Browsing Category Pottery, Ceramics & Glass

ARDMORE CERAMIC ART,
20 pp., colour illus., paperback, (Durban), 2010. R45
A brochure outlining the history of Ardmore ceramic studio and introducing some of the artists.
XI, Eleven Solo Exhibitions
47 pp., colour illus., paperback, Cape Town, 2009. R95
Catalogue of the exhibitions, iArt Gallery, Cape Town, 2009.

The eleven artists who participated in this exhibition are Audrey Anderson, Michele Davidson, Jan du Toit, Sandra Hanekom, Matthew Hindley, Louis Jansen van Vuuren, Theo Kleynhans, Colbert Mashile, Clare Menck, Eris Silke and Gerald Tabata.
Addleson (J.) curator UNTOLD TALES OF MAGIC, Abelumbi
158 pp., map, b/w & colour illus., paperback, Durban, 2002. R90
Catalogue of the exhibition, Durban Art Gallery, 2002.

Works created by artists of KwaZulu-Natal in repsonse to the chosen theme of the exhibition: magic.

Essays include "Familiars" by Jill Addleson, "The Shades" by Ashraf Jamal, "Abelumbi - new tales of magic" by Juliette Leeb-du Toit, "'Today Isangoma of Heaven Has Come': miracle, necromancy and the prophet of indigenous African Christianity" by Robert Papini, "SIYAZAMA - striving to make a postive difference" by Kate Wells, "Some Understandings on the Magical and the Mythical" by Yvonne Winters & "The Spiritual Connotations of Witchcraft/ Magic: a biblical perspective" by Mduduzi Xakaza.
Arnold (M.) & Schmahmann (B.) eds. BETWEEN UNION AND LIBERATION, women artists in South Africa 1910-1994
230 pp., map, colour & b/w illus., hardback, d.w., Aldershot & Burlington, 2005. R850
Essays include "Visual Culture in Context: the implications of union and liberation" & "Eurpoean Modernism and African Domicile: women painters and the search for identity" by Marion Arnold, "Constance Stuart Larabee's Photographs of the Ndundza Ndebele: performance and history beyond the modernist frame" by Brenda Danilowitz, "Art, Gender Ideology and Afrikaner Nationalism - a case study" by Liese van der Watt, "Technologies and Transformations: baskets, women and change in twentieth-century KwaZulu-Natal" by Nessa Leibhammer, "Breaking the Mould: women ceramists in Kwa-Zulu-Natal" by Wilma Cruise, "On Pins and Needles: gender politics and embroidery projects before the first democratic election" & Representing Regulation - Rendering Resistance: female bodies in the art of Penny Siopis" by Brenda Schmahmann, "Narratives of Migration in the Works of Noria Mabasa and Mmakgabo Sebidi" by Jacqueline Nolte & "Florence Phillips, Patronage and the Arts at the Time of Union" by Jillian Carman.
Arnold (M.) ed. ART IN EASTERN AFRICA,
202 pp., 4to., maps, b/w & colour illus., hardback, d.w., Dar es Salaam, 2008. R675
Introduction by Marion Arnold.

Contributions include "Swahili Culture and Art between Africa and the Indian Ocean" by Abdul Sheriff,
"Mimi Kama Kanga, Nafa Na Uzuri Wangu (I am lika a 'Kanga' cloth, I die in all my beauty)" by Farouque Abdela,
"Costume Design in Tanzania: a historical perspective and its implications for contemporary design practice" by Ndesumbuka Lamtane Merinyo,
"Gourd Vessels: women's personal objects" by Rose Mwanja, and
"The Challenges and Successes of Women Artists in Uganda" by Margaret Nagawa.

Marion Arnold taught art history in South African universities. She is the author of "Irma Stern, a feast for the eye" (1995), "Women and Art in South Africa" (1996), editor of "South African Botanical Art, peeling back the petals" (2001) and editor with Branda Schmamann of "Between Union and Liberation, women artists in South Africa 1910-1994" (2005). She now lives and teaches in Britain.
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