Kagiso Pat Mautloa, Thomas Mulcaire, Brett Murray, Walter Oltmann, Rosenclaire, Clive van den Berg, Strijdom van der Merwe and Jeremy Wafer by Tracy Murinik.

Also includes a work by William Kentridge.
Murray (B.) curator TRANSITIONS, Botswana/ Namibia/ Mozambique/ Zambia/ Zimbabwe, 1960-2004
128 pp., colour illus., paperback, London, 2005. OUT OF PRINT
Catalogue of the exhibition presented by The Africa Centre from the collection of Robert Loder of the Triangle Arts Trust, The Brunei Gallery, School of Oriental and African Studies, London, 2005.

Includes the essays "Frustrated Visionaries" by John Picton, "Notes on my Involvement in Art Making in Southern Africa over Two Decades" by Robert Loder, "Thapong: a brief history" by Veryan Edwards, "Is Namibian Art (Still) Provincial, Regional & Untouched?" by Hercules Viljoen, Beyond the Neat Cartoons" by Brian Chikwava, "The Kuru Art Project, D'Kar, Botswana" by Anne Gollifer & "Working Together" by Anna Kindersley. Also includes "Explorations", notes from an exchange between Barbara Murray and Berry Pickle, "Moving On", an article on David Chirwa by Laura Hernderson, "Ujamaa", notes from an interview with Fatima Fernandes by Veryan Edwards, "Changing Seasons", notes from a meeting with Rashid Jogee by Voti Thebe, & "Pursuing the Dream", an interview with Dias Machate by Hercules Viljoen.

Artists include Berry Pickle, John Muafangejo, David Chirwa, Veryan Edwards, Fatima Fernandes, Tapfuma Gutsa, Rashid Jogee, Dias Machate, Malangatana, Bernard Matemera, Nicholas Mukomberanwa, Reinata Sadhimba, and many others, mainly from Zimbabwe, Namibia, Mozambique and Botswana.
Murray (John) UNIFORMED,
12 pp., colour illus., paperback, Cape Town, 2004. R50
Catalogue of the exhibition, Michael Stevenson Contemporary, June 2004.
John Murray was born in Cape Town in 1973.
Murray (N.) & Shepherd (N.) & Hall (M.) DESIRE LINES, space, memory and identity in the post-apartheid city
315 pp., illus., paperback, Abingdon & New York, 2007. R471
Contributions include "Planning Fictions: the limits of spatial engineering and governance in a Cape Flats ghetto" by Steven Robins,
"'Manenberg Avenue is Where it's Happening', images by David Lurie from the collection 'Cape Town Fringe, Manenberg Avenue is Where it's Happening",
"Remaking Modernism: South African Architecture in and out of time" by Noëleen Murray,
"Memory, Nation Building and the Post-apartheid City: The Apartheid Museum in Johannesburg" by Lindsay Jill Bremner,
Picturing Cape Town" by Marwaan Manuel, Odidi Mfenyana & Nondumiso Ncisana,
"Memory and the Politics of History in the District Six Museum" by Ciraj Rassool,
"A Second Life: museums, mimesis, and the narratives of the tour guides of Robben Island" by Harry Garuba,
"On a Knife-edge or in the Fray: managing heritage sites in a vibrant democracy" by Abdulkader Tayob, and much more.

Noëleen Murray is an architect and academic based in the Centre for African Studies at the University of Cape Town.
Nick Shepherd is Senoi Lecturer in the Centre for African Studies at the University of Cape Town, where he convenes a postgraduate programme in Public Culture in Africa.
Historical Archeologist Martin Hall is Deputy Vive CHancellor of the University of Cape Town.
Mutloatse (M.) & Masiza (J.) comps. & eds. TAUZA, Bob Gosani's people
116 pp., oblong 4to., illus., hardback, d.w., Cape Town, 2005. R190
Bon Gosani, born in Johannesburg in 1934, worked as a photographer for "Drum" magazine in the 1950s. He died in 1971 at the age of 37.

"Tauza" refers to the famous photographs Gosani took "of the humiliating 'tauza dance' that prisoners were forced to perform in the courtyard of the notorious Johannesburg prison, The Fort, in Hillbrow. The 'dance' was a humilating way of ensuring that the prisoners were not smuggling any weapons or contraband into their cells after a hard day's labour".
Nabil (Youssef) photo. SLEEP IN MY ARMS,
88 pp., colour illus., hardback, d.w., Cape Town, 2007. R250
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Foreword by Tracy Emin. Includes the essays, "Waiting" by Mark Sealy, "Not As They Seem" by Michael Stevenson & "The Diary of Youssef Nabil" by Simon Njami (in French and English).

Youssef Nabil was born in Cairo in 1972. He was awarded the Seydou Keita Prize for portraiture at the Biennal of African Photography in Mali in 2003.
Naidoo (R.) curator & text THE INDIAN IN DRUM MAGAZINE IN THE 1950S,
140 pp., 4to., illus., paperback, Cape Town, 2008. R385
Catalogue of the travelling exhibition first shown at The Market Photo Workshop, Johannesburg, 2008.

A collection of photographs of Indian South Africans curated from Bailey's African History Archive. The book draws extensively on the body of work by two Durban photographers, G.R.Naidoo and Ranjith Kally.

"[bell] hooks (1994:394) believes that photography can help us to reconstitute images of ourselves so that we imagine ourselves in new and liberating ways that may 'transcend the limits of the colonizing eye'. I believe that these photos, selected from a few hundred thousand negatives from the DRUM archives of the 1950s, will help us do just that." Riason Naidoo
National Art Gallery of Namibia JOSEPH MADISIA, retrospective exhibition
23 pp., colour illus., paperback, Windhoek, (1999). OUT OF PRINT
Catalogue of the exhibition, National Art Gallery of Namibia.

Joseph Madisia was born in 1954 in Luderitz, Namibia. He is one of Namibia's most well-known artists and produces silkscreens, linocuts, etchings and drawings. He currently lives and works in Windhoek.
Navarro (J.) ed. MALANGATANA, Valente Nwenya
223 pp., 4to., b/w & colour illlus., hardback, d.w., First English Language Edition, Dar es Salaam, 2003. R750
The great Mozambiquan painter, Valente Ngwenya Malangatana, was born in 1936 in Matalana.
First published in 1998 in Portuguese.
Ncgobo (G.) curator DON'T / PANIC,
108 pp., colour illus., paperback, Johannesburg, 2011. R120
Catalogue of the exhibition, Durban Art Gallery, 2011.

'DON'T/PANIC' was an exhibition that engaged artists dealing with the current ecological situation, and was timed to coincide with the COP17 Climate Change conference, which took place in Durban at the end of 2011.

South African artists include Dineo Seshee Bopape, David Koloane, Moshekwa Langa, Thando Mama, Penny Siopis, and Clive van den Berg.

Contributions include:
"DON'T/PANIC" by Gabi Ngcobo
"The Kilimanjaro Ice Coffee Expedition" by Sean O'Toole
"Pushing the On/Off Buttons of our Consciousness" by Jyoti Mistry
Ndlovu (M.) et. al. INHERITING THE FLAME, new writing on community arts in South Africa
96 pp., b/w & colour illus., paperback, Cape Town, 2004. R160
Contributions include "Community Arts as Political Protest Post 76 - some thoughts" by Naren Sewpaul, "Community Arts in South Africa - a brief history" by Lize van Robbroek, "The New Wave: government arts and culture centres - reinforcements or liabilities" by Gerard Hagg, "From the Culture of Bricks to the Bricks of Culture: towards a policy framework for arts and culture centres" by Joseph Gaylard, "Heating Up the Pot: alternative creative spaces in Durban: by Zayd Minty, extracts from a 1997 interview with Mavis Taylor, former Head of Drama at UCT, and a conversation with Martin Stevens, the oldest serving staff member of Arts and Media Accesss Centre (AMAC), formerly Mediaworks, formerly Community Arts Project (CAP).
Nel (Hylton) A CONVERSATION WITH HYLTON NEL,
85 x 59 cm, colour poster, Cape Town, 2003. R185
Poster of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.
The image on this page is a detail from the poster of one of Hylton Nel's plates.
Nel (K.) & Leibhammer (N.) curators EVOCATIONS OF THE CHILD, fertility figures of the southern African region
231 pp., 4to., map, b/w & colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Published to accompany the exhibition, Johannesburg Art Gallery, 1998.

Essays include "Women and Material Markers of Identity" by Carolyn Hamilton, "The Sorghum Child, 'nguana modula': South Sotho child figures", "The Girl Who Ran Away, 'intombi zivemuka' and other traditional beaded Zulu dolls" and "Enigma Dolls, South Sotho and Zulu figures?" by Marilee Wood, "'Ntwane Gimwane', Ntwane grass figures" by Hazel Friedman, "'Musidzana wa Tshirova', the girl who has a medicated rod, gender ambiguities and the Venda 'thahu'" by Anitra Nettleton, ""The Puzzle of the Pendant Figures" and "Evocations of the Child" by Karel Nel and Nessa Leibhammer, "'Tswana Mgwana ba Pelego', Tswana child figures", "'Lenge Nwana', Lenge tattooed and scarified figures" and "Children of Birth, 'bana ba pelego': North Sotho child figures" by J.A.van Schalkwyk, "'Swazi Umntfwana', Swazi evocations of the child" and "Tonga Child Figures, the protogenic forms of the Tonga child figures" by Karel Nel, "Children of Earth, Zulu clay dolls" by Frank Jolles, "'Kwanyama Ovambo', Kwanyama child figures" by Margo Timm, "Venda and Pedi, clay initiation figures for the 'domba' and 'khomba' ceremonies" by Karen Harber, and more.
Nel (K.) et. al. (eds.) VILLA AT 90, his life, work and influence
228 pp., 4to., b/w & colour illus., hardback, d.w., Johannesburg, 2005. R600
Publsihed in the year of Edoardo Villa's 90th birthday, the book documents the sculptor's work over six decades.

Foreword by Esmé Berman. Introduction by Vittorino Meneghelli. Includes the essays "Edoardo Villa: a life considered" by Amalie von Maltitz & Karel Nel, "Edoardo Villa: creating an African presence" by Karel Nel, "Villa, Johannesburg and the Modernist Context" by Monty Sack and Karel Nel, "Villa's Interactive Permutations in Steel" by Alan Crump, "A Moment of Reflection on Villa and his Work" by Karin Skawran & "La Preghiera di Villa/ Villa's Prayer", a poem by Vittorino Meneghelli.

Also available in paperback @ R226.
Nettleton (A.) AFRICAN DREAM MACHINES, style, identity and meaning of African headrests
471 pp., illus., paperback, Johannesburg, 2007. R250
Anitra Nettleton's study of the uses, forms and significance of African headrests. Her fine black and white drawings of headrests illustrate the text. This book was fifteen years in the making and the manuscript was awarded the University of the Witwatersrand Research Committee Award in 2006.

Anitra Nettleton is a Professor in the Wits School of Arts, Johannesburg. She also contributed to "Engaging Modernities", published in 2003.
Nettleton (A.) et. al. (eds.) VOICE-OVERS, Wits writings exploring African artworks
151 pp., 4to,m colour illus., paperback, Johannesburg, 2004. R155
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2004.
A range of artists, writers and academics with strong connections to the University of the Witwatersrand were asked to chose an item from the Standard Bank African Art Collection, housed at the university, and write a short piece on their choice.

Authors include Willliam Kentridge, Deborah Bell, Michael Godby, Philippa Hobbs, Robert Hodgins, Karel Nel, David Bunn, Anitra Nettleton, Sarah Nuttall, Penny Siopis, Jan Taylor, Clive van den Berg, and many others. Includes work by Jackson Hlungwane, Sam Nhlengethwa, Johannes Mashego Segogela, Noria Mabasa, Santu Mofokeng, Trevor Makoba, and Tito Zungu. For example, William Kentridge chose a votive offering (asen) from Benin, Robert Hodgins a power object (nkisi) from the Congo, Phillipa Hobbs a tapestry, "Animal Meeting/ Apartheid among animals" by Allina Ndebele, Michael Godby a photograph from the series, "Motouleng Caves, Surrender Hill, Clarens" by Santu Mofokeng, Karel Nel a staff from Angola and Clive van den Berg a wooden sculpture, "God's Leg with Eggs", by Jackson Hlungwane.
Nettleton (A.), Charlton (J.) & Rankin-Smith (F.) ENGAGING MODERNITIES, transformations of the commonplace
95 pp., 4to., maps, colour illus., paperback, Johannesburg, 2003. R155
Catalogue of the travelling exhibition from the Standard Bank Collection of African Art at the Univeristy of The Witwatersrand Art Galleries.
The African objects on this exhibition use the ordinary, everyday materials, objects and images of western consumer culture in new ways, transforming them and creating "hybrid" forms.
Neustetter (Marcus) IN TWO MINDS,
80 pp., colour illus., paperback, Johannesburg, 2008. R210
Catalogue of the exhibition, Art on Paper Gallery, Johannesburg, 2008.

"On the last evening of my ascent of Kilimanjaro in December 2006, the night was so clear that the lights of the city of Moshi at the foot of the mountain seemed to be reflected in the stars of the sky.
Inspired by this experience, I have been collating references, revisiting past installations and mapping new projects, compiled in this book". Marcus Neustetter

Marcus Neustetter was born in Johannesburg in 1976. In partnership with Stephen Hobbs he has been developing The Gallery Premises, The Trinity Session and their collaboration Hobbs/Neustetter as documented in www.onair.co.za. He lives and works in Johannesburg.
Newbury (D.) DEFIANT IMAGES, photography and apartheid South Africa
345 pp., illus., paperback, Pretoria, 2009. R233
Based on interviews with photographers, editors and curators, and through the analysis of photographs held in collections and displayed in museums, Darren Newbury engages with photographs of South Africa during the apartheid period and examines the place of photography in a post-apartheid era.

Includes chapters on "The African Drum", "Drum" magazine, and Ernest Cole's "House of Bondage".

"This book is much more that just a discourse on photography in the land of apartheid. And it goes well beyond sophisticated debate on the artisttic merits of images. While keeping the lens trained on the evolution of photography it plunges the reader into a sharp and evocative socio-cultural history of a country in deep conflict." Albie Sachs, from his foreword

Darren Newbury is Professor of Photography at Birmingham City University and editor of the international journal, "Visual Studies".
Ngcobo (G.) curator WOMEN'S SPACES/ KVINNLIGA RUM/ IMIBA YETHU,
79 pp., colour illus., paperback, (Stockholm), 2005. R170
Catalogue of the exhibition, Annexe Gallery of Iziko South African National Gallery, Cape Town & The Multicultural Centre, Stockholm, 2005.

This exhibition is a component of the project, "Gender Equality in the Arts: women in dialogue", funded by the Swedish - South African Culture Partnership Programme.

South African artists include Gcotyelwa Mashiqa, Mandisa Ngqulana, Lungiswa Mkwasi, Joy Nikelo, Khaya Sineyile, Kemang Wa-Lehulere, Noël Franzen & Desireé Higa.

Includes the essays, "If You Can See My Mirrors, I Can See You" by Gabi Ngcobo, "The Artistic Expression of Women - potentials and limitations" by Yvonne Eriksson & "Subordinating Subordination" by Thembeka Qangule. There is also a brief comment by each of the artists.

Text in English & Swedish.
Nhamo (A.) IMMORTALIZING THE PAST, reproductions of Zimbabwean rock art by Lionel Cripps
182 pp., illus., paperback, Harare, 2007. R195
Contains over 280 detailed drawings of Zimbabwean rock art made by Lionel Cripps between 1938 and 1940, selected by Ancila Nhamo from his collection of eleven volumes of notated drawings and paintings now archived in the National Archives and Monuments of Zimbabwe.
Nickerson (J.) photo. FARM,
143 pp., 4to., b/w & colour illus., hardback, d.w., London, 2002. R475
Between 1997 and 2000 Jackie Nickerson travelled in Zimbabwe, South Africa, Mozambique and Malawi, photographing farms and the people who work on them.
Nicol (M.) THE INVISIBLE LINE, the life and photography of Ken Oosterbroek, 1962-1994
144 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Photojournalist Ken Oosterbroek documented South Africa's transitional years to the first democratic election until he was killed when National Peace-Keeping Force members panicked under fire in Tokoza in 1994. He was named Ilford Press Photographer of the Year in 1989 and 1994.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent
224 pp., 4to., colour illus., paperback, Ostfildern-Riut, 2005. R395
Catalogue of the travelling exhibition first shown at the Hayward Gallery, London, 2005.

Includes the essays ""Chaos and Metamorphosis" by Simon Njami, "Africa, Exhibitions and Fears of the Dark" by David Elliott, "The Reception of African Art" by Jean-Hubert Martin, "Made in Africa" by John Picton, "Ah-Freak-Iya: challenging perceptions of Africa's Contemporary sounds" by Lucy Durán and "Africa Begins in the North", a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Southern African artists include Jane Alexander, Willie Bester, Andries Botha, Wim Botha, Tracey Derrick, Marlene Dumas, David Goldblatt, Jackson Hlungwani, William Kentridge, Moshekwa Langa, Santu Mofokeng, Zwelethu Mthethwa, Rodney Place, Tracey Rose & Guy Tillim from South Africa; Fernando Alvim, Paulo Capela, Franck K.Lundangi & Antonio Ole from Angola; Rui Assubuji, Luís Basto, Gonçalo Mabunda, Sérgio Santimano & Titos from Mozambique & Berry Bickle from Zimbabwe.
Njami (S.) curator AFRICA REMIX, contemporary art of a continent, Johannesburg Art Gallery, 24.06.07-30.09.07
260 pp., 4to., map, b/w & colour illus., paperback, First S.A.Edition, Johannesburg, 2007. R250
Catalogue of the travelling exhibition, shown at Johannesburg Art Gallery, June-September 2007.

"This is an adapted version of the German, French and British catalogues for 'Africa Remix'".

Includes the essays ""Chaos And Metamorphosis" by Simon Njami,
"Notes from Down South" towards defining contemporary African practice" by Clive Kellner,
"Afropolitanism" by Achille Mbembe,
"Africa, Exhibitions and Fears of the Dark..." by David Elliott,
"The Reception of African Art" by Jean-Hubert Martin,
"Made in Africa" by John Picton,
"Ah-Freak-Iya, challenging perceptions of Africa's contemporary sounds" by Lucy Durán,
as well as a dialogue between Marie-Laure Bernadac and Abdelwahab Meddeb.

Includes work by Jane Alexander, Wim Botha, Andries Botha, William Kentridge, Willie Bester, Santu Mofokeng, Marlene Dumas, Guy Tillim, Tracey Rose, Jackson Hlungwani, Moshekwa Langa, Rodney Place, David Goldblatt, Zwelethu Mthethwa, Tracey Derrick, Berry Pickle, Fernando Alvim, António Ole, Luís Basto, and many others.
Njami (S.) curator & text EL TIEMPO DE FRICA,
319 pp., 4to., colour illus., paperback, Island of Gran Canaria, 2001. R625
Catalogue of the exhibition, Centro Atlántica De Arte Moderno (CAAM), Island of Gran Canaria, 2000-2001.

Includes work by Ernest Mancoba, Jackson Hlungwani, Berry Bickle, El Anatsui & Malangatana.

Text in Spanish, French & English.
Njami (S.) curator & ed. A USEFUL DREAM, African Photography 1960 2010
187 pp., b/w & colour illus., paperback, Brussels, 2010. R410
Catalogue of the exhibition, Centre for Fine Arts, Brussels, 2010. This exhibition was part of the "Visionary Africa" project.

Includes the essays:
"A Useful Dream: photography as a metaphor for freedom and self-esteem" by Simon Njami,
"The Icon and the Totem" by Jean Loup Pivin.

Photographers include Jodi Bieber, Tracey Derrick, the Essop Brothers, Bob Gosani, Santu Mofokeng, Zwelethu Mthethwa, Musa Mxumalo, Andrew Tshabangu, and Nontsikelelo Veleko (Lolo) from South Africa, Calvin Dondo from Zimbabwe, Ricardo Rangel from Mozambique, and Ambroise Ngaimoko from Angola.
Njami (S.) et. al. MMOIRES INTIMES D'UN NOUVEAU MILLNAIRE, IV rencontres de la photographie africaine, Bamako 2001
253 pp., 4to., b/w & colour illus., paperback, Paris, 2001. R295
Catalogue of the exhibition, 15 October - 15 November 2001.
Text in English & French.
South African photographers include George Hallet (introduced by Gavin Jantjes), David Brazier, Tracey Derrick, Thembe Hadebe & Cedric Nunn.
Nurse (J.) ed. LAUGH IT OFF ANNUAL, volume two
128 pp., 4to., b/w & colour illus., paperback, Cape Town, 2004. OUT OF PRINT
A magazine celebrating South African youth culture. Includes comics, graphic art, photography, poetry, articles, etc.
Nurse (J.) ed. LAUGH IT OFF ANNUAL, volume 3
255 pp., b/w & colour illus., paperback, Cape Town, 2006. R150
A collection of humerous poetry and prose on religious themes. South African contributions include photographs by Dale Yudelman, Roger Ballen, comic strips by Nicolene Louw, Daan, Andy Mason, Andrzej Nowicki, Hannah Morris, John Curtis, and Patrick & Alex Latimer and exiled Zimbabwean Kudzanai Chiurai's "Presidential Wallpaper".

Volume 1 is still available @ R150. Volume 2 is now out of print.
Nuttall (S.) ENTANGLEMENT, litrary and cultural reflections on post-apartheid
198 pp., paperback, 2009, Johannesburg. R220
An exploration of the concept of entanglement in relation to readings of literature, new media forms and painting.

"Sarah Nuttall offers her readers new critical vocabularies with which to grasp the fictions of self-making, the politics and aesthetics of consumption, and the new and terrifying technologies of the sexualised body." Hazel Carby

"Sarah Nuttall's book is a welcome addition to South African literary and cultural studies, taking us in new directions beyond the apartheid and even standard post-apartheid models. Moving through a variety of settings and moments both textual and non-texual, it is prepared to take risks in matters ranging from the 'citiness' of Johannesburg, to the recombinatory qualities of style, to the larger implications of violence in South Africa." Stephen Clingman

"Elegantly and lucidly written, it offers a penetrating and unique analysis of the complex and paradoxical forms of culture emerging in South Africa today." Isabel Hofmeyr

Includes a section on painter Penny Siopis and her Pinky Pinky series.

Sarah Nuttall is Associate Professor of Literary and Cultural Studies at the Wits Institute for Social and Economic Research (WISER), University of the Witwatersrand.
Nuttall (S.) & Coetzee (C.) eds. NEGOTIATING THE PAST, the making of memory in South Africa
300 pp., paperback, Reprint, Cape Town, (1998) 2002. R220
Includes the essay, "Memory and history in William Kentridge's "History of the Main Complaint"" by Michael Godby.
Nuttall (S.) & Michael (C.) SENSES OF CULTURE, South African culture studies
559 pp., illus., paperback, Cape Town, 2000. OUT OF PRINT
Includes Oren Kaplan on Samson Mudzunga & Sandra Klopper on Hip-hop graffiti art.
Nuttall (S.) ed. BEAUTIFUL/ UGLY, Africa and diaspora aesthetics
416 pp., b/w & colour illus., paperback, Cape Town, 2006. R225
Introduction by Sarah Nuttall.
Contributions include "Two Thoughts on Drawing Beauty" by William Kentridge, "Fresh Stories" by Pippa Stein, "Inheritance" by Mark Gevisser, "On the Slipperiness of Food" by Cheryl-Ann Michael, "Urban Imaging: the 'friche' waiting to happen" by Rodney Place, "Two Stories: Old Man with Garden at the Rear End of Time and The Fat Indian Girl" by Mia Couto & "Seeing the Familiar, notes on Mia Couto" by Isabel Hofmeyr.
Nyathi (P.) LAWO MAGUGU, material culture of the Amandebele of Zimbabwe
89 pp., 4to., illus., paperback, Pietermaritzburg, 2000. R80
Records "the traditional material culture of the Amandebele in Matabeleland prior to the onset of colonisation and before the introduction of Christianity". Includes chapters on the Ndebele village, artefacts, weapons & clothing and beadwork.
O'Donnell (B.) photo & Sevick (K.) text ANGELS IN AFRICA, profiles of seven extraordinary women
191 pp., 4to., colour illus., hardback, d.w., New York, 2006. R423
"In images and words, photographer Beth O'Donnell and writer Kimberely Sevcik document seven instances out of untold thousands of cases of women overcoming critical problems in their communities through grassroots initiatives"

The women profiled are Ann Wanjiru of Kenya, Edina Yahana of Tanzania, Celina Cossa of Mozambique, Pascasie Mukamunigo of Rwanda, Prudence Mwandla of South Africa, who runs an AIDS clinic, Aminata Dieyè of Senegal & Jacqueline Goita of Mali.
O'Flynn (N.) & Bell-Roberts (S. & B.) curators 2006, a contemporary landscape, a contemporary South African print collection, a book portfolio 0f 20 original prints by 20 South African artists
20 prints, 4to., colour & b/w illus., bound in pale green paper covered boards with the title "2006 embossed on the front cover, contained in a glass fronted box (with the title on the glass) suitable for hanging on the wall, Cape Town, 2005. R12 000
Each print is signed and numbered by the artist of an edition of 120. All the works are printed on cotton Fabriano papers. These works were shown at an exhibition at the Bell-Roberts Gallery, Cape Town, in 2005.

Below are the works included in the book, with the technical details of each print:

Abrie Fourie - Sand, archival inkjet print
Ed Young - I Am an Afterthought, lithograph
Lyndi Sales - Guard/Guardians, laser burn and cut, embossing and archival inkjet print
Ernestine White - Stop the Killings, silkscreen, lithography and chine-collé with hand colouring
Tamlin Blake - Trophy, lithograph
John Murray - Land for Loyalty, aquatint and hardground etching
Norman O'Flynn - Two Afronauts, lithograph, chine-collé and linocut
Sanell Aggenbach - Wave, archival inkjet print
Christopher Slack - Sector 17, photographic etching
Conrad Botes, Prayer in Pink, orange and grey screenprint
Sipho Hlati - Raced Me, archival inkjet print
Liza Grobler - Halsoorkop (Head over heels, hurry-scurry), linoprint with hand colouring
Martine Jackson - Chasing the Buck, screenprint
Julia Rosa Clark - Bring It On, archival inkjet print
Svea Josephy - Nature, photograph with embossing
Nigel Mullins - Earthling, archival inkjet print
Shirly Fintz - Bokkie Mandala, archival inkjet print
Cameron Platter - Good Times, woodcut with hand colouring
Doreen Southwood - Ship of Fools, archival inkjet print
Donovan Ward - Untitled, archival inkjet print

The image displayed is one of the prints from the book: "Prayer in Pink" by Conrad Botes.

O'Sullivan (S.) photo. HOW BEAUTIFUL THIS PLACE CAN BE,
109 pp., oblong 4to., colour illus., hardback, d.w., Tucson, 2004. R400
Stuart O'Sullivan is a South African photographer living in the USA. The book is made up of photographs of family and friends taken over a period of 10 years on his return visits to South Africa. Some of the images are accompanied by extracts from his and his family's letters.
O'Toole (S.) BRETT MURRAY, plasticien/visual artist
23 pp., colour illus., paperback, Paris, 2005. R50
An introductory booklet.

Text in English & French.
O'Toole (S.) BRETT MURRAY, Crocodile Tears
72 pp., b/w & colour illus., paperback, Johannesburg, 2008.
Catalogue of the exhibition of sculptures and prints, Goodman Gallery Cape, 2008, and Goodman Gallery Johannesburg, 2009.

Includes the essay, "Distinguishing the Bull from the Bullshit" by Sean O'Toole.
O'Toole (S.) & Gunning (S.) eds. SOUND, SPACE, DESIGN, the architecture of Don Albert & Partners
312 pp., 4to., colour illus., paperback, Cape Town, 2010. R595
A monograph on the award-winning firm of architects, Don Albert & Partners, based in Durban.

Covers twenty-eight projects spanning over twelve years, including Ogilvy Headquarters in Cape Town, The Great Egyptian Museum in Giza, Freedom Park in Pretoria, The Glory Hotel at Dubai Sport City, the KwaZulu-Natal Legislature in Pietermaritzburg and Victoria Embankment, ACCORD Peace Centre, King's Park Iconic Stadium and Millennium Tower in Durban.

Also includes the essays:
"View from the Mamba Side", by Sean O'Toole
"Not Knowing", by design principal Don Albert
"Getting Inside You: context, strategy, taxonomy", and "Getting Out of Ourselves" by Nic Coetzer, senior lecturer at the University of Cape Town's architecture department.

"'Sound Space Design' comes at a critical time in the emerging global condition. Challenging modernism's restrictive spatial practices, Don Albert & Partners suggest a more reflectively produced location for architectural production. Situated in a process-driven discourse, the publication demonstrates a challenging means of constructing strategically considered realities. In exposing its experimental approach, the coherent body of work and writing that 'Sound Space Design' presents, affords a critical resource that is relevant to practitioners who are engaged in the contemporary project of architecture." Iain Louw, architect and professor at the University of Cape Town

"While South African architects seem adept at producing a fantasy architecture that relies on overly determined notions of identity and context, an architecture that is more questioning and open ended is what we need more of...This book highlights just how logical Don Albert and Partners has been in pursuing the irrational - as a counterpoint to the rote indulgences of a predicatable national style..." Sean O'Toole
O'Toole (S.) ed. ART SOUTH AFRICA, vol.3, issue 2, summer 2004
96 pp., 4to., colour illus., paperback, Cape Town, 2004. R70
Contents include "Imaging and Imagining", an interview with Penny Siopis conducted by Sipho Mdanda, "Evidence and Artifice", in which Maureen de Jager interviews 2004 Standard Bank Young Artist of the Year Kathryn Smith and offers a reading of her show, "Euphemism", "Looking, Being Seen and Locating", a reading of South African video art by James Sey, "It's a Sporting Life", a look at recent works by Tracey Rose and Kevin Brand by Rory Bester, "Performances of Masculinity" by Yvette Gresle and "Take It Like A Man", an article on how artists are attempting to deal with the issue of HIV/AIDS by Brendon Maart.

Also includes reviews of "Personal Affects", Museum for African Art & Catherdral of St John the Divine in New York by Sean O'Toole, "The Brett Kebble Art Awards" by Tracy Murinik, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 3 issue 3, autumn 2005
95 pp., 4to., colour illus., paperback, Cape Town, 2005. R70
Includes "Sex, Lies and Simulacra", an interview with Wim Botha, this year's Standard Bank Young Artist award winner conducted by Hazel Friedman; "Borderline Cases: Jeremy Wafer's radical edge" by David Bunn, "A Northern Story" in which Phillip Rikhosto talk to Kathy Coates about life after the Brett Kebble award; "Some Sort of Place" a look at the symbolic universe of photographer Roger Ballen by Bronwyn Law-Viljoen; "The Fire Starter", an edited extract from Zulu's forthcoming Taxi Art book by Colin Richards, "Departures and Arrivals" an article on South African documentary photography by Svea Josephy, "In Search of African Forms" in which Elsa Miles recalls the sculptural work of Sydney Kumalo and Tosby Keipedele; "Bright Young Things II" which profiles five emerging artists: Dineo Bopape, Langa Magwa, Jacki McInnes, Nandi Mntambo & Stefanus Rademeyer, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol 3, issue 1, spring 2004
95 pp., 4to., colour illus., paperback, Cape Town, 2004. R70
Includes "Nadir to Zenith", a critical re-evaluation of Jo Ractliffe's earlier photographic output by Rory Bester; "Unspeakable Landscapes", an investigation of Santu Mofokeng's photographs of the landscape around Auschwitz, Birkenau and Krakow by Bronwyn Law-Viljoen; "Other Landscapes", a look at contemporary South African landscape painting by Virginia MacKenny; "Curating the Future", a discussion of the selection criteria informing the 2004 Brett Kebble Award by Khwezi Gule, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol.3 issue 4, winter 2005
95 pp., 4to., colour illus., paperback, Cape Town, 2005. R70
Contents include "Dumile Feni: a struggle for identity" by Ivor Powell, "Celebrating Feni" by Prince Dube, "Notes on a Bushveld Naturalist", an article on Leigh Voigt's art by Sean O'Toole and "Meeting Halfway", an article on Willem Boshoff by Ivan Vladislavíc, author of a monograph on the artist.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 4, issue 1, spring 2005
95 pp., 4to., colour illus., paperback, Cape Town, 2005. R70
Articles include "At the Centre's Edge", an interview with Robin Rhode conducted by young South African artists; "The Search for Middle C", an article on David Goldblatt which includes the first half of Michael Godby's essay, "David Goldblatt: the personal and the political", published in "David Goldblatt: fifty-one years" published by the Museu d'Art Contemporani de Barcelona, "In Living Colour", an examination of Goldblatt's recent colour work by Michael MacGarry and Goldblatt's personal reflections on the process of publishing his book "Some Afrikaners Photographed"; reviews of William Kentridge's recent exhibitions at the Johannesburg Art Gallery, the Goodman Gallery and David Krut's Art Resource, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol 4, issue 2, summer 2005.
95 pp., 4to., colour illus., paperback, Cape Town, 2005. R70
Articles include "$3.34-Million Later: money & meaning in Marlene Dumas" by Ivor Powell, "Notes on a Carnal Medium", in which Penny Siopis writes on painting, "Where is Everybody", in which Kathryn Smith looks at Walter Battiss's happenings & "Encounters with Architecture", in which Hannah le Roux looks at three recent cultural projects.

This issue focuses especially on painting, with articles on Mustafa Maluka, John Meyer, Robert Hodgins, Penny Siopis, Matthew Hindley, Tracy Payne, Colbert Mashile, Deborah Poynton, Joni Brenner, Wayne Barker, Mxolisi Sapeta, Themba Shibase, Dorothee Kreutzfeldt, Kudzanai Chiurai, Trasi Henen, Garth Erasmus, Andries Gouws & Peter Eastman.
O'Toole (S.) ed. ART SOUTH AFRICA, vol.4, issue 3, autumn 2006
95 pp., 4to., colour & b/w illus., paperback, Cape Town, 2006. R70
Includes a special focus: "Artistic Modernity and the Avant-Garde", with essays by Sean O'Toole, James Sey, Khwezi Gule, Gabi Ngcobo, Thuthu Lesuthu & Sharlene Khan. Also includes a conversation between Johan Thom and Willem Boshoff and an essay on the recent "Sessions eKapa" conference by Kim Gurney.
O'Toole (S.) ed. ART SOUTH AFRICA, volume 4, issue 4, winter 2006
96 pp., 4to., b/w & colour illus, paperback, Cape Town, 2006. R70
Includes articles by Karel Nel, Liese van der Watt, Sandra Klopper, Mario Pissarra, Hazel Friedman, Chika Okeke-Agulu, Sam Radithalo, Carine Zaayman, Gerhard Schoeman, Jillian Carman & Delinda Collier on the "Picasso and Africa " exhibition, photo essays by Nontsikelilo "Lolo" Veleko, T.J.Lemon & Koto Bolofo, "Love Songs in Silk", a profile on Billie Zangewa, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, Vol. 5, No.1, spring 2006
95 pp., 4to., b/w & colour illus., paperback, Cape Town, 2006. R70
Articles include "Roar Against Silence" by Rory Bester, which discusses Joachim Schönfeldt's three-headed lioness sculpture, "Afro-Alien Exquisite Corpses" by Tracy Murinik, in which she profiles the Kenyan-born artist Wangechi Mutu, conversations with Roselee Goldberg, Mlungisi Zondi and Nicholas Hlobo, a review of William Kentridge's exhibition, "Black Box/Chambre Noir", at the Johannesburg Art Gallery, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 5, issue, 2, summer 2007
95 pp., 4to., b/w & colour illus., paperback, Cape Town, 2007. R70
A special eroticism issue, the contents include "Pictures of the Dead" by Mary Corrigall, which explores how women are challenging stereotypical representations of feminine death; "The Confessions of Perverts" by Nadine Botha, who suggests that erotica in art needs to explore itself and its purpose; "Weighing Masculinity", an article on Nicholas Hlobo and how he deals with homosexuality in South Africa by Ruth Simbao; "The Body Politic" by Sandra Klopper, who argues that the naked body is always inscribed in and through culture; "Sex and Sensibility", an article on Diane Victor's images of sex and perversion by Michael Smith, "Biting Comedy", an examination of Anton Kannemeyer's pornographic images by Gerhard Schoeman, "Under the Skin", a reading of Zanele Muholi's photographs by Hazel Firedman, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol.5 no.3, autumn 2007
96 pp., 4to., b/w & colour illus., paperback, Cape Town, 2007. R70
Includes articles on Berni Searle, Peter Clarke, Jonathan Shapiro, Paul Edmunds, Monique Pelser, Zander Blom, Sabelo Mlangeni, Malicke Sidibé, Sam Nhlengethwa, Anawana Haloba, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 5 issue 4, winter 2007
95 pp., 4to., b/w & colour illus., paperback, Cape Town, 2007. R70
Articles include Ivor Powell on Jane Alexander, Laurie Ann Farrell on Candice Breitz, Kim Gurney on Pierre Fouché, Ruth Kerkham Simbao on Credo Mutwa, James Sey on Afrofuturism, a conversation between Ruth Sacks and Sean O'Toole, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, vol.5, no.1, spring 2007
112 pp., 4to., colour illus., paperback, Cape Town, 2007. R70
A special themed issue exploring "the intersection of contemporary artistic practice and an age-old subject: the animal".

Articles include "Speaking Dogs: undoing the human in art" by Lize van Robbroeck,
"Artless Beasts?" by Colin Richards,
"Meditations on the Doubting, Playing Animal" by Brenden Gray,
"Botched Taxidermies" by Siobhan McCusker and
"Invisible Nature/ Invisible Africa" by David Brodie,
as well as "America is (not) the World" by Kathryn Smith, on why Documenta XII is better than the Venice Biennale, and much more.
O'Toole (S.) ed. ART SOUTH AFRICA, volume 6, issue 2, summer 2007
96 pp., 4to., b/w & colour illus., paperback, Cape Town, 2007. R70
Articles include "The Fossil Alphabet" by Antjie Krog, in which she discusses her selection of a David Goldblatt photograph for her collections of poems, "Body Bereft",
"Age of Desire?" by Penny Siopis, in which she responds to the David Goldblatt photograph for "Body Bereft",
"A Persistent View: White on Black" in which Lize van Robbroeck revisits historical writings on Black South African artists,
"Between Warp and Woof", an article on Willem Boshoff's art by Gerhard Schoeman, and
"The Reading List", in which artists, contributors and friends list their favourite books.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 6, issue 3, autumn 2008
111 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R80
Articles include "Anxious Surfaces", by Virginia MacKenny, on Marlene Dumas's paintings,
"Made New, Made Better" by Rory Bester, an interview with Kay Hassan,
"The Human Face of History" by Christine Eyene, on George Hallett's exile photographs,
and a review of the Spier Comtemporary 2007 exhibition
O'Toole (S.) ed. ART SOUTH AFRICA, volume 6, issue 4, winter 2008
112 pp., 4to., colour illus., paperback, Cape Town, 2008. R80
Articles include Brett Murray on Andrzej Nowicki; Sean O'Toole on Jonah Sack; Rory Bester, Anthea Buys, Carol Brown, Mary Corrigall, Sue Williamson and others on the Joburg Art Fair; Robyn Sassen and Matthew Crouse on Dance Umbrella; and interviews with Linda Givon, Michael Stevenson, Warren Siebrits, Marilyn Martin and Monna Mokoena.
O'Toole (S.) ed. ART SOUTH AFRICA, weighting the Africa in South Africa
112 pp., 4to., b/w & colour illus., paperback, Cape Town, 2008. R80
Contents include a special focus on xenophobia, a Fred de Vries interview with Achille Mbembe, Rory Bester on Alfred Thoba, Diane Wylie on Thami Mnyele, Gerhard Schoeman on Neil Goedhals, Robyn Sassen on Reshma Chhiba, Anthea Buys on Gabrielle Goliath, Nadine Botha on Rowan Smith and Shamil Jeppe on Hasan and Husain Essop.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 7, issue 2, summer 2008
112 pp., 4to/. b/w & colour illus., paperback, Cape Town, 2008. R80
Contents include "Fashionable Cause", on Lolo Veleko, Lawrence Lemaoana, Nicholas Hlobo, Nandipha Mntambo and Athi Patra-Ruga, by Mary Corrigall,
"Homage to 'Blikkiesdorp'", on award-winning architect Carin Smuts, by Iain Low,
"At the Threshold of Seeing", on painterly abstraction in South Africa, by Marilyn Martin,
"Neville's 'Notions'", on the late Neville Dubow, by Hayden Proud, and
"Umshini Wami, Bring Me My Machine Gun", texts on the revolutionary song favoured by Jacob Zuma, by Kevin Bloom, Maggie Davey, Fred de Vries, Ivor Powell, Lesego Rampolokeng, Colin Richards, Nedko Solakov, André Wiesner and the Department of Arts and Culture.
O'Toole (S.) ed. ART SOUTH AFRICA, volume 7, issue 3, summer 2009
112 pp., 4to., colour illus., paperback, Cape Town, 2009. R80
Contributions include "When the Bowl Breaks...the fish dies", in which Robyn Sassen talks to Johannesburg artist Bronwyn Lace,
"Did you never have the curiosity, while I was sleeping, to take off my glasses and look at my eyes?", a Fred de Vries interview with Colin Richards,
"The Activist Archivist: dislocation and relocation in the work of Siemon Allen" by Alexander Sudheim,
as well as debut columns by Thembinkosi Goniwe and Maggie Davey.
O'Toole (S.) ed. ART SOUTH AFRICA, vol. 7 issue 4, winter 2009, black, white and some other colours too
96 pp., 4to., colour illus., paperback, Cape Town, 2009. R80
Contents include Melissa McCarthy on Andries Botha's monumental elephant sculpture, Mary Corrigal on Titus Matiyane's large-scale maps, Andrea Buys on Deborah Bell, Patricia Hayes on Santu Mofokeng's photographs, Fred de Vries on composer and sound artist Philip Miller and Sean O'Toole on the Joburg Art Fair.
O'Toole (S.) ed. ART SOUTH AFRICA, art, architecture & auctions, vol. 8, issue 1, spring 2009
96 pp., 4to/. b/w & colour illus., paperback, Cape Town, 2009. R80
Contributions include a coversation between Darius Himes and photographer Roger Ballen around his new book, "Boarding House"; Alexander Opper on architect Clive Chipkin's new book, "Johannesburg Transition: architecture and society from 1950"; Sally Gaule and Paul Kotze on Gabiël Fagan's book, "Brakdak: flat roofs of the Karoo"; Marilyn Martin on the book, "10+ Years 100+ Buildings", Anthea Buys on post-apartheid park-making and its links to art production; architect Heinrich Wolff on the destruction of landmark post-war buildings and Craig Wilkins on the architecture of hop hop.
O'Toole (S.) ed. ART SOUTH AFRICA, volume 8 issue 2, summer 2009
96 pp., 4to., b/w & colour illus., paperback, Cape Town, 2009. R80
Contributions include Janine Stephen on street art, Ashraf Jamal on Pieter Hugo, Alex Dodd on Mikhael Subotsky and Rory Bester on Adam Broomberg and Oliver Chanarin, as well as three essays on photography by Bronwyn Law-Viljoen, Ruth Simbao and Sarah Nuttall.
O'Toole (S.) ed. ART SOUTH AFRICA, vol.8, issue 3, autumn 2010
93 pp., 4to., colour illus., paperback, Cape Town, 2010. R80
In this edition Seon O'Toole interviews Malcolm Payne and Walter Meyer, Robert Sloon talks to Wayne Barker and Vivian Paulissen dicusses art and funding with Achille Mbembe.


O'Toole (S.) ed. ART SOUTH AFRICA, vol 08, issue 04, winter 2010
108 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R95
Articles include "Collected Works", in which Gerhard Schoeman assesses curator Riason Naidoo's exhibition, "1910-2010: from Pierneef to Gugulective", at the South African National Gallery,
"A Janus Face", on Spier Contemporary 2010, by Ruth Simbo,
"A History of Uncertainty", in which Sean O'Toole situates Spier Contemporary 2010 within the history of white liberal patronage of the visual arts,
"Freeing the Image", a conversation between Sean O'Toole and Ricky Burnett, and
"Under Construction", in which Sean O'Toole interviews Stephen Hobbs.
O'Toole (S.) ed. ART SOUTH AFRICA, vol 09, issue 01, spring 2010, opinions that matter
128 pp., 4to., colour illus., paperback, Cape Town, 2010. R95
In this issue Nadine Rubin Nathan interviews London-based artist Lynette Yiadom-Boakye; Godfried Donkor interviews Lisa Brice; Anthea Buys discusses the work of Malagassy artist Joël Andrianomearisoa; Philippe Pirotte looks at the work of Nigerian artist Otobong Nkanga; and Steven Dubin, James Rey and Esmé Berman report on the various large-scale group exhibitions held in Johannesburg during the 2010 FIFA World Cup. Also includes a special focus on colour in South African art, with essays by Ashraf Jamal, Mark Hipper, Matthew Partridge, Michael Smith, Emma Taggart, Mary Corrigall, Jeanette Unite, Virginia MacKenny, Vaughn Sadie, Maureen de Jager, James Sey, and Sean O'Toole.
O'Toole (S.) ed. ART SOUTH AFRICA, vol 09, issue 02, summer 2010, opinions that matter
92 pp., 4to., b/w & colour illus., paperback, Cape Town, 2010. R95
This issue includes Alexander Opper on public art in Johannesburg; Terry Kurgan and Hannah le Roux on their urban projects in inner city Johannesburg, "Hotel Yeoville" and "feedingspace"; Dominique Malaquais on Congolese artist Méga Mingiedi; Janine Stephen on the murals at Percy Bartley House in Woodstock, Cape Town; and Mpho Matsipa on The Goethe-Institut's "Fall Wall" project.
O'Toole (S.) text & Lochner (J.) photo. DAVID WEST, autumnwinter 2002/2003
35 pp., colour illus., paperback, Cape Town, 2002. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
David West is a textile and fashion designer. This exhibition of photographs catalogues his designs, modelled in the factory where they were created by one of the women who helped to make them.
Oberholzer (O.) photo & text RACONTEUR ROAD, shots into Africa
179 pp., 4to., colour illus., hardback, d.w., Cape Town, 2000. R275
Photographs from Obie Oberholzer's trip from Kenya to Namibia via Zimbabwe and South Africa.
Oberholzer (O.) photo & text ROUND THE BEND, travels around Southern Africa
194 pp., 4to., colour illus., hardback, d.w., Cape Town, 2006. R330
"This book is a record of my life journeying through Africa". Obie Oberholzer
Oberholzer (O.) photo. THE HOTAZEL YEARS,
132 pp., b/w & colour illus., hardback, d.w., Cape Town, 2002. R275
A selection of the best of Obie Oberholzer's photographs from 30 years of travelling through southern Africa.
Introduction by Denis Beckett.
Oberholzer (O.) photo. & text TO HELL 'N GONE,
93 pp., 4to., colour illus., hardback, Cape Town, 1991. OUT OF PRINT
Photographs taken during three months of travelling around Southern Africa, especially to remote areas like the Skeleton Coast, Leliefontien, Bushmanland & Kwagodlankomo in Zululand.
Oberholzer (O.) photo. & text LONG AGO WAY, in the footsteps of Alphons Hustinx
197 pp., 4to., maps, b/w & colour illus., hardback, d.w., Johannesburg, 2007. R330
In 1934 Alphons Hustinx, a Dutch film-maker, writer and photographer, sailed from Europe to the Cape and spent a year travelling around southern Africa. 73 years later photographer Obie Oberholzer followed in his footsteps and recorded how South Africa has changed.
Oberholzer (O.) photo. & text DIESEL & DUST, South Africa, Egypt, Ethiopia, Yemen, United Arab Emirates, Oman, Emirate of Al-Sharjah, Namibia, Botswana
200 pp., 4to., colour illus., hardback, Netherlands, 2011. R450
Photographer Obie Oberhlozer's latest book of photographs, taken on his travels.
Obie Oberholzer's other books include "Beyond Bagamoyo", "Raconteur Road", and "The Hotazel Years."
Oberholzer (O.) text and photo. BEYOND BAGAMOYO, a journey from Cape to Cairo
153 pp., 4to.,map, colour illus., hardback, d.w., Cape Town, 1996. OUT OF PRINT
A record of Obie Oberholzer's fourth photographic odyssey from Cape Town through South Africa, Zimbabwe, Zambia, Malawi, Tanzania, Kenya, Ethiopia, Eritria, Sudan, Saudi Arabia, Jordan and Israel to Egypt, undertaken in 1994.
Obholzer (A.M.), Baraitser (M.) & Malherbe (W.D.) THE CAPE HOUSE AND ITS INTERIOR,
419 pp., 4to., maps, b/w & colour illus., hardback, d.w., Stellenbosch, 1985. OUT OF PRINT
An inquiry into the sources of Cape architecture and a survey of built-in early Cape domestic woodwork.

Reviews published works on Cape architecture, investigates the background of the Cape settlers, looks at the architecture and furniture of related colonial settlements around the world, and examines the typical features of old Cape houses, linking them to similar features in buildings overseas. Also surveys eighteenth and early nineteenth century built-in woodwork and accompanying metalwork.
Odita (Odili Donald) DOUBLE EDGE,
48 pp., colour illus., paperback, Cape Town, 2008. R100
Catalogue of the exhibition of paintings, Michael Stevenson, Cape Town, 2008.

Includes a conversation between Joost Bosland and the artist.

Odili Donald Odita was born in 1966 in Enugu, Nigeria. He lives and works in Philadelphia and New York.
Offringa (D.) WALKING TALL, WITHOUT FEAR, 24 South African artists from the struggle era
65 pp., b/w & colour illus., hardback, Johannesburg, 2007. R100
Foreword by Pall Jordan.

The collection of the Ifa Lethu Foundation, which locates, protects and promotes art created during the struggle era. Artists include Ezrom Kgobokanyo Sebata Legae, Basi Durant Sihlali, Eric Mbatha, Lucky Madlo Sibiya, Ezekiel Madiba, Thamsangu Muyele, Bkekisani Manyoni & Michael Zondi.

Dirkie Offringa is currently chief curator of the Art Museum in Tshwane (formerly Pretoria).
Ogbechie (S.O.) & Peffer (J.) eds. CRITICAL INTERVENTIONS, journal of African art history and visual culture, number 1, July 2007
158 pp., illus., paperback, Johannesburg & Santa Barbara, 2007. R150
A biannual publication produced under the auspices of the Interdisciplinary Humanities Center of the University of California Santa Barbara.

Contributions include "Resurfacing: Durant Sihlali's art" by John Peffer,
"Portrait of the African as a Modern Artist" by Sylvester Ogbechie,
"Transgression: African contemporary art and a postcolonial world" by Modou Dieng, and more.
Oguibe (O.) & Enwezor (O.) eds. READING THE CONTEMPORARY, African art from theory to the marketplace
432 pp., b/w & colour illus., paperback, London, 1999. OUT OF PRINT
Includes "The Identity Question: focus on Black South African expression" by David Koloane; "Inversion of the Printed Image: Namibian perspectives on John Ndevasia Muafangejo" by Margo Timm; "About Face: aspects of art history and identity in South African visual culture" by Colin Richards & "Reframing the Black Subject: ideology and fantasy in contemporary South African representation" by Okwui Enwezor.
Oliphant (A.) KAGISO PAT MAUTLOA,
95 pp., 4to., colour illus., paperback, TAXI Art Book Series No.9, Johannesburg, 2003. R160
"Kagiso Pat Mautloa is an essentially urban artist. Based in Johannesburg, he draws his inspiration from the street culture, the dynamics of the changing city and the images and people he encounters there".
Text in English, French & Dutch. Included is a separate 13 pp. educational supplement written by Philippa Hobbs.

Published in the TAXI Art Book Series, no.9
Oliphant (A.W.) et. al. eds. DEMOCRACY X, marking the present/ re-presenting the past
329 pp., 4to., b/w & colour illus., hardback, Pretoria, 2004. R325
Introduction by Andries Walter Oliphant, Peter Delius & Lalou Meltzer.

Essays include "South African Pottery: past and present" by Simon Hall, "Make-overs of Two Women: illustrated history and gender bias" by Helen Bradford, "Creating Beauty In, and Between, Two Worlds: contextualising the art of South Africa's migrant labourers" by Fiona Rankin-Smith & Sandra Klopper, "The Role of Art in the Liberation Struggle" by Sipho Mdanda, "Film and Democracy in South Africa" by Michael Dearham, "Media in the Mix" by Guy Berger, "The State of the Arts in Post-apartheid South Africa" by Lynee Maree, "The Rights and Status of the Artist in the First Ten Years of South Africa's Democracy" by Mike van Graan, "A Decade of Cartoons" by Jonathan Shapiro, "Marking Time: the making of the Democracy X exhibition" by Rayda Becker, and much more.

Objects exhibited include pots, sticks, headrests, arm rings, earplugs, shell artefacts, beadwork, Khoe-San rock paintings, earthenware heads found near Lydenburg, artefacts from Great Zimbabwe ruins and posters used during the struggle years.

Also includes sculpture by Jackson Hlungwani, Durant Sihlali, & Johannes Segogela, photographs by Ernest Cole, Bob Gosani, Alf Khumalo, Eli Wienberg & Jurgen Schadeberg, paintings by Gerard Sekoto, as well as work by contemporary artists Robert Hodgins, Jane Alexander, Willie Bester, Gavin Younge, Willem Boshoff, Sam Nhlengethwa, Sue Williamson, William Kentridge, and many others.
Oosthuysen (H.) 101 CHURCHES, a tribute to the rich history of churches in South Africa
191 pp., 4to., b/w & colour illus., hardback, Somerset West, 2010. R350
Photojournalist Henk Oosthuizen briefly discusses the history of 101 South African churches.
Ose (E.D.) curator OLVIDA QUIN SOY/ ERASE ME FROM WHO I AM,
231 pp., 4to., b/w & colour illus., paperback, Island of Gran Canaria, 2006. OUT OF PRINT
Catalogue of the exhibition, Centro Atlántico De Arte Moderno (CAAM), Las Palmas de Gran Canaria, 2006.

Artists exhibited were Wim Botha, Nicholas Hlobo, Moshekwa Langa, Churchill Madikida, Thando Mama, Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Johannes Phokela, Tracey Rose, Dave Southwood, Mikhael Subotzky, Hentie van der Merwe & Lolo Veleko.

Includes the essays "And What Are You Looking At? formulas for making the invisible visible" by Elvira Dyangani Ose, "Bodies of Evidence? perspectives on African embodiment" by Patrick Williams, "Negotiating Space, some matters in South African contemporary art" by Thembinkosi Goniwe, "Drawing Blood' conflict and caricature in contemporary South African art" by Colin Richards & "Trasending (sic) the Ethos of Invisibility" by Laurie Ann Farrell.

Text in Spanish and English.
Osman (A.M.) et. al LUS CARDOSO,
79 pp., 4to., colour illus., paperback, Maputo, 2006. R500
Texts by Abdul Magid Osman & Rui Fernandes, António Sopa, Ascêncio de Freitas, Augusto Cabral, Fernando Couto, Francisco Marques Gomes & Mia Couto.

Painter Luís Cardoso was born in Beira in 1962.

Text in Portuguese.
Palmer (R.) photo. OVERSEAS,
172 pp., oblong 4to., illus., hardback, d.w., Salzburg, 2004. R375
Catalogue of the exhibition, Fotohof, Salzburg, 2004.

Photographs taken in Vredendal, Maseru, Nieu Bethesda, Bethulie, Aberdeen, Okahandja, Queenstown, Walvis Bay, and elsewhere.

Includes the short text, "City Centre (street addresses, Johannesburg, fifth cycle)" by Ivan Vladislavíc.

Pam-Grant (Sue) OPEN AT THE SEAMS,
26 pp., colour illus., paperback, Johannesburg, 2008. R110
Catalogue of the exhibition of assemblages, Gallery MOMO, Johannesburg, 2008.

Actress, playwright, theatre director and artist Sue Pam-Grant was born in 1962 in Cape Town. She now lives and works in Johannesburg.

Parenzee (D.) ed. WORDS IN THE HOUSE OF SOUND, the writer's floor of the District Six Museum
76 pp., b/w & colour illus., paperback, Cape Town, 2000. R100
Catalogue of the exhibition, The District Six Museum, Cape Town, 2000. Preface by Peggy Delport, curator. Introduction by Donald Parenzee.
"The Writers Floor Exhibit brought more than forty Cape Town writers to inscribe tiles which were then used in making the floor of the museum's new Memorial Hall."
Includes prose and poetry by Gus Ferguson, James Matthews, Peter Clarke, Jeremy Cronin, Don Mattera, Wally Serote, Tatamkulu Africa, Dennis Brutus, Ingrid de Kock, Mike Cope, Karen Press, Bessie Head, Richard Rive, and many others.
Parkington (J.) THE MANTIS, THE ELAND AND THE HUNTER,
63 pp., b/w & colour illus., paperback, Cape Town, 2002. R90
First in a proposed series of guides to the archeology and rock art of the Cedarberg and neigbouring areas.

Some of the Cederberg rock paintings are interpreted with the help of Ju'/hoansi or /Xam texts or stories.
"The title of the guide is taken from a story that appears to have been widespread in Southern Africa: the creation of the eland by the mantis and its subsequent death at the hands of the hunter".
Parkington (J.) SHORELINES, STRANDLOPERS AND SHELL MIDDENS,
127 pp., maps, colour illus., paperback, Cape Town, 2006. R180
The shell heaps, bones and artefacts found along the shoreline of South Africa are examined for information about how people lived along the shore.

John Parkington is Professor of Archeology at the University of Cape Town.
Parkington (J.) & Morris (D.) text & Rusch (N.) photo. KAROO ROCK ENGRAVINGS, marking places in the landscape
127 pp., maps, b/w & colour illus., paperback, Clanwilliam, 2008. R220
The fourth book in the ongoing series of publications about the archaeology of southern Africa produced by the Krakadouw Trust on behalf of the Clanwilliam Living Landscape Project.

The other titles in the series are "The Mantis, the Eland and the Hunter", "Cederberg Rock Paintings" and "Shorelines, Strandlopers and Shell Middens" by John Parkington.
Parkington (J.) text CEDERBERG ROCK PAINTINGS,
127 pp., maps, b/w & colour illus., paperback, Cape Town, 2003. R180
Second in a proposed series of volumes on the archeology and rock paintings of the Cederberg and neighbouring areas.
Photographs by Neil Rusch.
John Parkington is Professor of Archeology at the University of Cape Town.
Parkington (J.) text & Rusch (N.) photo. SAN ROCK ENGRAVINGS, marking the Karoo landscape
128 pp., colour illus., hardback, d.w., Cape Town, 2010. R210
An exploration of the San rock engravings found in the Karoo. John Parkington looks at the significance of the places engraved and the meaning of the images selected as subjects.

John Parkington is Professor of Archaeology at the University of Cape Town.
Parr (M.) curator DAVID GOLDBLATT, photographs
255 pp., 4to., b/w & colour illus., hardback, Rome, 2006. R850
Published in conjunction with the travelling exhibition first shown in Arles at the Recontres Internationales de la Photographie, 2006.

Essays by Lionel Abrahams (1983) & Rory Bester. Photographs selected from the books "Some Afrikaners Photographed (1975), "Particulars (2003), "In Boksburg" (1982), "The Transported of KwaNdebele" (1989), South Africa the Structure of Things Then" (1998), "Soweto", a photo-essay published in 1972 in "Optima", and "Intersections - Joburg" and "Intersections - Municipal Officials", two ongoing bodies of work some of which was published in the book "Intersections" in 2005.
Paschke (Varenka) THE WATER GRID,
35 pp., colour illus., paperback, (Cape Town), 2007. R75
Catalogue of the exhibition of paintings on fabric, Worldart, Cape Town, November 2007 & Johannesburg, November 2007 - Janurary 2008.
Pather (J.) ed. SPIER CONTEMPORARY 2010, exhibition
292 pp., 4to., b/w & colour illus., hardback, Cape Town, 2010. OUT OF PRINT
Catalogue of the biennial exhibition launched at Cape Town City Hall, 2010.

Includes the essays "On the Side of the Angels: art and the contemporary" by Ashraf Jamal,
"The Flight of the Trumpet" by Mandla Langa,
"Art, Motion, Voice" by Sarah Nuttall,
"Our Iron Cage of Race" by Andile Mngxitama, and
"Awake to What Is" by Virginia MacKenny.
Also includes conversations with the curatorial team

The exhibition received over 2700 entries submitted at fouteen locations around the country. The curators who selected the work for the exhibition were Meskerem Assegued, Farzanah Badsha, Clive van den Berg, Mwenya Kabwe and Jay Pather. The judges were Mark Coetzee, N'Goné Fall and RoseLee Goldberg. The cash prize winners were Araminta de Clermont (photography), Dave Robertson (photography), Jessica Gregory and Zen Marie (video installation), Christopher Swift (mixed media) and Hasan and Husain Essop (photography).

Artists include Gordon Froud, David Koloane, Michael MacGarry, Brett Murray, Cameron Platter, Helen Sebidi, Jaco Sieberhagen, Ed Young and Dale Yidelman.

Payne (M.), MacKenny (V.) & O'Toole (S.) POGONOLOGY, Malcolm Payne, paintings 2007-2010
45 pp., colour illus., paperback, Cape Town, 2011. R88
Catalogue of the exhibition, BLANK Projects, Cape Town, 2011.

Includes the essays:
"A Pogonologist's Dilemma" by Malcolm Payne
"Bearded Ladies" by Virginia MacKenny
"File Under PAYNE, MALCOLM" by Sean O'Toole.

Malcolm Payne, now retired, was a professor at the Michaelis School of Fine Art, University of Cape Town.
Payne (Malcolm) ILLUMINATED MANUSCRIPTS 2003/2005,
45 pp., oblong 4to., colour illus., paperback, Cape Town, 2005. R86
Catalogue of the exhibition, Irma Stern Museum, Cape Town, 2005.

Includes an essay, "The Invisible Elsewhere: an introduction to Malcolm Payne's 'Illuminated Manuscripts'", by Pippa Skotnes.

Also available with a signed print limited to 50 copies @ R400.
Payne (Tracy) SACRED YIN,
32 pp., colour illus., paperback, Cape Town, 2005. R50
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.

Tracy Payne was born in 1965 and lives and works in Cape Town. She works in oils on canvas.
Payne (Tracy) SACRED YANG,
36 pp., colour illus., paperback, Cape Town, 2007. R70
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Painter Tracy Payne was born in 1965 in Cape Town, where she still ives and works.
Pearse (G.E.) EIGHTEENTH CENTURY FURNITURE IN SOUTH AFRICA,
193 pp., large 4to., illus., hardback, d.w., faded on spine, Pretoria, 1960. OUT OF PRINT
A companion volume to the G.E.Pearse's "Eighteenth Century Architecture in South Africa". He traces the development of furniture in South Africa.
Pearse (G.E.) EIGHTEENTH CENTURY ARCHITECTURE IN SOUTH AFRICA,
170 pp., large 4to., illus., hardback, d.w., faded on spine, Reprint, London, (1933) 1957. OUT OF PRINT
Professor G.E.Pearse was the first to consider Cape architecture of the 18th century as an independent style and to examine it in its historical perspective.
Peffer (J.) ART AND THE END OF APARTHEID,
339 pp, b/w & colour illus., paperback, Minneapolis, 2009. R360
John Peffer considers the work of mostly black (and some progressive white) artists in South Africa, especially during the period between 1976 and 1994. He examines the ways that the struggle against apartheid affected the social milieus and the choices of representational forms available to black artists, explores the development of modernist art among black artists and shows how, through a cosmopolitan and non-racial art practice, progressive artists helped to undermine apartheid and model a future, more democratic society.

"'Art and the End of Apartheid' is at once an accomplished account of the world of progressive art practice in the last decades of white rule, a subtle exploration of the struggle for a nonracial aesthetic, and a compelling chapter in the unfinished history of black modernism in South Africa. But more than this, it is a major contribution to our understanding of the crisis of representation and imagination that haunted the apartheid regime from start to finish." Jean Comaroff

John Peffer is lecturer in art and art history at Case Western Reserve University in Cleveland. He is editor of "Critical Interventions: Journal of African Art History and Visual Culture".
Peffer (J.) curator MINNETTE VRI, media work
18 pp., illus., paperback, Massachusetts, 2003. R95
Catalogue of the exhibition, Jannotta Gallery, Brown Fine Arts Centre, Smith College, Massachusetts, 2003.

Introduction and essay, "Mistaken Media", by John Peffer. Also includes statements by the artist and stills from her two video installations, "Alien" (1998) and "Oracle" (1999).
Penfold (D.) ARCADIA, Kevin Brand
18 pp., colour illus., paperback, Cape Town, 2008. R80
Catalogue of the exhibition of steel on painted wood, Bell-Roberts Contemporary Art Gallery, Cape Town, 2008.

Includes the essay, "Comment on Arcadia by Kevin Brand" by Denise Penfold.

Kevin Brand won the Vita Art New Award in 1995 and was awarded the Mercedes-Benz South Africa 2008 Award for Art in Public Spaces.
Perrill (E.) text & photo. UKUCWEBEZEKA: TO SHINE, contemporary Zulu ceramics
80 pp., 4to., map, colour illus., paperback, Bloomington, 2008. R260
Catalogue of the exhibition, Faulconer Gallery, Grinnell College, Iowa, 2008, and Indiana University Art Museum, Bloomington, 2009.

This exhibition "presents the work of twenty-six South African artists who are working within or have affinities with Zulu cultural identity and ceramic traditions...Within the work of Azolina MaMncube Ngema one can see the admixture of beadworking and ceramic creativity. Young men like Ian Garrett and Clive Sithole are crossing gender divisions as they venture into this traditionally women's art form. And young women working for new audiences, such as Peni MaGumbi Mathengwa, Yvette Dunn and Witty Nyide are re-interpreting what it means to be a Zulu artist. 'Ukucwebezela: To Shine' features individuals creating their own interpretations of a continuing and expanding Zulu ceramic tradition as they produce pots and sculptures for local audiences, South African galleries, and international collectors." from the introduction

"'Ukucwebezela' ('to shine') refers to a quality that many Zulu ceramic artists identify as important and admirable: the shine produced by the careful burnishing of a ceramic vessel." from the preface
Perryer (S.) curator IN THE MAKING, materials and process
59 pp., colour illus., paperback, Cape Town, 2005. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.

The exhibition "presents work by a range of artists who share a deep concern with materials and materiality, as well as a tendency towards obsessive working processes in which these materials are put to use in previously unimagined ways".

Includes work by Paul Edmunds, Alan Alborough, Dineo Bopape, Retha Erasmus, Nicholas Hlobo, Nandipha Mntambo, Walter Oltmann, Stefanus Rademeyer, Doreen Southwood, Jeremy Wafer, Sandile Zulu & El Anatsui.
Perryer (S.) curator AFTERLIFE,
60 pp., b/w & colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Penny Siopis, Samson Mudzunga, Claudette Schreuders, Wim Botha, Moshekwa Langa, Minette Vari, amongst others.
Perryer (S.) ed. ART SOUTH AFRICA, vol.1 issue 1, spring 2002
72 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R50
Includes Hazel Friedman on Brett Murray, Emma Bedford on Kentridge's "Confessions of Zeno", Alex Dodd on Johannesburgs cultural makeover, Ivan Powell on Jane Alexander.
Perryer (S.) ed. ART SOUTH AFRICA, vol.1 issue 2, summer 2002
72 pp., 4to., b/w & colour illus., paperback, Cape Town, 2002. R50
Includes Ashraf Jamal on William Kentridge, Michael Godby on David Goldblatt, Virginia MacKenny on Jeremy Wafer, Kathryn Smith on Penny Siopis and Chris Roper on Gavin Younge.
Perryer (s.) ed. ART SOUTH AFRICA, vol.1 issue 3, autumn 2003
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2003. OUT OF PRINT
Includes an interview with Kendell Geers conducted by Jerome Sans, Jeremy Sey on 15 years of experimental film and video art in South Africa, Penny Siopis on The Trinity Session, a collective made up of Stephen Hobbs, Marcus Neustetter and Kathryn Smith and Jane Taylor reviewing the book "Robert Hodgins" by Brenda Atkinson et. al.
Perryer (S.) ed. ART SOUTH AFRICA, vol.1 issue 4, winter 2003
80 pp., 4to., b/w & colour illus., paperback, Cape Town, 2003. R50
Includes Liese van der Watt on Berni Searle, a Charl Blignaut interview with Steven Cohen, Alex Dodd on the Johannesburg Art Gallery and Andrew Lampbrecht's review of the book, "Sue WIlliamson, selected work".
Perryer (S.) ed. ART SOUTH AFRICA, vol.2 issue 1, spring 2003
87 pp., 4to., colour illus., paperback, Cape Town, 2003. R70
Includes Tracy Murinik on Moshekwa Langa, Ashraf Jamal on Brett Bailey, Rory Bester on David Koloane and Sue Williamson on Jeremy Wafer and Sandile Zulu.
Perryer (S.) ed. ART SOUTH AFRICA, vol.2 issue 2, summer 2003
87 pp., 4to., colour illus., paperback, Cape Town, 2003. R70
Includes John Peffer in conversation with Minnette Vari, Anitra Nettleton on Samson Mudzunga, Andrew Lampbrecht on Willem Boshoff, Rory Bester on Kay Hassan, Nic Dawes on David Goldblatt & Liese van der Watt on Steven Cohen.
Perryer (S.) ed. ART SOUTH AFRICA, vol. 2, issue 3, autumn 2004
87 pp., 4to., colour illus., paperback, Cape Town, 2004. R70
Includes Rory Bester on Claudette Schreuder, Ivor Powell on Guy Tillim, Ashraf Jamal on Conrad Botes, Andrew Lampbrecht on Cape Town "Flash" artists Ed Young, Vuyisa Nyamenda & Cameron Platter, and Fred de Vries on Lesego Rampolokeng.
Perryer (S.) ed. ART SOUTH AFRICA, vol.2 issue 4, winter 2004
96 pp., 4to., colour illus., paperback, Cape Town, 2004. R70
Includes Tracy Murinik on Tracey Rose, James Sey on the collaboration between William Kentridge, the Sontonga Quartet and the composer Philip Miller, Colin Richards on Churchill Madikida's work on circumcision and Hannah le Roux on the Constitutional Court precinct.
Perryer (S.) ed. 10 YEARS 100 ARTISTS, art in a democratic South Africa
447 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. OUT OF PRINT
Fifteen writer/curators were asked to draw up a list of fifteen "top" artists that they would like to see included in a book focusing on "the cutting edge of comtemporary art production today, as informed by and shaped during the past 10 years of South Africa's emergence into the global art scene". Each writer was then allocated six or seven artists and asked to motivate their selections. "Most writers were keen to emphasise that the resulting list did not claim to represent 'the top hundred artists, but rather a selection that reflected multiple viewpoints and priorities, providing a broader view of contemporary production that seen before."

The fifteen writers are Emma Bedford, David Brodie, Thembinkosi Goniwe, Khwezi Gule, Sharlene Khan, David Koloane, Andrew Lampbrecht, Moleleki Frank Ledimo, Virginia MacKenny, Sipho Mdanda, Tumelo Mosaka, Tracy Murinik, Colin Richards, Kathryn Smith and Sue Williamson.

Artists selected include Jane Alexander, Bridget Baker, Bongi Bengu, Willie Bester, Willem Boshoff, Conrad Botes, Wim Botha, Kevin Brand, Lisa Brice, Peter Clarke, Steven Cohen, Marlene Dumas, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Kay Hassan, Stephen Hobbs, Robert Hodgins, William Kentridge, David Koloane, Dorothee Kreutzeldt, Terry Kurgan, Moshekwa Langa, Churchill Madikida, Noria Mabasa, Langa Magwa, Thando Mama, Senzeni Marasela, Kagiso Pat Mautloa, Santu Mofokeng, Samson Mudzunga, Brett Murray, Sam Nhlengetthwa, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Jo Ractliffe, Robin Rhode, Tracey Rose, Roderick Sauls, Claudette Schreuders, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Doreen Southwood, Guy Tillim, Clive van den Berg, Minnette Varí, Jeremy Wafer, Sue Williamson, Ed Young, Sandile Zulu, and many more.
Perryer (S.) ed. WIM BOTHA, Standard Bank Young Artist Award for Visual Art 2005
72 pp., b/w & colour illus., hardback, Cape Town, 2005. R130
Catalogue of the travelling exhibition, first shown at the National Arts Festival, Grahamstown, 2005.

Includes the essay, "The Opposite of Everyday: Win Botha's acts of translation" by Liese van der Watt and an interview with the artist conducted by Michael Stevenson entitled "In Conversation".

Also available in an edition limited to 120 copies, slipcase, signed by the author, R300.
Perryer (S.) ed. SUMMER 2008/9 PROJECTS,
80 pp., b/w & colour illus., paperback, Cape Town, 2008. R120
Catalogue of the exhibition, Michael Stevenson, Cape Town, November 2008-January 2009.

The artists featured are Paul Edmunds, David Goldblatt, Odili Donald Odita, Nicholas Hlobo, Andrew Putter, Deborah Poynton, Youseff Nabil, Nandipha Mntambo, Zanele Muholi and Daniel Naudé.
Peté (M.) ed. LOOK AT ME, women artists and poets advocate children's rights, a project of Art for Humanity
160 pp., oblong 4to., b/w & colour illus., paperback, Durban, 2007. R320
Art for Humanity, an initiative of the Women for Children project, Department of Fine Art, Durban University of Technology, matched 25 artists to 25 poets who then collaborated to produce work that draws attention to the plight of women and children in South Africa. The poems and artworks form part of an extensive billboard and poster campaign.

Artists involved include Kim Berman, Lien Botha, Angela Buckland, Nomusa Makhubu, Judith Mason, Berni Searle, Diane Victor and Judy Woodborne.
Pfiffner (P.) photo. & Eisenhofer (S.), Guggeis (K.) & Froidevaux (J.) text AFRICA ON THE MOVE/ UNE AFRIQUE EN MOUVEMENT/ AFRIKA BEWEGT SICH, toys from West Africa/ jouets de l'Afrique de l'Ouest/ spielzeug aus Wesafrika
216 pp., b/w & colour illus., hardback, Stuttgart, 2004. OUT OF PRINT
West African toys made of recycled materials from the Plonk & Replonk Collection in Switzerland.

Includes the essays, "Global Players - children's toys from post-colonial Africa" by Stefan Eisenhofer & Karin Guggeis & "Art without Airs " by collector Jacques Froidevaux, as well an interview with toymaker Roberet Compaoré and a section of photographs of the toymakers and their sources of inspiration.

Text in English, French & German.
Pickford (P.) & (B.) photo. & text FOREVER AFRICA, a journey from the Cape of Good Hope to Morocco
300 pp., b/w & colour illus., hardback, d.w., Cape Town, 2004. R350
Peter and Beverley Pickford, photographers well-known for their previous books, especially "Himba: nomads of Namibia" (1990), spent a year travelling from Cape Town through Namibia, Botswana, Mozambique, Zambia, Malawi, Tanzania, Uganda, Kenya, Ethiopia, Sudan and Egypt to Tangier, Morocco.
Pickford (P.) & (B.) photo. & Jacobsohn (M.) text HIMBA, nomads of Namibia
144 pp., 4to., map, b/w & colour illus., paperback, Reprint, Cape Town, (1990) 1998. OUT OF PRINT
Margaret Jacobsohn spent 5 years living and working with the Himba people of the north-western Kunene Region.
Picton (J.) et. al. THE ART OF AFRICAN TEXTILES, technology, tradition and lurex
141 pp., 4to., maps, b/w & colour illus., paperback, Reprint, London, (1995) 1999. OUT OF PRINT
Published on the occasion of the exhibition, Barbican Art Gallery, London, 1995.
Examines textile design and manufacture across the continent.
Includes the essays, "Clothing and Identity in Southern Africa" by Rayda Becker and "Southern African Textiles Today:design, industry and collective enteprise," by Jackie Guille. Other essays by John Picton, Elizabeth Harney, Pauline Duponchel, David Heathcote, Pat Oyelola, Atta Kwami, Julia Hilger and Simon Peers.
Picton-Seymour (D.) VICTORIAN BUILDINGS IN SOUTH AFRICA, including Edwardian & Transvaal Republican styles, 1850-1910
412 pp., 4to., illus., hardback, quarter-leather and marble boards, Cape Town, 1977. OUT OF PRINT
A survey of houses, churches, public and commercial buildings, with notes on the materials used, the architects concerned, the use of prefabricated ironmongery and the influence of European styles.

Number 19 of an edition limited to 100 copies in quarter-leather, signed by the author.
Picton-Seymour (D.) text & Szymanowski (J.) et. al. photo HISTORICAL BUILDINGS IN SOUTH AFRICA,
192 pp., 4to., map, b/w & colour illus., hardback, Cape Town, 1989. OUT OF PRINT
Covers approximately 300 of South Africa's most important buildings, providing additional information about the architects and other people associated with them.
Pieterse (E.) & Meintjes (F.) eds. VOICES OF THE TRANSITION, the politics, poetics and practices of social change in South Africa
366 pp., illus., hardback, Johannesburg, 2003. R260
Foreword by Albie Sachs.
Includes the photographic essays "Making an RDP House a Home" by Seopedi Ruth Motau and "Yeoville" by Cedric Nunn, poems by Sandile Dikeni and Malika Ndlovu and the essays "An Approach to Viable Futures" by Njabulo Ndebele, "Hip-Hop in the Age of Empire: Cape Flats style' by Adam Haupt, "Beggar-Guest" by Ashraf Jamal, "Johannesburg: on being a native at home and abroad" by John Matshikiza, "Shifting Soundscapes and Youth Dance Cultures" by Dominique Wooldridge & S'busiso Nxumalo and "Recovering the Ordinary" by Kopano Ratele.
Pieterse (E.) ed. COUNTER-CURRENTS, experiments in sustainability in the Cape Town region
273 pp., 4to., maps, b/w & colour illus., hardback, Johannesburg, 2010. R280
A "catalogue of ideas" that presents a range of policies, dreams, ambitions, critiques, philosophies and learning about what can be done to transform Cape Town.

Contributions include "Jane Alexander: hunger artist" by Ashraf Jamal,
"Nurturing Creatvitiy: the Spier experiment" by Tanner Methvin, and
"Cape Town Integrated", a photo-essay curated by Tau Tavengwa.
Pinker (S.) et. al. STANLEY PINKER,
112 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2004. R350
Based on a series of extended interviews Michael Stevenson conducted with Stanley Pinker. Also includes the artist's commentaries on work produced 1950-2000.
Foreword by Hayden Proud.
Pinto (M.) photo. & Mechali (J-L.) text MAURO PINTO, fotógrafo/ photographer
22 pp., colour illus., paperback, Montreuil, 2004. R50
Text in Portuguese & English.
Pollack (L.) ELSABY LAUBSCHER, do we hear them cry?
23 pp., colour illus., paperback, Cape Town, 2001. R60
Catalogue of the exhibition, Lipshitz Gallery, Cape Town, 2001.
Pollak (L.) et. al. ROGER PALMER, international waters
72 pp., b/w & colour illus., hardback, Southhampton, 2001. R295
Foreword by Stephen Foster. Essays by Lloyd Pollak, Nikos Papastergiadis & Bridie Lonie.
This book "documents four projects in which Roger Palmer considers the sea in terms of its role in emigration and exploration, colonisation and commerce."
One of these exhibitions, "International Waters" took place at the AVA Gallery in Cape Town in 2000. Text on this part of the project is by Lloyd Pollak and photos by Lien Botha.
The others exhibitons were "Departures/Arrivals", held in Port Glasgow Library, Scotland and Port Chalmers Museum, New Zealand; "Dunedin Star", held in Swakopmund, Namibia and Dunedin, New Zealand and "International Waters", held in the John Hansard Gallery at Union Castle House, Southampton.
Posterbook Collective & South African History Archive (comp.) IMAGES OF DEFIANCE, South African resistance posters of the 1980s
181 pp., 4to., colour illus., paperback, Reprint, Johannesburg, (1991) 2004. R220
The posters reproduced in this book "were produced by ordinary members of community-based organisations during the 1980s...Most of the posters are the result of a collective process - conceived within the context of an organisation or group, sometimes discussed at length, drawn by one person or even several people working together...Many of...the people who worked on the posters were operating underground, or did not want their names or political affiliations publicised; some of those who were better known were harassed and detained...many of the posters were banned almost upon their first appearance...".

"Images of Defiance" was first published by Ravan Press in 1991.
Powell (I.) BRETT MURRAY, "white like me"
47 pp., colour illus., paperback, Cape Town, 2002. R96
Catalogue of the touring exhibition, first at the National Arts Festival, Grahamstown, 2002.

Brett Murray was the Standard Bank Young Artist for 2002.
Poynton (Deborah) DEBORAH POYNTON,
24 pp., colour illus., paperback, Cape Town, 2004. R45
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2004.

Deborah Poynton was born in 1970 in Durban. She moved to Germany in 2001 and currently lives in Bonn.

Includes a conversation between Michael Stevenson and the artist.
Poynton (Deborah) SAFETY AND SECURITY,
35 pp., colour illus., paperback, Cape Town, 2006. R60
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

Deborah Poynton was born in 1970 in Durban. She currently divides her time between Cape Town and Bonn.

Includes the essay, "On Being Painted", by Peter Rech, translated from the German.
Prinsloo (D.) POINTS FOR DEPARTURE,
106 pp., 4to., b/w & colour illus., paperback, (Johannesburg), (2007). R295
Ceramicist Dina Prinsloo explores the development of her work, which has always been inspired by indigenous plants in their natural setting. She also documents her collaboration with South African architects, in which she created sculptures and containers for their buildings.

DIna Prinsloo was born in Johannesburg, where she continues to live and work.
Proud (H.) curator GEORGE MILWA MNYALUZA PEMBA,
108 pp., 4to., b/w & colour illus., paperback, Second Edition, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, 27 April-28 July 1996. Contributors include Marilyn Martin, André Odendaal, Govan Mbeki & Barry Feinberg.
Proud (H.) curator HARRY TREVOR, the South African years
14 pp., 4to., b/w & colour illus., paperback, Second Edition, Cape Town, 1999. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1999.

Harry Trevor, a painter of Expressionist style works, was born in Johannesburg in 1921. He left South Africa for Britian in 1947.
Proud (H.) curator SCRATCHES ON THE FACE, antiquity and contemporaneity in South African works of art from Iziko Museums of Cape Town
64 pp., 4to., b/w & colour illus., paperback, Cape Town, 2009. R217
Catalogue of the travelling exhibition, National Gallery of Modern Art, New Delhi, 2007-2008, and Iziko South African National Gallery, Cape Town, 2008.

Includes the essays, "'Scratches on the Face of the Country' - an introduction to the exhibition" by Hayden Proud, and
"Across the Indian Ocean: a little South Asia in Africa" by Nasan Pather.

South African artists include David Goldblatt, William Kentridge, Cecil Skotnes, Walter Battiss, Alexis Preller, Thomas Baines, Jacob Pierneef, Eric Mbatha, Gerard Sekoto, Lucky Sibiya, Julian Motau, Norman Catherine, Dumile Feni, Johannes Segogela, and Brett Murray. Each of the works of art on the exhibition are reproduced, with texts by Hayden Proud and Carol Kaufmann.
Proud (H.) curator & text REVISIONS +, expanding the narrative of South African art, the Campbell Smith Collection
103 pp., 4to., b/w & colour illus., paperback, Pretoria, 2008. R282
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Gallery (SMAC), 2008.

The exhibition, "ReVisions: expanding the narrative of South African Art", the first major public showing of the Campbell Smith Collection, opened at the Iziko South African National Gallery in 2005. In early 2007 the catalogue on the Campbell Smith Collection was published, documenting the entire collection as it stood towards the end of 2005. This sequel publication, "ReVisions +", the catalogue of the new exhibition, only contains the new works acquired since 2005. It also contains biographies of all the new artists who are now represented in the Collection, as well as discussion on newly-acquired works by artists who were already represented in the initial publication.

Proud (H.) curator & ed. REVISIONS, expanding the narrative of South African art, the Campbell Smith Collection
360 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2006. R1250
Catalogue of the exhibition, Iziko SA National Gallery, Cape Town, 2006.

"'Revisions: expanding the narrative of South African art' forms a sequel to 'The Neglected Tradition' exhibition of 1988...[and] restores the visibility of a host of marginalised and under-represented South African artists...The works...that appear in this book date from the 1920s to 2005."

Artists include Omar Badsha, Willie Bester, Gerard Bhengu, Gregoire Boonzaier, Irma Stern, Peter Clarke, Dumile Feni, Jackson Hlungwani, Sydney Kumalo, Maggie Laubser, Noria Mabasa, Azaria Mbatha, Gladys Mgudlandlu, Tommy Motswai, John Muafangejo, George Pemba, Alexis Preller, Johannes Segogela, Gerard Sekoto, Duratn Sihlali, Cecil Skotnes, Maurice Van Essche, Manfred Zylla, and many others.

Includes the essays "The Collection as the Image of the Collector" by Hayden Proud, "The Possibility of Tradition" by Ivor Powell, "Coming Through the Night" by Elza Miles, "From Bhengu to Makhoba: tradition and modernity in the work of black artists from Kwazulu-Natal in the Cambell Smith Collection" by Mzuzile Mduduzi Xakaza & "Cast in Colour? towards an inclusive South African art" by Mario Pissarra.
Proud (H.) ed. FORTY YEARS OF FRIENDSHIP, the Friends of the South African National Gallery 1968-2008
46 pp., b/w & colour illus., paperback, Cape Town, 2008. R115
Foreword by Marilyn Martin.
Includes the essays, "'That's What Friends Are For...', the genesis and activities of the Friends of the South African National Gallery" by Hayden Proud,
"The 'Friends' Choice' Collection, 1975-1992" by Joseph Dolby, and
"A Veteran Friend: Joe Wolpe and the Friends of the SA National Gallery" by Andrea Lewis.
Public Eye PROJECTS, 1999-2002
39 pp., colour illus., paperback, Cape Town, 2002. R40
Public Eye, founded in 1999, is a collection of Cape Town based artists and cultural activists who initiate and manage art projects in the public arena. Members include Brett Murray, Sue Williamson, Kevin Brand and Lisa Brice.
Puccinelli (L.) curator CLAIMING ART RECLAIMING SPACE, post-apartheid art from South Africa
14 pp., colour iilus., paperback, Washington, (1999). OUT OF PRINT
Brochure published in conjunction with the exhibition, National Museum of African Art, Smithsonian, Washington, 1999.
Artists include Gavin Jantjes, Willie Bester, Kay Hassan, Garth Erasmus, Rudzani Nemasetoni and Sue Williamson.
Rabbethge-Schiller (H.) ed. MEMORY AND MAGIC, contemporary art of the !Xun & Khwe
114 pp., 4to., colour & b/w illus., paperback, Johannesburg, 2006. R195
Published to coincide with the exhibition first shown at the Origins Centre, Johannesburg.

The book features the work of 11 artists from the !Xun & Khwe Cultural Project taken from the private collection of Hella Rabbethge-Schiller of Rosenheim, Germany.
Includes the essays "Beyond Arcadia - the San and the "colonial gaze" by Stefan Eisenhofer, "Modernity, Tradition and Communication" by Nigel Crawhall & "Picturing the Past, Creating the Future: art of the !Xun & Khwe Cultural Project" by Jessica Stephenson, as well as a biography of each artist.
Rabe (J-M.) & (P.) CAPE FURNITURE STYLES, 1652-1900
64 pp., colour illus., paperback, Stellenbosch, 2003. R195
Catalogue for the selling exhibitions, The Dorp Street Gallery, Stellenbosch, South African Antique Dealers Association-fair, Johannesburg & Kirstenbosch Botanical Gardens, Cape Town, 2003-2004.

Includes Cape Renaissance Classicism, Cape Baroque, Cape Rococo, Cape Neo-Classicism, Cape Regency, Cape Pioneer and Folk furniture & Cape kitchenalia.
Rabe (J-M.) & (P.) CAPE FURNITURE & SOUTH AFRICAN CERAMICS, Cape furniture 1700-1900, Linnware 1925-1955, Kalahari 1950-1985
74 pp., colour illus., paperback, Stellenbosch, 2004. R195
Catalogue for the selling exhibition, Piér Rabe Antiques, Stellenbosch, 2006.

Includes Cape Renaissance Classicism, Cape Baroque, Cape Rococo, Cape Neo-Classicism, Cape Regency, Transvaal furniture, Folk and Pioneer furniture, Cape kitchenalia, and ceramics from The Cape Studio (renamed Linnware) and the Kalahari Studio.
Rabie (B.) curator «REWIND» FAST FORWARD.ZA, new work from South Africa
125 pp., b/w & colour illus., paperback, Apeldoorn, 1999. OUT OF PRINT
Catalogue of the exhibition, Van Reekum Museum Apeldoorn, Netherlands, 1999.

Artists include Willie Bester, Kevin Brand, Bongi Dhlomo-Mautloa, Robert Hodgins, William Kentridge, Noria Mabasa, Esther Mahlangu, Zwelethu Mthethwa, Sam Nhlengethwa, Nkosana Dominic Tshabangu & Sue Williamson.

Essays by Frits Bless, Bozzie Rabie, Carl Niehaus, Bongi Dhlomo-Mautloa, Okwui Enwezor & Mark Brusse.
Radford (D.) A GUIDE TO THE ARCHITECTURE OF DURBAN AND PIETERMARITZBURG,
121 pp., maps, b/w & colour illus., paperback, Cape Town, 2002. R150
Presents a representative selection of buildings that are easily observable from the street and reflect the multiculturalism of the two cities.
Raman (P.G.) & Olivier (J.) ARCHITECTURE OF THE THIRD LANDSCAPE, award-winning buildings of the Free State
155 pp., 4to., b/w & colour illus., paperback, Bloemfontien, 2009. R250
Architects P.G.Raman and Jako Olivier discuss various award-winning architectural projects ranging from private houses to buildings at the University of the Free State and conservation projects.

Raman (P.G.) et. al. VIVA PANCHO,
32 pp., 4to., b/w & colour illus., paperback, Durban, 2003. R95
Architect and artist Pancho Guedes was born in Lisbon in 1925. He grew up in Maputo, Mozambique, and worked there for many years as an architect. He left Mozambique in 1974 and was Professor of Architecture at the University of the Witwatersrand from 1975-1990. He is currently in private practice in Lisbon.

Includes contributions by Revel Fox, Marilyn Martin, Malangatana Ngwenya Valente, Joe Noero, Lewis Levin, Luis Ferreira da Silva, Julian Cooke, and many others.
Rangel (R.) FOTO-JORNALISMO OU FOTO-CONFUSIONISMO,
57 pp., illus., paperback, Maputo, 2002. R150
Ricardo Rangel, of Negro, Chinese, Portuguese and Greek descent, was born in 1924 in Lourenço Marques (now Maputo). In 1952 he was the first "non-white" photographer to work for the Mozambique press. In 1983 he became the first director of the newly founded Photography Training Centre (CFF), a position he still holds today.Together with Kok Nam he is regarded as a pioneer of modern photography in Mozambique.
This book is a critique of photojournalism in Mozambique.
Rangel (R.) photo. & Da Silva (C.) text RICARDO RANGEL, fotógrafo/ photographer
22 pp., illus., paperback, Montreuil, 2004. R50
Ricardo Achiles Rangel was born in Lourenço Marques (today's Maputo) in 1924. He is commonly regarded as Mozambique's greatest contemporary photographer.

Text in English & Portuguese.
Rangel (Ricardo) photo & da Silva (C.) et. al. text PO NOSSO DE CADA NOITE, our nightly bread
142 pp., 4to., illus., hardback, d.w., Maputo, 2004. OUT OF PRINT
Photographs of prostitutes and their clientele that Ricardo Rangel took in the 1970s on the streets and in the bars and cabarets of the Rua Araújo district in Maputo.

Contributions include "Neon Bread in the Street of Life" by Calane da Silva, "To Ricardo Rangel on his 80th Birthday" by José Luís Cabaço, "Ricardo Rangel and the Rise of Photo-Journalism in Mozambique" by Luís Bernardo Honwana & "Letter to Ricardo Rangel" by Nelson Saúte.

Text in English & Portuguese.
Rankin (E.) IMAGES OF METAL, post-war sculptures and assemblages in South Africa
206 pp., 4to., illus., paperback, Johannesburg, 1994. OUT OF PRINT
Published to accompany the travelling exhibition, first shown at the 1994 Standard Bank Arts Festival in Grahamstown.

Artists include Edoardo Villa, Kevin Brand, Brett Murray, Bruce Arnott, Vincent Baloyi, Willie Bester, Andries Botha, David Brown, Sydney Kumalo, Noria Mabasa, Walter Oltmann, Ian Redelinghuys, Durant Sihlali, Willem Strydom, Jeremy Wafer, Gavin Younge, and many others.

Rankin (E.) THE BABY AND THE BATHWATER, motif, medium and meaning in the work of Penelope Siopis
12 pp., 4to., b/w & colour illus., paperback, (Johannesburg), (1992). OUT OF PRINT
In 1992 Penelope Siopis was artist-in-residence at the Standard Bank National Arts Festival at Grahamstown, where she worked on a series of panels she referred to as "The Baby and the Bathwater". Elizabeth Rankin seeks to provide a context within which visitors could read the work in progress.
Rankin (E.) & von Veh (K.) DIANE VICTOR,
99 pp., b/w & colour illus., paperback, Johannesburg, 2008. R150
Includes the essays, "Personalising Process: Diane Victor as printmaker" by Elizabeth Rankin and "Gothic Visions: violence, religion and catharsis in Diane Victor's drawings" by Karen von Veh.

Accompanied by a 19 pp. educational supplement by Jacki McInnes and Lara Koseff, for use in senior schools.

Diane Victor was born in Witbank in 1964.

Elizabeth Rankin is Professor of Art History at the University of Auckland.
Karen von Veh is Senior Lecturer in Art and Deisgn at the University of Johannesburg.

Number 13 in the TAXI Art Book series.
Rankin-Smith (F.) curator & ed. HALAKASHA!,
121 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2010. R290
Published to accompany the exhibition held to celebrate the first FIFA Soccer World Cup held in Africa, Standard Bank Gallery, Johannesburg, 2010.

"The exhibition is framed mainly around the theme of local and African football supporters, imaging the politics and nationalist sentiment associated with football during and after the apartheid era. In addition, the exhibition makes room for interpretations by young artists of the subject of football and traces the motif of magical power in the work of several artists" Fiona Rankin-Smith

Essays include:
"'Halakasha!' The Time Has Come" by Fiona Rankin-Smith
"A History of Football in South Africa" by Philip Bonner
"Interview", a transcription of a 2010 conversation between Fiona Rankin-Smith and Dr Leepile Taunyane, Life President of the South African Premier Soccer League (PSL)
"TURF and TURF 1" by Bonita Alice
"Liverpool and Me" by Jonny Steinberg
"A Field of Urban Social Freedom" by Eric Worby.
Rassool (C.) & Prosalendis (S.) eds. RECALLING COMMUNITY IN CAPE TOWN, creating and curating the District Six Museum
178 pp., b/w & colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Essays on the conception and ongoing development of the District Six Museum by curators, archivists, administrators, education officers and trustees, many of whom were residents of District Six.

Contributions include "Museum Beginnings" by Vincent Kolbe, "Museum or Place of Working with Memory?" and "Signposts for Retrieval: a visual framework for enabling memory of place and time" by Peggy Delport, "Holding on to the Past: working with the 'myths' of District Six" by Craig Soudien, "History in Photographs at the District Six Museum" by Tina Smith and Ciraj Rassool, "Memory Rooms: oral history in the District Six Museum" by Valmont Layne and Ciraj Rassool, and much more.
Rattray (D.) A SOLDIER-ARTIST IN ZULULAND, William Whitelocke Lloyd and the Anglo-Zulu War of 1879
259 pp., 4to., maps, b/w & colour illus., hardback, d.w.,, Rorke's Drift, 2007. R1700
Foreword by H.R.H. The Prince of Wales.
Biographical notes and chronology by Major Martin Everett, curator, The Royal Regiment of Wales (Brecon) Museum.
Includes a facsimile reprint of an 1881sketch map of Zululand, folded, inside back cover.

William Whitelocke Lloyd (1856-1897), a lieutenant in the British Army, saw active service in the Anglo-Zulu War of 1879. An accomplished artist, during the war he made many watercolour paintings and sketches which remained unknown until brought to the attention of Zulu War historian David Rattray. Recognising their significance as a unique pictorial record of the British Army's campaign in Zululand, he undertook to write Lloyd's story and that of the war, placing the paintings within a meaningful framework.

An expert on the Anglo-Zulu War, David Rattray's Fugitive's Drift Lodge near Rorke's Drift and his battlefield tours were legendary. He died tragically at Fugitive's Drift in 2007, shortly after the publication of this book.
Rayner (L.) curator THE NEW SPELL, an exhibition of contemporary South African art
20 pp., colour illus., paperback, Johannesburg, 2008. R50
Catalogue of the exhibition, David Krut Projects, New York, 2008.

Includes the essay, "The News Spell, contemporary South African art and the aesthetics of vulgarity" by Lucy Rayner.

Artists featured are Themba Shibase, Michael MacGarry, Nandipha Mntambo, Maja Maljevic and Robyn Nesbitt and Nina Barnett.
Read (A.) ed. THE FACT OF BLACKNESS, Frantz Fanon and visual representation
211 pp., illus., paperback, London & Seattle, 1996. OUT OF PRINT
Includes "The After-life of Frantz Fanon: Why Fanon? Why now? Why 'Black Skin, White Masks'?" by Stuart Hall, "Feminism as a Persistent Critique of History: what's love got to do with it?" by bell hooks, "Missing Persons: fantasising black women in 'Black Skin, White Masks' by Lola Young, a dialogue between artists Renée Green, Lyle Ashton Harris, Mark Latamie, Ntozake Shange, Homi K Bhabha with Stuart Hall, Gilane Tawadros and members of the audience, and much more.
Read (T.) curator PETER VAN STRATEN, the silence and the bell
25 pp., colour illus., paperback, Knysna, 2008. R60
Catalogue of the exhibition of paintings, UCT Irma Stern Museum, Cape Town, 2008.

Includes a foreword, "Transcending the Matter Trap - an exchange with Peter van Straten" by Hazel Friedman.

Peter van Straten was born in 1972 in Johannesburg. He lives and works in Cape Town.
Reid (G.) & Walker (L.) eds. MEN BEHAVING DIFFERENTLY, South African men since 1994
236 pp., paperback, Cape Town, 2005. R150
Essays include "Negotiating the Boundaries of Masculinity in Post-Apartheid South Africa" by Liz Walker, "'A Man is a Man Completely and a Wife is a Wife Completely': gender classification and performance amongst 'ladies' and 'gents' in Ermelo, Mpumalanga" by Graeme Reid, "'You Have to Change and You Don't Know How!': contesting what it means to be a man in a rural area of South Africa" by Tina Sideris, "'Baby Rape': unmaking secrets of sexual violence in post-apartheid South Africa" by Deborah Posel, and more.
Renssen (M.) FREDERIKE STOKHUYZEN, born to be an artist
127 pp., oblong 4to., b/w & colour illus., hardback, d.w., Cape Town, 2010. R530
Painter Frederike Stokhuyzen was born in 1938 in Johannesburg. She now lives and works in Cape Town.
Revue Noire ANTHOLOGY OF AFRICAN AND INDIAN OCEAN PHOTOGRAPHY,
432 pp., 4to., map, b/w & colour illus., hardback, d.w., First English Edition, Paris, 1999. OUT OF PRINT
Originally published in 1998 in French.
Includes "The Black Photo Album" and "Trajectory of a Street Photographer" by Santu Mofokeng & "The Development of Photography in South Africa" by Kathleen Grundlingh.
Southern African photographers include Ricardo Rangel, Billy Monk, John Mauluka, John Liebenberg, Bob Gosani, Alf Kumalo, David Goldblatt, Omar Badsha, Guy Tillim, Penny Siopis, Chris Ledochowski, Zwelethu Mthethwa, Andrew Tshabangu & Santu Mofokeng.
Reynolds (M.) "EVERYTHING YOU DO IS A PORTRAIT OF YOURSELF", Dorothy Kay, a biography
490 pp., b/w & colour illus., hardback, d.w., Johannesburg, 1989. OUT OF PRINT
Dorothy Elvery was born in Ireland in 1886. In 1910 she came to South Africa to marry Dr Hobart Kay who later became District Surgeon in Port Elizabeth. She is best known as a portrait painter and was commissioned to paint numerous portraits of public citizens and private citizens. She died in 1964.
Ribeiro (A.P.) curator REPLICA AND REBELLION/ RPLICA E REBELDIA, artists from Angola, Brazil, Cape Verde and Mozambique/ artistas de Angola, Brasil, Cabo Verde e Moçambique
168 pp., 4to., b/w & colour illus., paperback, Lisbon, 2006. OUT OF PRINT
Catalogue of the touring exhibition which opened at the Museu Nacional de Arte, Maputo, Mozambique, 2006.

Includes work by Fernando Alvim, Tiago Borges, Paulo Capela, António Ole, Yonamine & Viteix from Angola and Luís Basto, Tomás Cumbana, Jorge Dias, Gemuce, Celestino Mudaulane, Mauro Pinto, Ricardo Rangel, Alexandre Santos & Victor Sousa from Mozambique.

Essays include "Exhibition as Representation" by António Pinto Ribeiro, "Watercolours" by Ruy Duarte de Carvalho & "In Search of New Visions" by Alda Costa.

Text in English & Portuguese.
Ribeiro (F.) EXPOSIO "MOZAAMBIQUE: VIDA E HISTRIA EM PSIKHELEKEDANA"/ EXHIBITION: "MOZAMBIQUE: LIFE AND HISTORY IN PSIKHELEKEDANA",
36 pp., 4to., b/w & colour illus., paperback, Maputo, 2003. R95
Catalogue of the exhibition, Centro Franco-Moçambicano, Maputo, July 2003.
Features the sculptures of Dino Jethá, Abel Nhantumbo, Bernado Valói, Crimildo Cumbe and Samuel Balói.
Introduction by Fátima Ribeiro. Essays by António Sopa, Malangatana Ngwenya and Mia Couto.

"Psikhelekedana is a traditional art form from the south of the country, initially practised by people from the Ronga ethnic group. It consists of the carving of a whole series of objects of wood...most recently a group of young people have begun to...make their pieces representations of moments in the history and life of the Mozambican people".
Ricciardi (M.) text & photo. AFRICAN SAGA,
300 pp., illus., hardback,d.w., London, 1982. OUT OF PRINT
The autobiography of photographer Mirella Ricciardi, author of "Vanishing Africa", "African Rainbow" and "African Visions". She grew up on a farm on the shores of Lake Naivasha in Kenya.
Richards (C.) SANDILE ZULU,
95 pp., 4to., colour illus., paperback, Johannesburg, 2005. R150
Sandile Zulu was born in 1960 in Ixopo, KwaZulu-Natal. He lives and works in Johannesburg.

The book includes a 2 pp. "Signaux de Fumée" in French and is accompanied by an educational supplement written by Philippa Hobbs.

Number 12 in the TAXI Art Book Series.
Richings (G.) THE LIFE AND WORK OF CHARLES MICHELL,
224 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2006. R350
Charles Michell (1793-1851) came to the Cape of Good Hope in 1828 to take up his appointment as the first surveyor-general and civil engineer and spent the next 25 years building roads, bridges and mountain passes, including Sir Lowry's, Michell's and Montagu Passes. He also designed lighthouses at Mouille Point, Cape Agulhas and Cape Recife. Included in the book are the majoirty of Michell's watercolours, sketches and drawings, published for the first time.
Richter (M.) RODNEY PLACE, retreks: bread city
12 pp., colour illus., paperback, Cape Town, (2002). R60
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
Includes a transcript of an email conversation held between 7 and 10 July in Johannesburg between Rodney Place, Sarah Nuttall and Achille Mbembe.
Rickoens-Körner (A.) text & Engelbrecht (S.) photo STONE TOWN STYLES OF EAST COAST AFRICA,
176 pp., 4to., maps, colour illus., paperback, Cape Town, 2003. R395
Focuses on the 12th to 20th centruy interior architecture of the stone towns in the East African coastal region.
Riefenstahl (L.) text & photo. THE LAST OF THE NUBA,
208 pp., 4to., maps, b/w & colour illus., hardback, d.w., First U.S.Edition, New York, 1974. OUT OF PRINT
From 1962 to 1972, often for several months at a time, Leni Riefenstahl lived with the Mesakin Nuba of the Kordofan in the Sudan, recording their everyday lives, rituals and traditions.

German actress, film director and photographer Leni Riefenstahl (1902-2003) made two award-winning films,"Triumph des Willens", on the 1934 Reich Party Congress in Nuremberg, and "Olympia", on the 1936 Olympic Games, which were seen as Nazi propoganda after World War II, destroying her career. During the 1950s she turned to photography, once again winning many awards for her work. She is also the author of "The Nuba of Kau" and two books of underwater photography.
Righini (P.) THINKING ARCHITECTURALLY, an introduction to the creation of form and place
326 pp., 4to., illus., paperback, Cape Town, 2000. R217
"Initially conceived as a design primer for undergraduate students, this book has grown into an essential reference for all designers...It should also be of interest to anyone wanting to know more about the evolution of architectural traditions."
Robbins (K.) KEITH ALEXANDER, the artist in retrospect
236 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2000. OUT OF PRINT
Keith Alexander was born in 1946 in Zimbabwe (then Rhodesia). After completing a Fine Arts degree at the University of Natal he settled in Johannesburg and went on to become widely known as a realist and surrealist painter. He died in 1998.
Roberts (A.) & Thloloe (J.) eds. SOWETO INSIDE OUT, stories about Africa's famous township
239 pp., map, paperback, Johannesburg, 2004. R95
Cover image by Sam Nhlengethwa. Includes his essay on Soweto, "The cover: Kasie art".
Roberts (H.) illus. & text VENGE, part one
48 pp., 4to., colour illus., paperback, Cape Town, 2004. R160
Henri Roberts was born in Bloemfontein in 1970.
He currently lives and works in Cape Town.
Robertson (S.) photo. & text THE COLD CHOICE, pictures of a South African reality
127 pp., 4to., maps, illus., hardback, Cape Town, Michigan & New Jersey, 1991. OUT OF PRINT
Struan Robertson's record of three years of travel with Operation Hunger around the relocation camps of rural South Africa during the late 1980s.
Rogosin (L.) COME BACK, AFRICA, a man possessed
149 pp., illus., hardback, d.w., Johannesburg, 2004. R280
Peter Davis, a film maker who knew Rogosin well, has edited Lionel Rogosin's diaries written during the making of the award-winning film, "Come Back, Africa", shot in the late 1950s in and around Johannesburg and Sophiatown. The book also includes reflections written by Rogosin's wife Elinor, journalists Lewis Nkosi and Bloke Modisane and cameraman Milek Knebel, all of whom were involved in the making of the film.
Rolletta (P.) et. al. CAPULANAS & LENOS/ CAPULANAS & KERCHIEFS,
53 pp., b/w & colour illus., spiral-bound cloth-covered boards, Maputo, 2004. R250
Includes the essays "Capulana in Literature, in History and in Daily Life" by Paola Rolletta, "Capulana & Kerchiefs Mozambique Style" by Maria de Lourdes Torcato, "Capulana, Tradition and Modernity" by Mêmê.

Text in Portuguese & English.
Romano ((G.) curator MARLENE DUMAS, suspect
95 pp., colour illus., paperback, Milan, 2003. R285
Catalogue of the exhibition, Fondazione Bevilacqua La Masa, Milan, 2003. Essays by Gianni Romano, Dominic van den Boogerd and Jan Andriesse and writings by Marlene Dumas. Text in English & Italian.
Roos (K.) et. al. SOUTH, South African style in décor
191 pp., 4to., colour illus., hardback, d.w., Cape Town, 2003. R378
Modern South African interior decoration
Rosenthal (M.) ed. WILLIAM KENTRIDGE, 5 themes
264 pp., b/w & colour illus., hardback, d.w., DVD, San Francisco, etc., 2009. R595
Published by the San Francisco Museum of Modern Art and the Norton Museum of Art in association with Yale University Press to accompany the travelling exhibition which opened at the San Francisco Museum of Modern Art in March 2009.

This catalogue, produced in close collaboration with William Kentridge, investigates five primary themes that have engaged the artist over the course of his career: projects that focus on his creative process, films featuring the characters Soho Eckstein and Felix Teitelbaum, projects inspired in part by Alfred Jarry's "Ubu Roi", works related to his production of Mozart's opera, "The Magic Flute", and recent work inspired by Nikolai Gorky's short story "The Nose" and his staging of Shostakovich's opera.

Contributions include "William Kentridge, a portrait of the artist" by Mark Rosenthal,
"On Tears and Tearing, the art of William Kentridge" by Carolyn Christov-Bakargiev,
"Walking and Looking, technology and agency in William Kentridge's film work" by Rudolf Frieling,
"Walking the Line, drawing, printmaking and performance in the art of William Kentridge" by Cornelia Butler, Judith Hecker and Klaus Biesenbach, and "Double Lines, a 'stereo' interview about drawing with William Kentridge" by Michael Auping.

Each section of the book includes text by William Kentridge. He also created a film especially for this book. By combining studio footage and fragments from his film projects Kentridge demonstrate how his ideas evolve from raw concept to finished work.
Rosenthal (S.) curator ROBIN RHODE, Who Saw Who
118 pp., b/w & colour illus., hardback, London, 2008. R495
Catalogue of the exhibition, The Hayward, London, 2008.

Preface by Ralph Rugoff. Introduction by Stephanie Rosenthal.
Includes the essays, "Jozi Juice" by James Sey,
and"Handwriting on the Wall" by Michele Robecchi, and
Robin Rhode in conversation with Stephanie Rosenthal.

Robin Rhode was born in 1976 in Cape Town. He lives and works in Berlin, Germany.
Rosenthal (S.) curator & ed. ROBIN RHODE, walk off
183 pp., b/w & colour illus., hardback, Ostfildern, 2007. R425
Catalogue of the exhibition, Haus der Kunst, Munich, September 2007 - January 2008.

Includes the essays, "Walk Off" by Stephanie Rosenthal & "Smudger" by André Lepecki, as well as "Wait a Minute, This Is Heineken, This Should Be Black Label...", a conversation between Thomas Boutoux & Robin Rhode.

Performance artist Robin Rhode was born in 1976 in Cape Town. He now lives and works in Berlin, Germany.
Rowland (W.) et. al. TOUCH GALLERY/ TASGALLERY,
18 pp., illus., paperback, Cape Town, 1977. OUT OF PRINT
Outlines the history and work of The Touch Gallery at the South African National Gallery which holds tactile exhibitions for the blind.

Text in English & Afrikaans.
Rudd (R.) SOUTH AFRICAN TIMBER BUILDINGS, a craft revived
120 pp., 4to., colour illus., hardback, d.w., Cape Town, 2006. R435
A pictorial record of the history of timber construction in South Africa, the book begins with the first wood and iron structures dating back to the early 1800s and ends with the timber homes currently being built throughout the country.
Rudner (J.) & (I.) THE HUNTER AND HIS ART, a survey of rock art in southern Africa
278 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1970. OUT OF PRINT
Jalmar and Ione Rudner discuss rock art found south of the Zambezi River, focusing mainly on "pictures concerned with people and their activities, to illustrate what the people of the period looked like, how they dressed and armed themselves, how they hunted, trekked, fought, danced and attended to their daily chores".
Rust (R.) text & van der Poll (J.) photo. WATER, STONE AND LEGEND, rock art of the Klein Karoo
128 pp., colour illus., hardback, d.w., Cape Town, 2011. R190
Renée Rust and Jan van der Poll document the San rock art found in the Karoo and explore its relationship to shamanistic rituals and to stories of mythical beings called "watermeide", said to dwell in the solitary springs and watercourses of this area.

Archaeologist Renée Rust has researched the San paintings found in the Klein Karoo and in the Langeberg and Outeniqua Mountains for more than two decades.
Journalist and photographer Jan van der Poll works for the Western Cape government's museum service.
Röoell (G.) & Viljoen (D.) UIT VERRE STREKEN, furniture, paintings and works of art from European trading posts in the Far East, 17th-19th centuries
32 pp., colour illus., paperback, Maastricht, 2002. R110
Catalogue of the exhibition, Röell Fine Art & Antiques, Maastricht, The Netherlands, 2002.
All the items were for sale.
Saayman (L.) & Ross (L.) dir. TOURING THE CONSTITUTIONAL COURT OF SOUTH AFRICA, with Justice Albie Sachs
41 minutes, DVD, Johannesburg, 2006. R150
Justice Albie Sachs talks about the art and architecture of the Constitutional Court as he leads a group of visitors on a tour of the building.
Sachs (A.) IMAGES OF A REVOLUTION, mural art in Mozambique
80 pp., 4to., colour illus., paperback, Harare, 1983. OUT OF PRINT
Text by Albie Sachs.
Includes murals by Malangatana.
Sack (Jonah) JONAH SACK, the evening of the second day
10 pp., illus., paperback, Johannesburg, 2008. R95
Catalogue of the exhibition of pen and ink drawings, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Jonah Sack was born in Johannesburg in 1978.
Sack (S.) curator & text THE NEGLECTED TRADITION, towards a new istory of South African art (1930-1988)
155 pp., 4to., illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, November 1988 - January 1989.

Re-evaluates South African art "by tracing the development and influence of black South African artists, and for the first time documenting this development and influence through an exhibition and researched catalogue."


Saks (L.) CINEMA IN A DEMOCRATIC SOUTH AFRICA, the race for representation
256 pp., illus., paperback, Bloomington, 2010. R295
"Lucia Saks uses South African cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994. She examines how media transformed the meaning of race and nation during this period and argues that, as apartheid was disbanded and new racial constructs allowed, South Africa quickly sought a new mode of representation as a way to distance itself from the violence and racism of the half-century prior, as well as demonstrate stability amid social disruption. This rapid search for a new way to identity and portray itself is what Saks refers to as the race for representation. She contextualizes this race in terms of South African history, the media, apartheid, sexuality, the economy, community, and early South African cinema, and finally speculates about the future of counter-cinema in present-day South Africa." from the back cover

Lucia Saks is Assistant Professor in the Department of Screen Arts and Cultures, University of Michigan, Ann Arbor. Currently she teaches at the University of Cape Town in the Centre for Film and Media Studies.
Salgado (S.) photo. & Couto (M.) text AFRICA,
335 pp., oblong 4to., illus., hardback, d.w., Cologne, 2007. R940
Brazilian photographer Sebastião Selgado has photographed Africa since the beginning of his career. "These photos form part of an ongoing 'work in progress' called 'Genesis', a series of black and white photos of landscapes, fauna, flora, and human communities, together constituting an investigation of nature in its original state". Includes photographs taken over a period of thirty years in Namibia, Angola, Mozambique and Zimbabwe.
Sanner (P-L.) ed. EYE AFRICA, African photography 1840-1998
45 pp., 4to., map, b/w & colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery and William Fehr Collection, Cape Town, 19 December 1998-27 February 1999. Additional exhibitions of South African photographers were hosted at various venues around Cape Town.
Includes photographs by Zwelethu Mthethwa, Ernest Cole, Peter Magubane, Billy Monk, Alf Khumalo, and others.
Santimano (S.) photo. TERRA INCGNITA,
68 pp., 4to., b/w & colour illus., hardback, d.w., Uppsala, 2006. R325
From the end of 2001 through to 2003 and again in 2005 Sérgio Santimano travelled around Niassa Province in Mozambique taking photographs of the people and the efforts being made to reconstruct the area after the devastation caused by the civil war.

Includes essays by Sérgio Santimano, Albino Magaia, Henning Mankell, Bo Hammarström & Luís Carlos Patraquim.

Text in Portuguese & English.
Sarenco (E.M.) ed. GEORGE LILANGA,
143 pp., 4to., colour illus., paperback, Milan, 2005. R423
George Lilanga was born in Tanzania in 1934. He worked in the Makonde tradition, sculpting in wood, especially ebony, at a very young age. Only much later, in Dar es Salaam, did he begin painting. He died in 2005.

Includes the essays "George Lilanga, logos of contemporary African art" by Enrico Sarenco, "George Lilanga, from here to there" by Eric Girard-Miclet, "George Lilanga's Art" by Domenico Montalto, as well as a conversation between the editor, E.Sarenco & George Lilanga.

Text in Italian & English
Saul (M.) & Austen (R.A.0 eds. VIEWING AFRICAN CINEMA IN THE TWENTY-FIRST CENTURY, art films and the Nollywood video revolution
248 pp., illus., paperback, Athens, Ohio, 2010. R275
A collection of essays on Africa's two contrasting cinema forms: the art films that originated mainly from Francophone countries in the 1960s and resemble European art cinema and the new phenomenon of mass-marketed films shot on video cameras, orginating largely in southern Nigeria.

Contributions include:
"What Is to Be Done? Film studies and Nigerian and Ghanaian videos" by Jonathan Haynes,
"Nollywood and its Critics" by Onookome Okome,
"Commentary and Orality in African Film Reception" by Vincent Bouchard,
"Art, Politics, and Commerce in Francophone African Cinema" by Mahir Saul,
"'Emitai': Basic Stylistic Elements, shot length, camera movement, and character movement" by Peter Rist,
"The Return of the Mercedes, from Ousmane Sembene to Kenneth Nnebwe" by Lindsey Green-Simms.

Mahir Saul is a professor of anthropology at the University of Illinois, Urbana-Champaign.
Ralph Austen is a professor emeritus of African history at the University of Chicago.
Schadeberg (J.) & Human (K.) comps. & eds. SOF'TOWN BLUES, images from the Black '50s
160 pp., 4to., illus., paperback, Johannesburg, 1994. OUT OF PRINT
First published in German in Germany in 1991 under the title "Drum".

Foreword by Arthur Maimane.

A collection of photographs taken in Sophiatown in the 1950s by Jurgen Schadeberg, Bob Gosani, Gopal Naransamy and Peter Magubane, amongst others.

Includes the essay, "Black Johannesburg in the 1950s" by Anthony Sampson, editor of Drum from 1951 to 1954.

Jurgen Schadeberg worked as the chief photographer on Drum during the 1950s.
Schadeberg (J.) comp. & ed. THE FIFTIES PEOPLE OF SOUTH AFRICA, the lives of some ninty-five people who were influential in South Africa during the fifties, a period which saw the first stirrings of the coming revolution
260 pp., 4to,m illus., hardback, Johannesburg, 1987. OUT OF PRINT
Photographs by Bob Gosani, Ranjith Kally, Alfred Khumalo, Peter Magubane, G.R.Naidoo, Gopal Naransamy & Jurgen Schadeberg, selected from the "Drum" Magazine Photo Archives.

Schadeberg (J.) comp. & ed. THE FINEST PHOTOS FROM THE OLD DRUM,
130 pp., 4to., illus., hardback, Johannesburg, 1987. OUT OF PRINT
Prologue by Oswald Mtshali. Epilogue by Anthony Sampson. Photographs by Jurgen Schadeberg, Peter Magubane, Ernest Cole, Alfred Khumalo, Victor Xashimba, Gopal Naransamy, Barney Desai, Bob Gosani, Lionel Oostendorp, G.R.Naidoo & Ranjith Kally, selected from the Drum Photo Archives.
"The captions and texts accompanying the photos in this book are extracts from original articles that appeared in Drum at the time, often accompanying the original photos...Much of the copy is by the late Todd Matshikisa, Can Themba, Casey Motsisi and Henry Nxumalo, and by Arthur Maimane...".
Schadeberg (J.) dir. ERNEST COLE 1940-1990, photo journalist
52 minutes running time, VHS, PAL, Johannesburg, 2001. R180
Ernest Cole was born near Pretoria in 1940. He worked for "Drum" magazine before leaving South Africa in 1966 to live in exile. He took with him thousands of photographs documenting life in apartheid South Africa in the 1950's and 1960's, a selection of which were published in the book "House of Bondage" in 1967. He died in New York in 1990.
Schadeberg (J.) photo. THE BLACK AND WHITE FIFTIES, Jurgen Schadeberg's South Africa
127 pp., 4to., illus., hardback, d.w., Pretoria, 2002. R250
Preface by Albie Sachs.
Jurgen Schadeberg worked for "Drum" in the 1950's
Schadeberg (J.) photo. THE SAN OF THE KALAHARI,
96 pp., 4to., illus., hardback, d.w., Pretoria, 2002. R250
"The photographs published in this book were taken in July 1959 when Jurgen Schadeberg joined an expedition led by Professor Phillip Tobias, then Chairman of the Kalahari Research Committee of the University of the Witwatersrand, to study the San".

Includes the essays "The San" by George Hulme and "The Healing Dance" by David Lewis-Williams as well as an interview with Philip Tobias conducted by Philip Todres of Primart Gallery for and on behalf of the Brenthurst Library to supplement their acquisition of the portfolio of photographic images taken by Schadeberg on the occasion of a healing dance.
Schadeberg (J.) photo. WITNESS, 52 years of pointing lenses at life
143 pp., 4to., illus., hardback, d.w., Pretoria, 2004. R260
A collection of photojournalist Jurgen Schdeberg's photographs. Schadeberg is best known for his work for "Drum" magazine in the 1950s but the book also includes photographs taken in London, Glascow, Berlin, New York and elsewhere as well as several portraits.

Includes the essays, "The Invisible Presence" & "Life's Little Leirmotifs" by Hazel Friedman.
Schadeberg (J.) photo. SOWETO TODAY,
102 pp., 4to., colour illus., hardback, d.w., Pretoria, 2002. R250
A collection of photographs of contemporary Soweto by Jurgen Schadeberg.
Schadeberg (J.) photo. & Chikanga (K.) et. al. text VOICES FROM THE LAND,
165 pp., 4to., illus., hardback. d.w., Pretoria, 2005. R258
Published in conjunction with the travelling exhibition, 2005.

A photographic essay on the plight of rural farm workers. Schadeberg, accompanied by writers such as Hazel Friedman, Stephen Hofstätter and others, travelled throughout South Africa documenting farm life and farm labour conditions.
Schadeberg (J.) photo. & Hofstatter (S.) et. al. text TALES FROM JOZI, photographs
159 pp., 4to., colour illus., hardback, d.w., Pretoria, 2007. R258
Jurgen Schadeberg's photographic essay on Johannesburg.

The Centre for Applied Legal Studies, University of the Witwatersrand, supported this project because it documents the lived realities of Johannesburg's inner-city poor in a context of enormous wealth..
Schadeberg (J.) photo. & Albert (D.) et. al. (eds.) JAZZ, BLUES & SWING, six decades of music in South Africa
168 pp., 4to., illus., hardback, d.w., Cape Town, 2007. OUT OF PRINT
Foreword by Pallo Jordan. Introduction by Jurgen Schadeberg.

Includes the essays "Of Roots and Rhythms" by Gwen Ansell, "The Vision and Voice" by Hotep Idris Galeta, "The Umbilical Chord" by Don Albert & "Durban Days" by Darius Brubeck.
Scherz (A.) et. al. HAIR-STYLES, HEAD-DRESSES & ORNAMENTS, in Namibia & Southern Angola
110 pp., oblong 4to., map, b/w & colour illus., hardback, Reprint, Windhoek, (1981) 1999. OUT OF PRINT
Text in German, English & Afrikaans.
Includes chapters on the Wambo, Kavango, Herero & Himba, Kuvale, Zemba, Nkhumbi, Mwila, Nyaneka and Bushmen (San) peoples.
Schmahmann (B.) THROUGH THE LOOKING GLASS, representations of self by South African women artists
109 pp., colour illus., paperback, Johannesburg, 2004. R250
Catalogue of the travelling exhibition, first at the National Arts Festival, Grahamstown, 2004.
Includes the work of Dorothy Kay, Penny Siopis, Bonnie Ntshalintshali, Terry Kurgan, Lallitha Jawahirilal, Marion Arnold, Pamela Melliar, Anoinette Murdoch, Wilma Cruise, Leora Farber, Berni Searle, Tracey Rose, Jean Brundrit, Christine Dixie, and others.

Schmahmann (B.) MAPULA, embroidery and empowerment in the Winterveld
121 pp., 4to., map, colour illus., hardback, d.w., Johannesburg, (2006). R250
Mapula (mother of rain') is an embroidery project established in 1991 in the Winterveld, Northern Province, South Africa.

"Mapula embroideries couple high levels of technical and visual artistry with topics that speak eloquently of public histories and women's personal experiences...the embroideries engage...with social and political issues that have shaped the lives of their makers."

Brenda Schmahmann is also the author of "Material Matters: appliqués of the Weya women of Zimbabwe and needlework by South African collectives" & "Through the Looking Glass: representations of self by South African women artists".
Schmahmann (B.) WILMA CRUISE, cocks, asses, &
12 pp. folded, b/w & colour illus., Johannesburg, 2007. R50
Catalogue of the exhibition of sculptures and prints, University of Johannesburg Art Gallery, 2007.

Schmahmann (B.) FIGURING MATERNITY, Christine Dixie's 'Parturient Prospects'
30 pp., colour illus., paperback, , 2008. R95
Catalogue of the exhibition, Art on Paper, Johannesburg, 2008.

The essay, "Figuring Maternity" by Brenda Schmahmann, is a shortened version of an article that was first published in De Arte 75, 2007.

Christine Dixie was born in Cape Town in 1966. She is currently a lecturer in the Rhodes University Fine Art Department.

Brenda Schmamann is Professor and Head of the Fine Art Department at Rhodes University.
Schmahmann (B.) IN SEPIA, Maureen de Jager
36 pp., colour illus., paperback, (Grahamstown), 2008. R95
Catalogue of the exhibition of sculptures and photographs on steel at the Alumni Gallery, Albany History Museum, Grahamstown, National Arts Festival, 2008.

Maureen de Jager was born in Kuruman in 1973. She lectures in the Fine Art Department at Rhodes University.
Schmahmann (B.) ed. MATERIAL MATTERS, appliqués by the Weya women of Zimbabwe and needlework by South African collectives
160 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2000. R145
Catalogue of the travelling exhibition, which opened at the Albany Museum, Grahamstown, 2000. Weya is a communal area east of Harare. Needlework was introduced at Weya by Ilse Noy in 1987 to help women in the area become self-sufficient.
Essays by Anitra Nettleton, Brenda Schmahmann, Pip Curling, Rayda Becker, David Taurayi Masunda & Jameson Maluleke.
Schnack (E.) text & illus. BULLETPROOF,
20 pp., 4to., illus., paperback, (Windhoek), 2009. R250
A graphic novel about a conscript in the South African army during the Border War of the late 1980s, based on Namibian artist Erik Schnack's own experience.
Schoeman (K.) IRMA STERN, the early years, 1894-1933
127 pp., 4to., illus., paperback, Cape Town, 1994. OUT OF PRINT
Biographical study of the first forty years of Irma Stern's life, based mainly on unpublished material in the Irma Stern Collection at the South African Library.
Schoeman (K.) THE FACE OF THE COUNTRY, a South African family album, 1860-1910, photographic portraits from the collections of the South African Library
144 pp., 4to., illus., hardback, d.w., Cape Town, 1996. OUT OF PRINT
Karel Schoeman has selected 273 photographs, mainly portraits of "ordinary" people, to give an overview of South Africa and it's people from 1860-1910. The accompanying text contextualises the images.
Schoonmaker (T.) curator & ed. STREET LEVEL, Mark Bradford, William Cordova and Robin Rhode
82 pp., colour illus., paperback, Durham, 2007. R250
Catalogue of the exhibition, Nasher Museum of Art, Duke University, Durham, North Carolina,2007.

Includes the essay, "Robin Rhode: hitting the pavement" by Isolde Brielmaier.

Robin Rhode was born in Cape Town in 1976 and lives and works in Berlin.
Schoonraad (M.) NUWE GROEP/ NEW GROUP, 1938-1954
54 pp., 4to., b/w & colour illus., paperback, Cape Town, 1988. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town,1988.

The New Group was founded in 1938 by Terence McCaw, Gregoire Boonzier and Walter Battiss. Artists who participated in New Group exhibitions held approximately once a year until 1954 included Cecil Higgs, Moses Kottler, Francois Krige, J.H.Pierneef, Alexis Preller, Maud Sumner, Lippy Lipshitz & Maurice van Essche.

Text in Englsih & Afrikaans.
Schwartz (D.) curator BORDERS AND BEYOND/ AU-DEL DES FRONTIRES, photographs and essays/ reportages photographiques et essais
187 pp., maps, illus., paperback, d.w., Zurich, 2001. R195
This book was published in conjunction with the exhibition, "Borders and Beyond, Photo Essays", Zurich, Switzerland, 2001.
Ten photographers from several countries and continents address the complex issues of borders.
Includes a photo essay, "South Africa-Mozambique: Illegality and Repatriation", by South African photojournalist Jodi Bieber. Also includes five essays first published in the journal, "Lettre International", including "The End of Humanity: Angola" by Portuguese journalist Pedro Rosa Mendes.
Text in English & French.
Schwartz (J.) & Ryan (J.) eds. PICTURING PLACE, photography and the geographical imagination
354 pp., illus., paperback, London & New York, 2003. R280
Introduction, "Photography and the Geographical Imagination", by Joan Schwartz and James Ryan. Includes the essays "Capturing and Losing the 'Lie of the Land': railway photography and colonial nationalism in early twentieth-century South Africa" by Jeremy Forster and "'Wunderkammer' to World Wide Web: picturing place in the post-photographic era" by William Mitchell.
Schwerin (A.) ed. & photo. APARTHEID'S LANDSCAPE AND IDEAS, a scorched soul
318 pp., map., illus., hardback, d.w., Rochester, 2001. R500
The book, an historical and artistic exploration of the culture of racism that gave rise to apartheid, includes Schwerin's own black and white photographs of the South African landscape - "a landscape that can be viewed as the current physical manifestation of the painful past racist perceptions that were inflicted on the indigenous people of South Africa."
Schönfeldt (J.) illus. & text & Vladislavíc (I.) & Oliphant (A.) text THE MODEL MEN,
27 pp., b/w & colour illus., paperback, Johannesburg, 2004. R55
Published to accompany the exhibition held at the Wits Art Galleries, Johannesburg, 2004.

Preface by Julia Charlton.

"'The Model Men' consists of 26 illustrations by Joachim Schönfeldt; a book of fiction by Ivan Vladislavíc, which uses the illustrations as material; and an exhibition." In the exhibition, textual fragments selected from Vladislavíc's fiction by Andries Oliphant are matched with the illustrations.
Sciama (L.) & Eicher (J.) eds. BEADS AND BEAD MAKERS, gender, material culture and meaning
317 pp., maps, illus., paperback, Reprint, Oxford & New York, (1998) 2001. R195
Includes the essays, "Gender in African Beadwork: an overview" by Margret Carey & "Gender in the Making, Trading and Uses of Beads. An introductory essay" by Lidia Sciama.
Scott (F.) & Magengelele (A.) KARL GIETL, a collection of works
98 pp., 4to., colour illus., paperback, Johannesburg, 2008. R475
Catalogue of the exhibition of paintings, Afronova gallery, Johannesburg, 2008.

Karl Gietl was born in 1970 and lives and works in Johannesburg.

Text in English and French.
Scott (G.) text & Bannister (A.) & Comfort (K.) photo. ARDMORE, an African discovery
79 pp., 4to., colour illus., hardback, d.w., Reprint, Cape Town, (1998) 2003. OUT OF PRINT
The Ardmore Ceramic Studio was established in 1985 for potters from rural KwaZulu Natal. Many of the potters, including the late Bonnie Ntshalintshali, have become world renowned.
Searle (B.) et. al. curators 100XC, PHOTOGRAPHY IN SOUTH AFRICA, the Cape Town Month of Photography catalogue
111 pp., b/w & colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the more than 100 exhibitions, live events, virtual exhibitions, films and workshops held at various venues throughout Cape Town, 1999.

Photographers include Roger Ballen, Jean Brundrit, Tracey Derrick, Svea Josephy, Jac de Villiers, Jo Ractliffe, George Hallett, Terry Kurgan, Geoff Grundlingh, Lien Botha, Jodi Bieber, Zwelethu Mthethwa, Paul Weinberg, David Goldblatt, and many others.



Searle (Berni) BERNI SEARLE, vapour
24 pp., colour illus., paperback, Cape Town, 2004. R45
Catalogue of the exhibition, Michael Stevenson Contemporary, 2004.
Searle (Berni) ABOUT TO FORGET,
34 pp., colour illus., paperback, Cape Town, 2005. R45
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.
Searle (Berni) BERNI SEARLE, approach
112 pp., oblong 4to., colour illus., hardback, Cape Town, 2006. R295

"This book is published to coincide with three solo exhibitions, each hosted by a different institution and varying in its approach to the artist's oevre." First exhibition hosted by Michael Stevenson Gallery, Cape Town, 2006, "where the focus is exclusively on the new video projection 'Night Fall' and related prints, exhibited under the title of 'Crush'. ...At the Contemporary Art Museum Institute for Research in Art at the University of South Florida, Tampa, a commissioned work in progress at the time of publication is accompanied by a substantial selection of previous work....The Johannesburg Art Gallery...presents a wide-ranging show of Searle's work..."

Foreword by Sophie Perryer. Prefaces by Alexa Favata and Clive Kellner. Includes the essays, ""Approach" by Gabeba Baderoon, "On Beauty, Loss and Transcendence" by Clive Kellner and "A Soliloquy on Strength and Solitude" by Laurie Ann Farrell.
Searle (Berni) RECENT WORK 2007/8,
72 pp., colour illus., paperback, Cape Town, 2008. R120
Catalogue of the exhibition of video pieces and prints, Michael Stevenson, Cape Town, 8001.

Introduction by Sophie Perryer.
Includes essays by Tracy Murinik, Marion Arnold, Tamar Garb, Annie Coombes, Elvira Dyangani Ose and Gavin Jantjes, and a poem by Gabeba Baderoon.
Segal (L.) & Holden (P.) GREAT LIVES, pivotal moments
215 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2008. R260
"As part of its centenary in 2006, the Sunday Times newspaper created a trail of memorials across South Africa to celebrate newsmakers and important events of the last 100 years". This book tells the stories behind these memorials, which were created by local artists. Some of these memorials are:
The Mohandas Gandhi Memorial by Usha Seejarim
The Orlando Pirates Memorial by Sam Nhlengethwa
The Race Classification Memorial by Roderick Sauls
The George Pemba Memorial by Andrew Nhlangwini
The Ingrid Jonker Memorial by Tyrone Appollis
The John Vorster Square Memorial by Kagiso Pat Mautloa
The Tsietsi Mashinini Memorial by Johannes Phokela
The Ladysmith Black Mambazo Memorial by Magwa Langa
The Purple March Memorial by Conrad Botes
The Desmond Tut and TRC Memorial by Anton Momberg.



Segal (L.) et. al. NUMBER FOUR, the making of Constitution Hill
246 pp., b/w & colour illus., paperback, Johannesburg, 2006. R200
Tells the story of the transformation of the derelict Old Fort Prison complex in Johannesburg - commonly known as Number Four - into Constitutional Hill, a mixed-use precinct, home of the Constitutional Court as well as a number of heritage sites and museums.

Includes The Tunnel Exhibition, The Rampart Walk Exhibition & The Three Women Exhibition.
Segal (L.), van den Berg (C.) & Madikida (C.) curators MAPPING MEMORY, former prisoners tell their stories
132 pp., 4to., b/w & colour illus., paperback, Second Edition, Johannesburg, (2006) 2007. R180
A project of Constitutional Hill, which brought back former prisoners who were in the Women's Jail and Number Four and helped them take photographs of the jail, draw their stories and record oral testimonies as the basis for exhibitions at Constitutional Hill and this book.
Seidman (J.) RED ON BLACK, the story of the South African poster movement
237 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2007. R280
Documents the history and use of graphics and posters in the struggle against apartheid.

Foreword by Keorapetse Kgositsile.
Seippel (R-P.) curator & ed. & Klask (D.) ed. SOUTH AFRICAN PHOTOGRAPHY 1950-2010/ SUDAFRIKANISCHE FOTOGRAFIE 1950-2010 ,
159 pp., 4to., b/w & colour illus., hardback, d.w., Ostfildern, 2010. R795
Catalogue of the travelling exhibition which opened at Freundeskreis Willy-Brandt-Haus, Berlin in 2010.

Includes the essays:
"Living Under Apartheid" by Luli Callinicos
"Renewal of Struggle and the Demise of Apartheid: 1976-94" by Andries Walter Olifant
"Proximity through Distance" by Wiebke Ratzeburg.

Includes photographs by Jodi Bieber, David Goldblatt, Bob Gosani, George Hallet, Alf Kumalo, Peter Magubane, Santu Mofokeng, Cedric Nunn, Mikhael Subotzky, Paul Weinberg, and others.

Text in English and German.
Seippel (R-P.) ed. JRGEN SCHADEBERG,
287 pp., 4to., illus., hardback, d.w., Ostfildern, 2008. R695
The photographs in this collection, spanning almost six decades, are accompanied by Jürgen Schadeberg's own short descriptions and by short articles written by Tom Hopkinson, Phillip Tobias and Claudia Schadeberg.

Includes the essay "A White Man in a Black World: Sophiatown, Drum, and Jürgen Schadeberg - South African myths" by Robert von Lucius.

Text in English, German and French.
Sekoto (G.) MY LIFE AND WORK,
124 pp., b/w & colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Autobiographical section adapted from the book "Gerard Sekoto" by Barbara Lindop.
Text adapted by Karen Press and edited by Ivan Vladislavic. Commentary by Barbara Lindop.
Suitable for new readers.
Sellschop (S.) et. al. CRAFT SOUTH AFRICA, traditional, transitional, contemporary
192 pp., 4to., colour illus., paperback, Johannesburg, 2002. R225
Covers pottery, basket weaving, wall painting, wood carving & beading.
Sheperd (R.) & Maher (S.) comps. THE NOVALIS-UBUNTU CENTRE, a building for the human soul
50 pp., b/w & colour illus. paperback, Cape Town, 2001. R105
The Novalis-Ubuntu Teacher Outreach Centre in Wynberg, Cape Town, was designed by Brian Johnson in accordance with the principles of organic architecture developed by the Austrian scientist and philosopher Dr Rudolf Steiner. Johnson's essay, "Healing Architecture, an Anthroposophic Approach to Design for the Third Millennium", is included in the book.
Sibanda (D.) comp. ZIMBABWE STONE SCULPTURE, a retrospective, 1957-2004
148 pp., b/w & colour illus., paperback, Harare, 2004. R195
Includes an overview written by Doreen Sibanda, Pip Curling, Celia Winter-Irving, Tony Mhonda & Titus Chipangura.

Artists featured include Nicholas Mukomberanwa, Bernard Matemera, Bernard Takawira, John Takawira, Henry Munyaradzi, Boira Mteki, Joseph Ndanarika, Joseph Muzondo, Tapfuma Gutsa, Colleen Madamombe, Semina Mpofu, Anges Nyanhongo, Alfred Wachi, Dominic Benhura, and many others.

Text in English & French.
Sieberhagen (J.) & Burger (L.) JACO SIEBERHAGEN, No(n) Place Like Home
23 pp., colour illus., paperback, Johannesburg, 2009. R95
Catalogue of the exhibition of laser cut mild steel sculptures, Artspace Gallery, Johannesburg, 2009.

Includes a foreword by Lucia Burger and an essay on his work by the artist.
Siebrits (W.) ART AND URBANISATION, South Africa 1940-1971, 8 May - 29 June 2003
26 pp., b/w & colour illus., paperback, Johannesburg, 2003. R95
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg.
Includes work by Gerard Bhengu, Durant Sihlali, Ephraim Ngatane, Gerard Sekoto, Andrew Motjuoado & George Pemba.
Siebrits (W.) SOUTH AFRICA - ANOTHER COUNTRY,
28 pp., colour illus., paperback, Johannesburg, 2004. R90
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.
Includes work by William Kentridge, Pat Mautloa, Moshekwa Langa, Willie Bester, Harold Rubin, Gerard Sekoto, and others,
Siebrits (W.) STATES OF EMERGENCE, South Africa 1960-1990
52 pp., b/w & colour illus., hardback, Johannesburg, 2002. R235
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, August 2002.
Includes work by Gavin Jantjes, Norman Catherine, Jane Alexander, William Kentridge, Peter Magubane, David Goldblatt, Malcolm Payne, Nils Burwitz & Harold Rubin.
Siebrits (W.) PRINTS AND MULTIPLES II,
26 pp., colour illus., paperback, Johannesburg, 2004. R150
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.
Includes work by Vuminkosi Zulu, Cyprian Shilakoe, Dan Rakgoathe, John Muafangejo, Azaria Mbatha, Judas Mahlangu, William Kentridge, Wopko Jensma, Robert Hodgins, Marlene Dumas, Walter Battiss & Jane Alexander.
Siebrits (W.) PRINTS AND MULTIPLES,
36 pp., colour illus., paperback, Johannesburg, 2002. R100
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, December 2002.
Includes work by John Muafangejo, William Kentridge, Jane Alexander, Marlene Dumas, Walter Battiss, Kendell Geers, Robert Hodgins, Cyprian Shilakoe, Cecil Skotnes, Penny Siopis, and others.
Siebrits (W.) RORKE'S DRIFT,
34 pp., illus., paperback, Johannesburg, 2005. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

"The ELC Art and Craft Centre was started in 1962 at the Old Mission Station, Oskarberg, historically well known as Rorke's Drift or to the Zulu, as Shiyane." The Centre trained many now famous printmakers and sculptors, potters and weavers.

Includes sculpture and prints by Cyprian Shilakoe, prints by Azaria Mbatha, John Muafangejo, Dan Rakgoathe, Eric Mbatha, Vuminkosi Zulu and Charles Nkosi as well as pottery and tapestries.
Siebrits (W.) WATERCOLOURS AND WORKS ON PAPER,
34 pp., colour illus., paperback, Johannesburg, 2005. R80
Catalogue of the exhibition, Warren Siebrrits Modern and Contemporary Art, Johannesburg, 2005.

Includes work by Durant Sihlali, Walter Battiss, Gerard Sekoto, Louis Maqhubela, Ephraim Ngatane, Sydney Kumalo, Fred Page, Keith Dietrich, Malcolm Payne, William Kentridge, Sam Nhlengethwa, Moshekwa Langa & Elza Botha.
Siebrits (W.) STEFANUS RADEMEYER, surface depth
38 pp., colour illus., paperback, Johannesburg, 2004. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.

Stefanus Rademeyer was born in 1976 in Johannesburg. He won first prize in the 2001 ABSA Atelier Art Comptetition for his new media installation, "Mimetic Reconstructions".
Siebrits (W.) KONRAD WELZ, a selection of 8 videos
20 pp., colour illus., paperback, Johannesburg, 2004. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.

Includes stills from the videos "Pagan Paean", "L21st", "Empire", "Late at Night When the Malls are Closed", "Throwing Stones at the Sun", "Nontope/ Ontope: angels in the architecture", "Cemetery Symmetry" and "February: a quartet of videos".

Konrad Welz was born in 1967 in Pretoria.

I
Siebrits (W.) SEKOTO TO SIHLALI, nine black pioneers of South African art
26 pp., colour illus., paperback, Johannesburg, 2005. OUT OF PRINT
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 20005.

Includes work by Durant Sihlali, Ephraim Ngatane, Julian Motau, Dumile Feni, Gladys Mgudlandlu, John Mohl, George Pemba, Gerard Bhengu and Gerard Sekoto.
Siebrits (W.) WITNESS, South Africa 1958-2003
22 pp., colour illus., paperback, Johannesburg, 2003. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contmeporary Art, Johannesburg, 2003.

Includes work by Alexis Preller, Penny Siopis, Marlene Dumas, Moshekwa Langa, Willem Boshoff, and others.
Siebrits (W.) ORIGINS OF FORM, sculpture and artefacts from Southern Africa
21 pp., colour illus., paperback, Johannesburg, 2002. R50
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2002.

Includes sculpture by Jackson Hlungwane, Sydney Kumalo, Edoardo Villa, Dumile Feni, Cecil Skotnes, Cyprian Shilakoe and others, as well as Zulu and Tsonga artefacts.
Siebrits (W.) SOUTH AFRICAN LITERARY MAGAZINES, 1956-1978
46 pp., illus., paperback, Johannesburg, 2005. R80
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Magazines included in the exhibition are "The Purple Renoster", "Contrast", "The Classic", "Sestiger", "New Coin", "Wurm", "Ophir", "Kol", "Bolt", "Izwi", "Snarl", "New Classic", "Donga", "Inspan" & "Staffrider". A number of well-knowm artists and photographers designed covers for some of these magazines, for example Wopko Jensma, Dumile Feni, Walter Battiss, Norman Catherine, Pat Mautloa, Sam Nhlengetwa, Omar Badsha, Paul Weinberg and many others.
Siebrits (W.) ADAMS CLARKE DESMORE & DOLLAR BRAND,
10 pp., colour illus., paperback, Johannesburg, 2005. R95
Catalogue of the selling exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Includes work by Albert Adams, Peter Clarke & Valerie Desmore as well as music by Dollar Brand.
Siebrits (W.) PAINTINGS - PAST AND PRESENT,
18 pp., colour illus., paperback, Johannesburg, 2005. R95
Cataogue of the selling exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Includes work by John Mohl, Helen Sebidi, Walter Battiss, Robert Hodgins, Deborah Poynton, and others.
Siebrits (W.) GERHARD MARX,
22 pp., colour illus., paperback, Johannesburg, 2005. R95
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Includes an interview with the artist conducted by Warren Siebrits.

Gerhard Marx was born in 1976 in Johannesburg. He has been creating works composed of map fragments since 2000.
Siebrits (W.) SCULPTURE,
26 pp., colour illus., paperback, Johannesburg, 2005. R95
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johanesburg,2005.

Includes work by Stanley Nkosi, Julian Motau, Sydney Kumalo, Ezrom Legae, Edoardo Villa, Dumile Feni, Jackson Hlungwane, Durant Sihlali, Lucky Sibiya, Lucas Sithole, and others.
Siebrits (W.) DURANT SIHLALI, the pioneering years 1952-1979
34 pp., colour illus., hardback, Johannesburg, 2007. R235
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2007.

Siebrits (W.) FAMILY RELATION,
34 pp., colour illus., hardback, Johannesburg, 2007. R275
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2007.

Includes work by Cyprian Shilakoe, Deborah Poyton, Claudette Schreuders, Gerard Sekoto, Wim Botha, Dumile Feni, Trevor Makoba, Kendell Geers, Keith Dietrich and Pieter Hugo.

Siebrits (W.) EXIT AHEAD PUSH TROLLEY NOW, Jhb Art Fair March 2008
23 pp., b/w & colour illus., hardback, Johannesburg, 2008. R155
Catalogue of the exhibition by Warren Siebrtis Modern and Contemoporary Art, Johannesburg Art Fair, 2008.

Includes work by Walter Battiss, Willem Boshoff, Karel Nel, Roger Ballen, Kendell Geers, Jo Ractliffe, Sabelo Mlangeni, Gerhard Marx and Stefanus Rademeyer.
Siebrits (W.) POSTERS DESIGNED UNDER APARTHEID, 1959 - 1993
21 pp., b/w & colour illus., paperback, Johannesburg, 2007. R95
Catalogue of the exhibition, Warren Siebrits, Johannesburg, 2007.

Includes posters produced by the United Democratic Front (UDF), Community Art Project (CAP), Congress of South African Trade Unions (COSATU), the South African Communist Party (SACP), the African National Congress (ANC) and the End Conscription Campaign (ECC).
Siebrits (W.) JO RACTLIFFE, selected works 1982-1999
54 pp., illus., paperback, Johannesburg, 2004. R155
Catalogue of the exhibition of photographs, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2004.

Includes the essay, "The Past Inside the Present - the photography of Jo Ractliffe" by Warren Siebrits, and a conversation between Warren Siebrits and Jo Ractliffe.

Siebrits (W.) ASPECTS OF SOUTH AFRICAN ART II, 1910 - 2010
42 pp., 4to., colour illus., hardback, Johannesburg, 2011. R320
Catalogue of the exhibition, Warren Siebrits gallery, Johannesburg, 2011.

Includes work by William Kentridge, Gerard Sekoto, Robert Hodgins, Erik Laubscher, Lucas Sithole, Wopko Jensma, Fred Page, Walter Battiss, Kendell Geers, Roger Ballen, Pieter Hugo, and Deborah Poynton.

Also includes the essay, "Aspects of South African Art II 2001-2011: a decade marked by expensive autograph hunting (and not knowing your arse from your elbow)" by Warren Siebrits.
Siebrits (W.) & Borman (J.) ASPECTS OF SOUTH AFRICAN ART, 1903 - 1999
47 pp., colour illus., hardback, Johannesburg, 2001. R235
Catalogue of the exhibition, Sandton Civic Gallery, 14 - 29 September 2001. Includes work by Gerard Sekoto, Pierneef, Alexis Preller, Robert Hodgins, Azaria Mbatha, Cecil Skotnes, George Pemba, William Kentridge & Marlene Dumas, amongst others.
Siebrits (W.) & Ginsberg (J.) THE AMPERSAND FOUNDATION, 1997-2003
144 pp., colour illus., paperback, Johannesburg, 2003. R55
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 13 November-13 December 2003.
The Ampersand Foundation has, since 1997, granted 37 fellowships to South African artists to travel to New York. This exhibition was held to raise money for the foundation and to exhibit work by the foundation fellows, which include Kim Lieberman, Christine Dixie, Themba Gule, Willem Boshoff & Steven Cohen.


Siebrits (W.) & Ractliffe (J.) JO RACTLIFFE, selected colour works 1999-2005
46 pp., colour illus., paperback, Johannesburg, 2005. R155
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2005.

Includes an interview with Jo Ractliffe conducted by Warren Siebrits and the photographer's comments on her work.
Siebrits (W.) curator WILLEM BOSHOFF, word forms and language shapes, 1975-2007
120 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2007. R310
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2007.

Introduction by Warren Siebrits. Includes conversations between Warren Siebrits and Willem Boshoff, February - June 2007, and the artist's comments on his sculptures and installations.

Siebrits (W.) curator & text THE RATIONALISM OF NATIONALISM?,
34 pp., b/w & colour illus., hardback, Johannesburg, 2008. R160
Catalogue of the exhibition, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Warren Siebrits curated an exhibition of works by artists who, in his view, have grappled with the questions: "What drives men to kill one another blindly, in the name of a flag and an ideology? Is there any rationalism in nationalism?" Artists include Kendell Geers, Santu Mofokeng, Paul Stopforth, Jo Ractliffe, Wim Botha and Pieter Hugo. Also includes a collection of hand-printed posters designed and produced by the Nedu Art Ensemble.
Sienaert (M.) et. al. BREYTEN BREYTENBACH, painting the eye
78 pp., b/w & colour illus., paperback, Cape Town, 1993. OUT OF PRINT
Compiled for Breyten Breytenbach's first one-man exhibitions in South Africa.

Introduction by Georges Marie Lory. Includes the essays "Painting the Eye" by Marilet Sienaert, "Ons reis deur die landskap, die groot-groot nie-plek" by John Miles and "The first hand-story (working notes)" by Breyten Breytenbach.

Text in English, Afrikaans and French.
Silber (G.) ed. RICHARD SCOTT,
389 pp., colour illus., paperback, Cape Town, 2005. R100
Painter Richard Scott was born in 1968 in Johannesburg. He currently lives and works in Cape Town.

Foreword, "The Colour of Noise", by Gus Silber. Includes the essays "Prince of Neo Pop" by Vincent van Zon, "Richard's Mental Cage" by Marco Gabero, "Seduced by Richard Scott" by Claire Breukel, "We Must Go On Searching" by Sue Lipschitz, and more. Richard Scott has contributed notes on his process and comments on each of the works included in the book.
Silber (G.) ed. RICHARD SCOTT, beauty and the beasts
96 pp., colour illus., paperback, Cape Town, 2007. R50
Catalogue of the exhibition, Worldart, Cape Town, 2007.

Includes essays by Gus Silber, Charl Bezuidenhout, Craig Mark & Georgia Schoeman, an interview with Sue Lipschitz and the artist's own comments.
Silber (G.) et. al. PAUL DU TOIT, sculptures, paintings
38 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 2001. R150
Catalogue of the exhibition, Bell-Roberts Gallery, 2001.

Introduction by Brandon de Kock. Essays by Gus Silber, Chris Roper & Mark Jurey.
Silva (J.) IN THE COMPANY OF GOD,
138 pp., oblong 4to., colour illus., hardback, Johannesburg, 2005. R280
Photojournalist Joao Silva took the photographs in this book while in Iraq while on consignment for The New York Times, between July 2003 and March 2005. During this period he spent time with the Kurds, Sunni, Shi'a and the American-led Coalition forces, although the photographs in this book focus on the Shi'a.

Joao Silva was born in Portugal in 1966. He lives in Johannesburg. He worked for the Associated Press and The Star newspaper, a Johannesburg daily, before joining The New York Times in 1996. He has worked throughout Africa and covered conflicts around the world. In 2000 he co-authored "The Bang Bang Club" with Greg Marincovich. In October 2010 he was severely wounded while on assignment in Afghanistan.
Simon (S.) photo. & Simon (S.) et. al. (text) HEROINES & HEROES, hope, HIV and Africa
103 pp., b/w & colour illus., paperback, Milan, 2006. R250
American photographer Steve Simon has travelled in Lesotho, Ethiopia, Zambia and Mozambique documenting the AIDS crisis since 2002.
Simons (P.) THE LIFE AND WORK OF CHARLES BELL, including The Art of Charles Bell: an appraisal, by Michael Godby
176 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 1998. OUT OF PRINT
Charles Bell (1813 -1882) was born in Scotland. He arrived at the Cape in 1830 and was appointed surveyor-general in 1848. During almost five decades at the Cape Bell produced many artworks. He worked in a range of media, from woodcuts to oil painting, and his oevre encompasses landscape, portraits, ethnographical studies and caricatures. Some 130 of his works are reproduced in this book.
Simons (P.) text & Proust (A.) photo. CAPE DUTCH HOUSES, and other old favourites
256 pp., maps, colour illus., paperback, Cape Town, 2000. R250
Explores 150 houses in and around Cape Town, Stellenbosch, Franschhoek, Paarl, Worcester, Tulbach and the West Coast.
Simons (P.B) text & Proust (A.) photo. MEERLUST, 300 years of hospitality
175 pp.,4to., b/w & colour illus., hardback, d.w., Cape Town, 2003. R350
Meerlust wine estate, built in the late 1600s in the Cape Dutch style, lies in the valley of the Eerste River in the Helderberg region of the Cape. It has been home to the Myburgh family for eight generations.
Simons (P.B.) text & Proust (A.) photo. GROOTE SCHUUR, great granary to stately home
144 pp., 4to., b/w & colour illus., hardback, d.w., Reprint, Cape Town, (1996) 2002. R295
The present Groote Schuur was built on original Dutch foundations by Herbert Baker for Cecil John Rhodes in the 1890s. Rhodes bequeathed the property to the South African nation, to be used as a residence for future heads of state.

The book includes chapters on the priceless collections of glass, ceramics, silver, brass, copper, books, tapestries, furniture and Zimbabwe relics, most of which were acquired between 1893 and 1902, when Rhodes owned the house.
Siopis (P.) & Herzog (S.) JO RACTLIFFE & MARK SCHWANDER, a bear, a giraffe, snow, dogs, flowers and Verbotstafeln
10 pp., colour illus., paperback, (Cape Town), (2004). R65
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2004.
This exhibition forms part of an Artists in Residence Programme run by Pro Helvetia Liason Office South Africa for the Arts Council of Switzerland. Jo Ractliffe spent 3 months in Switzerland and Mark Schwander visited Cape Town.
Siopis (Penny) LASSO,
35 pp., colour illus., paperback, Cape Town, 2007. R70
Catalogue of the exhibition of paintings and a video installation, Michael Stevenson, Cape Town, 2007.

Text by the artist.
Siopis (Penny) PENNY SIOPIS, Paintings
52 pp., colour illus., paperback, Cape Town, 2009. R100
Catalogue of the exhibition of large ink and glue paintings, Michael Stevenson, Cape Town, 2009.

Includes "On a Knife Edge", a coversation between Sarah Nuttall and the artist.
Skawran (K.) WALTER BATTISS, illustrated lecture
DVD, 1 hour 15 minutes running time, Port Elizabeth, 2007. R160
A lecture given by Prof Karin Skawran at the Nelson Mandela Metropolitan Art Museum in Port Elizabeth on 2 March 2007.
Skawran (K.) & Macnamara (M.) eds. WALTER BATTISS,
222 pp., oblong 4to., b/w & colour illus., hardback, d.w., Johannesburg, 1985. OUT OF PRINT
Includes the essays "The Resolute Wit" by Frieda Harmsen,
"Battiss and Understanding: the philosophy of art" by Michael Macnamara, Jennifer Wilkinson and Ivor Powell,
"Battiss and Prehistoric Rock Art" by Murray Schoonraad,
"Confronting Paintings" by Marion Arnold,
"Eroticism and Battiss" by Nicolaas Coetzee,
A Gentle Anarchist" by Neville Dubow,
The Invisible Book of Fook" by Esmé Berman,
"Battiss and Landscape: an interview" by Dan Swart,
"The Re-invention of Spring" by Andrew Verster,
"Water-Colourist" by Marilyn Martin,
"The Unsleeping Eye" by Walter Saunders, and
"A Page from an Artist's Diary" by Nils Burwitz.
Skawran (K.) curator WALTER BATTISS, gentle anarchist, a retrospective exhibition of the works by Walter Whall Battiss (1906 - 1982)
204 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2005. OUT OF PRINT
Catalogue of the exhibition, Standard Bank Gallery, Johannesburg, 2005.

Includes oils, watercolours, screenprints, woodcuts, lithographs, sketches & tapestries.

Foreword by Linda Givon. Introduction by Karin Skawran. Essays include "Modernity and Aspects of Africa in the Art of Walter Battiss" by Andries Oliphant, "Light, Space and Time: a selection from the writings of Walter Battiss" by Walter Saunders, "Battiss's Eloquent Vocabulary with Pen and Brush" by Alan Crump, "Building Bridges and Making Journeys: Battiss and Rorke's Drift" by Philippa Hobbs, "Walter Battiss - universal traveller" by Frieda Harmsen, "Walter Battiss and Fook Island, an interview: Karin Skawran and Norman Catherine", "The Sexual Banter of the Jester-King of Fook" by André Croucamp, "An Accidental Situationist, or, What Happened When Battiss Thought Out Loud" by Kathryn Smith & "Remembering Battiss" by Karin Skawran.
Skawran (K.) et. al. BATTISS, and the spirit of Place/ en die gees van Plek
77 pp., 4to., b/w & colour illus., paperback, Pretoria, 1989. OUT OF PRINT
Catalogue of the exhibition, Pretoria Art Gallery, Pretoria, 1989.
Essays by Karin Skawran, Merle Huntley & Marion Arnold.
Text in English & Afrikaans.
Skotnes (C.) illus. & Gray (S.) text THE ASSASSINATION OF SHAKA, by Mhlangane Dingane and mbopa on 22 September 1828 at Dukuza by which act the Zulu nation first lost its empire
96 pp., large 4to., colour illus., hardback, d.w., Johannesburg, 1974. OUT OF PRINT
Cecil Skotnes's 43 woodcuts are accompanied by captions by the poet Stephen Gray. Also includes working notes on the project.
Skotnes (L.) LYNDI SALES, 1 in 11 000 000 chances
9 pp., colour illus., paperback, Cape Town, 2006. OUT OF PRINT
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2006.

Lyndi Sales in a full-time artist living and working in Cape Town. Her installation explores the 1987 crash of the Helderberg Boeing 747 which killed 159 people including the artist's father.
Skotnes (P.) "...BEARDED SEALS AND FIFTEEN GEESE", Cecil Skotnes, a South African in Norway, introduced by Pippa Skotnes
38 pp., b/w & colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Catalogue of the exhibition held at the Bergen and Tromso Art Society, Norway.
Skotnes (P.) CLAIM TO THE COUNTRY, the archive of Lucy Lloyd and Wilhelm Bleek
288 pp., 4to., map, b/w & colour illus., hardback, d.w., CD-Rom, Johannesburg & Athens, Ohio, 2007. R350
Includes the complete !xam and !kun texts given in the 1870s and 1880s by Ia!kunta, IIkabbo, =kasin, Dia!kwain, !kweiten ta IIken and Ihan=kass'o; also the boys Iuma, Tamme, Da and !nanni, along with their watercolours and drawings never before published in their entirety. Also includes selected photographs, documents, letters and notes, including contributions from Jemima Bleek and Dorothea Bleek and contextualising essays by John Parkington, Nigel Penn, John Wright, Anthony Traill, Anne Solomon, Roger Hewitt, Stephen Watson, David Lewis-Williams, Pippa Skotnes and Eustacia Riley. It comes with a CD-Rom, "The Digital Bleek and Lloyd", which includes scans of every part of the 114 Lucy Lloyd Ixam notebooks, 13 Lloyd (mostly) !kun notebooks, 28 Wilhelm Bleek Ixam notebooks, Jemima Bleek's one Korana and !kun notebook, all the drawings and watercolours & a searchable annotated index for all the narratives and contributors.

Pippa Skotnes is Professor of Fine Art and Director of the Lucy Lloyd Archive, Resource and Exhibition Centre (Llarec) at the Michaelis School of Fine Art, University of Cape Town. She is the author of several books on the Ixam (Cape San or Bushmen), including "Sound from the Thinking Strings" (1991), "Miscast: negotiating the presence of the Bushmen" (1996) and "Heaven's Things" (1999). This book is part of a Llarec project to digitise, research and publish the Bleek and Lloyd Archive.
Skotnes (P.) UNCONQUERABLE SPIRIT, George Stow's history paintings of the San
218 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Johannesburg, 2008. R350
Geologist George Stow arrived in South Africa in the mid-19th century. He became acquainted with San rock paintings and set out to record them. In this book Pippa Skotnes reproduces all George Stow's copies that have survived, as well as examples of the many maps, drawings, notes and poems he produced. He died in 1882.

Pippa Skotnes is Professor of Fine Art and Director of the Centre for Curating the Archive at the Michaelis School of Fine Art, University of Cape Town. She is the author of "Miscast: negotiating the presence of the Bushmen" (1996), "Heaven's Things" (1999) and "Claim to the Country: the archive of Lucy Lloyd and Wilhelm Bleek" (2007). She has also produced several private press books, including "Sound from the Thinking Strings" (1991).
Skotnes (P.) comp. & illus. HEAVEN'S THINGS, a story of the /Xam
51 pp., b/w & colour illus., paperback, Cape Town, 1999.
An extract from the story of the Day-Heart Star, told to Lucy Lloyd in 1873 by //Kabbo and recorded in her notebooks, including extracts from other /Xam narratives, photographs and drawings, and text and images reproduced in water-colours by Pippa Skotnes. This publication was a companion to the exhibit, "Rock Art and the /Xam", at the South African Museum, Cape Town.
Skotnes (P.) curator LANDSCAPE TO LITERATURE, a scrapbook catalogue (and exhibition)
72 pp., b/w & colour illus., paperback, Cape Town, 2011. R90
Catalogue of the exhibition, Centre for Curating the Archive, Michaelis School of Art, University of Cape Town, 2011.

This exhibition which coincided with the celebration of the centenary of Bleek and Lloyd's book, "Specimens of Bushman Folklore" and the conference "The Courage of llKabbo", was curated by Pippa Skotnes, and includes photographs by Stephen Inggs. It "recognises the story of Dia!kwain, related as it is to a broader genocide reported on by Louis Anthing, and imagines something of the transition that was made from landscape to literature via the living room of Bleek and Lloyd's Mowbray home."
Skotnes (P.) curator & ed. MISCAST, negotiating the presence of the Bushmen
383 pp., b/w & colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1996.

"In 'Miscast: negotiating the presence of the Bushmen', eminent scholars explore the term 'Bushman', and the relationships that gave rise to it, from the perspectives of anthropology, archaeology, comparative religion, literary studies, art history, and musicology...A parallel text runs throughout the book and provides a counter narrative to the central discourses. The book is richly illustrated with previously unpublished photographs and documents from many archives and museum collections."

Forewords by Marilyn Martin & Patricia Davison. Essays and parallel text by Pippa Skotnes, Stephen Greenblatt, David Chidester, Ian Glenn, Robert Ross, Alan G.Morris, Nigel Penn, Janette Deacon, Michael Godby, Paul S.Landau, Martin Hall, Anthony Traill, Edwin Wilmsen, Aron Mazel, Pieter Jolly, Frans E.Prins, Mathias Guenther, Alan Barnard, Andrew B.Smith, Rob Gordon, Ciraj Rassool & Leslie Witz, Barbara Buntman, John Parkington, Anne Solomon, Deidre Hansen, J.David Lewis-Williams, Thomas Dowson, John Sharp & Stuart Douglas, Paul Weinberg, & Carmel Schrire.
Skotnes (P.) ed. ROCK ART MADE IN TRANSLATION, framing images from and of the landscape
103 pp., b/w & colour illus., hardback, CD, Johannesburg, 2010. R125
Catalogue of the exhibition, Iziko South African Museum, Cape Town, November 2010 to September 2011.

This publication focuses on copies of rock art as acts of translation that tranform the "unboundedness" of the original rock paintings or engravings into the framed and recomposed images of the copy.

Includes the essays:
"Framing Rock Art, Making Compositions" by Pippa Skotnes,
"'It is on the earth in my country, it is abundant', Lucy Lloyd and the images from the landscape of !nanni, Tamme, Iuma and Da, 1879-1881" by Marlene Winberg,
"Knowing the Landscape, Dorothea Bleek and the rock art of the San" by Jill Weintroub,
"Written On Stone, Translated Through Time, religious rock writing in some occupied southern African rock shelters" by Pieter Jolly,
"Tracing the !khwa ka Xoro, or Water-Bull" by Janette Deacon.

Includes a CD of the compositions "Ukuthula", a traditional African lullaby, and "Horizons", written by Peter Louis van Dijk and sung by the UCT Choir conducted by John Woodland. "Ukuthula" opens "Horizons", a work based on an eighteenth-century San painting of a Dutch ship.

Pippa Skotnes is an artist, Professor of Fine Art and the director of the Centre for Curating the Archive at the University of Cape Town.


Skotnes (P.) et. al MICHAELIS SCHOOL OF FINE ART, Graduate Exhibition 2007
189 pp., colour illus., hardback, Cape Town, 2007. R65
Catalogue of the exhibition of work by graduate and postgraduate students of the Michaelis School of Fine Art, University of Cape Town, 2007.

Includes a preface by Pippa Skotnes, the essay, "An Interlude Now" by Andrew Lamprecht, and "Art, Technology, Spirituality and Communication", in which Nasan Pather speaks with Rowan Smith, Sabelo Mhlongo, Bianca Baldi and Marko Petrik, four artists from the final year class.

Artists include Nandi Mntambo and Andrzej Nowicki.
Skotnes (P.) et. al. CURIOSITY CLXXV, a paper cabinet, curating exhibitions at the University of Cape Town
192 pp., 4to., colour illus., paperback, Cape Town, 2004. R426
Catalogue to accompany an exhibition produced to celebrate the University of Cape Town's 175th anniversary curated by Pippa Skotnes, Gwen van Embden and Fritha Langerman, Michaelis School of Fine Art, University of Cape Town, 2004.

The curators collected objects from academics' offices, storerooms, and libraries and organized them into cabinets that represent the various activities that characterise a university. Also included in the exhibition are an assembly of cases created by artists who have, or have had a connection with the university and a series of four works created by the three curators.

Photographs by Stephen Inggs. Texts by Patricia Davison, David Chidester, Brenda Cooper, David Brown, Gavin Younge, Andrew Lampbrecht, Martin Hall, Christopher Peter and Malcolm Payne, amongst others. Poems by Ingrid de Kock, Joan Hambidge and Stephen Watson.
Skotnes (Pippa) BOOK OF ITERATIONS, Lamb of God, Book of Mysteries, with "On Real Presence" by Stephen Greenblatt and "A Miraculous History of the Book" by Isabel Hofmeyr
128 pp., b/w & colour illus., hardback, Cape Town, 2009. R450
Catalogue of the exhibition.

The exhibition comprises several books written on the bones of horses and mounted as horse skeletons, decorated skulls, found and made objects, photographs and prints.

"Through themes of sacrifice and redemption, the artist explores relic and archive in the context of writing and language and considers the interchange between text and textuality, the visible and the invisible world" University of Michigan website

Includes the essays.
"On Real Presence" by Stephen Greenblatt
"A Miraculous History of the Book" by Isabel Hofmeyr

Pippa Skotnes is currently Professor of Fine Art and Director of the Centre for Curating the Archive at the University of Cape Town.
Skotnes (Pippa), Saul (Roderick) & Langerman (Frith) assisted by Goniwe (Alfred Thembinkosi) eds.] ON THE SURFACE, art and technique of relief printmaking
122 pp., oblong 4to., half maroon leather, dec. paper covered boards, one of an edition limited to 24 numbered signed copies, Cape Town, 1996. OUT OF PRINT
This is the second in the series of hand-made books produced under the auspices of the Katrine Harries Print Cabinet at the Michaelis School of Fine Art, University of Cape Town.

Included are nine original test-block prints and ten original relief prints by Bruce Arnott, Kevin Atkinson, Alfred Tembinkosi Goniwe, Stephen Inggs, Terry Kurgan, Fritha Langerman, Malcolm Payne, Roderick Sauls, Cecil Skotnes and Gavin Younge.
All the prints were hand-printed from the original blocks. Each print is signed and numbered by the artist. The test plates were made and printed by Roderick Sauls, assisted by Alfred Goniwe and Fritha Langerman.
Fritha Langerman compiled the text. She also screen-printed the title pages and the cover.

The edition consists of 20 copies numbered 1/20 to 20/20 amd 4 hors commerce numbered I/IV to IV/IV.
Sleeper-Smith (S.) ed. CONTESTING KNOWLEDGE, museums and indigenous perspectives
362 pp., maps, illus., paperback, Lincoln, 2009. R395
A collection of essays that illustate the importance of indigenous perspectives for museums.

Contributions include "Ethnographic Elaborations, Indigenous Contestations, and the Cultural Politics of Imagining Community: a view from the District Six Museum in South Africa" by Ciraj Rassool,
"The Legacy of Ethnography" by Ray Silverman,
"Ethnographic Showcases as Sites of Knowledge Production and Indigenous Resistance" by Zine Magubane, and
"Museums and Indigenous Perspectives on Curatorial Practice" by Jacki Thompson Rand.

Susan Sleeper-Smith is a professor of history at Michigan State University.
Slingsby (P.) ROCK ART OF THE WESTERN CAPE, book 1 - Sevilla Trail and Traveller's Rest
52 pp., maps, illus., paperback, revised edition, Cape Town, (2000) 2002. R60
Guide to the rock paintings found on two trails, the Sevilla Trail and Salmanslaagte, located on the farm Traveller's Rest in the Cederberg.
Slingsby (P.) BUSHMANS KLOOF, a comprehensive guide to the rock art of Bushmans Kloof, rock art of the Western Cape, book 2
48 pp., illus., paperback, Third Edition, Cape Town, (1997) 2009. R70
A new edition of Robert Slingsy's introduction to the rock art of Bushman's Kloof, which borders the Cederberg Wilderness Area in the Western Cape, South Africa.
Smith (B.) DUMILE, artist in exile, 1942-1991
53 pp., b/w & colour illus., paperback, Johannesburg, 2004. R145
Catalogue of the exhibition, Art on Paper gallery, Johannesburg, 2004.

Dumile Feni, known as "the Goya of the townships", was born in Worcester in the Western Cape. He left South Africa in 1968 and went into self-imposed exile in London and then the USA. He eventually settled in New York where he died in 1991.
Smith (K.) BONITA ALICE, giving and not giving
24 pp., colour illus., paperback, Cape Town, 2003. R40
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town 2003.
Essay, "Bonita Alice: the intractability of roots", by Kathryn Smith.
Bonita Alice was born in 1962 in Johannesburg.
Smith (K.) BRIDGET BAKER, but being a sensible woman, she subdued her terrors and turned over and went to sleep again
38 pp., colour illus., paperback, Cape Town, 2006. R85
Published on the occasion of the exhibition, "But being a sensible woman, she subdued her terrors and turned over and went to sleep again", photographic stills projects developed by Bridget Baker presented at João Ferreira Gallery, Cape Town, 2006.

Includes the essay, "Grass Grows From the Middle" by Kathryn Smith.
Smith (K.) WILLIAM SCARBROUGH, stitches 2008
34 pp., colour illus., paperback, Cape Town, 2008. R80
Catalogue of the exhibition of mixed media collages, Bell-Roberts Contemporary Art Gallery, Cape Town, 2008.

Includes the essay, "The Needle and the Damage Done, notes on William Scarbrough's Stitches 2008" by Kathryn Smith.
Smith (K.) ed. BROADCAST QUALITY, the art of Big Brother II
72 pp., oblong 4to., colour illus., paperback, Cape Town, 2002. R190
Catalogue profiling the 39 South African artists that worked with "The Trinity Session", an independent arts consultancy directed by Stephen Hobbs, Marcus Neustetter & Kathryn Smith, on the project of curating art for the house in the reality T.V. series, "Big Brother II".
Includes work by Brett Murray, Tommy Motswai, Jo Ractliffe, Sue Williamson, Wilma Cruise, Norman Catherine, Lisa Brice, David Koloane, Kagiso Pat Mautloa, and many more. Essays by Michelle Constant, Alex Dodd, Sean O'Toole, James Sey & Kathryn Smith.
Smith (K.) ed. KNAP!, KKNK Visual Arts 2003
32 pp., 4to., b/w & colour illus., paperback, Cape Town, 2003. R50
Handbook to the Sasol KKNK Visual Arts main festival.
Includes work by Terry Kurgan, David Brown, Sibusiso Maphumulo, Walter Battiss, Robert Hodgins, Willie Bester and others from the Sasol Collection selected by Sasol chairman Paul Kruger, Frederick Eksteens interview with Wim Botha as well as his feature on the artists installation, "commune: onomatopeë", profiles of Frith Langerman, Isabella Quattrocchi, Antoinette Murdoch and Doreen Southwood by Alex Dodd and a re-evaluation of Vladimir Tretchikoff by Lucia Burger and Braam Kruger.
Smith (K.) ed. PENNY SIOPIS,
172 pp., 4to., colour illus., paperback, Johannesburg, 2005. R399
Introduction by Kathryn Smith.

Essays include "Prima Facie: surface as depth in the work of Penny Siopis" by Colin Richards, "Painting, Difference and Desire in History: the work of Penny Siopis 1985-1994" by Griselda Pollock, "The Ocean in a Bottle: Penny Siopis and the slippage of history" by Brenda Atkinson, "The Gift of Law" by Jennifer Law, "The Place of Imagination: a conversation with Penny Siopis" by Achille Mbembe, "The Shock of Beauty: Penny Siopis' 'Pinky Pinky' and 'Shame" series" by Sarah Nuttall and "My Lovely Day" by Penny Siopis.
Smith (K.) ed. SAM NHLENGETHWA,
183 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2006. R405
Catalogue of the retrospective exhibition, Goodman Gallery, Johannesburg, 2006.

Foreword by Tim Modise. Includes the essays, "Sam Nhlengethwa" by Nadine Gordimer, "Collective Exchange and the Politics of Space 1976-1995" by David Koloane, "Jazz and the Retrieval of Lost Histories" by Alex Dodd, "Great but Reasonable Expectations" by Robert Hodgins, "Drawing Us Closer" by John Stremlau & "A Kind of Blue", Johnny Mekoa in conversation with Sam Nhlengethwa and Kathryn Smith.
Smith (K.) ed. ONE MILLION AND FORTY-FOUR YEARS (AND SIXTY THREE DAYS), a sampler
410 pp., b/w & colour illus., paperback, Stellenbosch, 2007. R310
Introduction by Kathryn Smith.

Kathryn Smith sent a email to eighty artists, writers, curators and thinkers asking them to express their attitudes towards avant-gardism. The book publishes the responses she received over a four-week period in 2007. It was conceived as a companion to an exhibition by Douglas Gimberg, Christian Nerf, Ruth Sacks and Ed Young, held at Stellenbosch Modern and Contemporary Art Gallery (SMAC), Stellenbosch, 2007. Respondents include Barend de Wet, Douglas Gimberg, Christian Nerf, Colin Richards, Candice Breitz, Sean O'Toole, Siemon Allen, Ed Young, Kendell Geers, Thando Mama, Robin Rhode, Ruth Sacks, and many more.
Smith (K.) et. al. text TAKE ME TO YOUR LEADER, an exhibition by Daniel Halter
92 pp., colour illus., paperback, Cape Town, 2006. R100
Catalogue of the exhibition, João Ferreira Gallery, Cape Town 2006.

Daniel Halter was born in 1977 in Harare, Zimbabwe.
"'Take Me to Your leader' includes a technically diverse range of works emcompassing video, sculpture, weaving, collage and assemblage. The exhibition has its origins in post-conceptualism, literary cut-ups and games of culture and currency, and the histories of colonial occupation and revolution in Africa." Kathryn Smith.

Includes the essays, "Culture Games" by Kathryn Smith, "Perfection" by Ed Young, "Woven into the Stuff of Life" by Andrew Lamprecht & "Know Thy Enemy Know Thy Self" by Kwezi Gule.
Smith (Kathryn) EUPHEMISM,
64 pp., colour illus., hardback, Johannesburg, 2004. R125
Catalogue of the travelling exhibition first shown at the Monument Gallery, Grahamstown, 2004.

Kathryn Smith was born in Durban in 1975 and is currently based in Johannesburg. She was the Standard Bank Young Artist of the Year 2004.
Smith (M.) LYNDI SALES, transient
26 pp., colour illus., paperback, Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibition of installations and sculptures in paper, nylon, rubber and plastic, Bell-Roberts Contemporary Art Gallery, Cape Town 2008.

Includes the essay, "Vulnerability in our DNA: the work of Lyndi Sales" by Michael Smith.

Lyndi Sales was born in 1973 in Johannesburg. She currently lives and works in Cape Town.
Smith (M.) text SANELL AGGENBACH,
36 pp., b/w & colour illus., paperback, Cape Town, 2007. R95
Sanell Aggenbach was born in Cape Town in 1975 where she still lives and works. She is known for her paintings and installations.
Smith (R.) curator THE BRETT KEBBLE ART AWARDS,
186 pp., colour illus., paperback, Cape Town, 2003. R114
Categories were sculpture, printmaking, photography, painting & mixed media, new media and craft. The judges were Julia Meintjes, Zwelethu Mthethwa, Penny Siopis & Lucia Burger.The 2003 winner was Doreen Southwood.
Smith (T.), Enwezor (O.) & Condee (N.) eds. ANTINOMIES OF ART AND CULTURE, modernity, postmodernity, contemporaneity
437 pp., illus., paperback, Durham & London, 2008. R385
In this collection "theorists, artists, critics and curators explore new ways of conceiving the present and understanding art and culture in relation to it."

Contribution include "Aftermath: value and violence in contemporary South African art" by Colin Richards, and
"The Postcolonial Constellation: contemporary art in a state of permanent transition" by Okwui Enwezor.

Terry Smith is Andrew W.Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh and a visiting professor in the Faculty of Architecture at the University of Sydney.
Okwui Enwezor is Dean of Academic Affairs and Senior Vice President at the San Francisco Art Institute.
Nancy Condee is Associate Professor of Slavic Studies at the University of Pittsburgh.
Smuts (H.) THREADS OF KNOWING, tracing the meaning of southern African rock art, a resource book for educators
36 pp., oblong 4to., b/w & colour illus., paperback, Johannesburg, (2006). R95
An introduction to San rock art suitable for high school students, produced by The South African Museum of Rock Art.
Smuts (H.) AT HOME WITH IRMA STERN, a guidebook to the UCT Irma Stern Museum
48 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 2007. R125
Irma Stern moved into The Firs in Rosebank, Cape Town, in the 1920s and left it to the University of Cape Town. It is now a museum and art gallery. This book is an introduction to her life, seen through her art and the objects in her house.


Smuts (H.) SHIRLEY CLOETE, a life reflected in glass
64 pp., b/w & colour illus., paperback, (Johannesburg), 2008. R186
Foreword by Helen Suzman.

In 1974 Shirley Cloete began studies in the technique of hand blown glass at Glass House in London. On her return to Somerset West she set up her own studio and pioneered the studio glass movement in South Africa. She has had many exhibitions in South Africa and abroad.
Smuts (H.) & Clark (S.) KENTRIDGE, HODGINS, BELL, collaborations 1987-1997, a resource for teachers and learners
10 pp., 4to., illus., pamphlet, Johannesburg, No Date. OUT OF PRINT
A booklet designed to be used by teachers and learners viewing the exhibition held at the Johannesburg Art Gallery, 1997 to celebrate 10 years of collaborative projects between William Kentridge, Deborah Bell and Robert Hodgins. Examines "Hogarth in Johannesburg" (1987), "Little Morals" (1990-91), "Easing the Passing (of the Hours)" (1990-92), "Memo" (1994) and "Ubu 101" (1997).
Smuts (N.) CAROLINE VAN DER MERWE,
100 pp., b/w & colour illus., paperback, (Cape Town), 2009. R300
Sculptor Caroline van der Merwe was born in 1932 in Tanganyika, now Tanzania. Schooled mostly in South Africa, she now lives and works in Pietrasanta, Italy.
Soares (P.) NOVOS RUMOS, exposição de escultura Makonde contemporânea
13 pp., 4to., illus., paperback, Maputo, 1988. OUT OF PRINT
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 1988.

Artists featured are Celestino Tomás, Nkalewa Bwaluka, Miguel Valingue, Lamizosi Madanguo, Rafael Nkatunga, Nkabala Ambelicola, Bartolomeu Ambelicola, Cristovão Alfonso & Kaunda Simão.

Text in Portuguese.
Solberg (S.) SOUTH AFRICAN THEATRE IN THE MELTING POT, trends and developments at the turn of the millennium, interviews by Solf Solberg
297 pp., paperback, Grahamstown, 2003. R235
Includes an interview with William Kentridge.
Solomon (L.) comp. KHULA UDWEBA, a handbook about teaching art to children
190 pp., 4to., b/w & colour illus., paperback, Reprint, Johannesburg, (1989) 1996. OUT OF PRINT
"Khula Udweba means "draw as you grow" or "grow as you draw". The Khula Udweba handbook is for community workers, teachers and parents who want to teach art to children. This book presents an approach to art teaching and many art techniques which can be used in areas with limited facilities and resources. It is based on the experience of twelve adults who have been teaching art to children in Soweto, Katlehong and Alexandra."
Solomon (L.A.) CREATIVE BEGINNINGS, a hands-on innovative approach to artmaking for adults and children
256 pp., 4to., colour & b/w illus., paperback, Johannesburg, 2005. R220
A teaching resource aimed at educators and parents working with children in a South African context. Also useful for helping adults to explore their creativity.
Songa (G.) et. al. VISUAL ARTS AND CRAFTS IN BOTSWANA,
48 pp., map, b/w & colour illus., paperback, Gaberone, 1999. OUT OF PRINT
Essays on the state of the visual arts in Botswana by representatives of the various art organisations and institutions involved in advancing the different art forms.
Soobben (N.) WITNESS TO A DECADE!,
146 pp., b/w & colour illus., paperback, Durban, 2004. R120
Nanda Soobben is one of South Africa's best known cartoonists. This book brings together 10 years of cartoons from "Post Natal", "Daily News", "This Day" and "Independent on Saturday".

Preface by Fatima Meer.

Sopa (A.) et. al. FTIMA FERNANDES, exposição, integrada nas comemorações do 18de Maio de 2003, Dia Internacional des Museus
4 pp. pamphlet, colour illus, Maputo, 2003. R15
Catalogue of the exhibition, Museu Nacional de Arte, Maputo, Mozambique, 2003.

Fatima Fernandes was born in Chimoii, Mozambique, in 1955 and now lives in Johannesburg. She has exhibited paintings in Mozambique, South Africa, Australia, Cuba, Zimbabwe and Spain.

Text in Portuguese.
Sorrell (J.) ed. ADA, art, design, architecture, no.14, Johannesburg, cultural A to Z update
130 pp., large 4to., b/w & colour illus., paperback, Cape Town, c.1994. OUT OF PRINT
Includes short articles on the city's architecture, on David Goldblatt, Steven Cohen, Braam Kruger, William Kentridge, Penny Siopis, the Handspring Puppet Company and other artists who live in the city, and much more.
Sorrell (J.) ed. ADA, art, design, architecture, no.9
58 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1990/1991. OUT OF PRINT
Includes "George Pemba, veteran artist" by Sue Ross, "Taking the Gap, eight eastern Cape artists" by Stephanie Volpe, "Art from Scrap, people's parks, Chicken Man, Fiona Kirkwood, Sibusiso Mbhele, Willie Bester, John Alessandri" by Jennifer Sorrell et. al., "Handspring House", a house designed for Basil Jones & Adrian Kohler, founder members of the Handspring Puppet Company by architect Nicolas Sack, with text by Haydn Ellis and photographs by Ronnie Levitan, "Tatham Art Gallery", and more.
Sorrell (J.) ed. ADA, art, design, architecture, no.8
58 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1990. OUT OF PRINT
Includes David Goldblatt interviewed by Joyce Ozinsky, "Myths and Visions, printmakers", an article on Jo Ractliffe & Alma Vorster with text by Michael Morris & portraits by Jean Brundit, "Material Boy, immaterial world", photographs of Steven Cohen's fabrics and refurbished furniture by John Hodgkiss, a feature on artist Norman Catherine, his work and his home, Fook Manor, with an interview by Jennifer Sorrell, "Architectural Photography, a sereis of photographs by Ronnie Levitan, and more.
Sorrell (J.) ed. ADA, art, design, architecture, no.7
59 pp., large 4to., b/w & colour illus., paperback, Cape Town, c.1990. OUT OF PRINT
Articles include "Philippa Hobbs, demise of an empire", "Helen Sebidi, from the root", with an article on her work, "The Sharp Side of the Knife", by Marion Arnold, "Triennial, competition in contention" by Rose Korber, "Keith Alexander, metaphor, matter and mystery", "Hym Rabinowitz, a potter's view", "Namibia, death at the birth of a nation" a photo essay by Guy Tillim & John Liebenberg with text by Christopher Saunders, "Architects, indigenous endeavour" in which 8 S.A. architects outline their architectural philosophy, and more.
Sorrell (J.) ed. ADA, art, design, architecture, no.11, Cape Town A to Z
122 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1993. OUT OF PRINT
Includes short articles on the city's architecture, on Bitterkomix, with a comic-strip, "Suidoos" with illus. by Conrad Botes & text by Herman Ellis, Cynthia Best in conversation with artist Peter Clarke, Haydn Ellis in conversation with architect Louis Karol, Jennifer Sorrel on conversation with Marilyn Martin, director of the S.A.National Gallery, and much more.
Sorrell (J.) ed. ADA, art, design, architecture, no.1
31 pp., large 4to., b/w & colour illus., paperback, Cape Town, 1986. OUT OF PRINT
Includes "Manfred Zylla, zeitgeist" by Martine Barker, "Sculptures, four works by Angela Ferreira", "House Amm", the home of architect Peter Amm, and an interview with South African composer John Simon. Most of the photography is by Ronnie Levitan.
Also includes a loose poster by Manfred Zylla.
Sorrell (J.) ed. JO NOERO, the everyday and the extraordinary, three decades of architecture
104 pp., 4to., b/w & colour illus., paperback, Cape Town, 2009. R250
Published to accompany the exhibition of Jo Noero's work, "The Everyday and the Extraordinary", IZIKO South African National Gallery, Cape Town, 2009.

Includes the essays, "The Certainty of Context" and "The Ghost of Culture", "The Good the Bad and the Ugly: a case for an architecture of the everyday", "You have to Begin to Lose Your Memory", "The Role of Practice in Atchitectural Education" and "The Expedient and the Ethical, the Everyday and the Extraordinary" by Jo Noero, and
"The View from Below" by Brett Petzer.

Award-winning architect Jo Noero is Director of the School of Architecture, Planning and Geomatics at the University of Cape Town. The Jo Noero Architects/ Noero Wolff practice has completed over 200 buildings, ranging from single, individual houses and low-income housing , the Red Location Museum of Struggle in Port Elizabeth and other institutional buildings, such as the Botswana Innovation Hub Building in Gaberone, the Spier Visitors' Centre and the Mediation Centre in Westcliffe.
Soudien (C.) & Meyer (R.) eds. THE DISTRICT SIX PUBLIC SCULPTURE PROJECT,
57 pp., b/w & colour illus., paperback.,, Cape Town, 1997. OUT OF PRINT
Catalogue published to accompany The District Six Sculpture Festival, co-ordinated by Renate Meyer, Dorothee Kreutzfeldt and Kevin Brand and erected on the site of the old District Six, September 1997.

Essays include "Whom it May, or May Not, Concern, but to Whom this Appeal is Directed Anyway" by Vincent Layne, "Sculpture in the Elements at Disctrict Six" by Tony Morphet, "A Homing Pigeon's View of Forced Removal" by Neville Alexander and "Re-membering that Place: public projects in District Six" by Emma Bedford & Tracy Murinik.

Works by over 70 artists, including Randolph Hartzenberg, Brett Murray, Roderick Sauls, Clive van den Berg, Roger van Wyk, Sue Williamson, Kevin Brand, Beezy Bailey, Strijdom van der Merwe and Lien Botha (who makes use of poetry by Karen Press).
Southwood (D.) photo. MILNERTON MARKET, 1999-2009
116 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2011. R440
Photographer David Southwood spent ten years taking photographs at the outdoor flea market in Milnerton, Cape Town.

Includes the essays:
"Milnerton Market" by Hylton F.Thompson
"Die Plek van Verligting" by David Southwood
"On Flea Market Finds and Other Objects" by Ivan Vladislavic
"Pictures on a Page" by Michael Godby
"Uitval" by Ivor Powell.
Spiro (L.) GERARD SEKOTO, unsevered ties
99pp., 4to., b/w & colour illus., paperback, Johannesburg, 1989. OUT OF PRINT
Catalogue of the exhibition held at the Johannesburg Art Gallery, 1 November 1989 - 10 February 1990.
Spring (C.) ANGAZA AFRIKA, African art now
336 pp., 4to., colour illus., paperback, Cape Town, 2008. R400
Angaza Africa is Swahili for "shed light on Africa". Chris Spring brings together more than 60 of Africa's contemporary artists. "I believe that those I have selected will help to emphasize the sheer diversity of Africa, embracing not only the whole continent and its diaspora, but also its inclusion in the cultural complexes that make up the Mediterranean, Atlantic and Indian Ocean worlds".

Artists include Jane Alexander, Willie Bester, Wim Botha, Jackson Hlungwani, William Kentridge, David Koloane, Zwelethu Mthethwa, Owen Ndou, Karel Nel, Johannes Phokela, Tracey Rose and Sandile Zulu from South Africa, Dominic Benhura and Tapfuma Gutsa from Zimbabwe, Jorge Dias, Pompílio Hilário (Gemuce), Kester, Fiel dos Santos, Hilário Nhatugueja, Adelino Matè, Malangatana Valente Ngwenya and Reinata Sadhimba from Mozambique.

Chris Spring is curator of the Sainsbury African Galleries at the British Museum in London. He is also the author of "African Textile Design" (1997), "Africa: arts and cultures" (2000) and "Silk in Africa" (2002).
Staples (C.) MILLS OF SOUTHERN AFRICA, wind, water and horse
228 pp., 4to., b/w & colour illus., hardback, d.w., Pretoria, 2006. R395
Chester Stapels spent six years researching the subject of mills. During this time he travelled extensively throughout southern Africa visiting, recording and photographing all the mills he could locate.
Stein (P.) DEBORAH BELL,
96 pp., b/w & colour illus., paperback, Johannesburg, 2004. OUT OF PRINT
Deborah Bell, painter and sculptor, is also well-known for her collaborative projects with William Kentridge and Robert Hodgins.

Text includes the essay "The Journey Home" by Pippa Stein, a collection of the artist's writings, a section dedicated to her collaborations with Hodgins and Kentridge in which all three artists comment on their working together and a conversation in which social theorist Achille Mbembe discusses the "Unearthed" figures with Pippa Stein and Ruth Sack.

Comes with a 14 pp. educational supplement written by Ruth Sack.

Number 10 in the TAXI Art Book Series.
Stellenbosch Modern and Contemporary Gallery (SMAC) EDOARDO VILLA, the sculptor
20 minutes, DVD, Stellenbosch, 2006. R180
Amalie von Maltitz interviews Edoardo Villa at his home in Johannesburg.
Stellenbosch Modern and Contemporary Gallery (SMAC) PETER CLARKE,
32 minutes, DVD, Stellenbosch, (2006). R180
Ivor Sias interviews artist Peter Clarke in his hime in Ocean View, Cape Town.
Stepan (P.) & Hahner (I.) SPIRITS SPEAK, a celebration of African masks
188 pp., b/w & colour illus., hardback, d.w., Munich, etc, 2005. R560
Includes a foldout map of Africa, loosely inserted.

"Presents a selection of the most important African maks found in major museums and renowed private collections around the globe."

Includes Songye, Makonde, Chokwe, Luba, Yaka & Mbunda masks.
Stevens (I.) & Staden-Garbett (M.) text SHANE DE LANGE,
18 pp., b/w & colour illus., paperback, Pretoria, 2005. R45
Catalogue of the exhibition, Tshwane University of Technology, Pretoria, 2005.
Stevenson (M.) SOUTH AFRICAN ART 1800 - NOW,
36 pp., colour illus., paperback, d.w., Cape Town, 2004. R60
Catalogue of the selling exhibition held at Michael Stevenson Contemporary, 28 January - 14 February 2004.
Artists include William Kentridge, Cecil Higgs, Gladys Mgudlandlu, Gerard Sekoto, Walter Battiss & Berni Searle.
Stevenson (M.) ART AND ASPIRATIONS, the Randlords of South Africa and their collections
199 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2002. R395
The collections of Joseph Robinson, Sir Lionel & Lady Phillips, Alfred and Sir Otto Beit & Sir Julius Wernher.
Stevenson (M.) SOUTH AFRICAN ART 1850-2003,
48 pp., colour illus., paperback, d.w., Cape Town, 2003. OUT OF PRINT
Catalogue of the selling exhibition, Irma Stern Musem, Cape Town, 2003. Includes work by Thomas Baines, J.H.Pierneef, Jean Welz, Alexis Preller, Gladys Mgudlandlu, Cecil Skotnes, Helmut Starcke, Robert Hodgins, Hylton Nel, Zwelethu Mthethwa, Guy Tillim, and others.
Stevenson (M.) SOUTH AFRICAN PAINTINGS, 1780-1980
28 pp., colour illus., paperback, d.w., Cape Town, 2000. OUT OF PRINT
Catalogue of the selling exhibition, Irma Stern Museum, Cape Town, February 2000.
Includes work by Samuel Daniell, Thomas Baines, J.H.Pierneef, Gregoire Boonzaier, Irma Stern, Gerard Sekoto, George Pemba, Gladys Mgudlandlu, and others.
Stevenson (M.) SOUTHERN AFRICAN ART, 1850-1990
46 pp., colour illus., paperback, d.w., Cape Town, 1999. OUT OF PRINT
Catalogue of the selling exhibition, BCI Fine Art, Johannesburg, August 1999.
Includes Zulu beadwork, Tsonga carvings and sections on South African travel and natural history painting, The Jalmar and Ione Rudner Collection of Copies of Southern African San Rock Paintings and South African Twentieth-Century Painting, which includes work by Gladys Mgudlandlu, Geroge Pemba, Erik Laubscher, Gerard Bengu, Gerard Sekoto, Irma Stern, amongst others.
Stevenson (M.) SOUTH AFRICAN ART, 1850- now
35 pp., colour illus., paperback, Cape Town, 2004. R60
Catalogue of the selling exhibition, Michael Stevenson, Cape Town, 2004.

Includes work by Irma Stern, Cecil Skotnes, Peter Clarke, Churchill Madikida, Deborah Poynton, Tracy Payne, Berni Searle, Guy Tillim, David Goldblatt, Jane Alexander, Wim Botha, Jeremy Wafer, Kevin Brand, Hylton Nel, and many others.
Stevenson (M.) SOUTH AFRICAN ART, 1840 - now
83 pp., colour illus., paperback, Cape Town, 2005. R60
Catalogue of the selling exhibition, Michael Stevenson, Cape Town, 2005.

Includes work by Sydney Kumalo, Stanley Pinker, John Murray, Mustafa Maluka, Tracy Payne, Pieter Hugo, Guy Tillim, David Goldblatt, Berni Searle, Churchill Madikida, Wim Botha, Jeremy Wafer, Sandile Zulu, Willem Boshoff, and others.
Stevenson (M.) & Graham-Stewart (M.) THE MLUNGU IN AFRICA, art from the colonial period, 1840-1940
111 pp., 4to., b/w & colour illus., paperback, Cape Town, 2003. R260
"Mlungu" is a term widely used in south-east Africa for a white person. Catalogue of the exhibition at Michael Stevenson Contemporary, 2003.
Stevenson (M.) & Graham-Stewart (M.) SURVIVING THE LENS, photographic studies of south and east African people, 1870-1920
144 pp., 4to., illus., hardback, d.w., Cape Town, 2001. R295
Includes images by professional photographers such as Alfred Martin Duggan-Cronin as well as more casual "snapshots" taken by amateurs.
Stevenson (M.) & Graham-Stewart (M.) eds. SOUTH EAST AFRICAN BEADWORK, 1860-1910, from adornment to artifact to art
192 pp.,., oblong 4to., maps, b/w & colour illus., hardback, d.w., Cape Town, 2000. R295
Introductory essay by Sandra Klopper.
Stevenson (M.) & Nel (H.) HYLTON NEL, conversations
127 pp., 4to., b/w & colour illus., paperback, d.w., London & Cape Town, 2003. R295
Transcripts of conversations between well known South African "artist-potter" Hylton Nel and art historian Michael Stevenson.
Stevenson (M.) & Perryer (S.) SOUTH AFRICAN ART, 1848 - now
95 pp., colour illus., paperback, Cape Town, 2005. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2005.

Includes work by Thomas Baines, Gregoire Boonzaier, Christo Coetzee, Gerard Sekoto, Ezrom Legae, Cecil Skotnes, Sydney Kumalo, Ephraim Ngatane, Irma Stern, Walter Battiss, Stanley Pinker, Peter Clarke, Hylton Nel, Guy Tillim, Deborah Poynton, Willem Boshoff, David Goldblatt, Pieter Hugo, Mustafa Maluka, Zanele Muholi, Nicholas Hlobo, Churchill Madikida, Wim Botha, Tracy Payne, and others.
Stevenson (M.) & Rosholt (A.) MOVING IN TIME AND SPACE, shifts between abstraction and representation in post-war South African art
104 pp., 4to., colour illus., paperback, Cape Town, 2003. R295
Catalogue of the Dimension Data Collection which includes work by William Kentridge, David Goldblatt, Sandile Zulu, Robert Hodgins, Maggie Laubser, Cecil Skotnes, Sydney Kumalo, and many others.
Stevenson (M.) & Viljoen (D.) CHRISTO COETZEE, paintings from London and Paris, 1954-1964
79 pp., 4to., colour illus., hardback, d.w., Cape Town, 2001. R195
Catalogue of the exhibition, Irma Stern Museum, Cape Town and Sandton Art Gallery, Johannesburg, 2001.
Features 49 canvases that have not been seen by the public in decades.
Stevenson (M.) & Viljoen (D.) SOUTH AFRICAN PAINTINGS, 1880-1990
25pp., colour illus., paperback, d.w., Cape Town, 2000. R65
Catalogue of the selling exhibition, BCI Fine Art, Johannesburg, August 2000. Includes work by Constance Stuart Larrabee, Geroge Pemba, Johannes Gumede, Michael Zondi, Alexis Preller, Christo Coetzee, Stanley Pinker, Breyten Breytenbach, Keth Dietrich, Helen Sebidi, and others.
Stevenson (M.) & Angelucci (F.) eds. ZANELE MUHOLI, Faces and Phases
104 pp., illus., hardback, Munich, etc., 2010. R420
A collection of photographic portraits by Zanele Muholi.

"In 'Faces and Phases' I present our existence and resistance through positive imagery of black queers (especially lesbians) in South African society and beyond. I show our aesthetics through portraiture...'Faces' express the person, and "Phases" signify the transition from one stage of sexuality or gender expression and experience to another. 'Faces' is also about the face-to-face confrontation between myself as the photographer/activist and the many lesbians, women and transmen I have interacted with from different places." Zanele Muholi, from her introduction

Zanele Muholi was born in Umlazi, Durban, in 1972. She graduated from the Market Photo Workshop and received the 2005 Tollman Award for the Visual Arts, the BHP Hilton/Wits University Visual Arts Fellowship in 2006, a 2009 Thami Mnyele Residency in Amsterdam, and was the 2009 Ida Rubin Artist-in-Residence at the Massachusetts Institute of Technology. She won the Casa Africa award for the best female photographer, a Fondation Blachère award at the Recontres de Bamako biennial of African photography in 2009, and received a Fanny Ann Eddy accolade from IRN-Africa.
Stevenson (M.) & Bosland (J.) "TAKE YOUR ROAD AND TRAVEL ALONG", the advent of the modern black painter in Africa
144 pp., b/w & colour illus., hardback, d.w., Cape Town, 2008. OUT OF PRINT
Catalogue of the exhibition, Michael Stevenson, Michael Graham-Stewart and Johans Borman Fine Art Gallery at the Jhb Art Fair, 2008.

The title of this exhibition "is a quote from a poem by Gerard Sekoto, and it aptly describes the difficult and lonely journey that the pioneers experienced both in trying to study art in their home countries and in leaving Africa to study in Europe" [Stevenson & Bosland]. The exhibition for the first time pairs well-known South African artists with their contemporaries from other parts of Africa.

Artists include John Mohl, Gerhard Sekoto, George Pemba, Valerie Desmore, Simon Lekgetho, Peter Clarke, Welcome Koboka, Dumile Feni, Ernest Mancoba and Ephrain Ngatane from South Africa, Thomas Mukarobgwa from Zimbabwe and Valente Malangatana Ngwenya from Mozambique.
Stevenson (M.) & Graham-Stewart (M.) "BOTH CURIOUS AND VALUABLE", African art from the late 19th-century south-east Africa
130 pp., b/w & colour illus., paperback, Cape Town, 2005. R100
Catalogue of the selling exhibition, Michael Stevenson, Cape Town and Michael Graham-Stewart, Auckland, 2005.

Includes a 26 pp. essay by Michael Stevenson on "the acquisition of south-east African material culture by Europeans in the late nineteenth century, and the dynamic shift in the social significance of the object that occurs along with the shift in ownership".
Stevenson (M.) & Viljoen (D.) SOUTH AFRICAN PAINTING 1880-2001,
18 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Catalogue of the selling exhibition, Michael Stevenson and Deon Viljoen, Cape Town, 2001.
Includes work by Irma Stern, Alexis Preller, Erik Laubscher, Stanley Pinker, Christo Coetzee, Gerard Sekoto, Simon Lekgetho, Guy Tillim, and others.
Stevenson (M.) & Viljoen (D.) SOUTH AFRICAN PAINTINGS, 1840-2000
54 pp., colour illus., paperback, Cape Town, 2001. OUT OF PRINT
Catalogue of the selling exhibition, Irma Stern Museum, Cape Town, 2001.

Includes work by Thomas Baines, Frederick I'Ons, J.H.Pierneef, Maggie Laubser, Irma Stern, Walter Battiss, Adolph Jentsch, George Pemba, Stanley Pinker, Gerard Sekoto, and others.
Stevenson (M.) & Viljoen (D.) SOUTH AFRICAN ART, 1800 - 2000
75 pp., b/w & colour illus., paperback, Cape Town, 2002. OUT OF PRINT
Catalogue of the sellling exhibition, Irma Stern Museum, Cape Town, 2002.

Includes work by Samuel Daniell, Thomas Baines, Irma Stern, Eric Laubscher, George Pemba, A.M.Duggan-Cronin, Peter Clarke, Christo Coetzee, Gerard Sekoto, Dumile Feni & Stanley Pinker, amongst others.
Stevenson (M.) curator PETER CLARKE, fanfare
11 pp., 4to., colour illus., hardback, d.w., Cape Town, 2004. R350
Published to accompany the exhibition, Michael Stevenson Contemporary, Cape Town, 2004.

Poet, painter and printmaker Peter Clarke spent a decade creating 100 fan-shaped collages "inspired by historical, biblical, literary and imaginary figures as well as friends and people whom he recalls with fondness. Accompanying each 'fan' are a few sentences or paragraphs of the character's writings or Clarke's thoughts on the character".

Includes the text of a conversation between Peter Clarke and Michael Stevenson.
Stevenson (M.) ed. WORKS FROM A PRIVATE COLLECTION OF CONTEMPORARY SOUTH AFRICAN ART ON PERMANENT LOAN TO THE CHANCELLOR OPPENHEIMER LIBRARY, University of Cape Town
12 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R50
Catalogue of the exhibition, 2001.
Captions by Julia Teale. Artists include William Kentridge, Deborah Bell, Breyten Breytenbach, Willie Bester, Norman Catherine, Robert Hodgins, Steven Cohen, Vivienne Koorland, Zwelethu Mthethwa, Alexis Preller, Stanely Pinker, Cecil Skotnes & Gladys Mgudlandlu.
Stevenson (M.) ed. THOMAS BAINES, an artist in the service of science in Southern Africa
210 pp., 4to., map, b/w & colour illus., paperback, London, 1999. OUT OF PRINT
Published to accompany the exhibition, Chrisite's, London, September 1999.

Foreword by Frank Bradlow. Introduction by Michael Stevenson. Essays include "Thomas Baines on the Victoria Falls: a contest between science and art in the career of a British explorer in southern Africa" by Michael Godby, "Thomas Baines and Southern African flora: "My Small Skill in Botany"" by Marion Arnold, "Images of Distinction: Thomas Baines as ethnographer" by Sandra Klopper & Patricia Davison, "The Politics of the Photographic Encounter in Colonial Southern Africa" by Rory Bester, and more.
Stevenson (M.) ed. HYLTON NEL, a curious world
144 pp., 4to., b/w & colour illus., paperback, d.w., Johannesburg, 2010. R420
"Artist-potter Hylton Nel, who celebrates his 70th birthday in 2011, has developed a distinctive style of work, rich in references to the decorative arts, literature, art history and South African life. His plates, bowls, vases and figurative pieces are idiosyncratically decorated with witty and poignant line drawings and script. His imagery ranges from penises to cats and angels, and his quotes are drawn from poetry and the daily press as well as his observations of the world. This richly illustrated book brings together images of his recent work with extracts from his journals as a young man and photographs of his home and garden on the outskirts of Calitzdorp in the Klein Karoo." from inside front cover

Art historian Michael Stevenson, founder of Michael Stevenson gallery in Cape Town, is also the author of a previous monograph on the artist, "Hylton Nel, conversations" (2003).
Stevenson (M.), Perryer (S.) & Bosland (J.) text SUMMER 2007/8,
84 pp., colour illus., paperback, Cape Town, 2007. R100
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2007.

Includes work by Deborah Poynton, Claudette Schreuders, Berni Searle, Tracy Payne, Doreen Southwood, Nicholas Hlobo, David Goldblatt, Mustafa Maluka, Anton Kannemeyer, Conrad Botes, Wim Botha, Pieter Hugo, Zanele Muholi, Guy Tillim, Nandipha Mntambo, Samson Mudzunga and Hylton Nel.
Stevenson (M.), Viljoen (D.) text ART OF THE DUTCH & BRITISH COLONIES IN SOUTH AFRICA & EAST ASIA,
72 pp., colour illus., paperback, Cape Town, 1998. OUT OF PRINT
Catalogue of the selling exhibition, BCI Fine Art, Johannesburg, 1998.

Includes paintings by Pieter Hugo Naudé, Robert Gwelo Goodman, Barbara Tyrrell and others, Transvaal furniture, Olifantsfontein Studio ceramics, and more.
Stewart (K.) et. al. IMPORTANT SOUTH AFRICAN PAINTINGS BY ARTISTS FROM 1867 ONWARDS,
72 pp., colour illus., paperback, Johannesburg, 2004. R170
Catalogue of the selling exhibition, Graham's Fine Art Gallery, Johannesburg, 2004.

Foreword by Esmé Berman. Includes work by Frans Oerder, Maggie Laubser, Pierneef, Irma Stern, Jean Welz, Maud Sumner, Wolf Kibel, Walter Battiss, Gregoire Boonzaier, George Pemba, Gerard Sekoto, Edoardo Viila, Gladys Mgudlandlu, Sydney Kumalo, Lucas Sithole, and others,

Stewart (K.) et. al. A JOURNEY BEYOND THE IMMEDIATE,
62 pp., colour illus., paperback, Johannesburg, 2005. R265
Catalogue of the selling exhibition, Graham's Fine Art Gallery, Johannesburg, 2005.

Foreword by Elza Miles. Includes work by Frans Oerder, Pieter Naudé, Robert Gwelo Goodman, Pieter Wenning, Jacob Hendrik Pierneef, Dorothy Kay, Maggie Laubser, Irma Stern, Cecil Higgs, Maud Sumner, Walter Battiss, Gregoire Boonzaier, Alexis Preller, George Pemba, Gerard Sekoto, Stanley Pinker, and others.
Stewart (S.) et. al. WILLIAM KENTRIDGE PRINTS,
159 pp., 4to., b/w & colour illus., paperback, Johannesburg & Iowa, 2006. R340
Published to coincide with the travelling exhibition that opened at the Faulconer Gallery, Grinnell College, Iowa, 2004.

Introduction by David Krut. Includes the essay "Resistance and Ground: the prints of William Kentridge" by Susan Stewart, and William Kentridge's comments on the prints.
Steyn (A.) et al. CONTEMPORARY SAN ART OF SOUTHERN AFRICA, Kuru Art Project, D'Kar, Botswana
16 pp., 4to., illus., paperback, Ghanzi, 1996. OUT OF PRINT
The Kuru Art Project, established in 1990 at D'Kar, a small community in the Ghanzi farming block in Botswana, provides facilities, materials and encouragement to individuals who are invited to play and experiment and so teach themselves to handle new materials. The artists have produced lithographs, etchings, monoprints, oil paintings and textile art.

"Their art has become a voice for thousands of San, telling about their struggles and pain - but most importantly - saying out loud and clear that they are successfully bridging the gap of centuries, to become part of the modern world" (Bram le Roux, Co-Founder, Kuru Developement Trust).
Stowe (T.) & Rowland (J.) CATALOGUE OF EASTERN CAPE CRAFT,
95 pp., maps, colour illus., spiral-bound plus a fold-out map in pocket, Grahamstown & East London, 2006. R120
Includes names and contact details of beaders, potters, sculptors, weavers, ceramicists and other craft people in the Eastern Cape.
Strack (P.) TIMELESS ENCOUNTERS, Fritz Krampe, a painter's life in Africa
184 pp., b/w & colour illus., hardback, d.w., Windhoek, 2007. R395
Fritz Krampe, known for his drawings and paintings of wild animals, was born in Berlin in 1913. In 1951 he moved to Windhoek. He was trampled to death by an elephant in South India in 1966.
Straughan (K.) & Becker (R.) NORIA MABASA,
95 pp., 4to., colour illus., paperback, Johannesburg, 2003. OUT OF PRINT
Noria Mabasa was born in Venda in 1938.

Text in English, French and Dutch.

Included is a separate 14 pp. educational supplement written by Wilhem van Rensburg.

Number 7 in the TAXI Art Book Series.
Strauss (P.) text & Curtis (J.) & Strauss (P.) photo. AFRICA STYLE IN SOUTH AFRICA, pondokkies, khayas and castles
176 pp., 4to., colour illus., hardback, d.w., Johannesburg, 1994. OUT OF PRINT
Features the homes of artists Noriah Mabasa, Braam Kruger & Norman Catherine (designed by Stanley Saitowitz), sculptor Sydney Kumalo, potter Esias Bosch, fashion designer Marianne Fassler & architects Gabriël Fagan & Rodney Harber, and more.
Streak (G.) curator VIOLENCE/SILENCE,
48 pp., 4to., colour illus., paperback, Nieu-Bethesda, 2002. R50
Catalogue of the exhibition, Ibis Art Centre, Nieu-Bethesda, 2002.
Includes work by South Africans Paul Edmunds, Carol-Anne Gainer, Greg Streak and Luan Nel and artists from Serbia, India, Argentina & Brazil. Foreword by Greg Streak. Essays include "Violence/Silence - a diary essay" by Paul Edmunds, "Disjunctive Dialogues-conversations across boundaries" by Virginia Mackenny, "The Rationality of Violence: youth and political violence in South Africa" by Monique Marks, "Patinas for Violence: representation and a forensic gaze" by Kathryn Smith & "The Violence of Remaining Silent" by Mary de Haas.
Streak (G.) curator & text DIS-EASE, a new generation of video art from the Rijksakademie archives
39 pp., colour illus., paperback, Durban, 2008. R60
Catalogue of a show of video works by 27 artists from 17 different countries selected from the Rijksakademie van Beeldende Kunsten documentation archives in Amsterdam, Bank Gallery, Durban, 2008.

Includes a video work, "Fear of Shadows", by South African Greg Streak.
Strydom (L.) FRANS CLAERHOUT, catcher in the sun
77 pp., colour illus., hardback, d.w., signed by the artist & the author, Cape Town, 1983. OUT OF PRINT
Frans Claerhout was born in Pittem, West Flanders in 1919.
He arrived in South Africa in 1946 to work as a Catholic missionary. He began painting and sketching in earnest in 1957 while working amongst black people in and around Bloemfontein.
Stuart (U.) photo. THE SOUL THINKS IN IMAGES,
182 pp., 4to., colour illus., hardback, d.w., Cape Town, 2002. R393
Uschi Stuart, born in Germany, came to South Africa in 1973. She lives in Cape Town.
Mainly photographs of Namibia.
Subiros (P.) AFRICAS, the artist and the city, a journey and an exhibition
224 pp., b/w & colour illus., paperback, Barcelona, 2001. R500
Catalogue of the exhibition held at the Centre de Cultura Contemporania de Barcelona , 29 May - 11 September 2001.
Cities include Cape Town, Johannesburg, Harare, Dakar, Abidjan & Lagos. Artists include Penny Siopis, Santu Mofokeng, Willie Bester, Jane Alexander, Zwelethu Mthethwa & Moshekwa Langa.
Subirós (P.) curator BAMAKO '05, un altre món
160 pp., b/w & colour illus., paperback, Barcelona, 2006. R195
Catalogue of the exhibition, Centre de Cultura Contemporània de Barcelona, 2006.
The CCCB presented a selection of works originally shown at the 2005 Bamako Biennale, whose official name is "Recontres Africaines de la Photographie".

Photographers include John Mauluka from Zimbabwe, Helga Kohl from Namibia and Mikhael Subotzky, Ranjith Kally & Jane Alexander from South Africa.

Text in Portuguese & English.
Subirós (P.) curator APARTHEID, the South African mirror
205 pp., b/w & colour illus., paperback, Barcelona, 2007. OUT OF PRINT
Catalogue of the exhibition, Centre de Cultura Contemporània de Barcelona and the Centro Cultural Bancaja of Valencia, 2007-2008.

Artists include Jane Alexander, Willie Bester, Conrad Botes, Norman Catherine, Ernest Cole, Keith Dietrich, Dumile Feni, David Goldblatt, Gavin Jantjes, William Kentridge, Churchill Madikida, Santu Mofokeng, Ephraim Ngatane, Sam Nhlengethwa, George Pemba, Gerard Sekoto, Irma Stern, and many others.

Includes the essays "Racism and apartheid yesterday and today: the white man's burden" & "To look and not to look, to see and not to see" by Pep Subirós,
"South African apartheid: the white man must govern", texts selected by Ciraj Rassool & Maurits Van Bever Donker,
"The racialization of everything" by Ash Amin,
"Racism and the empire of fear" by Les Back,
"Johannesburg as emblem of global apartheid" by Patrick Bond,
and "Art effects: passageways between the epic and the ordinary" by Edgar Pieterse.
Subirós (P.) curator & ed. JANE ALEXANDER, On Being Human
52 pp., b/w & colour illus., paperback, Durham, 2009. R150
Published for the exhibition of Jane Alexander's artworks at Durham Cathedral in March 2009, as part of the Durham University Institute of Advanced Study's 2008/2009 research programme "On Being Human".

Includes the essays "When Boundaries Are Crossed: Jane Alexander and being human" by Ash Amin,
"A Christian Perspective on Being Human" by Michael Sadgrove,
"On Being (and Becoming) Human. Notes on Jane Alexander's mutant universe" by Pep Subirós,
"Ontological Fluidity" by Ingo Gildenhard,
"Animals Beneath Race" by Arun Saldanha, and
"Reassembling the Visible World" by Maren Stange.



Subiros (P.) ed. JANE ALEXANDER, Surveys (from the Cape of Good Hope)
189 pp., b/w & colour illus., paperback, New York & Barcelona, 2011. R395
Published in conjunction with the exhibition, "Jane Alexander: Surveys (from the Cape of Good Hope)", Museum for African Art, New York, and "Jane Alexander: Security. Surveys (from the Cape of Good Hope)", La Centrale Electrique, Brussels, 2011.

Includes the essays:
"In Africa and Beyond: reflections on Jane Alexander's mutant universe" by Pep Subiros
"Postcolonial Grotesque: Jane Alexander's poetic monsters" by Kobena Mercer
"Harbinger of Night: Jane Alexander's posthumanism" by Lize van Robbroeck
"Me and Mrs A" by Simon Njami
"Lost Marsh: scandalous presence" by Ashraf Jamal
"Survey: Cape of Good Hope, 2005-09" and "Notes on African Adventures and Other Details" by Jane Alexander.
Subotsky (M.) photo. & Steinberg (J.) text BEAUFORT WEST, Mikhael Subotsky
80 pp., oblong 4to., colour illus., hardback, London, 2008. R895
Award-winning photographer Mikhael Subotsky was born in Cape Town in 1981. He worked on this portrait of the small rural Karoo town of Beaufort West in 2006.

This photograph, entitled "Police station", is taken from the book.

Includes an essay by Jonny Steinberg and extracts from a 2008 interview with Mikhael Subotzky.
Subramaniam (R.) ed. CONNECT 4, the wall
144 pp., maps, b/w & colour illus., paperback, New York, 2002. R195
Includes a review by Rosalind C.Morris of a Zwelethu Mthethwa installation, "Crossings" (2001).
Sultan (O.) LES AFRIQUES, 36 artistes contemporains
159 pp., b/w & colour illus., paperback, Paris, 2004. R380
Catalogue of the exhibition, Musée des Arts Derniers, Paris, 2004.

Includes work by Luis Basto from Mozambique, Berry Bickle, Colleen Madamombe, Zephania Tshuma, Duncan Wylie & Calvin Dondo from Zimbabwe and Gavin Younge from South Africa.
Sultan (O.) AFRICA URBIS, perspectives urbaines
79 pp., our & b/w illus., paperback, Paris, 2005. R32
Artists include Chikonzero Chazunguza, Calvin Dondo, Tapfuma Gutsa, Richard Jack from Zimbabwe, Ernest Pignon Ernest, Bruce Clarke & William Kentridge from South Africa & Luis Basto & Berry Pickle from Mozambique.

Text in French.
Szalay (M.) ed. THE MOON AS SHOE/ DER MOND ALS SHUH, drawings of the San, drawings and watercolours by Diä!Kwain, /Han=Kass'o, !Nanni, Tamme, /Uma and Da / zeichnungen der San, zeichnungen und aquarelle von DiäKwain, /Han=Kass'o, !Nanni, Tamme, /Uma und Da
311 pp., 4to., b/w & colour illus., maps, hardback, Zurich, 2002. R750
Catalogue of the exhibition, Völkerkundemuseum, University of Zurich, 2002 and the South African National Gallery, Cape Town, 2003.

Contributions by Megan Biesele, Frédérick Bruly Bouabré, Elias Canetti, Janette Deacon, Keith Dietrich, Mathias G.Guenther, Roger L.Hewitt and Miklós Szalay.

Drawings and watercolours from 1875-1881 made by six informants of Wilhelm Bleek and Lucy Lloyd.

Text in English & German.
Tadjo (V.) DAVID KOLOANE,
96 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2002. R150
David Koloane was born in 1938 in Alexander Township, Johannesburg. Preface by Nadine Gordimer. The preface, as well as extracts of VéroniqueTadjo's text, have been translated into French and Dutch.

Included is a separate 13 pp. educational supplement written by Andre Croucamp.

Number 6 in the TAXI Art Book Series.
Taschen (A.) ed. & von Schaewen (D.) photo. SOUTH AFRICAN STYLE, exteriors, interiors, details
191 pp., colour illus., paperback, Cologne, 2006. R105
Features Ndebele houses, game lodges, township dwellings, the homes of artists Beezy Bailey & Willie Bester, and more. Includes the essay, "On the Cape of Good Hope" by Christiane Reiter.

Text in English, French & German.
Tawadros (G.) & Campbell (S.) eds. FAULTLINES, contemporary African art and shifting landscapes
272 pp., b/w & colour illus., paperback, London, 2003. R350
Catalogue of the exhibiton, presented as part of the 50th International Art Exhibition, Venice Biennale , 15 June- 2 November 2003.
Includes work by South African artists Clifford Charles, Pitso Chinzima, Veliswa Gwintsa & Moshekwa Langa.

Essays include "Clifford Charles and the Pleasures of Insurgency" by Bheki Peterson, "We've also been to Soweto" by Prince Massingham, "At Least One Person was Killed" by Prince Mbusi Dube, "The Global Village Revisited" by Hamza Walker, "Provinsional Notes on the Postcolony" by Achille Mbembe & "Fatal Natalities: the algebra of diaspora and difference after apartheid" by Sarat Maharaj.
Taylor (J.) ed. HANDSPRING PUPPET COMPANY,
279 pp., 4to., b/w & colour illus., paperback, Johannesburg, 2009. R480
A comprehensive survey of the Handspring Puppet Company's work in adult puppet theatre. The book explores their productions and provides insights into their philosophy of puppetry and their technical innovations. Founded by Basil Jones and Adrian Kohler in 1981 the Handspring Puppet Company have produced plays and operas including "Woyzeck on the Highveld", "Confessions of Zeno" and "Ubu and the Truth Commission", and collaborated with many different artists. including William Kentridge. They have won numerous awards, including the Olivier, Evening Standard and Critics' Circle Awards for the puppets created for the stage version of Michael Morpurgo's "War Horse" commissioned by the National Theatre in London.

Contributions include "Thinking Through Puppets" by Adrian Kohler,
"In Dialogue", in which Jane Taylor interviews William Kentridge about his collaborations with the Handspring Puppet Company,
"Faustean Handsprung Notes. Broken. Battered. Brought.", a poem by Lesego Rampolokeng,
"A Matter of Life and Death: the function of malfunction in the work of Handsprung Puppet Company" by Gerhard Marx, and
"Puppetry and Authorship" by Basil Jones.
Tembe (I.) curator PHOTOFESTA, fotografia em congresso/ a festival of photography
32 pp., 4to., illus., paperback, Maputo, 2002. R95
Catalogue of the exhibition organised by the Associação Moçambicana de Fotografia and held at various venues in Maputo, 2002.
Essays by Albino Magaia and Rui Assubuji.

Includes the work of photographers belonging to the Zimbabwe Association of Photographers (ZAP) and the Associação Moçambicana de Fotografia (A.M.F.). Photographs by the South Africans Alf Kumalo, George Hallet, Andrew Tshabangu, Nadine Hutton, Paul Weinberg, Guy Tillim, Tracey Derrick, Jenny Gordon, Gideon Mendel & Fanie Jason.

Text in English and Portuguese.
The Blackheart Gang THE TALE OF HOW,
36 pp., colour illus., hardback, slipcase, DVD, Cape Town, (2009). R456
The book of the acclaimed animated film, "The Tale of How", produced in 2006 by the Cape Town fantasy art collective, The Blackheart Gang. The Blackheart Gang consists of three members, illustrator Ree Treweek, creative director Jannes Hendrikz, and musician and writer Markus Smit (Wormstorm).

Includes a DVD of the 4½ minute film, which was awarded The Special Distinction Award at the Annecy Film Festival.
The Goodman Gallery ART/ 37/ BASEL / 14-18/6/06,
8 cards measuring 21 x 15 cm, in colour, in cardboard envelope, Johannesburg, 2006. R90
Produced for the Basel Art Fair & the Miami Beach Art Fair, 2006.

Artists featured are Mikhael Subotzky, Frances Goodman, Moshekwa Langa, David Goldblatt, William Kentridge, Kendell Geers & Penny Siopis.

The card illustrated here is a detail from "Blush: Rosea" by Penny Siopis.
The Michaelis School of Fine Art GRADUATE EXHIBITION, 2010
252 pp., colour illus., paperback , Cape Town, 2010. R177
Catalogue of the exhibition of work by Bachelor of Fine Art and Postgraduate Diploma of Art graduates, Michaelis School of Fine Art, University of Cape Town, 2010.

Preface by Stephen Inggs.
Includes the essays:
"Re-making" by Virginia MacKenny and Carine Saayman
"The Comma, or, a Moment of Great Significance" by Linda Stupart.
The Society of Photographers 6x6, Erika Larsen, Paula McCartney, Dave Jordano, Ian Wolstenholme, Sasha Rudensky, Shawn Records
6 x 12 pp. folded, colour illus., hardback, slipcase, Johannesburg, 2008. R665
A collection of 6 books, each containing a photo-essay:
"The Hunt" by Erika Larsen,
"Bird Watching" by Paula McCartney,
"Simple Faith" by Dave Jordano,
"Car Guard Chairs" by Ian Wolstenholme.
"Ascent" by Sasha Rudensky, and
"at a loss" by Shawn Records.

Each book includes an overview by the photographer.

South African Ian Wolstenholme was born in 1972 and lives in Durban. The other photographers all live in the USA.
Thoba (Alfred) ALFRED THOBA, making war to the world about images of god
21 pp., colour illus., paperback, Johannesburg, 2008. R95
Catalogue of the exhibition of paintings, Warren Siebrits Modern and Contemporary Art, Johannesburg, 2008.

Includes Alfred Thoba's comments on his paintings.

Alfred Thoba was born in Sophiatown, Johannesburg, in 1951.
Thompson (B.) curator IN THE NAME OF ALL HUMANITY, the African spiritual expression of Ernest Mancoba
123 pp., colour & b/w illus., paperback, Cape Town, 2006. R230
Catalogue of the exhibition, Gold of Africa Museum, Johannesburg, 2006.

Essays include "Ernest Mancoba in Historical Perspective" by Z.Pallo Jordan, "Hand in Hand in a Tapestry of Stars: Sonja and Ernest" by Elza Miles, "A New African Artist" by Prof Ntongela Masilela, "Ernest Mancoba's Dialogue with an Ancient Future, part 1: beyond the western tradition & part 2: on reading Mancoba" by Bridget Thompson & "Renegotiating Ubuntu" by Glenn Ujebe Masokoane.
Thompson (B.) curator & ed. BLACK WOMANHOOD, images, icons, and ideologies of the African body
374 pp., 4to., b/w & colour illus., paperback, Seattle, 2008. R640
Catalogue of the travelling exhibition first shown at Hood Museum of Art, Dartmouth College, Hanover, 2008.

Includes work by Senzeni Marasela, Nandipha Mntambo, Zanele Muholi, Berni Searle and Penny Siopis.

With the essays: "The African Female Body in the Cultural Imagination" and "Decolonizing Black Bodies: personal journeys in the contemporary voice" by Barbara Thompson,
"African Women's Body Images in Postcolonial Discourse and Resistance to Neo-Crusaders" by Ifi Amadiume,
"'Les Parisiens d'Afrique': Mangbetu women as works of art" by Enid Schildkrout,
"The Black Female Body, the Postcard, and the Archives" by Christaud Geary,
"The Body of a Myth: embodying the Black mammy figure in visual culture" by Kimberly Wallace-Sanders,
"The Women Who Posed: Maudelle Bass and Florence Allen" by Carla Williams,
"Picturing the New Negro Woman" by Deborah Willis, and
"Housing and Homing the Black Female Body in France: Calixthe Beyala and the legacy of Sarah Baartman and Josephine Baker" by Ayo Abiétou Coly.


Thompson (B.) dir. ERNEST MANCOBA AT HOME,
26 minutes, DVD, Cape Town, 1994. OUT OF PRINT
Introduces the life and work of South African painter and sculptor Ernest Mancoba (1904-2002). who returned to South Africa for the first time in 1994, 56 years after he left for Paris. Filmed in Paris and Johannesburg.
Thompson (B.) et. al. IN THE NAME OF ALL HUMANITY, the African expression of Ernest Mancoba
123 pp., b/w & colour illus., paperback, Cape Town, 2006. R230
Catalogue of the exhibition, Gold of Africa Museum, Cape Town, 2006.

Forewords by Ahmedi Vawda and Christopher Till.
Includes the essays, "Ernest Mancoba in Historical Perspective" by Pallo Jordan,
"Introduction and Memories of an Encounter", "Ernest Mancoba's Dialogue with an Ancient Future, part 1: beyond the western tradition" and "Ernest Mancoba's Dialogue with an Ancient Future, part 2: on reading Mancoba" by Bridget Thompson, and
"Hand in Hand in a Tapestry of Stars: Sonja and Ernest" by Elza Miles.
Thomson (G.) comp.& Sichel (A.) ed. FNB DANCE UMBRELLA 20 YEARS ON, two decades of contemporary choreography and dance
59 pp., 4to., colour illus., paperback, (Johannesburg), 2007. R205
Programme for the 20th annual FNB Dance Umbrella, Johannesburg, 2007.

Includes essays by director Georgina Thomson and comments by perfomers Peter van Heerden, Steven Cohen and Elu, Vincent Mantsoe, Alfred Hinkel, Gary Gordon, and many others.

Photographs by John Hogg.



Thorne (V.) ed. CECILY NASH, working years
96 pp., 4to., b/w & colour illus., paperback, Powys, 1999. OUT OF PRINT
Cecily Nash was born in Delmas, Transvaal, in 1924. She settled in Herfordshire, England, in 1974.
Includes essays by Esmé Berman, Frieda Harmsen, Heather Martienssen and Elizabeth Rankin, amongst others.
Thurman (C.) ed. SPORT VERSUS ART, a South African contest
231 pp., paperback, Johannesburg, 2010. R190
A collection of essays that examine the often fraught relationship between sport and the arts in South African public life.

Contributions include "Sing When You're Winning, representations of sport and culture in the media" by Simon van Schalkwyk,
"The 'Eighth Muse', sport and film, sport on film" by Jyoti Mistry,
"The City of Theatre and Spectacle" by Ashwin Desai,
"Artless Sport and Sportless Art, democracy's dilemmas of representation" by Gavin Sourgen,
"The Bellowing Bull and the Thing That is Not Round: jazz and the hidden history of rugby" by Gwen Ansell,
"Sporty Nerds and Arty Jocks: how South Africans see themselves" by Stuart Theobald,
"'Playing to Win is not Really Playing: artists' sporting interventions" by Anthea Buys, and
"No Normal Art...?" by Mike van Graan.
Tietze (A.) THE ABE BAILEY COLLECTION, in the South African National Gallery
151 pp., b/w & colour illus., paperback, Cape Town, 2008. R515
Documents the collection of nearly 400 paintings, drawings, watercolours and prints bequeathed to the South African National Gallery by Sir Abe Bailey, one of the Randlords, who died in 1940. The collection had decorated his London home. The majority of the work is by British artists, including Thomas Gainsborough, Joshua Reynolds and George Stubbs.
Tilkin (D.) curator THERE & BACK, Africa
252 pp., colour illus., paperback, Barcelona, 2006. R320
Catalogue of the exhibition, La Casa Encendida, Barcelona, 2006.

Includes work by Miguel Petchovsky from Angola & Moshekwa Langa, William Kentridge, Mbongeni Richman & Frances Goodman from South Africa. Includes comments by each of the artists on their work.

Till (C.) et. al. CAPE TOWN TRIENNIAL/ KAAPSTADSE TRINNALE, 1991
115 pp., 4to., b/w & colour illus., paperback, Cape Town, 1991. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1991.

Preface by Christopher Till. Introduction by Elza Miles.

The exhibition consisted of 147 works by 137 artists, selected by regional and national selectors from 1654 entries. The Rembrandt Gold Medal was won by William Kentridge for his video, "Sobriety, Obesity and Growing Old". Merit awards went to Willie Bester, Sandra Kriel and Russell Scott. Also includes work by Tyrone Appollis, Deborah Bell, Kevin Brand, Lisa Brice, Jean Brundit, Steven Cohen, Wilma Cruise, Kendell Geers, Trevor Makhoba, Tommy Motswai, Bonie Ntshalintshali, Helen Sebidi, Penny Siopis, Diane Victor, Jeremy Wafer, Gavin Younge, Tito Zungu, and many others.

Text in English & Afrikaans.
Tillim (G.) photo. KUNHINGA PORTRAITS,
12 pp., colour illus., paperback, Cape Town, 2003. R30
Catalogue of the exhibition, Michael Stevenson Contemporary, Cape Town, 2003.
Portraits of displaced people who fled the advance of the Angolan government army, taken in Kunhinga, Angola, in February 2002.
Tillim (G.) photo. DEPARTURE,
92 pp., 4to., illus., hardback, d.w., Cape Town, 2003. R295
Guy Tillim was born in Johannesburg in 1962 and has been working as a photojournalist since 1986. These forty images are drawn from photographs Tillim has taken in Angola, Congo, Eritrea, Mozambique, Burundi, Sierra Leone, Afghanistan, and elsewhere, from 1990 - 2002.
Tillim (G.) photo. & Delagu (M.) & Brandt (N-L.) text ROMA, CITTA DI MEZZO, Guy Tillim
42 pp. concertina folded, colour illus., hardback, Rome, 2009. R639
Guy Tillim usually photographs Africa - see his other books, "Avenue Patrice Lumumba", "Kunhinga Portraits", "Departure", "Leopold & Mobutu", "Congo Democratic" and "Petros Village". This book is a photo-essay on Rome.
Tillim (G.) photo. & Hochschild (A.) text LEOPOLD AND MOBUTU,
53 pp., 4to., b/w & colour illus., paperback, Trézélan, 2004. R295
Guy Tillim's photographs of a devastated modern Congo and the traces of its colonial past.

Adam Hochschild is the author of several books on Africa, including his book on the Congo entitled "King Leopold's Ghost"
Tillim (G.) photo. & text PETROS VILLAGE,
59 pp. concertina folded, colour illus., hardback, Cape Town & Rome, 2006. R395
Published to coincide with the exhibition, Michael Stevenson, Cape Town, & Museo di Roma, Rome, 2006.

All the photographs were taken in Petros Village, Malawi, February 2006.

Text in English & Italian.
Tillim (G.) photo. & text CONGO DEMOCRATIC,
36 pp., large oblong 4to., colour illus., paperback, Cape Town & Rome, 2006. R120
Catalogue of the exhibition, Goodman Gallery, Johannesburg, and Extraspazio, Rome, 2007.

All the photographs were taken during the election in Kinshasa in July 2006.
Tillim (G.) photo. & text & Gardner (R.) text AVENUE PATRICE LUMUMBA,
123 pp., 4to., colour illus., hardback, d.w., Munich, 2008. R865
A collection of photographs taken in Mozambique, the Democratic Republic of Congo, Angola and Madagascar, 2007-2008.

"These photographs are not collapsed histories of post-colonial African states or a meditation on aspects of late-modernist-era colonial structures, but a walk through avenues of dreams." Guy Tillim

Award-winning photographer Guy Tillim was born in Johannesburg in 1962 and lives in Cape Town. In 2007 he was the first recipient of the Robert Gardner Fellowship in Photography given annually by the Peabody Museum of Archaeology and Ethnology at Harvard University.
Tillim (Guy) JO,BURG, photographs by Guy Tillim
84 x 59 cm, colour poster, Johannesburg, 2005. OUT OF PRINT
Poster for the exhibition, Johannesburg Art Gallery, June 15-July 21, 2005.
Tischhauser (A.) ed. 10 X SA FASHION WEEK, voices and images from ten years of South African Fashion Week
188 pp., colour illus., paperback, Johannesburg, 2006. R200
Ten years of fashion design in South Africa, documenting the work of designers who have shown at SA Fashion Week, including Amanda Laird Cherry, Black Coffee, Clive Rundle, David West, Ephymol, Hip Hop, Marianne Fassler, Maya Prass, Stoned Cherrie, Sun Goddess, and many more.

Includes an introduction by Lucilla Booyzen and the essays "Conversations" by Dion Chang, "Beginnings by Estelle Cooper & "The Naked Truth" by Adam Levin .
Toguo (B.) et. al. DISTANT RELATIVES/ RELATIVE DISTANCE, Barthélémy Toguo, Odili Donald Odita, Owusu-Ankomah, Julie Mehretu, Senam Okudzeto, Wangechi Mutu
60 pp., colour illus., paperback, Cape Town, 2006. R80
Catalogue of the exhibition, Michael Stevenson, Cape Town, 2006.

Includes the essay, "Bye-Bye, Babar, or, what is an Afropolitan?" by Taiye Tuakli-Wosornu.



Tolic (I.) CONTEMPORARY ARCHITECTURE, South Africa
175 pp., oblong 4to., b/w & colour illus., paperback, Milan, 2010. R550
Ines Tolic looks at structures built in South Africa since the early 1990s, such as the South African Reserve Bank, the Constitutional Court, the Apartheid Museum, Soccer City Stadium, Faraday Market and Transport Exchange in Johannesburg, the Red Location Museum of Struggle in Port Elizabeth, the Law Faculty at the University of Pretoria, the Northern Cape Provincial Legislature Building in Kimberley, the Mpumalanga Provincial Government Complex in Nelspruit, and Inkwenkwezi Secondary School in Cape Town.

Text in English & Italian.
Tomaselli (K.) ENCOUNTERING MODERNITY, twentieth century South African cinemas
183 pp., paperback, Pretoria, 2006. R140
A history of South African cinemas and how these have been shaped by the country's history.
Townsend (M.) LIGHT IN FALSE BAY, an artist's book of False Bay, South Africa
134 pp., 4to., map, colour illus., paperback, Cape Town, 2005. R350
Catalogue of the exhibition, Irma Stern Museum, Cape Town, 2005.

Over a period of four years Mollie Townsend journeyed around False Bay "painting in oils on canvas impressions of places and people".
Tsilik (P.) ed. PAUL DU TOIT, fighting with my weak hand
160 pp., 4to., colour illus., paperback, limited to 1000 copies numbered and signed by the artist, Cape Town, 2006. R300
Published on the occasion of the exhibition, University of Johannesburg, 2006.

Painter and sculptor Paul du Toit was born in Johannesburg in 1965. He lives and works in Cape Town.

Includes the essays "Bar Codes: deconstructing labels and their boundaries" by Kresta Tyler Johnson, "'Drawn to Abstraction' at Dieu Donné Papermill" by Kóan Jeff Baysa, "The Confines of Paul du Toit" by Sanford S.Shaman, "The Power of the Unexpected" by Pippa Tsilik & "Personality of Passion" by Sarah McCarthy.

Also available is a DVD comprising the film, "Paul duToit, fighting with my weak hand" directed by Iain Anderson, and two 6 minute films, "Dieu Donné Papermill", which looks at the time Paul du Toit spent at this papermill in New York "painting with paper" & "Forum Homini", which captures the artist working on his "The Purple Hominid" mural in the Cradle of Humankind. Price: R150.
Turnley (D.) photo. & text MANDELA!, struggle and triumph
167 pp., 4to., b/w & colour illus., hardback, d.w., New York, 2008. R395
A collection of photographs, with text, by Pulitzer-winning photographer and filmmaker David Turnely, who covered Nelson Mandela and South Africa for the world press in the 1980s and 1990s.
Turnley (D.) photo. & Cowell (A.) text WHY ARE THEY WEEPING?, South Africans under apartheid
198 pp., 4to., colour illus., paperback, New York, 1988. OUT OF PRINT
Foreword by Allan Boesak.

Photojournalist David Turnley arrived in South Africa in 1985 and spent the next two and a half years documenting ordinary life lived under apartheid, until he was asked to leave by the government for "biased photo material".
Turok (K.) LIFE AND SOUL, portraits of women who move South Africa
160 pp., 4to., illus., hardback, d.w., Cape Town, 2006. R250
Foreword by Mamphela Ramphele.

Photographer Karina Turok was born in 1963 in Cape Town.

Photographs and interviews of 75 South African women: writers, musicians, artists, actresses, politicians, academics, etc. Women photographed include Esther Mahlangu, Marlene Dumas, Berni Searle & Sue Williamson.
Twiggs (L.) ed. FORCES OF NATURE, the sculpture of Dylan Lewis
211 pp., 4to., b/w & colour illus., hardback, d.w., (Cape Town), 2006. R815
Dylan Lewis is known for his large bronze sculptures of wild cats. He lives and works in Stellenbosch.
Tyrell (B.) TRIBAL PEOPLES OF SOUTHERN AFRICA,
206 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 1968. R850
Artist Barbara Tyrrell travelled around for seventeen years recording the traditions, customs and traditional dress of the peoples of southern Africa. Her text is accompanied by her detailed drawings and paintings.
Tyrrell (B.) TRIBAL PEOPLES OF SOUTHERN AFRICA,
206 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 1968. OUT OF PRINT
Artist Barbara Tyrrell spent sventeen years travelling around southern Africa recording the traditions, customs and traditional dress of the different tribes of southern Africa. Her text in accompanied by her detailed drawings nad paintngs.
Tyrrell (B.) text & illus. & Jurgens (P.) text AFRICAN HERITAGE,
276 pp., map, b/w & colour illus., hardback, d.w., Reprint, Johannesburg, (1983) 1986. OUT OF PRINT
Examines the traditional beliefs, customs and rituals of the different tribes of southern Africa, illustrated with Barbara Tyrrells's detailed drawings and paintings.
Uys (E.) ed. POSTBOX, 2008 edition
78 pp., colour illus., hardback, Johannesburg, 2008. R150
An audio-visual, print and digital magazine, published annually by the NGO Joburg's Kreative Kulture, which aims to promote upcoming South African artists.

Contents include a selection of fine art, photography, design and illustration, graffitti, fashion, and poetry.

Includes two DVDs. Disk 1 includes a butoh dance by Frauke, video art by Daandrey Steyn, tattoo art, a play directed by Ricky Bopape, a music video by o'Brien Manana and Loyiso Mkungela and 2D animation by Michael Robertson. Disc 2 offers a selection of South African music.
van Bosch (C.) text LETSELS, Elzaby Laubscher
24 pp., colour illus., paperback, Cape Town, 2003. R25
Catalogue of the exhibition, Bell Roberts Gallery, Cape Town, 2003.

"Letsels" is an Afrikaans word meaning "wound" or "injury".

Elzaby Laubscher was born in 1944 in Paulpietersburg, Natal. She now lives and works in Paarl.



van Coller (I.) photo. & Magona (S.) text INTERIOR RELATIONS,
64 pp., large 4to., colour illus., hardback, d.w., New York, 2011. R650
Ian Collier's photographic portraits of twenty-seven black South African women, all domestic workers in white homes.

Photographer Ian van Coller grew up in South Africa. He now lives in Bozeman, Montana, and is Assistant Professor of Photography at Montana State University.

Sindiwe Magona is the author of numerous novels, books of poetry and short story collections, including "Mother to Mother", "To My Children's Children", "Living, Loving, and Lying Awake at Night", and "Beauty's Gift".
van de Geijn-Verhoeven (M.) et. al. DOMESTIC INTERIORS AT THE CAPE AND IN BATAVIA, 1602-1795
240 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2002. OUT OF PRINT
Catalogue of the exhibition, Gemeentemuseum, The Hague, Netherlands, 5 October 2002 - 9 February 2003 and The Slave Lodge, Cape Town, 2003-2004.
Essays include "Life at the Cape" by Karel Schoeman, "Furniture at the Cape in the Eigthteenth Century: an archeological approach" by Antonia Malan, "Furniture at the Cape of Good Hope 1652-1795" & "40 Top Pieces of Cape Furniture" by Deon Viljoen & "Ethnic Diversity at the VOC Cape" by Nigel Worden.
van den Berg (C.) & Pather (J.) curators SPIER CONTEMPORARY 2007, exhibition & awards, December 2007 - December 2008
268 pp., b/w & colour illus., hardback, Cape Town, 2007. OUT OF PRINT
Catalogue of the national travelling exhibition launched at Spier Estate outside Stellenbosch, December 2007-February 2008.

In February 2007 South African artists were invited to submit works in all categories of the visual arts: painting, sculpture, video, photography and performance. The selection panel included Thembinkosi Goniwe and Virginia MacKenny and the curatorial team included Clive van den Berg, Jay Pather, Churchill Madikida and Kadiatou Diallo.

The exhibition of 120 artworks by 92 artists inlcudes work by Sanell Aggenbach, Brett Bailey, Kevin Brand, Marco Cianfanelli, Steven Cohen, Wilma Cruise, Gavin Younge, Abrie Fourie, Thando Mama, Zanele Muholi, Brett Murray, Kathryn Smith, Doreen Southwood, Jeremy Wafer, Sue Williamson, Dale Yudelman, Manfred Zylla, and many others.

The judges were N'Goné Fall, Clive Kellner and Predag Pajdic chose six winning artists: Abrie Fourie for his photographs, Chuma Sopotela, Mwenya Kabwe and Kenang wa Lehulere for their performance "U nyamo alunampumto", Bettina Malcomess, Rene Holleman and Linda Stupart for their performance "Wrong Side of the River Tour", Nina Barnett and Robyn Nesbitt for their video "Warcry", Andrew Putter for his video installation "Secretly I will love you more", and Peter van Heerden for his performance "Flowers of my Flesh" The seventh prize, designed as a peoples' choice award, was won by Justin Fiske for his installation, 14-kundalini.

Includes the essays, "Reflections on Uneven Ground" by Thembinkosi Goniwe,
"Colonialism, Postcolonialism, and Transculturation: remaking the notion of 'center' and 'periphery'" by Zine Magubane,
"Vulnerabilities" by Deborah Posel,
"Some Traditional, Some Contemporary in Some African Visual Art Practices" by Bisi Silva,
"'skulls, bubbles and art of optimism" by David Brodie, and
"The Grass is Singing: a note on performance in South Africa" by Roselee Goldberg.
van den Berg (C.) curator PANORAMAS OF PASSAGE, changing landscapes of South Africa
121 pp., 4to., maps, b/w & colour illus., paperback, Johannesburg, 1995. OUT OF PRINT
Catalogue of the exhibition, Meridian International Center, Washington, D.C., 1995.
Includes the essay, "Thinking Through Landscape: colonial spaces and their legacies" by Elizabeth Delmont and Jessica Dubow.

Work and commentary by Randolph Hartzenberg, Robert Hodgins, William Kentridge, Trevor Makhoba, Santu Mofokeng, Brett Murray, Sam Nthlengethwa, Durant Sihlali, Penny Siopis, Jeremy Wafer, Sue Williamson, and many others.
van den Berg (C.) curator THE BRETT KEBBLE ART AWARDS, two thousand and four
299 pp., colour illus., hardback, Cape Town, 2004. R500
Catalogue of the exhibition of the finalists selected for the 2004 award, International Conference Centre, Cape Town, 2004.

The judges were Lucia Burger, Frank Ledimo, Julia Meintijes, Zwelethu Mthethwa, and Penny Siopis. Selectors were Julia Charlton and Churchill Madikida. The winners were Tanya Katherine Poole and Lice Philip Rikhotso.

Includes work by Deborah Bell, Conrad Botes, Joni Brenner, Jean Brundrit, Stephen Hobbs, Dorothee Kreutzfeldt, Langa Magwa, Karel Nel, Sam Nhlengethwa, Tracy Payne, Joachim Schönfeldt, Jeremy Wafer, Sue Williamson and many others.
van den Berg (C.) et. al. KKNK CATALOGUE 2002,
72 pp., colour illus., paperback, Oudtshoorn, 2002. R55
Catalogue of the Visual Arts Division at the Klein Karoo Nasionale Kunsfees (KKNK), 2002.
Artists include Santu Mofokeng, Penny Siopis, Claudette Schreuders, Abrie Fourie, Peter Schütz, Jo Ractliffe & Deborah Bell.
van den Boogerd (D.) et. al. MARLENE DUMAS,
160 pp., 4to., b/ w & colour illus., paperback, d.w., Reprint, London & New York, (1999) 2002. R400
Includes essays by Dominic van den Boogerd & Mariuccia Casadio, an interview conducted by Barbara Bloom and a selection of Marlene Dumas' writings.
van den Ende (J.) curator & Khan (S.) text THE ID OF SOUTH AFRICAN ARTISTS,
288 pp., colour illus., paperback, Amsterdam, 2004. OUT OF PRINT
Catalogue of the exhibition of 100 years of South African art, Fortis Circustheater, Amsterdam, 2004.

Introduction by Janine van den Ende. Includes the essay, "Rethinking Identity" by David Koloane & Sharlene Khan and a poem by Marlene Dumas.

The 57 artists represented include William Kentridge, Penny Siopis, Willie Bester, John Baloyi, George Pemba, Helen Sebidi, Lucky Sibiya, Bongi Bengu, Beezy Bailey, Brett Murray, Cecil Skotnes, Colbert Mashile, Deborah Bell. Sam Nhlengethwa, Vincent Baloyi, Marlene Dumas, Norman Catherine, Robert Hodgins, Tracey Rose, Kevin Brand, Zwelethu Mthethwa, David Koloane, Walter Battiss, Kay Hassan, Gavin Younge, Pippa Skotnes, Jane Alexander & Andries Botha.

Text in English & Dutch.
van der Merwe (S.) SCULPTING THE LAND,
133 pp., colour illus., hardback, Pretoria, 2005. R259
Strijdom van der Merwe, sculptor and land artist, was born on a farm in Gauteng in 1961.

Introduction by Melvyn Minnaar. Includes an essay by Sven Ouzman.
van der Merwe (S.) HAIKOES, Prayers for the Landscape
4 minutes, DVD, , 2008. R195
A documentation DVD of and artist Strijdom van der Merwe's artwork of 166 "prayer flags" installed for a period of 9 days at the Klein Karoo National Arts Festival in Oudtshoorn in 2008. Poems regarding ground, water, wind, trees, mountains and the earth written by 46 South African poets were printed on the flags.
van der Merwe (S.) DRAWING WITH WATER,
6 minutes, DVD, , 2007. R195
A documentation DVD of land artist Strijdom van der Merwe's water drawing done in an old barn on the farm Dasjedrift near Riversdal, Western Cape, 2007. Because of the oily surface of the floor the water didn't penetrate the surface.
van der Merwe (S.) FIELDS OF FLOWERING HANDS,
3 minutes, DVD, , 2010. R195
A documentation DVD of land artist Strijdom van der Merwe's installation of thousands of yellow hands on the Gillooly's Interchange, Johannesburg, 2010.
This work was done to welcome visitors to the FIFA Soccer World Cup.
van der Merwe (S.) WRAPPING TREES IN RED FABRIC,
approx. 3 minutes, DVD, , 2008. R195
A documentation DVD of land artist Strijdom van der Merwe's installation artwork of 393 trees wrapped in red fabric, Dorp Street, tellenbosch, in 2008.
van der Merwe (S.) RED FABRIC BLOWING IN THE WIND,
5 minutes, DVD, , 2007. R195
A documentation DVD of land artist Strijdom van der Merwe's artwork in which he held a piece of fabric above his head and filmed it as it blew in the wind. This was done in the Tankwa Karoo in 2007.
van der Merwe (S.) WRAPPING TREES IN ORANGE,
approx. 4 minutes, DVD, , 2010. R195
A documentation DVD of land artist Strijdom van der Merwe's installation artwork of wrapping trees in orange fabric, Troyville, Johannesburg, June 2010. This work was done to welcome visitors to the FIFA Soccer World Cup.
van der Merwe (S.) DRAWING WITH WATER. WATER OVER BRIDGE,
2 minutes, DVD, , 2008. R195
A documentation DVD of land artist Strijdom van der Merwe drawing a water line over a bridge using water from the bottle water factory at Sylt, Germany. This work was done during a one month residency at Stiftung Kunstraum Sylt Quelle in 2008.
van der Merwe (S.) AM/PM SHADOW LINES,
6 minutes, DVD, , 2010. R195
A documentation DVD of land artist Strijdom van der Merwe sculpting a 100 meter diameter earth work for the De Beers Mining Company at Namaqualand Diamond Mines, Koingnas, on the West Coast in 2010. In 22 days he moved 7000 tons of earth at an estimated cost of R52000 and used 54861 litres of fuel.
van der Merwe (S.) LINE OF RED FLAGS, Terschellinge
approx. 2 minutes, DVD, , 2008. R195
A documentation DVD of land artist Strijdom van der Merwe installing a line of red flags on the island Terschellinge in the Netherlands for the OEROL Art Festival in July 2008.
van der Merwe (S.) DRAWING WITH WATER,
approx. 4 minutes, DVD, , 2008. R195
A documentation DVD of land artist Strijdom van der Merwe drawing with water on a farm road before sunrise. The drawing was done on the farm Zeekoevlei in Oudtshoorn in 2008.
van der Merwe (S.) SCULPTING THE EARTH, artistic interventions with the landscape
184 pp., 4to., colour illus., hardback, Pretoria, 2011. R250
Strijdom van der Merwe has been practicing land art full time for over fifteen years. This book, his second, is a visual record of his interventions in various landscapes in South Africa and abroad.

Strijdom van der Merwe was born on a farm in Gauteng in 1961.
van der Watt (J.P.) et. al. BENNIE'S GAMES, an exhibition by Anita van Tonder
28 pp., colour illus., paperback, Cape Town, 2006. R65
Catalogue of the exhibiton, Bell-Roberts Contemporary Art Gallery, Cape Town, 2006.

Includes the essays, Toying with Toys and the Adult Addiction" by J.P.van der Watt, "Toe van Tonder se Kop Geboorte Skenk" by Borrie la Grange, "All that Glitters" by Gordon Froud & "Bennie's Video Arcade" by Anita van Tonder.

Text in English & Afrikaans.

Bennies Games is an installation consisting of life-size sculptures and found objects with electrical and technical components.
van der Watt (L.) & Venter (E.) PHILIP WILLEM BADENHORST, MCMXCV - MMIV
84 pp., 4to., colour illus., paperback, Antwerp, 2004. R150
Philip Willem Badenhorst was born in Colesberg in 1954. After completing his studies at the Michaelis School of Fine Arts, University of Cape Town he left for Antwerp, Belgium, to further his studies and has lived there ever since.

Includes an introduction, "The Interiorised World of Philip Willem Badenhorst", by Liese van der Watt and an essay, "En-theos, Zelos & Techne, an idiosyncratic approach of Philip Willem Badenhorst's work and method", by Eben Venter.

Text in English, Afrikaans & Dutch.


van Eeden (J.) & du Preez (A.) eds. SOUTH AFRICAN VISUAL CULTURE,
269 pp., illus., paperback, Pretoria, 2005. R230
Essays include "Charting Change, Contesting Masculinities: whiteness in post apartheid popular visual culture" by Liese van der Watt, "'Never Stop Being a Woman': fashioning the female soldier in South Africa" by Brenda Schmahann, "Riding A Different Wave: digital media and subcultural expression" by Carine Zaayman, "From Japan to Jamaica: reframing youth identities in contemporary South Africa" by Sandra Klopper, "Between Objectivity and Subjectivity: understanding photography" by Pieter Swanepoel, "(Re)defining Television Genres: classic narrative and edutainment in 'Yizo Yizo 2'" by Jane Ballot and "Cinema as Visual Culture: making sense via semiotics" by Keyan Tomaselli & Vanessa McLennan-Dodd.
van Embden (G.) BLUE MARY, handwork for keeping the home
142pp. colour illus + 7pp. text, 4to., paperback, no.28 of an edition limited to 100 copies, signed, Cape Town, 2000. OUT OF PRINT
This book, a family history narrative made up of images of family photographs, embroideries, household odds & ends and documents, was produced to complete the artist's MA degree at Michaelis School of Art, University of Cape Town.
van Graan (M.) & Ballantyne (T.) comps. & eds. THE SOUTH AFRICAN HANDBBOK IN ARTS AND CULTURE, 2002/2003
460 pp., paperback, Cape Town, 2002. R165
Provides information about "private sector funding; contact details for politicians and government officials responsible for arts and culture; national cultural events; awards and competitions; arts media; educational institutions specialising in arts and culture; and international agencies involved in the local cultural industries".
van Heerden (J.) ZULU BASKETRY,
82 pp., map, illus., paperback, Cape Town, 2009. R195
Jannie van Heerden focuses on contemporary basket weaving from the Hlabisa area of KwaZulu-Natal. Includes work by master weavers Beauty Ngxongo and the late Reuben Ndwandwe.

Jannie van Heerden is Deputy Chief Education Specialist in the KwaZulu-Natal Department of Education in charge of Visual Arts and Design Education. He has spent 16 years documenting basket weavers in the field.
van Heerden (J.) & Winters (Y.) text UMGIDO, celebration
24 pp., 4to., b/w & colour illus., paperback, Durban, 1994. OUT OF PRINT
Catalogue of the exhibition, "'Umgido', a celebration of fifty years of art and craft in African schools", Campbell Collections and Centre for Oral Studies, Durban,1994.

Work on this exhibition came from items collected by Jack Grossert, Organsier and later Inspector of Art and Crafts in the Bantu Education Department in the late 1950s, and Jannie van Heerden, Senior Subject Advisor, Arts and Crafts, in the Department of Education and Culture, KwaZulu, in the 1990s. They later donated some of these works to the Campbell Collections.
van Melsen (F.) et. al. ANDRIES GOUWS, hiding behind simple things
20 pp., 4to., colour illus., paperback, (Durban), 2006. R95
Catalogue of the travelling exhibition of oil paintings that opened at the National Arts Festival in Grahamstown in 2006.

Includes the essays "The Art of Andries Gouws" by Frances van Melsen,
"Andries Gouws: meditations on the everyday" by Lola Frost,
"Andries Gouws: hiding behind simple things" by Alex Sudheim,
"Lived Time: Andries Gouws' solitary paintings" by Gerhard Schoeman, as well as comments by the artist.

Andries Gouws was born in Johannesburg in 1952. He teaches in the Philosophy Programme at the University of KwaZulu-Natal in Durban.
van Niekerk (M.) text & van Zyl (A.) painting MEMORANDUM, a story with paintings
140 pp., colour illus., hardbck, d.w., Cape Town, 2006. R245
Marlene van Niekerk's text, translated from the Afrikaans by Michiel Heyns, and Adriaan van Zyl's paintings offer parallel narratives.

Marlene van Niekerk is the award-winning author of the novels "Triomf" and "Agaat".
Adriaan van Zyl was known for his realistic paintings of South African interiors and landscape. He died in 2006.
van Niekerk (R.) CAPE TOWN TRIENNIAL 1988,
75 pp., 4to., b/w & colour illus., paperback, (Cape Town), 1988. OUT OF PRINT
Catalogue of the exhibition, South African National Gallery, Cape Town, 1988.
Preface by Albert Werth.
Essay by Raymond van Niekerk.
The Rembrant Gold Medal was won by sculptor Peter Schütz. Merit awards went to Andries Botha, Keith Dietrich, & Philippa Hobbs.
Includes work by Mashego Segogela, Penelope Siopis, Helen Sebidi, Tommy Motswai, Karel Nel, Nicolaas Maritz, Noria Mabasa, William Kentridge, Jackson Hlungwane, Wilma Cruise, Bonie Ntshalintshali, and many more.
van Rensburg (S.J.) curator YOUNG ARTIST'S PROJECT 2005/6, Colleen Alborough, Dineo Seshee Bopope, Bronwyn Lace, Peter van Heerden
30 pp., colour illus., paperback, Durban, 2006. R95
The Young Artist's Project (YAP), hosted by the KZNSA Gallery in Durban and curated by Storm Janse van Rensburg, funds four solo projects every year. The project focuses on new, site-specific work in installation, video, new media and/or performance. A catalogue is produced at the end of the year and includes essays by young writers invited to interpet the participants' work. The 2005/6 cycle of YAP presented "Keep It To Yourself", a installation by Dineo Bopape, "Night Journey" by Colleen Alborough, a work performed through text, video, installation and sound, the installation "1.618" by Bronwyn Lace, and Peter van Heerden's performance piece, "Bok".
van Rensburg (W.) WAYNE BAKER, "Land & Desire" tour 2006
8 pp., b/w & colour illus., paperback, Cape Town, 2006. R50
Catalogue of the travelling exhibition, French cultural centres and Alliance Française, Southern Africa, 2006.

Inclues an essay by Wilhelm van Rensburg.

Text in English & French.

Wayne Barker works with oil, laser print and enamel on canvas.



van Rensburg (W.) & Lieberman (K.) HUMAN CONSTELLATIONS, Kim Lierberman
56 pp., colour illus., paperback, Johannesburg, 2008. R120
Catalogue of the exhibition of drawings, paintings and installations, Art on Paper Gallery, Johannesburg, 2008.

Foreword by Clive Kellner.
Includes the essays, "The Lace Story" by Kim Lieberman and "Mapping Connections" by Wilhelm van Rensburg.

Kim Lieberman was born in 1969 in Johannesburg, where she still lives and works.
van Rensburg (W.) et. al BIRTH OF THE MODERNIST BODY,
179 pp., colour illus., paperback, Johannesburg, 2007. R650
Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2007.

Includes work by Pieter Hugo Naudé, Maggie Laubser, JH Pierneef, Irma Stern, Cecil Higgs, Maud Sumner, Fred Page, Alexis Preller, Robert Hodgins, Christo Coetzee, Helmut Starke, Henry Symonds, and Karel Nel.

Also includes the essay, "Birth of the Modernist Body", by Wilhelm van Rensburg.
van Rensburg (W.) text DOCUMENTARY STILLS, Joachim Schönfeldt
20 pp., colour illus., paperback, Johannesburg, 2007. R95
Catalogue of the exhibition of painted panels, Art on Paper Gallery, Johannesburg, 2007.

Includes an essay by Wilhelm van Rensburg.
van Rensburg (W.), Mason (J.) & Freemantle (B.) curators JUDITH MASON, a prospect of icons
138 pp., 4to., b/w & colour illus., hardback, Johannesburg, 2008. R265
Catalogue of the retrospective exhibition, Standard Bank Gallery, Johannesburg, and Sasol Art Museum, University of Stellenbosch, 2008-2009.

Introduction by Wilhelm van Rensburg, curator.
Includes the essays "Judith Mason Working" by Lorraine Chaskalson and
"Responding to Dante's 'La Divina Commedia'" by Karin Skwaran, as well as writings by the artist.

Judith Mason was born in Pretoria in 1938. She works in all the traditional mediums including oil painting, pencil drawing, print-making and occasionally mixed media. She has also published a number of special artist's books, including "A Dante Bestiary"and lithographs for "Selected Poems" by Patrick Cullinan.
van Schalkwyk (J.A.) & Hanisch (E.) eds. SCULPTURED IN CLAY, iron age figurines from Schroda, Limpopo Province, South Africa
125 pp., oblong 4to., maps, b/w & colour illus., paperback, Pretoria, 2002. R200
These clay figurines, dated between AD 900 and 1000, and portraying a wide range of subject matter with the emphasis on humans and animals, form part of the collections stored and exhibited at the National Cultural History Museum in Pretoria.

Essays by Tom Huffman, Edwin Hanisch & Vincent Maumela, Leon Jacobson & Willem van der Westhuizen, Johan van Schalkwyk, Marilee Wood, Anitra Nettleton, Sam Moifatswane & Stephen Mellor.
van Staden (L.) & Louw (N.) eds. STRIPSHOW, ontbloot die siel van die vrou, no.1
54 pp., 4to., illus., paperback, Stellenbosch, 2003. R29.50
An "all girls comic". Includes comic strips by Leonora van Staden, Nicolene Louw, Annette Klinger, Paddy Bouma, Karlien de Villiers, Mari Marinkowitz and Bernice Lizamore.
Foreword by Antjie Krog.

Text in Afrikaans.
van Staden (L.) & Louw (N.) eds. STRIPSHOW 2,
57 pp., 4to., illus., paperback, Stellenbosch, 2004. R30
Contributors include Leonora van Staden, Nicolene Louw, Daniël du Plessis, Paddy Bouma, Anton Kannemeyer (Joe Dog), Anette Klinger, Mari Marincowitz, Willem Samuel & Bernice Lizamore.
van Wyk (G.) ed. A DECADE OF DEMOCRACY, witnessing South Africa
82 pp., 4to., colour illus., paperback, (Boston), 2004. OUT OF PRINT
Catalogue of the travelling exhibition curated by Tumelo Mosaka which opened in Boston, USA in 2004.
Artists include Frith Langerman, Bongi Bengu, Fanie Jason, Roderick Sauls and Thando Mama, amongst others.

Essays include "!Ke e Ixara IIke: South African art under the sign of freedom" by Andries Walter Oliphant, "Our Giftedness" by Colin Richards, "Traversing and Transcending Spaces: the roles of the Artists' Workshop and the Collective Studio in contemporary South African art" by David Koloane, "On Secrets and Lies: embodying the past/ envisaging the future" by Annie E.Coombes, and more.
van Wyk (R.) THE CERAMIC ART OF ROBERT HODGINS,
143 pp., 4to., colour illus., hardback, d.w., Cape Town, 2008. R325
Includes the essays, "The Human Dog" by Sean O'Toole and "But Are They Paintings?" and "Forms for a Painter" by Retief van Wyk.

Retief van Wyk teaches in the Department of Fine and Applied Arts at the Tshwane University of Technology.

Painter Robert Hodgins was born in the UK in 1920, and emigrated to South Africa in 1938. He taught painting at the Fine Arts Department, University of the Witwatersrand until retiring to paint full-time in 1983.
van Wyk (R.) curator LEADING TRENDS IN STUDIO GLASS,
26 pp., colour illus., paperback, Johannesburg, 2005. R75
Catalogue of the exhibition, Pretoria Art Museum, 2005.

Includes a work by Robert Hodgins.
van Zyl (M.) ERNEST MANCOBA, early paintings from Europe
16 pp., b/w & colour illus., paperback, Stellenbosch, 2008. R95
Catalogue of the exhibition, Stellenbosch Modern and Contemporary Gallery (SMAC), Stellenbosch, 2008

"This collection of Ernest Mancoba paintings belonged to the late Doug Crutchfield (1938-1989), a well-known African-American ballet dancer and choreographer who emigrated from America to resettle permanently in Sweden."

Ernest Mancoba was born in 1904 near Boksburg. He left South Africa for Paris in 1938, where he met and married the Danish artist Sonja Ferlov. In 1947 he moved with his family to Denmark. He joined and exhibited with COBRA, a European avant-garde movement that stood for spontaneous and involuntary expression, in 1950. He died in 2002.
van Zyl (M.) & Steyn (M.) eds. PERFORMING QUEER, shaping sexualities 1994-2004, volume one
368 pp., paperback, Cape Town, 2005. R175
Includes the essays "Playing on the Pavements of Identities" by Bernadette Muthien, "'Fat like the Sun'" by Mikki van Zyl, "Struggles of Authenticity" by Charl Hattingh, "Beyond Identity Politics: homosexuality and gayness in South Africa" by Annie Leatt & Graeme Hendricks, and much more.
Varney-Horwitz (A.) ed. ME3,
80 pp., illus., paperback, Johannesburg, 2001. R65
Catalogue of the third Manuscript Exhibition launched at the 2001 Grahamstown Festival.
Artists include Peter Clarke, Kim Berman and Wilma Cruise.
Varney-Horwitz (V.) curator MANUSCRIPT EXHIBITION 2,
51 pp., illus., paperback, Johannesburg, 2000. R70
Catalogue of the travelling exhibition which opened in Johannesburg in 2000.
Includes manuscripts created by Wilma Cruise.
Venter (H.) et. al. (eds.) POMP, 09, 'n biblioteek van gedagtes
492 pp., colour illus., paperback, Cape Town, 2009. R230
An annual Afrikaans publication of literature, journalism, music, architecture, film, photography and art.

Includes articles on artist and sculptor Hardus Koekemoer, art and literature from the Orange Free State, and Gugulective, a group of young artists from poor communities working to create a space for creative interaction. Also includes photography by Phyllis Green, Glenn Bouwer, Zipho Dayile, Dylan le Roux, Donovan Fichardt and Kirsten Lipschitz, Jan Ras and Ferdinand Bruwer.
Vergon (H.) GERA MAWI MAZGABU/ SAMSON MNISI, free spirits
38 pp., colour illus., paperback, Johannesburg, 2005. R100
Catalogue of the exhibition, Afronova, Modern and Contemporary Art, Johannesburg, 2005.

Gera Mawi Mazgabu, painter, was born in 1941. He lives and works in Addis Ababa. Samson Mnisi was born in 1971. He lives and works in Johannesburg.
Vergon (H.) et. al. text AFRONOVA, modern and contemporary art
84 pp., 4to., colour illus., paperback, Johannesburg, 2007. R385
Afronova galley opened in Johannesburg in 2005. This is a catalogue of artists exhibited there over the last two years. Includes work by Samson Mnisi, Sandile Zulu, Helen Joseph, Wayne Barker, Karl Gietl, Bill Ainslie, Nontsikelelo Veleko & Strangelove (Carlo Gibson & Ziemek Pater), from South Africa & Gonçalo Mabunda from Mozambique & essays by Simon Njami and Sean O'Toole.
Vergunst (N.) HOERIKWAGGO, images of Table Mountain
95 pp., 4to., maps, b/w & colour illus., paperback, Reprint, Cape Town, (2000) 2002. R260
Catalogue of the exhibition held at the South African National Gallery, Cape Town, November 2000 - April 2001.
Images range from a 1502 Portuguese map of Africa to modern views of Table Mountain by Billy Mandindi, Pippa Skotnes & Nicolaas Maritz.
Viljoen (D.) FURNITURE FROM EUROPEAN TRADING POSTS AT THE CAPE OF GOOD HOPE AND IN SOUTH-EAST ASIA, 17th-19th centuries
40 pp., oblong 4to., b/w & colour illus., paperback, Cape Town, 2003. R120
Catalogue of the exhibition, Irma Stern Museum, Cape Town, and Guus Roell Fine Art & Antiques, Maastricht, The Netherlands, 2003. All the items were for sale.
Viljoen (D.) COLONIAL FURNITURE, 1680-1913
28 pp., colour illus., paperback, Cape Town, 2000. OUT OF PRINT
Catalogue of the selling exhibition, Irma Stern Museum, Cape Town, February 2000.
Viljoen (D.) COLONIAL FURNITURE, 1740-1840
22 pp., colour illus., paperback, Cape Town, 1999. OUT OF PRINT
Catalogue of the selling exhibition, BCI Fine Art, Johannesburg, 1999.

Includes furniture from China, Ceylon and the Cape Colony.
Viljoen (D.) UIT VERRE STREKEN, furniture and works of art from the East and West Indies, 17th - 19th centuries, catalogue 5
66 pp., colour illus., paperback, d.w., Maastricht & Cape Town, 2005. R185
Catalogue of the selling exhibition, Guus Roëll, Maastricht & Deon Viljoen, Cape Town, June 2005.

Includes work by William John Burchell & T.W.Bowler.

Viljoen (D.) BEAD BY BEAD, reviving an ancient African tradition, the Monkeybiz story
143 pp., colour illus., paperback, Johannesburg, 2007. R185
Monkeybiz is a non-profit organisation that provides beads and beading material to 450 men and women in the informal settlements of Macassar in Khayelitsha, Samora Machel in Philippi, and Imizamo Yethu in Mandela Park, Hout Bay. It then purchases the beaded artworks, markets and sells them internationally, and ploughs back the profit through a range of services. Since it's inception in 2000 the project has won local and international acclaim.
Viljoen (D.) & Rabe (P.) comps. CAPE FURNITURE AND METALWARE,
119 pp., oblong 4to., colour illus., hardback, d.w., Cape Town, 2001. R465
Catalogue published to accompany the selling exhibition, Irma Stern Museum, Cape Town, Febraury 2001.

Introduction by Deon Viljoen.
The catalogue lists Cape furniture made between 1720 and 1920 and metalware made between 1850 and 1950.
Viljoen (D.) & Röell (G.) UIT VERRE STREKEN, furniture and works of art from European trading posts at the Cape of Good Hope and in South and South-east Asia
37 pp., colour illus., paperback, Cape Town and Maastricht, 2004. R175
Catalogue of the selling exhibition, Deon Viljoen and Guus Röell, Cape Town and Maastricht, June 2004.
Viljoen (D.) & Stevenson (M.) THE CAPE HOUSE, an exhibition of 17th-, 18th-, and 19th century ceramics, furniture and paintings relating to the Cape of Good Hope at the Dorp Street Gallery, Dorp Street, Stellenbosch, Wednesday 11 February-Sunday 15 February 1998
48 pp., colour illus., paperback, d.w., Cape Town, 1998. OUT OF PRINT
Catalogue of the selling exhibition, Susan Ollemans, Michael Stevenson & Deon Viljoen..
Includes watercolours by John White, William Twizell Wawn & Thomas William Bowler, botanical prints by Johan Wilhelm Wienmann & Arabella Elizabeth Roupell, engravings by William Hurst, Christian Carstens Schonegevel & Isaac Cruikshank.
Viljoen (D.) ed. HIV + AIDS EDUCATION THROUGH BEADWORK, by Moneybiz
65 pp., colour illus., paperback, Cape Town, 2003. R175
This simple educational book on HIV/AIDS is illustrated with the beaded figures made by Monkeybiz, a Cape Town-based self-help craft project. Text in English & Xhosa. Includes a CD of music: The Norwegian SaS group "recorded the singing of some Monkeybiz beading women in and around Cape Town, then composed and programmed the material to fit the electronic landscape". All the lyrics refer to HIV/AIDS pandemic.
Viney (G.) text & Proust (A.) photo. COLONIAL HOUSES OF SOUTH AFRICA,
288 pp., 4to., colour illus., hardback, d.w., Reprint, Cape Town, 1987 (2003). R950
Foreword by Revel Fox.
Features twenty-three houses and their interiors : Vergelegen, Ida's Valley, Libertas, Stellenberg, Morgenster, Sidbury Park, Kersefontein, Barville Park, Zorgvliet, Broadlands, Hawthornden, Tweedside Lodge, Zwartkoppies Hall, Lynton Hall, Stonehouse, Westminster, Dolobran, The Presidensie, Ellingham, Groote Schuur, Tuynhuis, Brenthurst and Rustenberg.
Vinnicombe (P.) PEOPLE OF THE ELAND, rock paintings of the Drakensberg Bushmen as a reflection of their life and thought
388 pp., oblong 4to., maps, b/w & colour illus., hardback, d.w., Pietermaritzburg, 1976. OUT OF PRINT
Patricia Vinnicombe photographed and made tracings of over 200 Bushmen paintings found in the southern Drakensberg. In the book she relates the paintings to what is known of their history, beliefs and attitudes to life.
Vinnicombe (P.) PEOPLE OF THE ELAND, rock paintings of the Drakensberg Bushmen as a reflection of their life and thought
37 pp., maps, b/w & colour illus., paperback, Johannesburg, (1976) 2009. R650
Reprint of Patricia's Vinnicombe's book on Bushmen paintings found in the southern Drakensberg, first published in 1976 in a limited edition of 1000 copies. In the book she relates the paintings to what is known of their history, beliefs, and attitudes to life.
Vio (G.) et. al. ROELOF UYTENGAARDT, senza tempo/ timeless
167 pp., oblong 4to., colour illus., paperback, Padova, 2006. OUT OF PRINT
Roelof Uytenbogaardt, architect, town planner and academic, was born in Cape Town in 1933. In partnership with other architects he designed the Werdmuller Centre in Claremont, the Remembrance Garden in Simonstown, the indoor sport complex at the University of Cape Town, Hout Bay Public Library & Post Office, the sports complex and stadium at the University of the Western Cape, and many other public buildings, housing projects and private homes.He died in 1996.

Includes the essays, "Senza Tempo/ Timeless" by Giovanni Vio, "Una Premessa all'Architecttura/ An Approach to Architecture" by Roelof Sarel Uytenbogaardt, "Roelof Sarel Uytenbogaardt: urbanista/ Roelof Sarel Uytenbogaardt: urbanist" by David Dewar & "Roelof Uytenbogaardt: omaggio a un docente/ Roelof Uytenbogaardt: homage to a teacher" by Lucien le Grange

Text in Italian & English.
Visser (P.) & Fitz-Gerald (N.) curators DOWN TO EARTH, okuvela emhlabeni, an exhibition of new South African ceramic art
29 pp., colour illus., paperback, New York, 1998. OUT OF PRINT
Catalogue of the exhibition, LongHouse Reserve, East Hampton, New York and Running Ridge Gallery, Santa Fe, New Mexico, August 1998.

Features the work of Rodney Blumenfeld, Lovell Friedman, Ian Garrett, Josephine Ghesa, Barbara Jackson, Nesta Nala, Hylton Nel, Thijs Nel, Henriette Ngako, Nhlanhla Nsundwane, Bonnie Ntshalinsthali, Wonderboy Thokozani Nxumalo, Punch Shabalala & Clementina van der Walt.
Vivan (I.) ed. ALF KUMALO, fotografo sudafricano
163 pp., 4to., illus., paperback, Milan, 1998. OUT OF PRINT
Catalogue of the travelling exhibition first shown at Fondazione delle Stelline, Milan, Italy, 1998.

Essays include "The Long History of South Africa in Alf Kumalo's Picture Stories" by Itala Vivan, "Through Light and Shadows" by Mogane Wally Serote, "'Where are the Negatives?'" by Noris Lazzarini, "Tough Art" by Monica Fresco and "Alf Kumalo, a photographer's life" by Itala Vivan.

Text in Italian & English
Vladislavíc (I.) WILLEM BOSHOFF,
127 pp., 4to., colour illus., paperback, Johannesburg, 2005. R150
Willem Boshoff was born in 1951 in Vereeniging. He currently lives and works in Johannesburg.

"Combining detailed readings of several major pieces and a sensitive grasp of broader influences, Ivan Vladislavíc traces continuities in the work and places it in its social and political context".

Includes a 17 pp. educational supplement written by Philippa Hobbs.

Number 11 in the TAXI Art Book Series.
Vladislavíc (I.) ed. T'KAMA ADAMASTOR, inventions of Africa in a South African painting
188 pp., 4to., maps, b/w & colour illus., hardback, d.w., Johannesburg, 2000. OUT OF PRINT
In 1996 the Univeristy of the Witwatersrand commissioned Cyril Coetzee to paint the third and last part of a trilogy of paintings for the William Cullen Library.
Introduction by Ivan Vladislavíc. Essays by Cyril Coetzee, Struan Robertson, Reingard Nethersole, André Brink, Andries Walter Oliphnat, Daniel Herwitz, Malvern van Wyk Smith, Anthony Parr, Karel Nel, Dan Wylie & Ivor Powell reflect on the work.
Voigt (L.) illus. & Poland (M.) & Hammond-Tooke (D.) text THE ABUNDANT HERDS, a celebration of the Nguni cattle of the Zulu people
144 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, (2003) 2004. R295
Illustrated with oil and watercolour paintings and sepia drawings of Nguni cattle by Leigh Voigt.
"Cattle have become a part of the spiritual and aesthetic lives of the [Zulu] people, which has given rise to a poetic and complex naming system. The fine and subtle nuance of the Zulu language captures the delicate interrelationship between cattle terminology and the natural world, where the colour and pattern of a hide, or the shape of a pair of horns, is metaphorically linked to images in nature."
von Arnim (A.) NAKED, verse, prose and paintings, 1965-2005
116 pp., 4to., colour illus., paperback, Franschhoek, 2005. R285
Winemaker Achim von Arnim owns the Haute Cabrière farm in Franschhoek and produces the South African "champagne", Pierre Jourdan.
von Maltitz (A.) et. al. VILLA & SKOTNES, an exhibition of major works
31 pp., colour & b/w illus., paperback, (Stellenbosch), 2004. R95
Catalogue of the exhibition, The Art Museum of the University of Stellenbosch, 2004.

Essays include "Edoardo Villa" by Amalie von Maltitz, "Cecil Skotnes" by John Skotnes & "Cecil Skotnes, influences and development" by Lydia de Waal.
von Schaewen (D.) photo. & Coudere (F.) & Dougier (L.) text AFRICAN INTERIORS,
719 pp., 4to., map, colour illus., hardback, d.w., Cologne, 2008. R790
Includes a chapter on South African interiors, from safari lodges, Johannesburg houses and a Ndebele homestead, to township homes, wine farms and country cottages in and around Cape Town.
Vorster (L.) et. al. photo TEN,
141 pp. concertina-folded, b/w & colour illus., hardback, Johannesburg, 2006. R490
Members of the Society of Photographers "were invited to submit ten images preceded by their own word-based guiding principles summarising the environment within which the photographs were taken. A panel comprising Guest Judges and Society Members then reviewed the work to compile the ten best entries for inclusion in this book and ensuing physical exhibitions..."

Judges included Guy Tillim, Jo Ractliffe & Joao Silva. Photographers included in the book are Louis Vorster, Willem Emmenis, Gustav Greffrath, Laurie Lambrecht, Jonathan McKay, Keith Bernstein, Nivag Aekoor, Zander Blom, Roelof Van Wyk & Michel de Souza.
Vorster (M.) JACOB HENDRIK PIERNEEF (1886-1957) AS PRINTMAKER/ JACOB HENDRIK PIERNEEF AS DRUKKEMAKER,
19 + 19 pp., illus., paperback, Johannesburg, 1986. OUT OF PRINT
Catalogue of the exhibition, Johannesburg Art Gallery, 1986.

Text in English & Afrikaans.
Voyiya (V.) & McGee (J.) dir. THE LUGGAGE IS STILL LABELED, blackness in South African art, a film
60 minutes, Johannesburg, 2003. OUT OF PRINT
Available on video (VHS, PAL) or DVD.
Edited by Stephen Gogolak.
Original music by Titus Abbott and Frank X.Mauceri.
Includes interviews with artists Berni Searle, Tyrone Appolis, Peter Clarke, Moshekwa Langa and Roderick Sauls, director of the National Gallery Marilyn Martin and critic Lloyd Pollak.
Wagenmann (A-C.) START, The Nivea Art Award 2007 exhibition catalogue
29 pp., colour illus., paperback, Durban, 2007. R50
Catalogue of the exhibition, KZNSA Gallery, Durban, 2007.

The winner of the 2007 award was Lindiwe Xaba. Runners up prize winners were Yvonne Sommeling-O'Brien & Brenda Grant.
Wagenmann (A-C.) text START, the Nivea Art Award, 2006
20 pp., colour illus., paperback, Durban, 2006. R50
Catalogue of the exhibition, KZNSA Gallery, Durban, 2006.

Beiersdorf runs an annual competition designed to find talented artists in the KwaZulu-Natal community who have not yet held an exhibition or won any major awards. 20 artists were selected and commissioned to create two-dimensional works which were exhibited at the awards ceremony at KZNSA Gallery. The judges were Anthea Martin, Julia Meintjes, Gabisile Nkosi, Sfiso KaMkame, Storm Janse van Rensburg, Trevor Moore & Nathi Gumede. The winner was Mxolisi Sithole & Sicelo Ziqubu & Mfanukhona Dladla were the two runners-up.
Walker (H.) & Janus (E.) MOSHEKWA LANGA,
101 pp., 4to., colour illus., paperback, Chicago & Geneva, 2002. OUT OF PRINT
Catalogue of the exhibition, The Renaissance Society at the University of Chicago, 23 February-9 May 1999 & Centre d'Art Contemporain, Geneva, 13 November-4 December 1999.
Walker (M.) A STATEMENT IN STONE,
117 pp., 4to., b/w & colour illus., hardback, Cape Town, 2010. R300
A history of the architects who, in thirty years (1897-1927), transformed Muizenberg, St. James and Kalk Bay into the premier holiday resort in South Africa.

Walkowitz (D.J.) & Knauer (L.M.) CONTESTED HISTORIES IN PUBLIC SPACES, memory, race and nation
365 bpp., illus., paperback, Durham, 2009. R295
A collection of essays that examine how contested histories are presented to the public in museums, monuments, texts and festivals around the world.

Contributions include "A Cultural Conundrum? Old Monuments and New Regimes: the Voortrekker Monument as symbol of Afrikaner power in a postapartheid South Africa" by Albert Grundlingh.

Daniel Walkowitz is Professor of History, Professor of Social and Cultural Analysis, and Director of Experiential Education at New York University.
Lisa Maya Knauer is Assistant Professor of Anthropology and African and African American Studies at the Univeristy of Massachusetts.
They are editors of "Memory and the Impact of Political Transformation in Public Space".
Waller (M.) A BIGGER PICTURE, a manual of photojournalism in southern Africa
346 pp., illus., paperback, Cape Town, 2000. R180
"A BIGGER PICTURE is an ideal resource for both practising and trainee photographers, and those attending journalism courses...".
Beautifully illustrated by Southern Africa's leading photojournalists including Benny Gool, Louise Gubb, Alf Khumalo, Ruth Motau, Jurgen Schadeberg & Ricardo Rangel.
Walton (J.) WATER-MILLS, WINDMILLS AND HORSE-MILLS OF SOUTH AFRICA,
204 pp., 4to., maps, illus., hardback, d.w., Cape Town, 1974. OUT OF PRINT
James Walton traces the history of mill machinery in South Africa, from the mid-17th century to the 1970s. He is also the author of "Homesteads and Villages of South Africa", Cape Dovecots and Fowl-Runs" and "Old Cape Farmsteads".
Walton (J.) CAPE DOVECOTS AND FOWL-RUNS,
120 pp., illus., hardback, d.w., Stellenbosch, 1985. OUT OF PRINT
James Walton spent nearly three years drawing, photographing and collecting information on dovecots, fowl-runs and fowl-houses in the Cape.
Walton (J.) ed. THE JOSEPHINE MILL AND ITS OWNERS, the story of milling and brewing at the Cape of Good Hope
96 pp., 4to., maps, illus., hardback, d.w., Cape Town, 1978. OUT OF PRINT
Includes the chapters "Cape Town's Water-Mills" by James Walton and Margaret Cairns,
"The Josephine Mill" by James Walton,
"The Land and its Owners: 1660-1822" by Margaret Cairns,
"Jacob Letterstedt, Cape Town businessman of vision" by R.F.M.Immelman,
"Anders Ohlsson" by Michael G.Ryan, and
"The Later History of the Josephine Mill" by Margaret Cairns.
Wamberg (J.) THE LABYRINTHINE NEST, the art of Doris Bloom
46 pp., b/w & colour illus., paperback, Johannesburg, 1991. OUT OF PRINT
Doris Bloom, born in Vereeniging, South Africa, in 1954, emigrated to Denmark in 1976.
Warner (B.) CAPE LANDSCAPES, Sir John Herschel's sketches, 1834-1838
179 pp., oblong 4to., illus., hardback, d.w., Cape Town, 2006. R775
Sir John Herschel, astronomer, came to the Cape of Good Hope in 1834 to spend four years observing the southern sky. He was also an artist, skilled in the use of a camera lucida, and while at the Cape he produced more than a hundred landscape drawings which are reproduced in this book. Astronomer Brian Warner's text places these illustrations in their social and geographical context.
Waselchuk (L.) curator IS EVERYBODY COMFORTABLE?, a Market photo workshop exhibition
32 pp., b/w & colour illus., paperback, Johannesburg, 2005. R50
Catalogue of the exhibition, Market Photography Workshop, Johannesburg, 2005. Features the work of young women photographers studying at the Workshop, including Ingrid Masondo, Nontsikelelo Veleko, Keorapetse Mosimane and Zanele Muholi.
Wasserman (H.) & Jacobs (S.) eds. SHIFTING SELVES, post-apartheid essays on mass media, culture and identity
340 pp., paperback, Social Identities South Africa Series, Cape Town, 2003. R175
Contributors include Stephanie Marlin-Curiel, Gabeba Baderoon & Phaswane Mpe.
Weckesser (P.F.) GABRIEL DE JONGH,
184 pp., 4to., colour illus., hardback, d.w., Johannesburg, 2008. R550
Landscape painter Gabriel de Jongh, son of the renowned artist Tinus de Jongh, was born in 1913 in Amsterdam. In 1921 the family emigrated to South Africa and settled in Fish Hoek, Cape Town. As a young man he worked as a commercial artist at the Cape Times while painting at night. In 1945, after his father's death and active service in World War II, he began painting full-time. He died in 2004.
Weinberg (P.) curator. THEN & NOW, eight South African photographers
159 pp., b/w & colour illus., paperback, Johannesburg, 2007. OUT OF PRINT
Catalogue of the exhibition, Albany Museum, Grahamstown, 2007.

Photographer Paul Weinberg invited David Goldblatt, George Hallett, Eric Miller, Cedric Nunn, Guy Tillim, Graeme Williams & Gisèle Wulfsohn to each select 20 of their photographs taken before and after 1994.

Includes the essays, "Family Matters" by Paul Weinberg & "Then and Now" by Michael Godby.
Weinberg (P.) photo. & Robbins (D.) & Mhlope (G.) text DURBAN, impressions of an African city
128 pp., 4to., colour illus., paperback, Johannesburg, 2002. R170
Paul Wienberg is a Durban-based documentary photographer.
Includes "Impressions of a City, an essay" by David Robbins and "Durban People, profiles" by Gcina Mhlope.
Weinberg (P.) photo. & text TRAVELLING LIGHT,
109 pp., oblong 4to., illus., hardback, d.w., Pietermaritzburg, 2004. R245
Foreword by Guy Berger.
Paul Weinberg was born in Pietermaritzburg. He has worked for NGOs, magazines and newspapers in southern Africa and abroad and was a founder member of Afrapix and South Photo Agency. He lives and works in Durban.
Weinberg (P.) photo. & text MOVING SPIRIT, spirituality in southern Afirca
128 pp., oblong 4to., illus., hardback, first S.A.edition, Cape Town, 2006. R295
Paul Weinberg uses his camera to narrate his own spiritual journey out of deep depression, documenting various religious practices in southern Africa: the annual Shembe pilgrimage, a Nharo San trance dance, the annual gathering of the Lemba ("Black Jews'"), a baptism in the Zion Church, a prayer service for "sangomas" (traditional healers), a traditional Zulu wedding ceremony, a Hindu firewalking ceremony in Pietermaritzburg, and much more.

All the photographs in this book were taken between 1995 and 2006.
Weinberg (P.) text & photo. IN SEARCH OF THE SAN,
80 pp., illus., paperback, Johannesburg, 1997. OUT OF PRINT
Documentary photographer Paul Weinberg visited Bushman communites in Namibia, Botswana and South Africa between 1984 and 1997 in an attempt to record the reality of a dispossessed and marginalised people drifting away from their culture as they struggle to survive.

Includes an introduction, "The Bushmen - a profile" written by Riaan de Villiers.
Weller (S.) photo. & text SOUTH AFRICAN TOWNSHIP BARBERSHOPS & SALONS,
127 pp., colour illus., hardback, New York, 2011. R395
Graphic artist and photographer Simon Weller travelled around South Africa photographing informal township barbershops and their signage, and interviewing proprietors and the artists who paint the signs.
Welz (S.) CAPE SILVER & SILVERSMITHS,
172 pp., 4to., illus., hardback, d.w., Cape Town, 1976. OUT OF PRINT
The work of silversmiths at the Cape of Good Hope from the late 17th to mid 19th century, including early problems, training, output, marking and quality. Also includes a definitve list of smiths and their marks.
Werth (A.) & Geunther (E.) CECIL SKOTNES,
24 pp., 4to., b/w & colour illus., paperback, Pretoria, 1972. OUT OF PRINT
Cataogue of the retrospective exhibition, "Cecil Skotnes 1956 to 1972", Art Museum, Pretoria, 1972.
West (E.) photo. CASTING SHADOWS, images from a new South Africa
96 pp., 4to., b/w & colour illus., paperback. d.w., Seattle, 2001. R440
Catalogue of the exhibition held at the University of Michigan Museum of Art, 2 December 2000 - 28 January 2001.
Essays by Leslie King-Hammond, Mongane Wally Serote and Lemuel Johnson with excerpts from Athol Fugard's "Tsotsi".
West (M.) text & Morris (J.) photo. ABANTU, an introduction to the Black people of South Africa
184 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town, 1976. OUT OF PRINT
Includes chapters on the Xhosa, Zulu, Swazi, Ndebele, Venda, Tsonga, Tswana, North Sotho and South Sotho peoples and records their customs, rituals and dress.

Weule (K.) RESULTADOS CIENTIFICOS DA MINHA VIAGEM DE PESQUISAS ETHNOGRAFICAS NO SUDESTE DA AFRICA ORIENTAL,
275 pp., 4to., map, illus., paperback, Maputo, 2000. OUT OF PRINT
Originally published in Berlin in 1908 in German. Text in Portuguese.
White (J.) DEBORAH BELL'S ALCHEMY,
71 pp., colour illus., paperback, Johannesburg, 2010. R150
A book on Deborah Bell's collaborations with various artists and master printers, including Robert Hodgins, William Kentridge, Phil Sanders from the Robert Blackburn Printmaking Workshop in New York, Jack Shirreff from 107 Workshop in England and Jillian Ross at David Krut Print Workshop in Johannesburg.
White (L.) et. al. ZOMBIE 1,
43 pp., 4to., illus., paperback, Pretoria, (2009). R95
A collection of comics by Lorcan White, Norman Catherine, Jonah Sack, Joh Del, and others.
Wiehager (R.) THE NOMINEES, DaimlerChrysler Award for South African Architecture 2007
111 pp., 4to., b/w & colour illus., paperback, Cologne, 2007. R220
Catalogue of the travelling exhibition, Berlin, Bayreuth, Johannesburg, Cape Town and Durban, 2007-2008.

"Eight architects or architecture practices and their major projects from the various South African provinces were nominated for the DaimlerChrysler Award for South African Architecture 2007, all of them under the age of 40". The nominees were: archilab (pty) ltd (Michael Borgstöm, Marco Bezzoli, Ishmaiel Meyer), Thorsten Deckler, Heather Dodd, Andrew Horn, Ndabo Langa, Henning Rasmuss, Chris Wilkinson and Heinrich Wolff. The prizewinner was Heinrich Wolff from Cape Town.

Text in English & German.

See also "Heinrich Wolff, DamilerChrysler Award for South African Architecture 2007" ed. by R.Wiehager @ R220
Wiehager (R.) ed. HEINRICH WOLFF, of Noero Wolff Architects
127 pp., 4to., b/w & colour illus., paperback, Cologne, 2007. R220
Catalogue of the travelling exhibition, Berlin, Bayreuth, Johannesburg, Cape Town and Durban, 2007-2008.

Heinrich Wolff of Noero Wolff Architects was awarded the DaimlerChrysler Award for South African Architecture 2007. He was born in 1970 and has been a partner in Noero Wolff Architects since 1998. He has taught at universities in South Africa and the USA and is currently teaching in the B.Arch programme at UCT. Noero Wolff Architects designed the Red Location Museum of Struggle in Port Elizabeth.

See also "The Nominees, DaimlerChrysler Award for South African Architecture 2007" ed. by R.Wiehager @ R220.

Text in English & German.
Wiehager (R.) ed. KEVIN BRAND, Mercedes-Benz Award for South African Art Projects in Public Space 2008
119 pp., 4to., colour illus., paperback, Pretoria, 2008. R220
Catalogue of the exhibition, Daimler Contemporary, Berlin, Sasol Art Museum, University of Stellenbosch, and Pretoria Art Museum, 2008-2009.

Sculptor Kevin Brand, born in Cape Town in 1953, was awarded the Mercedes-Benz Award for South African Art Projects in Public Space 2008.

Includes the essays, "Art Speaks in Public in South Africa" by Renate Wiehager,
"Kevin Brand Still Makes Things" by Paul Edmunds, and
"Moveable Monuments" by Denise Penfold.

Text in English and German.

There is also a catalogue on the eight nominees for the award, available @ R220.
Wiehager (R.) ed. THE NOMINEES, Mercedes-Benz Award for South African Art Projects in Public Space 2008
83 pp., 4to., colour illus., paperback, Pretoria, 2008. R220
Catalogue of the travelling exhibition, Pretoria Art Museum and Sasol Art Museum, University of Stellenbosch, 2008.

Eight artists were nominated for the Mercedes-Benz Award for South African Art Projects in Public Space 2008: Voncent Baloyi, Kevin Brand, Marco Cianfanelli, Jabe du Rand, Jan Jordaan, Samson Mudzunga, Strijdom van der Merwe and Usha Seejarim. This catalogue presents these artists, as well as an overview of Public Art Projects in Johannesburg and Cape Town. There is also a catalogue on the prizewinner, Kevin Brand, available @ R220.

Includes the essays, "Art Speaks in Public on South Africa" by Renate Wiehager,
"Kevin Brand Still Makes Things" by Paul Edmunds, and
"Samson Ratshilumela Mudzunga" by Bongi Dhlomo-Mautloa.
Wiehager (R.) ed. THE NOMINEES, Mercedes-Benz Award for South African Art Projects in Public Space 2008
83 pp., 4to., colour illus., paperback, Cologne, 2008. R220
Published on the occasion of the Mercedes-Benz Award for South African Art Projects in Public Space 2008.

Eight artists from the various South African provinces were nominated for the Mercedes-Benz Award for Art Projects in Public Space 2008: Vincent Baloyi, Kevin Brand, Marco Cianfanelli, Jane du Rand, Jan Jordaan, Samson Mudzunga, Strijdom van der Merwe and Usha Seejarim. The prizewinner, Kevin Brand, was selected by an international jury from a presentation by the nominees in February 2008 in Pretoria. This publication, which presents these sculptors as well as an overview on public art projects in Cape Town and Johannesburg, was published to accompany exhibitions in Germany and South Africa.

Includes the essays "Art Speaks in Public in South Africa" by Renate Wiehager,
"Kevin Brand Still Makes Things" by Paul Edmunds, and
"Samson Ratshilumela Mudzunga" by Bongi Dhlomo-Mautloa.
Wiehager (R.) ed. SOUTH AFRICAN FASHION DESIGN, the nominees
95 pp., colour illus.,paperback, Cologne, 2009. R575
In 2009 the Mercedes-Benz South Africa Award for Art and Culture focused on South African fashion design. Eight designers were nominated: Abigail Betz, Black Coffee (represented by Jacques van der Watt and Daniça Lepen), Stiaan Louw, Themba Mngomezulu (for Darkie), Palesa Mokubung (for Mantsho), Craig Native, Maya Prass, and David Tlale. This publication, which presents the work of the eight nominees and a look at contemporary fashion design in Johannesburg and Cape Town, was published to accompany exhibitions in Berlin, Germany, and Johannesburg, South Africa. A catalogue devoted to the prize winner, Johannesburg label Black Coffee, is also available @ R450.
Wiehager (R.) ed. BLACK COFFEE, Mercedes-Benz South Africa Award for Fashion Design 2009
55 pp., 4to., b/w & colour illus., paperback, Cologne, 2009. R450
Monograph on Johannesburg label, Black Coffee, represented by Jacques van der Watt and Daniça Lepen, published on the occasion of the Mercedes-Benz South Africa Award for Fashion Design 2009. This monograph offers an overview of their recent collections.

Also includes the essays, "Unfolding Black Coffee" by Adam Levin, and
"Artistic South African Fashion Design: the Black Coffee label and selected South African designers on the cutting edge between art and fashion" by Christian Ganzenberg.

Black Coffee was formed by Jacques van der Watt in 1998. He was joined in 2004 by Daniça Lepen. The label has won the SA Fashion Awards twice, in 2001 and 2007.

Wiehager (R.) et. al. GUY TILLIM, DaimlerChrysler Award for South African Photography 2004
122 pp., 4to., b/w & colour illus., paperback, Pretoria, 2004. R295
Published on the occasion of the DaimlerChrysler Award for South African Photography 2004. Catalogue of the travelling exhibition which opened at the Mercedes-Benz Museum, Stuttgart, May 2004.

Essays include "Living on the Earth..." by Renate Wiehager, "Photographer Now" by Rory Bester, "Stories from Beyond" by Ivor Powell, "Departure" by Guy Tillim and an email conversation between Ivor Powell and Guy Tillim.
Wilby (M.) dir. INNER LANDSCAPE, music for the Owl House
32 minutes, DVD, South Africa, 2006. R140
A tribute to reclusive artist Helen Martins and her Owl House in the remote Karoo village of Nieu-Bethesda by two North American composers, Tessa Brinckman and D'Arcy Reynolds. The performances of the two compositions, Tessa Brinckman's "Glass Sky" by the East West Continuo, and D'Arcy Reynolds' "Cloven Dream" by the Sontonga Quartet, are accompanied by footage of the Owl House and its surrounding environment. Also includes "Miss Helen's Owl House", a 6 minute introduction to Helen Martins and her work.
Wilby (M.) ed. !XOE, site-specific, 31° 52S /24° 33E, visual art project
34 pp., colour illus., paperback, Nieu Bethesda, 1998. OUT OF PRINT
Catalogue of the exhibition, Nieu Bethesda, July 1998. Features site-specific artwork in the locality of Nieu Bethesda (an isolated village in the Karoo) and its surrounds by Bonita Alice, Randolph Hartzenberg, Strijdom van der Merwe, Christine Dixie, Mark Haywood, Clive van den Berg, and others.
Will (R.G.) ROLE OF THE ARTIST IN SOCIETY, 24 interviews from South Africa
206 pp., illus., paperback, No Place, 2012. R300
A self-published collection of interviews Ralf Will conducted with various South African artists and writers in 1988. These conversations revolved around the question of the artist's function in society. Includes interviews with David Koloane and Johannes Phokela.
Willemse (H.) ed. & comp. MORE THAN BROTHERS, Peter Clarke & James Matthews at seventy
143 pp., 4to., b/w & colour illus., hardback, Cape Town, 2000. R350
Published to celebrate the lives of the artist Peter Clarke and the writer James Matthews.
Williams (G.) photo. THE INNER CITY,
53 pp., 4to., illus., paperback, Johannesburg, 2000. R120
Photographic essay on Johannesburg. Most of the photographs were taken between 1996 and 1998.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., b/w & colour illus., paperback, First UK Edition, London, 1990. OUT OF PRINT
First published in 1989 in Cape Town, South Africa. Foreword by Desmond Tutu.
Artists include William Kentridge, Azaria Mbatha, John Muafangejo, Jane Alexander, Johannes Segogela, Robert Hodgins, Sue Williamson, Cecil Skotnes, Norman Catherine, and many others.
Williamson (S.) RESISTANCE ART IN SOUTH AFRICA,
159 pp., 4to., colour illus., paperback, Reprint, Cape Town, (1989) 2004. OUT OF PRINT
Reprint of what has become one of the standard reference books focusing on South African art produced between 1976 and 1989.

Foreword by Desmond Tutu.
Includes work by Azaria Mbatha, John Muafangejo, Penny Siopis, Brett Murray, William Kentridge, Helen Sebidi, Jane Alexander, Noria Mabasa, Robert Hodgins, Jeremy Wafer, Clive van den Berg, Sam Nhlengethwa, Gavin Younge, Kendell Geers, Sue Williamson, Kevin Brand, Norman Catherine, Andries Botha, Beezy Bailey, Tito Zungu, and many others.
Also includes sections on murals, peace parks, posters, t-shirts and grafitti.
Williamson (S.) SOUTH AFRICAN ART NOW,
319 pp., 4to., colour illus., hardback, d.w., New York, 2009. R700
Foreword by Nadine Gordimer.
Appreciation by Elton John.

This book documents the work of nearly one hundred South African artists working in every medium from painting and sculpture to video and performance art over the last 40 years. Lavishly illustrated with biographical information on each artist.

Includes the essays "'Better Lives', Marginal Selves: framing the current reception of contemporary South African art" by Okwui Enwezor, and "Art and Life in South Africa 1968 to 2008" by Sue Williamson.
Williamson (S.) & Jamal (A.) ART IN SOUTH AFRICA, the future present
159 pp., 4to., colour illus., paperback, Cape Town, 1996. OUT OF PRINT
Artists featured include Jane Alexander, Norman Catherine, Robert Hodgins, Kagiso Patrick Mautloa, William Kentridge, David Koloane, Jeremy Wafer, Jo Ractliffe, Brett Murray, Lisa Brice, Johannes Segogela, Tracy Payne, Penny Siopis, Willie Bester and Sue Williamson.
Williamson (S.) ed. THIRTY MINUTES, multi-media installations in the Visitors Block on Robben Island by nine Cape Town artists, October 1997
24 pp., 4to., b/w & colour illus., paperback, Cape Town, 1997. OUT OF PRINT
Catalogue of the exhibition, Robben Island Museum, October 1997.
Works by Willie Bester, Kevin Brand, Lisa Brice, Lionel Davis, Tracey Derrick, Randolph Hartzenberg, Brett Murray, Malcolm Payne, Sue Williamson.
Williamson (S.) et. al. eds. ARTTHROB 1998-2003, the archive, contemporary art in South Africa
CD-ROM, Cape Town, (2004). R215
A complete record of the Artthrob website since its inception in 1997 until the end of 2003 with a month by month converage of exhibitions and events, founding editor Sue Williamson's diary column and a listing of South African galleries and museums.

Includes an essay on South African art from 1990-2003 by Sue Williamson as well as hundreds of reviews by critics including Nick Dawes, Rory Bester, Laurie Farrell, Lloyd Pollak, Kathryn Smith, Sue Williamson, Sean O'Toole, Tumelo Mosaka, Virginia McKenny, Mgcineni Pro Sobopha & Brenda Atkinson.
Also contains 1000's of images of artworks, performances and gallery installations and more than 70 biographies of artists such as William Kentridge, Kay Hassan, Tracey Rose, Kendell Geers, Moshekwa Langa, Lisa Brice, Santu Mofokeng, Minnette Vári, Penny Siopis, Candice Breitze, Siemon Allen, Jane Alexander, Conrad Botes, Steven Cohen, Jo Ractliffe, David Goldblatt, Claudette Schreuders, David Koloane, Brett Murray & Berni Searle.
Willis (D.) ed. BLACK VENUS 2010, they called her "Hottentot"
238 pp., illus., paperback, Philadelphia, 2010. R375
An anthology of art, critical writings, poetry, and prose on and around the subject of Sarah Bartmann.

Contributions include:
"The Hottentot and the Prostitute: toward an iconography of female sexuality" by Sander Gilman,
"Which Bodies Matter? feminism, post-structuralism, race, and the curious theoretical odyssey of the 'Hottentot Venus'" by Zine Magubane,
"Exhibit A: a private life without a narrative" by J.Yolande Daniels,
"Historic Retrievals" confronting visual evidence and the imaging of truth" by Lisa Gail Collins,
"Reclaiming Venus: the presence of Sarah Bartmann in contemporary art" by Debra S.Singer,
"Playing with Venus: Black women artists and the Venus trope in contemporary visual art" by Kianga K.Ford.
Wilson (M.L.) et. al. eds. CODEX WITSENII,
190 pp., 4to., maps, colour illus., hardback ,d.w., Cape Town, 2002. R450
Annotated watercolours of landscapes, flora and fauna observed on the expedition to the Copper Mountains in the country of the Namaqua undertaken in 1685-6 by Simon van der Stel, Commander at the Cape of Good Hope. Copied at the Cape in 1692 for Nicolaas Witsen, Mayor of Amsterdam, Member of the Amsterdam Chamber of the Dutch East India Company, Ambassador to Great Britain, etc etc.

Includes chapters on the history of the "Codex Witsenii", the expedition to the Copper Mountains and the indigenous peoples mentioned in the text.
Winberg (M.) MY ELAND'S HEART, a collection of stories and art, !Xun and Khwe San Art and Culture Project
136 pp., 4to., b/w & colour illus., paperback, Cape Town, 2001. R215
The work of seventeen !Xun & Khwe artists who now live in the Northern Cape. Artists include Bongi Kasiki, Manuel Masseka & Kunyanda Shikamo.
Winter-Irving (C.) THE FAMILY, an African perspective
35 pp., colour illus., paperback, Cape Town, 2002. R75
Catalogue of the exhibition, Kirstenbosch National Botanical Garden, Cape Town, April 2002 - September 2003.

An exhibition of Shona stone sculpture put curated by Chapungu Sculpture Park in Zimbabwe. Includes work by Tapfuma Gutsa, Agnes Nyanhongo, Colleen Madamombe, Joseph Muzondo, Bernard Matemera, Tinashe Makaza, Boira Mteki, Norbert Shamyarira, Gladman Zinyeka, Sylvester Mubayi, Nicholas Mukomberanwa, Phillip Kotokwa, Euwitt Nyanhongo & Joram Mariga.
Winterbach (I.) FOAM ALONG THE SHORE, works by Virginia MacKenny
39 pp., colour illus., paperback, Cape Town, 2008. R95
Catalogue of the exhibition of paintings, UCT Irma Stern Museum, Cape Town, 2008.

Includes the essays "Virginia MacKenny and Ingrid Winterbach, a conversation..." by writer and artist Ingrid Winterbach and Virginia MacKenny and "Surfacing - levels of flatness" and "A Brief Consideration of Correspondence - some reflections on artistic process" by Virginia MacKenny.

Award-winning artist, critic and curator Virginia MacKenny is currently Senior Lecturer in Painting at the Michaelis School of Fine Art, University of Cape Town.
Winzen (M.) ed. MARLENE DUMAS, female
160 pp., 4to., colour illus., hardback, Cologne, 2005. R650
Catalogue of the travelling exhibition first shown at Kunsthalle Helsinki, Finland, 2005.

Includes the essays, "A Portrait of the Artist as a Young Woman" by Matthias Winzen & "'Female' is Always the Same, 'female' is Always Different" by Oliver Kornhoff.

Text in English & German.
Wolff (U.) JOHANN LOUW & SANELL AGGENBACH, portraits
40 pp., colour illus., paperback, Stellenbosch, 2008. R95
Catalogue of the exhibition of oil and acrylic paintings, Stellenbosch Modern and Contemporary Gallery (SMAC), Stellenbosch, 2008.

Sanell Aggenbach was born in 1975 in Cape Town, where she still lives and works. Johann Louw was born in 1965 in Cape Town.



Wolstenholme (I.) photo. & Kotze (S.) text GATE,
128 pp., colour illus., hardback, d.w., Cape Town, 2010. R210
A collection of photographs of South African farm gates.

Includes an essay, "Naming Farmland", by Steven Kotze.
Woodhouse (B.) THE ROCK ART OF THE GOLDEN GATE AND CLARENS DISTRICTS, an enthusiast's guide
104 pp., b/w & colour illus., paperback, Johannesburg, 1996. OUT OF PRINT
Produced under the auspices of the Institute for the Study of Man in Africa.
The photographs were all taken by Bert Woodhouse and cover the Golden Gate and Clarens areas and the vicinity of Slabberts on the Bethlehem/ Fouriesburg road.
Woodward (C.) ORIENTAL CERAMICS AT THE CAPE OF GOOD HOPE 1652-1795, an account of the porcelain trade of the Dutch East India Company with particular reference to ceramics with the V.O.C. Monogram, the Cape Market, and South African collections
228 pp., 4to., map, b/w & colour illus., hardback, d.w., Cape Town & Rotterdam, 1974. OUT OF PRINT
One of an edition of two hundred copies in a quarter-leather deluxe binding. signed by the author.
Wright (N.) A POTTER'S TALE IN AFRICA, the life and works of Andrew Walford
167 pp., oblong 4to., b/w & colour illus., hardback, Kloof, 2009. R395
A book on the life and work of potter Andrew Walford.

Andrew Walford was born in 1942 in England and grew up in South Africa. He lives and works in Shongweni in KwaZulu-Natal.
Wright (N.) et. al. MEETING CARL ROBERTS,
115 pp., 4to., b/w & colour illus., paperback, Durban, 2006. R330
Sculptor Carl Roberts was born in England in 1957. He now lives and works in Durban.

Includes a biographical sketch by Neil Wright, an essay on Roberts' work by Jeanne Wright and a conversation between the sculptor and Liesel Wright.
Wye (D.) ARTISTS & PRINTS, masterworks from The Museum of Modern Art
289 pp., 4to., colour illus., hardback, New York, 2004. R650
Texts on the plates by Starr Figura, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah Suzuki, Wendy Weitman & Deborah Wye.

Includes etchings by William Kentridge.
Wylie (D.) ART + REVOLUTION, the life and death of Thami Mnyele, South African artist
258 pp., b/w & colour illus., paperback, Johannesburg, 2008. R220
A biography of the artist Thami Mnyele, born in 1948 in Johannesburg. He was killed in 1985 in a South African army raid on Gaberone, Botswana, where he had gone into exile and joined the ANC.

Diana Wylie is Professor of History at Boston University. She is also the author of "Starving on a Full Stomach: the triumph of cultural racism in modern South Africa" (2001) and "A Little God: the twilight of patriarchy in a southern African kingdom" (1990).
Xinisteris (K.) & Neame (G.) MAKING WAVES, a selection of works from the SABC art collection
47 pp., colour illus., paperback, Johannesburg, 2004. R150
Catalogue of the exhibition, Johannesburg Art Gallery, 2004.

Includes work by Gerard Sekoto, Gladys Mgudlandlu, George Pemba, Irma Stern, Penny Siopis, Robert Hodgins, Santu Mofokeng, Jo Ractliffe, Jane Alexander, Kendell Geers, David Koloane, Moshekwa Langa, Sam Nhlengethwa, Zwelethu Mthethwa, Pat Mautloa, William Kentridge, Tracey Rose, and others.
Young (L.) ed. CONTEMPORARY AFRICAN ARTISTS, changing tradition
148 pp., 4to., b/w & colour illus., paperback, New York, 1990. OUT OF PRINT
Catalogue of the travelling exhibition, first shown at the Studio Museum in Harlem, New York, 1990.
Foreword by Wole Soyinka. Introduction by Kinshasha Holman Conwill. Essays, "Contemporary African Artists: changing tradition" by Grace Stanislaus and "African Art Today: a historical overview" by dele jegede.

Includes the work of Zimbabwean sculptors Tapfuma Gutsa, Nicholas Mukomberanwa and Henry Munyaradzi.
Younge (G.) ART OF THE SOUTH AFRICAN TOWNSHIPS,
96 pp., 4to., b/w & colour illus., paperback, London, 1988. OUT OF PRINT
Foreword by Desmond Tutu
Artists include John Muafangejo, Jackson Hlungwani, Peter Clarke, Johannes Phokela, Tommy Motswai, Tito Zungu, Noria Mabasa, Phutuma Seoka, Titus Moteyane, Johannes Maswanganyi, Nelson Mukhuba, Zamokwakhe Gumede, Derrick Mxumalo, Billy Mandindi, Mpolokeng Ramphomane, Emile Maurice, Randy Hartzenberg, Paul Sibisi, David Hlongwane, Sfiso Mkame, and others.
Younge (G.) & Heywood (M.) text GAVIN YOUNGE, Salt River soliloquies
24 pp, colour illus., paperback, Cape Town, 2002. R30
Catalogue of the exhibition, Bell-Roberts Gallery, Cape Town, 2002.
Younge (G.) ed. ARTWORKS IN PROGRESS, the yearbook of the staff of the Michaelis School of Fine Art, University of Cape Town, volume 4: 1994/5
95 pp., 4to., illus., paperback, Cape Town, 1995. OUT OF PRINT
Contents include "Michaelis Graduate Exhibition - 1994" by Peter Horn, "Landshifts" by Peggy Delport,
"Home as Shrine" by Brendhan Dickerson,
"A Collaborative Print-Making Project: 'Icons for the Interregnum'" by Helmut Starcke,
"People" by Zwelethu Mthethwa,
"Face Value & Mistaken Identity" by Malcolm Payne,
"Moscow Diary" by Neville Dubow,
"Body Parts" by Terry Kurgan,
"Body Parts: an interpretation" by Martin Hall,
"The Rites of Demeter: notes on the evolution of an image" by Bruce Arnott,
"In an Unsafe Light" by Gabriella Kaplan,
"Notes on a City Sculpture" & "An Explorers Hat, a Fireman's Jacket, a Coconut Hat, the Cape of an English Sergeant and a Haircomb" by Gavin Younge,
"Drawing and Art" by Julia Teale,
"Ghost Stories & Other Realities: Hyde Park Barracks drawings" by Robyn Cohen,
"Stanford Series" by Stephen Inggs,
"Antecedents" by Roderick Sauls
and "Duality" by Wilma Coetzer.
Z'Graggen (B.) & Neuenburg (G.L.) curators ILUMINANDO VIDAS, Ricardo Rangel and the Mozambican Photography/ Ricardo Rangel e a Fotografia Moçambicana
167 pp., 4to., map, illus., paperback, Bern, 2002. R395
Published to coincide with the exhibition, "Iluminando vidas. Fotografia Moçambicana 1950-2001. Ricardo Rangel & the Next Generation", shown at the Photoforum PasquArt in Biel and the Museo Cantonale d'Arte in Lugano, Switzerland and the AMF Gallery in Maputo, Mozambique, 2002.

Essays by Allan Porter, Simon Njami, António Sopa & Calane da Silva.
Work by 15 photographers, including Ricardo Rangel, Kok Nam and José Cabral.

Text in English and Portuguese.
Zaayman (C.) curator JOZI & THE (M)OTHER CITY,
44 pp., colour illus., paperback, DVD, Cape Town, 2008. R95
Catalogue of the exhibition, Michaelis School of Fine Art, University of Cape Town, 2008.

Artists and writers were invited to make work or produce writing specifically around Johannesburg and Cape Town.

Includes work by Nicola Grobler, James Webb, Stephen Hobbs, Marcus Neustetter, Johan Thom, Nathaniel Stern, Ralph Borland and Carine Zaayman, an essay, "Postcards from the Edge: representations of Cape Town and Johannesburg", by Svea Josephy and a short story, "Turbulence", by Sean O'Toole.

Includes a DVD documentary of the project, with interviews with the artists and writers involved.
Zapiro DA ZUMA CODE, cartoons from Mail & Guardian, Sunday Times and Independent Newspapers
160 pp., illus., paperback, Cape Town, 2006. R120
The 2006 collection of Jonathan Shapiro's (Zapiro) cartoons, published every year since 1996. Back issues are available.

In 2006 Shapiro won the first Mondi Shanduka Journalist of the Year Award and the first Vodacom Cartoonist of the Year Award.
Zapiro TAKE TWO VEG AND CALL ME IN THE MORNING, cartoons from Mail & Guardian, Sunday Times, and Independent Newspapers
160 pp., illus., paperback, Johannesburg, 2007. R130
The annual collection of Zapiro (Jonathan Shapiro) cartoons, published since 1996.

In 2007 Zapiro received the Cartoonists Rights Network International Award for Courage in Editorial Cartooning. He has also received the SA Comedy Award for Best Humorous Cartoon, the fourth Mondi Newspaper Award for Graphic Journalism and a Women Demand Dignity White Ribbon Award.
Zapiro DON'T MESS WITH THE PRESIDENT'S HEAD,
136 pp., illus., paperback, Johannesburg, 2009. R140
The new collection of Jonathan Shapiro (Zapiro) cartoons, published annually since 1996.
Zapiro DO YOU KNOW WHO I AM?!,
160 pp., illus, oblong 4to., paperback, Johannesburg, 2010. R140
The annual collection of Jonathan Shapiro (Zapiro) cartoons, first published in the Mail & Guardian, Sunday Times and The Times nespapers from October 2009 to September 2010.
Zapiro illus. & text THE MANDELA FILES,
209 pp., 4to., b/w & colour illus., hardback, d.w., Cape Town, 2009. R350
Foreword by Desmond Tutu.

A chronological record of Zapiro's (Jonathan Shapiro) cartoons of Nelson Mandela and the political changes in South Africa, from the late 1980s to the present. Also includes Zapiro's comments on his life as a cartoonist and the events and inspiration behind his cartoons.
Zaverdinos (A.) & du Toit (J.L.) GERARD BHENGU, 1910 - 1990, a retrospective exhibition
59 pp., illus., paperback, Pietermaritzburg, 1991. OUT OF PRINT
Catalogue of the exhibition of paintings and drawings, Tatham Art Gallery, Pietermaritzburg, and Durban Art Gallery, 1995-1996.

Includes the essays, "Gerard Bhengu: a biography" by Annelise Zaverdinos and "Bhengu in context" by Juliette Leeb du Toit.

Zaya (O.) curator & ed. CANDICE BREITZ, Exposición Múltiple/ Multiple Exposure
252 pp., 4to., b/w & colour illus., hardback, d.w., Barcelona & New York, 2007. R750
Catalogue of the exhibition, MUSAC, Museo de Arte Contemporáneo de Castilla y León, Spain, 2007.

Includes the essays, "From Text to Action in the Work of Candice Breitz" by Ocatvio Zaya & "A Scripted Life" by Jessica Morgan. Works exhibited include "Soliloquy Trilogy", "Becoming a Mother + Father", "Babel Series" & "Karaoke".

Text in English & Spanish.
Zaya (O.) et. al. YOUSSEF NABIL, I won't let you die
271 pp., 4to., colour illus., hardback, d.w., Ostfildern, 2008. R570
Photographer Youssef Nabil was born in Cairo in 1972. In the 1990s he began producing staged, constructed and hand-coloured portraits of friends, fellow artists and celebrities, as well as self-portraits. In 2003 he was awarded the Seydou Keita Prize for portraiture at the Biennial of African Photography in Bamako, Mali. He currently lives and works in New York. This is his second monograph, following "Sleep in My Arms", published to coincide with the exhibition at Michael Stevenson, Cape Town, in 2007.

Includes the essay, "Twilight: unfolding Youssef Nabil's desire" by Octavio Zaya, and Youssef Nabil in conversation with Ghada Amer, Faten Hamama and Shirin Neshat.
Zegeye (A.) & Assegued (M.) ZERIHUN YETMGETA, the magical universe of art
71 pp., colour illus., paperback, Pretoria, etc, 2008. R130
Catalogue of the retrospective exhibition, Alliance Ethio-Française, Addis Ababa, Ethiopia, 2008.

Painter Zerihun Yetmgeta was born in Addis Ababa in 1940. He has been Professor at the Addis Ababa University Fine Art and Design School since 1979.

Includes the essay, "Zerihun Yetmgeta: the magical universe of art" by Abebe Zegeye, and a conversation between Meskerem Assegued and the artist.
Zulu (William N.) SPRING WILL COME,
334 pp., map, b/w & colour illus., hardback, Pietermaritzburg, 2005. R180
The autobiography of William Zulu, a well-known linocut artist.

William Zulu was born in 1956 in Empangeni in KwaZulu-Natal. He studied at the Rorke's Drift Fine Art School in the 1970s with fellow artists Eric Mbatha and Azaria Mbatha. The book is illustrated with a number of his linocuts.